Best 393 quotes in «digital quotes» category

In America, we collect more digital communications from America than we do from the Russians.

I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here.

It gives you more freedom, the digital camera.

In this day and age of digital media, as we've learned, it's not as though nobody's going to find out what you said.

In this new digital landscape, this sort of international marketplace, it's come full circle, and I wanted to take advantage of my talent relations on both sides of the Atlantic.

I think the embryonic digital world had the same affect on me as the openness of the old American frontier.

I think it's a mistake for young filmmakers to just buy digital equipment and shoot a feature. Make short films first, make your mistakes and learn from them.

I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.

I think, once recipes become digital, pirating a digital recipe and all the questions that you have with music and so forth will become pertinent to food as well.

It's not about being digital. It's about students who are born digital.

It’s not about revenues: the fundamental economics in digital business is scale and margins. The top line has become the bottom line.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

It's not plagiarism in the digital age -- it's repurposing.

It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

It's pointless to go against digital because sooner or later you won't be able to do anything else.

I used to work for 12 or 14 hours at a time but the digital age has made such happy immersions almost impossible.

I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.

I've created a narrative of the world. I live in the world - tenuously, most times. I've avoided the digital world.

It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.

It was a huge challenge to learn digital painting well enough so that computers don't pop into mind when one sees one.

I’ve noticed that the people who started on film still have the ability to see the person in front of them. Whereas for a lot of photographers who have only ever worked in digital, the relationship between the photographer and the person who they’re taking a picture of sort of doesn’t exist anymore. They’re looking at a computer screen as opposed to the person.

I've got a new studio set up very much based around live mixing and also mixing analogue and digital systems. Inspired by the late King Tubby and Scientist.

I was shooting lots of large format portraits then but I've since changed to digital, where you have so much more control. There are millions of things you can do with digital; you can be more spontaneous, and you're more in control of your color palette.

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

Just a little bit of exposure to this pulsed digital signal, which is now a cellphone signal, could weaken membranes of the brain.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

Marketers need to build digital relationships and reputation before closing a sale.

I will always prefer a hardback book, but I'm drawn to digital because it's so easy to acquire them when I'm having a need-to-read moment.

Millennials expect to create a better future, using the collaborative power of digital technology.

Millions and millions of exuberant monkeys are creating an endless digital forest of mediocrity.

Many Americans have never owned a book, and I'm not talking about because of the recent digital revolution. I'm talking about before there even was a digital revolution.

Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.

Much to the surprise of the builders of the first digital computers, programs written for them usually did not work.

My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.

My problem has been with purely digital films. I feel the danger there is that the kind of short-cuts you end up having to take are the ones that are most telling in the main characters.

No matter how great we get with digital formats of instrumentation, nothing really quite duplicates the real thing

My protest against digital has been me saying, "What's going to happen to film?" The result is that Kodak is out of business. That's a national tragedy. We've got to keep making film.

My background is in like short form digital media, I call myself more of a digital filmmaker than anything else.

No more do we create cultural artifacts that are simply our furniture, but now it's our thoughts, our values, are embodied in this [digital] stuff.

One of the Internet's strengths is its ability to help consumers find the right needle in a digital haystack of data.

No place in the US better exemplifies the ethos to engineer new digital technologies than Silicon Valley

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

One thing that has happened is a revolution in digital consumer recording, and overall, that's a great thing for art, but parallel to that there's been a revolution in boutique audio companies making excellent gear.

One of the things that I've been doing recently in my scientific research is to ask this question: Is the universe actually capable of performing things like digital computations?