Best 4069 quotes in «fiction quotes» category

Im a massive science fiction and fantasy geek.

I'm an ecumenical reader, grew up with all sorts of fiction, teach writing, went to the Iowa Writers' Workshop, so my tastes and interests are broad.

I'm a novelist, I'm not an activist. I'm not a non-fiction writer, I'm not a journalist. I'm not a foodie, I'm not even really an animal person, or an environmentalist. I did the best I could with this, but it's not who I am.

I'm a sci-fi girl. If I can have anything in life, I'd want tons of great science-fiction movies and stories. It's so progressive, beautiful, and imaginative.

I'm a science fiction geek from birth - that's just who I am.

I'm a reluctant writer of non-fiction, in part because I don't really feel qualified.

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor

I may be the person who put "dieselpunk" into the conversation. I have always been a reader who reads in a really broad way. I read genre writers and I read literary fiction and I read books by dead people.

Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story.

I'm defending fiction as a human capacity more than as a popular or dying literary genre.

I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.

I'm fond of science fiction. But not all science fiction.

I'm in love. And I like how that feels. And I hate how that feels. Because love is an invention of fiction writers.

I'm interested in the possibility of fiction which straddles narrative and essay.

I'm mostly a novelist these days, but I have written short stories in Fantasy, Science Fiction and horror.

I'm much more drawn to fiction, to short stories, and to plays, than I am to diarists.

I'm not a literary writer who is wedded to notions of realism and fiction. I believe that you can write anything if you can feel it convincingly.

I'm not a science fiction writer, I'm a physicist. These are scientists who are making the future in their laboratories.

I'm not a science-fiction writer. I've only written one book that's science fiction, and that's Fahrenheit 451. All the others are fantasy.

I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.

I'm not a reader of young adult fiction for the simple reason that these novelists are writing for adolescents, so they are not writing for me.

I'm not opposed to doing science fiction or comedy, but there has to be respect. I refuse to be the joke, the fat woman joke, in any movie. I've turned down roles.

I'm not well-versed in the science fiction world. I'm hoping that I'll get more opportunities in it because you get to create a new world.

I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.

I'm pretty instinctual when I write, and I really like to get to a point where I'm writing where I don't know what's going to happen next. Usually when I get to that point, something will happen that I find intriguing or interesting, or that will push the fiction in a way that I really like.

Implausible truth can serve one better than plausible fiction

I'm pretty catholic about what constitutes science fiction.

I'm repledging myself to human-scale values. As a fiction writer, the best data comes through the senses and is then processed through many revisions. We have to learn to be intelligent assessors of the data coming in to us and what it's doing to our mental process.

I'm probably a lot closer than perhaps the contents of my early fiction suggest to a jaded Denny's waitress with smoker's-lung-black humor than a ghost hunter.

I'm reading a bunch of fiction by Afghan and Iraq War veterans for a New Yorker piece. There hasn't been that much, but it's starting to come out, and some of the fiction is really good.

I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.

I'm really shocked when critics get morally outraged at my fiction because they think I'm condoning what's going on. I never come in as the author and say, "Hey, okay. I'm interrupting the narrator here. I'm Bret Easton Ellis, and I'm the author.

I'm sold as a literary writer in Holland; I'm sold as crime fiction in England. I think of it as just literature.

I'm terrible at reading fiction. I don't have the attention span - it's awful.

I'm sure there's an alternate universe where I got to become a pulpy science fiction writer.

I'm tired of hearing about innocent victims. It's fiction, If you live on this planet you're guilty, period, f*** you, next case, end of report. Your birth certificate is proof of guilt.

I'm the Jerry Lewis of crime fiction.

I'm the only member of SFWA in Nebraska, but I don't pine away for the companionship of other science fiction writers. I [go] to very few conventions. I'm quite willing to be that eccentric who has a very odd job, quite happy to be the only science fiction writer in town.

I'm very interested in film making. It's telling a story, fiction or non-fiction. I have been filmed quite a lot. Contrary to popular belief, filming isn't glamorous. It can be wearingly repetitious, as the same shot is taken over and over again.

I'm very keenly aware that there aren't very many women writing literary fiction in Ireland and so that gives me a sense that what I say matters, in some small way.

I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.

In Bosnian, there's no distinction in literature between fiction and nonfiction; there's no word describing that.

In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off putting to the audience. There is always something familiar they can grab onto.

In an infinite multiverse, there is no such thing as fiction.

In a science fiction movie, the first act is a little longer than it is in most movies because there is so much world building to do.

In all fiction, when a man is faced with alternatives he chooses one at the expense of others.

In a lot of writing or intellectual discourse we're starting to use that model: "Oh, this is where it comes from!" I would like to concentrate on work which is more resistant to that procedure, as I think fiction is.

In commercial fiction especially, everything in the story usually contributes directly to the plot The shorter the story, the truer this is

I need fiction like you need to eat or exercise.

In economics, unlike fiction and the theater, there is no harm in a premature disclosure of the plot: it is to see the changes just mentioned and others as an interlocked whole.