Best 4069 quotes in «fiction quotes» category

For too long now divinity and destiny have legitimized what reason and compassion would not. An individual for a family, a family for the kingdom, a kingdom for an empire... And now – an empire for humanity. – Govinda Shauri

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It’s not a black darkness. It’s simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I’ve heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It’s all we know to do. We have screamed for eternity. Within this empty space.

Fran,” dad says lifting his eyes from the map as he nonchalantly drops the A-bomb on me. “It’s extra-terrestrial.” “Wait… what?” I can’t believe what I just heard. “You mean aliens, right?” My breath seizes. “From another world?” FUNNY, ADDICTIVE DRAMA

Fran,” dad says lifting his eyes from the map as he nonchalantly drops the A-bomb on me. “It’s extra-terrestrial.” “Wait… what?” I can’t believe what I just heard. “You mean aliens, right?” My breath seizes. “From another world?” FUNNY, ADDICTIVE DRAMA "Dancing on My Own.

Freedom is a state of mind.

Friendship isn't always sunnyside up.

Freydolf worried that the stone might have been [stolen], but he finally found it safe and sound in one of the many drawers that were better for losing things than organizing them.

Friendship is just love that has yet to sprout wings and take flight.

From 1929 to 1933, [age 25-29] I lived almost continuously in Berlin, with only occasional visits to other parts of Germany and to England. Already, during that time, I had made up my mind that I would one day write about the people I’d met and the experiences I was having. So I kept a detailed diary, which in due course provided raw material for all my Berlin stories. [from preface]

From my new WIP, Behind the Fan. “Come with me.” His breath is warm; his lips lightly touch her ear, it gives her a delicious tingle. This seduction is no accident. “Baby we can be anywhere, we will start new. Dottie, all I need is you.” She opens her eyes, he turns when he feels the flutter of her lashes. She expects another plea instead; he kisses her. Soft and slow his lips pulling her down deeper into a sweet chasm. This assault on her proprieties will be slow and subdued. He has after all proven that he is a patient man. Those musicians’ finger will trail on the column of her neck first. The touch is warm, soft nevertheless deliberate. Do the top buttons of her blouse come undone on their own accord or has he banished them? She is never sure but before she can register the affect, he lightly strokes the swell of her breast. It is sinful; no matter how often she confesses her weakness to the priest, she is never stronger. Her body willingly betrays her; she will roam her hands down his back, beyond the tapered waist to the hard orbs of his backside. She herself is no innocent, she revels in his plead for more. She is going to hell she wished she cared for her soul. “Honey leap with me, we will land safely I promise you.” “Oh God, Nicky you know it is never this simple.” Nick leans back enough to look into her eyes; she feels he can see damn near to her soul. She prays he will stay but knows her appeal is futile. He feels colder already, it does not matter how she tries to hold on he is already leaving. Leaving her behind.

From a distance,' he says, 'my car looks just like every other car on the freeway, and Sarah Byrnes looks just like the rest of us. And if she's going to get help, she'll get it from herself or she'll get it from us. Let me tell you why I brought this up. Because the other day when I saw how hard it was for Mobe to go to the hospital to see her, I was embarrassed that I didn't know her better, that I ever laughed at one joke about her. I was embarrassed that I let some kid go to school with me for twelve years and turned my back on pain that must be unbearable. I was embarrassed that I haven't found a way to include her somehow the way Mobe has.' Jesus. I feel tears welling up, and I see them running down Ellerby's cheeks. Lemry better get a handle on this class before it turns into some kind of therapy group. So,' Lemry says quietly, 'your subject will be the juxtaposition of man and God in the universe?' Ellerby shakes his head. 'My subject will be shame.

From personal experience, I know for sure that the number one thing that saddens the dead more than our grief — is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.

