Best 4069 quotes in «fiction quotes» category

What we do in life echoes in eternity.

What we often take to be the new is simply the old under some novel form.

What we write is fiction; what we experience, truth.

What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES

What you believe determines the way you feel and act... but it doesn't change the truth.

What would you suggest?” one of the Italian officials asked. “We do have a highly-advanced biological device called the Illuminator,” Joseph chimed in

What you must do,” she continued, “you will. Your mission will be as clear to you and as demanding as your heartbeat. Everything else is just a waste of your time.

What you do today is important . We can never get today back.

When dancing with a pit bull, it's always best to let him lead.

Whenever I’d get howlin’ over something, he’d grab my ass up from wherever I was and head straight for the john. Momma said my head would get banged up along the way, but she said it was probably bein’ dunked under water that made me stupid.

Whenever I come across someone speaking negatively about escapism or looking down on those who seek a temporary escape from this world, I can't help but look at them as absolute fools. To deny someone the right to find temporary peace in escapism is to deny human nature itself as well as all the benefits of such a beautiful concept. Often times, these instances show them saying that "it'll only make things worse" or "it's not gonna change anything", except, a lot of times, that's not the case at all. How many times has someone shut themselves away from the world by listening to a song they hold dear only to return more ready to face the world than before, how many times has someone learned something about themselves through the fictional events of a novel that they wouldn't have other wise, how many times has society experienced great change through people who dreamed of making the world a better place, only to eventually make those dreams into a reality.

Whenever a Serb bled or was buried, they would claim the land as their own territory. Such was their fervent nationalism.

When fiction has become reality, life may turn into a fairy tale or a firestorm. Tina, time has come to pull up one’s socks and start relearning and reassessing living. ("Another empty room")

When he spoke of love, it was in the manner of someone who can recite a phrase in a foreign language but has no idea what it means. He only knows that it sounds pretty.

When he unleashes on her everything falls together. Like a crick in the neck snapped into place, the boy's brain pops and is put right. It is a beautiful undoing, a beautiful becoming. He doesn't stop to think about it when the punches follow her down to the ground. He doesn't stop to notice when she goes still or when the pool of blood under her head pillows out into a great, liquid heart. He doesn't stop until he's pulled off her and he doesn't start to think again until that night, when he's back at home. For hours and hours his brain stays beautifully popped into place.

When history gives out, fiction takes over.

When he wasn’t busy chasing unseen mice around the academy, Ion spent hours in the Borean Study, searching through dusty books for anything that had to do with the banshee or the Shroud. But finding this anything proved to be difficult as well, especially when the books you’re reading have everything to do with something, but certainly nothing to do with your anything. And in trying to find this anything, Ion forgot about a very important, specific thing, which would quickly ruin his Wednesday.

When I label something as fiction, people say it’s true, and when I label something as non-fiction, people say it is made up. If something is not 100% true, then I label it as fiction. After all, there is no half of a lie, is there?

When I'm writing a story, I use words to transform the surrounding scene into something more natural for me. In other words, I reconstruct it. That way, I can confirm without a doubt that this person known as 'me' exists in the world.

When I read Sunshine’s book, it was a scary recalibration of my thought process and a refreshing re-pondering of lifelong ideas.” • Taken from the Foreword written by Evangelist Carl Harris

When it comes to who will like your writing; the ones who will like it will like it because they can relate to the story or can find a piece of their own story hidden within - regardless of the mistakes. The ones who won't, never will - no matter what.

When people pose the question, are you “coxom”, Tom Conrad? I like to pose a question back at them: Is J.K. Rowling actually a witch? Is Thomas Harris the no. 1 serial killer in the the US, did Yann Martell really spend a lifetime eating pie? Of course, as far as I know J.K. Rowling is not a witch, but instead is a rather lovely and talented writer. As for that Thomas Harris (equally talented), I very much suspect he isn’t actually a serial killer at all, or if he is, he’s involved in the biggest case of double bluff… ever! As for Yann Martell, well, as everyone with half a brain knows his book is actually concerned with a mathematical constant, so ignore the dumb pie joke. Hm :/

When I walk, I walk with you. Where I go, you're with me always.

When I write fiction, I struggle to decide the fate of two people created by my mind and spend countless hours to give them a happy ending. God, the Almighty has created infinite human beings till date and runs all our lives with such ease. He is the BEST WRITER of all.

