Best 93 quotes in «graveyard quotes» category

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    Ben often comes here. It's some kind of kangaroo graveyard. He likes to collect kangaroo bones. What can I say? It's just something Stink Collectors do.

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    Blasted grave marker. There sure are a bloody lot of them. They've got some nerve burying all these dead people here.

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    But," expostulated Josiah Worthington. "But. A human child. A living child. I mean. I mean, I mean. This is a graveyard, not a nursery, blast it.

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    Death is the final destiny of every soul.

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    edge of town all graveyard and the sound of waves

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    Delay is not a help-mate. The cemetary is full of people who thought they could DO IT tomorrow. Do It Now!

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    Every day I sit and watch random people holding the wands with the power that can turn the world either into a graveyard or into a paradise and yet roam around without believing in the magic that it possesses. And in the end, they throw it into the stash and burn it like it is nothing.

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    Graveyards last forever.

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    Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

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    He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.

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    I'm fear less as far I can tell, but I can't go to the graveyard and sleep there. I need time to handle this!

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    In the grave, there is neither learning nor working. Learn while you can, work while you can.

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    In the graveyard built on a garden. The death of Every flower added a little life to the heart of the corpses buried deep inside.

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    In the quiet of the graveyard, the couple knelt together in soul-stretching silence—wishing, waiting, hoping, praying.

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    I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice. 'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold. I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")

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    Do all the work you can, there is enough rest in the grave.

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    Every graveyard gives this very simple message: The nonexistence shore exists!

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    For anyone who might be of the opinion that horror is strictly the domain of men, we graveyard girls are here to change your way of thinking—and to make you sleep with the lights on.

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    Graciously live life. There is return from the grave.

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    Graveyards exist because death exists? No! Graveyards exist because we want to know precisely the place of our dead!

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    He’d seen a lot of bizarre items left at gravesides, like a carton of eggs, a pair of reading glasses, a bag of licorice, smooth stones, a spoon.

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    Ideas taken and planted into the grave do not germinate.

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    I don’t agree. The morning fog makes the graveyard beautiful, soft and sad as a voice humming a lullaby, but I don’t tell her what I think. She’d call me a weirdo. - Raven Smith

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    In the middle of the cemetery is a grassy plane, strangely vacant. There are no granite tombs or crumbling concrete, just a sun-washed treeless patch of green known as "No Man's Land." Here 1,500 unidentified bodies are buried. At one time, their skin burned with yellow fever; now they lie in a cool, dark place where long ago their arms and legs, hands and feet, were intertwined for eternity.

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    It is better to experience sorrow than happiness.Many life lessons are learnt in moments of sorrow.

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    Live life with grace, there is no return from the grave.

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    My ghost is the only soul who ever comes to cry on my grave... Only the skies cried sincerely on my funeral.

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    May every living soul know eternal rest exist.

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    My body weeps to live when you make me believe that someday I will be dead soul sleepless in graveyard's bed

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    My life will end someday, but it will end at my convenience.

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    No matter how many times I had been challenged with having to explain the worst aspects of life, it never got easier.

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    My Own Epitaph Life's a jest, and all things show it. I thought so once, and now I know it.

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    Orthodoxy whether of the right or of the left is the graveyard of creativity.

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    One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it - water stained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave wants to make you be somewhere else, that is the ghoul-gate.

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    Prepare for a radio, for nothing is silent like the grave

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    Our character isn’t defined by the battles we win or lose, but by the battles we dare to fight.

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    Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside. Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness. I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted. I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night? ("Lamia")

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    The cart slowed as they came to a place so dark and quiet that it seemed as if they had entered some remote forest. Peeking beneath the hem of the cart's canvas covering, Garrett saw towering gates covered with ivy, and ghostly sculptures of angels, and solemn figures of men, women, and children with their arms crossed in resignation upon their breasts. Graveyard sculptures. A stab of horror went through her, and she crawled to the front of the cart to where West Ravenel was sitting with the driver. "Where the devil are you taking us, Mr. Ravenel?" He glanced at her over his shoulder, his brows raised. "I told you before- a private railway station." "It looks like a cemetery." "It's a cemetery station," he admitted. "With a dedicated line that runs funeral trains out to the burial grounds. It also happens to connect to the main lines and branches of the London Ironstone Railroad, owned by our mutual friend Tom Severin." "You told Mr. Severin about all this? Dear God. Can we trust him?" West grimaced slightly. "One never wants to be in the position of having to trust Severin," he admitted. "But he's the only one who could obtain clearances for a special train so quickly." They approached a massive brick and stone building housing a railway platform. A ponderous stone sign adorned the top of the carriage entrance: Silent Gardens. Just below it, the shape of an open book emblazoned with words had been carved in the stone. Ad Meliora. "Toward better things," Garrett translated beneath her breath.

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    She glanced around at the tombstones. “You’re surrounded by death here. Way too depressing. You really might want to think about getting another job.” “You see death and sadness in these sunken patches of dirt, I see lives lived fully and the good deeds of past generations influencing the future ones.

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    Shite and onions!

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    Showmen's Rest was truly something to behold. Throughout the entire yard, statues and carvings of elephants, clowns, and tight-rope walkers danced on the gray and white surfaces of tombstones and grave-markers. For the first time, Michael got the feeling that the men and women who'd been buried there were probably really happy with their final resting place. It was a touching tribute, one that honored their passion in life and that had been constructed out of love and respect.

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    Some people die and you realize that the only mark they left on earth are the tomb stones under which they lie. The impacts you make on earth should be something worthy to improve lives.

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    Stop digging up the past, lay down your shovel, the past is dead.

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    The dead neither see nor ear.

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    The departed souls shall never return.

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    The dead has always been within us, its just the graveyard where we lay to rest.

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    The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")

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    The graveyard is not the final resting place of our dear departed but an ephemeral repository of their remains. The real graveyard, however, is somewhere deep in our heart, where we can always visit them at any time of the day, talk about some unforgettable summers, or cry in solitude as if they were always there for us to stay. And should our twilight come, when we can no longer see the light of the day, some people dear to us will build a graveyard in their hearts. They will let us stay for a while or perhaps longer, as long as they continue to remember, but it does not matter anymore. What is comforting to know, no matter how tragic or tranquil our death may be, somewhere somehow someone will always build a sublime place for us to stay. (Danny Castillones Sillada, The Graveyard In Our Heart)

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    The graveyard is the everlasting home of every man.

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    The graveyard is every man final resting place.