Best 292 quotes in «structure quotes» category

Character is like 'Structural Integrity' in the field of engineering. A construction is believed to have structural integrity when it can withstand 'impact' from anywhere and anything, functioning adequately for its desired purposes and service life, until a physical collapse proves otherwise. 'Integrity' springs from the original Latin root 'integrum', which means "Intact". A man has INTEGRITY when he remains INTACT, despite the IMPACT of forces that seek to sidetrack him. He will never confuse "what is" with "what ought to be", EVEN WHEN "what is" will work in his favour. A man who will choose, not what the world forces his hands to choose, but what aligns with his destiny and will propel him to become what he is meant to become. Such men are few, such men should be me and you.

Foulmouthed individuals seem to have their neuron systems replaced by colon structures, given that their terminology profusely consists of "sh*t and f*ck". ("Tolerance zero")

Control is the inner disease of those who need stability and order to function.

Feature the good culture to never be like the vulture that doesn't have a good posture in the picture, the structure you make from every adventure gives glory to the creator for his creature, and he will give you treasure from the nature to venture for the future.

I am convinced that something out of the ordinary, if not truly unique, is occurring in Toronto. It feels like the city is emerging from a chrysalis.

Grammar and structure are speed breakers that impede thought.

Growth responds to Structure whether organizational or personal. Build a structure for your life if you must grow

How would I explain to him that I couldn’t make peace with him? How would I explain that if I did I would immediately lose my inner balance? How would I explain that one of the arms of my internal scales would suddenly shoot upward? How would I explain that my hatred of him counterbalanced the weight of evil that had fallen on my youth? How would I explain that he embodied all the evils in my life? How would I explain to him that I needed to hate him?

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

I thrive in structure. I drown in chaos.

If you want to have a strong structure, build the foundations the right way.

I have destroyed almost the whole race of frogs, which does not happen in that savage Batrachomyomachia of Homerr. For in the anatomy of frogs, which, by favour of my very excellent colleague D. Carolo Fracassato, I had set on foot in order to become more certain about the membranous substance of the lungs, it happened to me to see such things that not undeservedly I can better make use of that [saying] of Homer for the present matter— 'I see with my eyes a work trusty and great.' For in this (frog anatomy) owing to the simplicity of the structure, and the almost complete transparency of the vessels which admits the eye into the interior, things are more clearly shown so that they will bring the light to other more obscure matters.

In describing a protein it is now common to distinguish the primary, secondary and tertiary structures. The primary structure is simply the order, or sequence, of the amino-acid residues along the polypeptide chains. This was first determined by [Frederick] Sanger using chemical techniques for the protein insulin, and has since been elucidated for a number of peptides and, in part, for one or two other small proteins. The secondary structure is the type of folding, coiling or puckering adopted by the polypeptide chain: the a-helix structure and the pleated sheet are examples. Secondary structure has been assigned in broad outline to a number of librous proteins such as silk, keratin and collagen; but we are ignorant of the nature of the secondary structure of any globular protein. True, there is suggestive evidence, though as yet no proof, that a-helices occur in globular proteins, to an extent which is difficult to gauge quantitatively in any particular case. The tertiary structure is the way in which the folded or coiled polypeptide chains are disposed to form the protein molecule as a three-dimensional object, in space. The chemical and physical properties of a protein cannot be fully interpreted until all three levels of structure are understood, for these properties depend on the spatial relationships between the amino-acids, and these in turn depend on the tertiary and secondary structures as much as on the primary. Only X-ray diffraction methods seem capable, even in principle, of unravelling the tertiary and secondary structures. [Co-author with G. Bodo, H. M. Dintzis, R. G. Parrish, H. Wyckoff, and D. C. Phillips]

In your hands I am no longer a pile of bones left behind to a world that moved on.

[I]t is a mistake to rush to impose the individual ethical responsibility that the corporate structure deflects. This is the temptation of the ethical which, as Zizek has argued, the capitalist system is using in order to protect itself in the wake of the credit crisis - the blame will be put on supposedly pathological individuals, those’ abusing the system’, rather than on the system itself. But the evasion is actually a two step procedure - since structure will often be invoked (either implicitly or openly) precisely at the point when there is the possibility of individuals who belong to the corporate structure being punished. At this point, suddenly, the causes of abuse or atrocity are so systemic, so diffuse, that no individual can be held responsible… But this impasse - it is only individuals that can be held ethically responsible for actions, and yet the cause of these abuses and errors is corporate, systemic - is not only a dissimulation: it precisely indicates what is lacking in capitalism. What agencies are capable of regulating and controlling impersonal structures? How is it possible to chastise a corporate structure? Yes, corporations can legally be treated as individuals - but the problem is that corporations, whilst certainly entities, are not like individual humans, and any analogy between punishing corporations and punishing individuals will therefore necessarily be poor. And it is not as if corporations are the deep-level agents behind everything; they are themselves constrained by/expressions of the ultimate cause-that-is-not-asubject: Capital.

If I were in his(Prophet Muhammad) presence, I would wash his feet.