(From the Author Note at the beginning of the book.) Dorothy L. Sayers used to say that mystery stories were the only moral fiction of the modern world--because in a mystery, you were guaranteed to see that the bad got punished, the good got rewarded and in the end all was made right. I'd like to think that fantasy does the same thing. It reminds us that this is how it should be, and maybe if we all put our minds to it a little more, this is how it will be. The good will be rewarded. The bad will be punished. Sins will be forgiven. And they will live happily ever after.

From the book - "Just because you can't see them, doesn't mean their are not there!

From the moment of birth, folks suddenly wanted what others said they could not have. Kids craved the most sugary sweets how alcoholics thirsted for one more drink with the most impactful punch.

From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.

Funny how much we all suffer trying to spare others a bit of pain.

Galinda didn't see the verdant world through the glass of the carriage; she saw her own reflection instead. She had the nearsightedness of youth. She reasoned that because she was beautiful she was significant, though what she signified, and to whom, was not clear yet...She was, after all, on her way to Shiz because she was smart. But there was more than one way to be smart.

Funny what one's willing to do for family, isn't it?' Fan said, pulse pounding like a jackrabbit's. 'I take no pleasure in saying this, but we aren't as different as I thought.' 'Don't be so fucking sentimental,' I told him, and the blood was already flowing when Thom shouted.

¿Gabriel, te gusta que te manden los franceses y que con su lengua que no entiendes, te digan "haz esto, haz lo otro, y que entren en tu casa y que te hagan ser soldado de Napoleón, y que España no sea España, vamos al decir, que nosotros no seamos como nos da la gana de ser sino como el Emperador quiera que seamos?

Gareth Miller grabbed the beer first, then the hotdog, because if there’s one thing you don’t want to be caught dead without at these sorts of events it’s beer. The hotdog was strictly for show, a prop, a way of blending in. Burst of static in his right ear: “G-man, you read me? What’s yo’ twenty, dawg?” Gareth departed the concession stand, stopped, looked down at his hands, and tossed the hotdog into the first trash receptacle he saw. Raising his wrist to his mouth, he spoke into the cuff of his long-sleeved tee. “Concession stand, Section B. Over.” Allowing his hand to linger by his chin, he gingerly scratched his cheek as if he had meant to do it all along. The same voice: “Yo, I’m in position. Ready when you is.” Gareth cringed while crossing the wide concourse, checking both directions. The giant hallway was the main drag of a ghost town, its only residents a solitary custodian sweeping debris into a portable waste bin and the concession crew to his rear.

Get off! Get off me, ‘Felix sobbed, sounding like a little kid. Marco kicked at the sickos, slashing with his knife. It was no good, though— there were just too many of them — and he himself toppled over, landing on his friend and smothering him. ‘It’s all right Felix, ‘he said. ‘I’m with you. It’s all right. You’re not alone. ‘He felt for Felix’s hand held it tight, as more gym bunnies blocked out the light, swamping them.

Gina was beautiful like a sunset. You see it and you think of how beautiful it is, and then it’s over and you move on. But Trista was beautiful like a song. The kind of song you play over and over and never get sick of hearing. The kind of song he wanted to write for her, but he knew he would never be able to string together the right combination of notes to show her how he really felt.

Ghosts often exist even in the bodies of people we love.

..giving power to negative thoughts or fears was bringing ideas to life in physical world,idea in mind became emotion in heart,emotion turned into words spoken,written,painted,strummed across guitar strings,or vibrantly held note by Tibetan singing bowl, thoughts affected physical world.

God don't give out certain.

God, there must be a meaning. Fiercely he was certain that there must be a meaning. Surely, while we live we are not lost. Oh Janos, Janos my brother! Surely we are not lost--while we live.

Gods, I love this place," Locke said, drumming his fingers against his thighs. "Sometimes I think this whole city was put here simply because the gods must adore crime. Pickpockets rob the common folk, merchants rob anyone they can dupe, Capa Barsavi robs the robbers and the common folk, the lesser nobles rob nearly everyone, and Duke Nicovante occasionally runs off with his army and robs the shit out of Tal Verarr or Jerem, not to mention what he does to his own nobles and his common folk.

