Best 4069 quotes in «fiction quotes» category

There is nothing more amazing than being with the one you love.

There is nothing so sexy as a good-looking man in a good-looking pair of shorts.

There is nothing to me but you. I know it’s pathetic but, oh darling, it’s true.

There is no truth, only science and fiction.

There is only one kind of immorality in fiction, and that is when you write badly.

There is only one misery . . . not to be saints.

There is only one happiness in life. To love, and to be loved

There is quite enough sorrow and shame and suffering and baseness in real life and there is no need for meeting it unnecessarily in fiction. As Police Commissioner it was my duty to deal with all kinds of squalid misery and hideous and unspeakable infamy, and I should have been worse than a coward if I had shrunk from doing what was necessary; but there would have been no use whatever in my reading novels detailing all this misery and squalor and crime, or at least in reading them as a steady thing. Now and then there is a powerful but sad story which really is interesting and which really does good; but normally the books which do good and the books which healthy people find interesting are those which are not in the least of the sugar-candy variety, but which, while portraying foulness and suffering when they must be portrayed, yet have a joyous as well as a noble side.

there is something intriguing about knowing how things are going to turn out, but being constantly surprised about how they'll get there.

There is something so degrading - at least, one would think that there were something so degrading in the practice of writing as a trade - that anyone who has once earned a livelihood, or part of it, obviously and openly, by popular writing, can never be seriously regarded by any great number of people. And then, of course, "he does too much.

There is truth in stories. There is truth in one of your paintings, or in a sunset or a couplet from Homer. Fiction is truth, even if it is not a fact. If you believe only in facts and forget stories, your brain will live, but your heart will die. hehe skl kanami dan

There is truth in stories. There is truth in one of your paintings, boy, or in a sunset or a couplet from Homer. Fiction is truth, even if it is not fact. If you believe only facts and forget stories, your brain will live, but your heart will die.

There Peter sat in the new sunlight, plaiting the straw for baskets, until he saw the thing he had been taught most to fear advancing silently along the lea of an outcrop of rock.

There’s a German term- heimweh, homesickness. It’s a powerful sensation, like a narcotic. A yearning from home, but for something more- a past self, perhaps. A lost self. When I first saw you on the street, Katya, I felt such a sensation… I have no idea why

There's a growing trade in fakes, you know. Does that concern you? He paused, but he didn't seem surprised not to get an answer. I've never seen one - well, as far as I know - but I'm curious. Could one really tell the difference? Novels, they call them. They must be much cheaper to produce. You can copy them, you see. use the same story over and over, and as long as you're careful how you sell them, you can get away with it. It makes one wonder who would write them. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty. People who can spend days writing a long sad lie without going insane.

There's always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won't reflect the storyteller's true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he's been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don't even think to question, that you don't even notice-- those will show up. And that tells much more truth about what you believe than your deliberate moral machinations.

There’s an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don’t notice at what point that you’re actually overwhelmed by this. There’s no showiness, at all. It’s the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn’t have a notion of where the beauty was. (Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.)

There's a water cycle. Water never goes away. It never dies or is destroyed. It just changed from form to form in a continuous cycle. On a hot summer day, you've drunk water that a dinosaur drank. You might have cried tears that Alexander the Great cried. So I'm returning Eli's energy - his spirit - and all that it contained. His life. His music. His memories. His loves. All the beautiful things in him. I give to the water so he can live that way now. Form to form. Energy to energy. Maybe I'll meet my son again in the rain or in the ocean. Maybe he hasn't touched my face for the last time.

There's no such thing as fiction", Annie told him once. "If you can imagine something, then it's happened.

There’s nothing that makes me cry harder than fiction. There’s nothing that makes me weep, nothing that holds my breath and brings tears stinging to my eyes more than fiction. And all those sad realities which filter through my days. They leave no lasting impression. All they serve is small reminders of my busy life. Small purposes: remember the pain of the world. Okay, alright. I remember it all. Then I go watch a movie. I listen to the classical music station in my car at five-thirty pm where they always play that same song. I watch a play, watch the performance. Watch the smoke descend upon the stage. This fiction. It’s the only thing that affects me. Funny, isn’t it?

There’s something about her, I remember thinking, a little mysterious. I tried to absorb the feeling for as long as I could before I went back to work. I tried not to think about it. Feelings throw everything off.

There’s that fallen heart feeling that you rushed right through the moments where you should’ve been paying attention. Well, get used to that feeling. That’s how your whole life will feel some day. This is all practice. None of this matters. We’re just warming up.

There used to be a rubbish heap under the great tree in Dhoby Ghaut with a sarabat stall parked next to it. It was a low, sprawling rubbish heap made up of the usual things—refuse from dustbins, paper, old tins and slippers and leaves from the tree above. Then one day, people forgot about it. They found a new dumping place and the old rubbish heap settled low on the ground. Time passed and its contents became warm and rich and fertile and people living in the area would take away potfuls of it to plant flowers in. Somehow, a rose cutting, slim as a cheeping chicken’s leg and almost brown, appeared on the rubbish heap one day.