I think that the event which, more than anything else, led me to the search for ways of making more powerful radio telescopes, was the recognition, in 1952, that the intense source in the constellation of Cygnus was a distant galaxy—1000 million light years away. This discovery showed that some galaxies were capable of producing radio emission about a million times more intense than that from our own Galaxy or the Andromeda nebula, and the mechanisms responsible were quite unknown. ... [T]he possibilities were so exciting even in 1952 that my colleagues and I set about the task of designing instruments capable of extending the observations to weaker and weaker sources, and of exploring their internal structure.

It is necessary to build a system or a structure which will allow you to form your dream into reality

It is necessary to draw up a plan concerning your goals and your calling

No human utterance could be seen as innocent. Any set of words could be analysed to reveal not just an individual but a historical consciousness at work.

It never ceases to amaze me how prosaic, pedestrian, unimaginative people can persistently pontificate about classical grammatical structure as though it's fucking rocket science. These must be the same people who hate Picasso, because he couldn't keep the paint inside the lines and the colors never matched the numbers.

Never believe for a second that your weak, within all of us we have a reserve of inner hidden strength,

It shouldn't be very difficult for anyone to resist the temptation to force himself into the pattern of the structured man. One needs only to remember that a groove may be safe--but that, as one wears away at it, the groove becomes first a rut and finally a grave.

Mankind has uncovered two extremely efficient theories: one that describes our universe's structure (Einstein's gravity: the theory of general relativity), and one that describes everything our universe contains (quantum field theory), and these two theories won't talk to each other.

Muhammad adhered meticulously to the charter he forged for Medina, which - grounded as it was in the Quranic injunction, "Let there be no compulsion in religion" (2:256) - is arguably the first mandate for religious tolerance in human history.

Our world is structured in such a way for you not to even know and for you not to even be told and for you not to even think about it that your life is disappearing gradually and that you are left only with very little life and time.

No wonder so many adults long to return to university, to all those deadlines--ahhh, that structure! Scaffolding to which we may cling! Even if it is arbitrary, without it, we're lost, wholly incapable of separating the Romantic from the Victorian in our sad, bewildering lives...

Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.

Saying that studying the brain is limited to the study of physical entities would be like saying that literary criticism must focus on paper and bookbinding, ink and its chemistry, page sizes and margin widths, typefaces and paragraph lengths, and so forth.

Structure doesn't make a story formulaic. The writer does.

Structure significantly influences behavior, thereby dramatically impacting results.

The best people to help shape structure are those who are intimately involved with the results that structure produces.

Take time to create structure that embraces the richness of human diversity and possibility.

The basic structure of the universe is balanced on a razor’s edge for life to exist

The dogma of the impossibility of determining the atomic constitution of substances, which until recently was advocated with such fervor by the most able chemists, is beginning to be abandoned and forgotten; and one can predict that the day is not far in the future when a sufficient collection of facts will permit determination of the internal architecture of molecules. A series of experiments directed toward such a goal is the object of this paper.

The dictatorship is embodied in the formal structure of the film (Days of 36). Imposed silence was one of the conditions under which we worked. The film is... made in such a way that the spectator realizes that censorship is involved.

The life history of the individual is first and foremost an accomodation to the patterns and standards traditionally handed in his community. From the moment of his birth the customs into which he is born shape his experience and behavior.

The gramophone record, the musical thought, the score, the waves of sound, all stand to one another in that pictorial internal relation, which holds between language and the world. To all of them the logical structure is common. (Like the two youths, their two horses and their lilies in the story. They are all in a certain sense one.)

The height of human achievement and glory, Muhammad.

The structure of our identity determines how we show up as a leader, how we deploy ourselves into circumstances.

The problem is like a virus - both have their structures. To solve a problem is to crash the structure because structures make things work. Patterns are structural, so finding the design of the problem and killing it sends the problem to the graveyard.

The stability of the structure is directly related to the security of the foundation

The structure of life I have described in buildings - the structure which I believe to be objective - is deeply and inextricably connected with the human person, and with the innermost nature of human feeling. -Christopher Alexander

... the midpoint of each film is the moment when each protagonist embraces for the first time the quality they will need to become complete and finish their story. It's when they discover a truth about themselves.

This is an organic religion. A religion of the people from heart to heart; a faith that finds the presence of the Divine within life, and nature, and ourselves. We don't have teachers and books because we are our own teachers, and our book is the sacred book of the Earth. We believe that we can connect with the God and Goddess and hear their voices, receive their inspiration directly and take responsibility for our own actions, without the intermediary of a pope or rabbi. We have a loose set of beliefs and morals and a ritual structure that is common to all Wiccans, but there is room for creativity and deep mystical experiences. This is a faith with roots as old as the earth. --Meri Fowler

Until there is equal and fair portion of opportunities apportioned for every citizen, the power structure may need to be restructured.

To read at random is to read as if you were thinking. It is the closest thing to calling up a line of poetry that you’ve memorized. And I still find that it’s a good way to work through a novel or a book of poetry or even an informative book. One repeats some parts, but if a book is worth reading it is worth repetition, and it helps you to clear the false cartilage of structure. I am always over-tempted to stretch the skin of a story over that cartilage, however deformed the result may be. Structure is the great southern vice.

To recap: it is possible to put decent information into a Government Machine, have ordinary, good people running the thing, and a reasonable system in place, and still get utter idiocy out of the dispenser?" "More than possible. Likely.

All good art is abstract in its structure.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.