Best 4069 quotes in «fiction quotes» category

I never take out clients. It’s bad policy.” He looked me straight in the eyes as he said it. Reaching across for the glove compartment, his arm accidentally brushed my leg.

I never understand," he said, shaking his head, "why anyone would go through the trouble of making up new people in this world when there's already billions of the buggers I don't give a shit about.

I never look at a painting and ask, "Is this painting fictional or non-fictional?" It's just a painting.

I never said you had to like it. You have to accept it. No regret." -Clare Harding.

I never said you had to like it. You have to accept it. No regret. - Claire Harding - Boone Holler

I never want a girl to lose all hope that her life can’t completely turn around, even if she feels that she is at the edge, standing on one foot, and ready to say goodbye.

I never want you to deny anything about yourself because you have grown up thinking it’s unacceptable or inconvenient for the people around you.

I never was very good at acting. I never was very good at playing the role. Because the true pretending can only come off in our genuine awareness of the real. Only those of us with the most secure grasp on the real can pretend; can really be good at the performance. And of course I didn't know what was real; I only knew the camera was always on.

In fact, Mott had not been forced to believe anything: the willing lies of fiction depend upon willing believers. Like love, belief is an act of volition.

In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.

In fiction: we find the predictable boring. In real life: we find the unpredictable terrifying.

In French culture, the best way of buying time or getting off the hook entirely in a thorny personal situation is to claim that it’s complicated. The French did not invent love, but they did invent romance, so they’ve had more time than any other culture on earth to refine the nuances of its language.

Infatuation burns itself out,' she says. 'Friendship mixed with old chemistry--that can last a lifetime.

In its basic form, nursing can be seen as a duty, but beyond the incessant operational activities that lay the foundation of our daily work, the profession is all about grace. Helping people is a noble calling. It is a privilege to serve my fellow human beings. Fifteen years has seen many ups and downs at the workplace, but I have enjoyed serving the many patients who come into my care, and have prayed for the souls of those who were on the brink of death.

In life, wisdom usually came with age, but death offered another world.

In life your rewards come from the gifts you give to others.

In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise others’ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often I’d found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.

In life, when you have a partner–someone you can rely on and trust with everything that you are–there isn’t anything you can’t accomplish. I will always be there for you, if you let me.

In my head, owning a bookstore meant I could hide in the back reading all day, while other bookworms came and went without a sound, resembling almost a library or, better yet, a convent. People never talked to me or to each other, we were just a secret society of readers, alone but together in silent unity. In reality though, owning a bookstore meant that I never actually had time to read a book myself. And being a newer bookstore, meant that I was broke and couldn’t actually afford staff so I had to do most things myself. Alone. In front of people. With my face showing. And sometimes having to make eye contact. It was awful.

No one is on this road, she thought. No one but us. Everyone knows this isn’t the place to be at three o’clock on a summer afternoon. Everyone but us.

I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.

In our choices lie our fate

Now that I had run out of steam I realized I was in Ronan’s room, at night. He was standing there in a pair of boxers and nothing else. Gulp. Maybe I shouldn’t be too hasty to throw away this betrothal. Ew. Great, Grazi, why not just drool all over the boy in his underwear after you pretty much told him you wanted nothing to do with him? I’m such a freak. “Um, I’ll see you tomorrow.” I turned around and left as quickly as I had come in.

I noticed he had begun to do as I did. But then what other models did he have? He was the kind who wore checked shirts tucked into trousers that had two demure pleats in the front.

I now understand that writing fiction was a seed planted in my soul, though I would not be ready to grow that seed for a long time.

In relationship there are always two types of person: one weaker and the other stronger one. It's never easier to live being as weaker one!

Inside the room there sat a rocker, which she sat on, and which had rocked her while she sipped the beer, because in spite of herself she had become so giddy to have so quickly relieved her heart that she allowed herself to lean backwards while in the rocker, which had made it possible for the rocker to rock her, although it was not her intention to be so rocked. Also there stood an ironing board with a still hot iron on it that was burning a yellow shift, and there was, among several items that were not as noticeable to the woman, and yet were noticeable enough to at least bear mention, a fake man. "I hope you don't mind me asking," said the woman who lived in the room, but then while in her chair she nodded off.

Instead, I read books in the library, huddling on a bean bag in a corner and getting lost in somebody else's victories and troubles. I never had much time for fiction before. I preferred real life. Mathematics. Solutions. Things that actually have a bearing on my life. But I can understand now why people read, why they like to get lost in somebody else's life. Sometimes I'll read a sentence and it will make me sit up, jolt me, because it is something that I have recently felt but never said out loud. I want to reach into the page and tell the characters that I understand them, that they are not alone, that I'm not alone, that it's okay to feel like this. And then the lunch bell rings the book closes and I'm plunged back into reality.