When I write, I do not like using ten dollar words. I like the fifty-centers. Everybody has fifty-cents, even those that are too proud to admit it.

When Louise returned to the Aviary the others were playing the game of what character in fiction Peter Mir reminded them of. 'I think he's Mr Pickwick,' said Louise. 'Oh no! Never!' said Sefton. 'I think he's more like Prospero.' 'I think he's the Green Knight,' said Aleph. 'Come on, Moy, what do you think?' 'I think he's the Minotaur.' 'The Minotaur isn't a literary character, he's a mythical character,' Sefton objected. 'Oh really — !' 'What does Clement think?' said Aleph. 'I think he's Mephistopheles,' said Clement. 'Surely not, he's so nice!' said Louise.

When people find out you're a writer of any kind, they often think one of two things: that you're filthy rich ... or that you're dirt poor - neither of which are necessarily true.

When reading dies, the imagination soon follows.

When strange objects shapes the landscape, we get fiction

When the imagination takes over, the second hand could be the hour hand to a creator of stories.

When we front a fiction, we are destined for loneliness.

When they exited onto the street, Arch hailed a hansom, and Quincy slipped inside before he could offer her any more chivalry. There was just enough room in the carriage for two reasonably sized egos, and any tendency towards Lancelotism, Quincy told herself, was to be avoided.

When we create, we become stronger. When we create, we feel better. When we create, we can use our own two hands to create a new world. And this new world will be as we want it to be.

When we make our ideals based on fiction and expect the world to fit into the moulds of those ideals, we get frustrated because different people have different ideals. Every person chooses his ideal on the basis of what suits him the most.

When will people learn that just because you can make something doesn’t mean you should?

When you come to a detour, take it.

When writing fiction, you learn to only put things and characters in, that are going to progress your story. There is something to be learned about that approach in real life

When you died, you died in small doses. You had trouble speaking. You forgot who was beside you. You were suddenly furious and in a panic of outrage. You wished you could be saintly. You wished you weren't so weak. You suddenly felt better and fooled yourself into believing that a miracle was about to happen. Well, wasn't that all a dirty rotten thing to pull on somebody.

When you confidently defend fiction, think about reality also

When you have so much real drama in your life, it’s hard to think about fiction.

When you read the account of a murder - or, say, a fiction story based on murder - you usually begin with the murder itself. That's all wrong. The murder begins a long time beforehand. A murder is the culmination of a lot of different circumstances, all converging at a given moment at a given point. People are brought into it from different parts of the globe and for unforeseen reasons. [...] The murder itself is the end of the story. It's Zero Hour.” He paused. “It's Zero Hour now.

when you live outside the law, you have to be flexible

When you’re used to being in dangerous situations, you develop a sixth sense about your surroundings, about where possible enemies might be lurking, how many steps it will take to reach the next corner on a dead run, the best hiding places if bullets start to fly...

When you least expect it, you run in to an old friend from school, or the neighbour’s cat, not Mary the Virgin Mother of God.

When you touch a man's body, he will enjoy the moment, when you touch a man's heart he will remember it forever.

When you turn around, you'll see something I bet you've never seen before. If it takes your breath away, then you'll fit in nicely. If you don't feel anything, then maybe you don't belong here.

Where does fiction end and reality begin?

Where are you taking me?” Andrew demanded, whirling on the Ferryman. His muscles tensed, hands curling in and out of fists. “To my master.” The voice was ghostly, whispers of black ash and death, words cold and detached. He had an idea who that was but asked anyway: “And who is your master?” No answer came. Andrew’s insatiable rage rose up and swallowed his grief like a yawning ocean mouth, the darkest depths surging to the surface to form a mighty tidal wave. He closed the distance and seized the Ferryman’s gaunt wrist. There was no substance, no life beneath the cloak. The Ferryman slowly turned his hooded head, and Andrew found himself looking into the black hole of a self-contained night. The olfactory of decay was a punch in the face. Andrew released the Ferryman’s wrist and hastily stepped back, rocking the boat as he put distance between him and the unnatural wind spilling from the gaping orifice. Andrew shivered, the tiny hairs on his neck saluting. The cloaked head faced forward again, and the wind died away.

Where characters make the story

Where do they go, these dreams of mine? Do they live? Do they die? Do they fall? Do they fly?