There was an image in my mind—an expectation of what it would be like when I finally gave myself fully to a man. It wasn’t like this. It was always at night with candles flickering lazily, music filling the air with a sexy melody, and maybe a bubble bath. But no. It was infinitely better, and there was no froo froo, stereotypical scene that played out. It was incredible. Brilliant. Amazing. Indescribable, really. Like all the planets in the galaxy aligned for a perfect moment in time. As if this was the beginning of time. From now until the rest of eternity, everything finally had meaning.

There's what's smart and what's right." - Molly in the Night Gardener

There was a certain amount of initial argumentation about the "meaning" of the balloon; this subsided, because we have learned not to insist on meanings, and they are rarely even looked for now, except in cases involving the simplest, safest phenomena.

There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head.

There wasn't a shed of doubt in her mind that he'd fulfill her every sexual fantasy and them some. But was a brief, hot affair worth losing his friendship?

There was something wild beneath the surface that his suit couldn't hide. He had the cocky arrogance of a man who broke the rules with impunity. A man who feared nothing. A very, very dangerous man.

There were many tomorrows to be lived through his children. He could only hope that they would face them more courageously than he had, that his mistakes would serve as warning signs rather than crutches to lean on.

There were no absolutes in fiction, no certain way to deliver what was needed. So it was no surprise most technical writers considered novel-writing a gateway to madness.

There were things hiding inside of her I wasn’t equipped to see and this collapse ripped her open to me. I searched her cavities for symbols that would betray her true nature, but found nothing I could read, just a vast absence containing her poverty of morals. I should’ve known, the need for my presence in her life was never love, only a sluice of goodness she would let flood the gulley of her body when she needed to appear human.

there were worse things than feeling guilty, like feeling dead.

There will be no holding off, there will be no remorse and there will be no hesitation. They will die and they will die a horrible death. This is my pledge and vow, so bank on it and don’t try to stop me.

These scars that we have... they don't go away. They only fade with time, but they're still hauntingly there.

The shadowy edge between normal and paranormal is more than ILLUSORY...

The sight of her made him understand why he'd lost his faith in God.

The simple truth is that the truth does not exist; it all depends on a person's point of view.

The sky was on fire.

The small Chinese man sank onto the plush leather sofa. He sank so low on the large brown sofa, it looked like it would swallow him whole. He sat, clutching his briefcase close to his chest, his alert eyes scanning the spacious room. Opposite him, across a glass table sat a large African Minister in a freshly pressed Italian suit.

The sky wraps us in a chilled blanket of milky stars.

The station was filling with more movement and noise and light, as the morning sun began to bounce and rattle off the brass and glass of the building. Quincy pushed through the crowd, her eyes towards the ground, her feet guiding her out of the station. She only lifted her head when she came out onto the sidewalk. And there, before her, a familiar figure was waiting, standing with a paper in one hand, watching the flow of traffic. He saw her and waved in silence, somehow knowing it wasn’t a morning for many words. “Did Fisher tell you to come?” Quincy said, her voice sounding so unlike itself—sounding yearning. “No,” Arch replied. Then he shook his head as confirmation, as if it were an important truth she needed to know two ways. “But I knew this was his train.” “You missed him.” “I didn’t come for him. I came for you.

The story of your life, described, will not describe how you came to think about your life or yourself, nor describe any of what you learned. This is what fiction can do - I think it is even what fiction is for.

The story you are about to read is a work of fiction. Nothing - and everything - about it is real.

The strangest thing about demons is that they come to love you. As much as they try to murder the very core of you when you first meet, they become your closest companions. I never asked for this devil on my shoulder. But my eyes are burning and I’m not alone. If you see a red gaze at midheaven, look away. It’s exactly as they say: hell is a hungry place.

The sultan had enormous eyebrows, fibrous like angora wool. In moments of strife, his eyebrows twitched violently. Like now! His Excellency’s royal blood boiled. Once again another mesmerized American news anchor gushed about Dubai’s vision, hailing the imagination of the al-Maktoum family. “Where is this vision coming from?” probed Katie Couric. “Ignorant Yankee!” Sultan Mo-Mo’s British twang bore traces of Basil Fawlty. The sultan wanted to retch. Dubai’s showboating gave him indigestion, but he continued helping himself to more chips and fiery salsa, downing cold Guinness, smoking excellent hash, humming the theme song of The Wonder Years.

The sun rolls along up Fourteenth Street and the ghost of a habit turns Cat's face into the light. She shields her eyes and looks east, half expecting to see her father, a sun-blown shadow in the diorama box of his newsstand.

The team leader, Dr. Joe Spagnola, gave him a quick look as well. It pretty much said, "You maggot, if you leave one of my men behind, don't ever go to sleep because I'll be coming for you." At least Barry interpreted the look that way.

The time of my departure is here. Place your hand gently on the soil beside my own, and feel the rumble of the earth beneath. The power of a thousand thousands is coming... evil warriors fighting against the Noble One. Here I stand with Him. Take up your sword and come with me, for the Prince is calling. And if you do not go... who will?

The trouble with you, Charles, is that basically you despise women, whereas I, in spite of some appearances to the contrary, do not." "I don't despise women. I was in love with all Shakespeare's heroines before I was twelve." "But they don't exist, dear man, that's the point. They live in the never-never land of art, all tricked out in Shakespeare's wit and wisdom, and mock us from there, filling us with false hopes and empty dreams. The real thing is spite and lies and arguments about money.