Instead of speaking of beliefs, one must actually speak of truths, and that these truths were themselves products of the imagination. We are not creating a false idea of things. It is the truth of things that through the centuries has been so oddly constituted. Far from being the most simple realistic experience, truth is the most historical. There was a time when poets and historians invented royal dynasties all of a piece, complete with the name of each potentate and his genealogy. They were not forgers, nor were they acting in bad faith. They were simply following what was, at the time, the normal way of arriving at the truth. [...] I do not at all mean to say that the imagination will bring future truths to light and that it should reign; I mean, rather, that truths are already products of the imagination and that the imagination has always governed. It is imagination that rules, not reality, reason, or the ongoing work of the negative.

... instead of spelling stories you spread silence, which was outside the alphabet.

In the beginning we start with roses. The king’s flower right? Only they wilt in less than a day, especially when exposed to the elements. But Carnations? Oh, what a beautiful flower. They come in every color. True, some are painted, but that doesn’t mean they are less beautiful, and they never wilt.

In the better light of the living room he noticed with interest that there actually was dust in the creases of her face.

In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don’t recognise her, you will think she is someone you know.

In the library of the observatory in Ondrejov, above Prague, I once found a catalogue of stars that astounded me. It had hundreds of pages with tables of stars that had been observed and confirmed to exist. Towards the end there was a table of stars thought to have been observed but confirmed to not exist. But to my astonishment, at the back of the volume I found a list of stars which had never been observed and did not exist. Perhaps the most amazing thing about the universe is that we could create an infinite catalogue of things, worlds and beings that no one has seen and which do not exist. Each story in the realm of fiction is a small part of that catalogue.

In the Ottoman times, there were itinerant storytellers called "meddah. " They would go to coffee houses, where they would tell a story in front of an audience, often improvising. With each new person in the story, the meddah would change his voice, impersonating that character. Everybody could go and listen, you know ordinary people, even the sultan, Muslims and non-Muslims. Stories cut across all boundaries. Like "The Tales of Nasreddin Hodja," which were very popular throughout the Middle East, North Africa, the Balkans and Asia. Today, stories continue to transcend borders

In the mantra of shared hatred and placing the blame on Israel, our cowardice to face the barbarity of our heads of states was replaced with a divine purpose. Contemplating the manifestation of the eradication of hatred I often concluded, the entirety of the Middle East’s theocracies and dictatorships would be replaced by total anarchy. We would be left with nothing, as our brotherhood of hatred was the only bond known to us. Enculturated in the malarkey of that demagoguery, forces beyond our control and comprehension seem to deceive us into a less harmful and satisfactory logic as opposed to placing some blame on ourselves and thus, having to act to reverse that state of affairs.

In the illusion of delusion, between madness and lawlessness I exist. I dream about dreams, about illusions and disillusions and cold and madness and you…

In the illusion of delusion, between madness and lawlessness I exist. I dream about dreams, about illusions and disillusions and cold and madness and you… the source. Known and unknown and the eternity and the darkness flittering with my soul and on the outside of memories; cages and cages of feelings caught in a single line of dreams shackled to a thought

In the schoolhouse of the disco, I'd learned courage in a gay bar with gay men, but courage away is not courage at home.

In this world there are two types of people: the ones who hurt, and the ones who are hurt. But if we all claim to be the victims, then aren't we all the criminals too?

In this strife-torn valley, I have always been tormented by feelings of indefinite and eternal uncertainty. "The Half Mother" is an outcome of those feelings.

In this book time thus flows in a tempo opposite that of real life: the tempo slows down as the years go by.

In this crowded field of publishing, originality is king.

In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure. In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts. ("Introduction")

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.

I often tell my students that fiction is about desire in one way or another. The older I get, the more I understand that life is generally the pursuit of desires. We want and want and oh how we want. We hunger.

I prefer, where truth is important, to write fiction.

I opened my eyes and watched the water stream past me. I let out some of my air and gazed at the cascade of silver bubbles dancing up to the surface.

I promise to tell you everything you want, but first I want something from you in return. What do you want? Olivia asked. I want a kiss, William said. You and I, we're making a deal of sorts...a bargain that we will keep each other's secrets...

I rarely remember the names or faces of nonfictional people.