God wanted him to go to Him with his deepest needs, to stop looking elsewhere, so that he could be made whole again.

Good fantasy fiction: ... explores real human conditions through fantastic metaphors which universalize the characters' individual experiences to speak personally to us all.

Go make me another pea-butter, witch-of-the-sands!

Good fiction doesn’t claim to mirror reality at all. It indicts reality by providing a paradigm of shape and order and justice—the way we all know things should be—without suggesting that’s how things really are. Good fiction is the mirage that declares itself a mirage, yet compels us to faith through its beauty. Good fiction is the dream that’s too good to be true, so perfect and symmetrical that it gives itself away every time. But it doesn’t trick you into suspending your disbelief by trying to look anything like reality. Good fiction makes you acutely, painfully aware of your disbelief, and makes you believe anyway. And when it’s done well—when it’s done right—good fiction is more real than reality.

Good fiction’s job is to comfort the disturbed and disturb the comfortable.

Good night, and may your nights always be bright with stars!

Good books are never finished but abandoned.

Good horror offers a sense of an upended, lawless world and that’s appealing to anyone who grew up feeling like an outsider.

Good writing should help us see the world in new ways, it should crack open our generosity towards each other. That's what I hope my work does anyway. I want someone to read it and know that they aren't alone in the universe. I want my words to act as connective tissue.

Gory frontline memories from war in the Philippines returned to Mitch as he submerged himself in the brush. He sunk deep into the leaves and mud, and stayed there. He remembered scenes from the jungle. The tremors of falling bombs. The smell of smoke.

Gossip is not adopted by the bored. It is an art of discourse adopted by those who have experienced absolutely nothing thrilling in their lives; they have never really fallen in love or casually spoken to a complete stranger, and they never dreamt of doing anything extraordinary. They are a group of people with dull lives and souls.

Granted, there is always much that is hidden, and we must not forget that the writing of history - however dryly it is done and however sincere the desire for objectivity - remains literature. History's third dimension is always fiction

Good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, and so on. Find that one idea that has deep roots in your heart.

Grandmother sat in the magic forest and carved outlandish animals. She cut them from branches and driftwood and gave them paws and faces, but she only hinted at what they looked like and never made them too distinct. They retained their wooden souls...

Grades are misconceptions that form people’s perceptions.

Grandpa Sereno: "There is nothing as dangerous as fear, fear of people who are different than you. Fear is the REAL danger and we must start to put all our efforts into fighting THAT instead of each other. Fight fear not people!!! Let there be light!

Grayson: Fiction is just a lie anyway. Brianna: But it's not - it's a different kind of truth - it would be your truth at the time of the writing, wouldn't it?

Great characters- They are pivotal for a great plot. THEN a solid plot: Why then? If you do not have great characters it is impossible to create a good plot, nonetheless a solid one. Once you have built great characters for the scenes, there you have it. It’s just like the movies, you cannot have a great film if the characters are frail and their lines are weak as well. I guess great world-building comes along with a good plot. If there is something that will work fine in a novel is how you will develop from the theme. You’ve got to establish a good timeline, and from there it comes a world. You see the technical matters don’t match or matter as much to me. Even a poorly written story, if there is a good plot and great characters on it will make a divine combination There are simply many cases of it over the mainstream and that even reached the big screen.

Great writing comes from nowhere and is about nothing. It is pure invention.

Gretchen VanTreese (from The Crimson Corset) is easily the most heartless character I’ve ever written. Ruthless, self-obsessed, and ambitious beyond her means, she is the epitome of greed and overindulgence. This is woman who keeps handsome young men as pets, a staff of venom-addicted employees to do her daytime bidding, and a basement full of bound human delicacies.

Grief is like an ocean. It comes in waves - some waves are bigger than others and you cannot prepare for it.

Great fiction is the art of a soul.