Best 191 quotes in «broadway quotes» category

There's nothing that can match Broadway for stature and dignity.

This film "Phantom" takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.

Trey Parker did 'Book of Mormon.' It's the best Broadway show I've ever seen. He does 'South Park.' It's wonderful.

This power that I'm supposed to have over women was never noticed when I was a stage actor on Broadway. I don't know when I got it. And by God, I can't explain it.

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

[Vincent Price] did Oscar Wilde on Broadway, and I think he probably did it because he was almost like an Oscar Wilde. He had that brilliant humor.

We are living in the excesses of freedom. Just take a look at 42nd Street and Broadway.

When I made my Broadway debut, I was still cleaning houses, something I'd done since I went out on my own at 15.

When I look around at Broadway and the West End, theatre is becoming an exclusive club.

We do have American Idiot picked up by HBO and I wrote the record and concept to it. [We have] the writer Rolin Jones and [director] Michael Mayer [who also directed the Broadway production], so we'll see what happens.

When I talk to young people who want to go to Broadway or whatever, I say, "The highs are very high and the lows are very low and then there is a lot in between.

When I was on Broadway, my most recent Broadway show was 'Spring Awakening,' and every night I did a topless scene.

When I was growing up in Pennsylvania, auditioning for Broadway was my dream.

When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.

When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.

When I wasn’t working on Broadway, I worked in a Bat Mitzvah dress shop and was the Cinderella of the shop - always cleaning and vacuuming!

Yes, I am a failed playwright. I had three shows on Broadway by the time I was 30. They all flopped, and I fled.

When we were doing Bullets over Broadway, he told me to be more fragile and I thought I was, but he saw it completely differently.

When you're doing a Broadway show, you have no free time.

Yes, I have been studying piano since I was six. Classical, jazz, compositional, Broadway, everything. I just love it all.

You bet I arrived overnight. Over a few hundred nights in the Catskills, in vaudeville, in clubs and on Broadway.

You can't remember what movie you saw two weeks ago, but you can remember what Broadway show you saw two weeks ago and where you ate dinner - everything about it. There's something about live theatre that hits you in the heart.

You can't make money on Broadway. You make nothing. You maybe make like $1,350 a week after you pay out all the producers.

You know, things kind of happen organically and, you know, Broadway sort of happened out of a career in performing and - which happened out of practicing piano when I was a kid.

You could drive a rental car until you don't want it. Just get out of it while it's moving and just walk away. No, I don't feel like being in that car any longer. Just call Hertz. Hi, your car is drifting into the intersection of 28th and Broadway, if you're interested. It's now your problem.

And you find some way to survive And you find out you don't have to be happy at all.. To be happy you're alive.

Give my regards to Broadway, Remember me to Herald Square, Tell all the gang at 42nd Street, That I will soon be there; Whisper of how I'm yearning To mingle with the old time throng, Give my regards to old Broadway, And say that I'll be there e'er long.

A new star has been born and Vera’s performance brings alive the desolate life of O’Neil’s young heroine in a natural talent that is so fresh and yet so ageless.

Catch me I'm falling. Please hear me calling. Catch me before it's too late!

A dilettantism in nature is barren and unworthy. A fop of fields is no better than his brother on Broadway.

Rothstein worked with Park Avenue men as beards in the club-house, and with Broadway characters, such as Morris the Boob on The Lawn, and he probably bet away from the track, too.

Though it's fearful, Though it's deep, though it's dark And though you may lose the path, Though you may encounter wolves, You can't just act, You have to listen. you can't just act, You have to think. Though it's dark, There are always wolves, There are always spells, There are always beans, Or a giant dwells there. So into the woods you go again, You have to every now and then. Into the woods, no telling when, Be ready for the journey. Into the woods, but not too fast or what you wish, you lose at last. Into the woods, but mind the past. Into the woods, but mind the future. Into the woods, but not to stray, Or tempt the wolf, or steal from the giant-- The way is dark, The light is dim, But now there's you, me, her, and him. The chances look small, The choices look grim, But everything you learn there Will help when you return there. The light is getting dimmer.. I think I see a glimmer-- Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey. Into the woods, each time you go, There's more to learn of what you know. Into the woods, but not too slow-- Into the woods, it's nearing midnight-- Into the woods to mind the wolf, To heed the witch, to honor the giant, To mind, to heed, to find, to think, to teach, to join, to go to the Festival! Into the woods, Into the woods, Into the woods, Then out of the woods-- And happy ever after!

I hardly know her but whenever I see her I lose my mind. I know I should run away, but I can’t. “That’s called sexual attraction, honey,” Max said. “It’s very nice. But be careful. It can burn you bad. Believe me I know.

Look around, look around at how lucky we are to be alive right now.

The Christmas trees are brought from Vermont by monosyllabic men in warm clothes; they seem alien, closer to the earth, silently contemptuous, like gypsies. They bring in their trees and stand them up on the pavements, so that swaths of Broadway are suddenly transformed into dark, pine-scented avenues.

All I ever wanted to do was be on Broadway. I mean, remember, I grew up in a trailer.

A lot of high school students on TV and in Broadway are played by people in their late 20s and even early 30s. That seems weird to me.

A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds.

A play gets on Broadway by fluke. And you don't even start out with that ambition. When I do a play, the intention is just to put it up somewhere.

Although the 'New York Times' annually declares that Broadway is on its deathbed, news of its demise is greatly exaggerated. There's a lot of life yet in the old tart.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.

Being on Broadway is the modern equivalent of being a monk. I sleep a lot, eat a lot, and rest a lot.

Being in front of a live audience again. I get that in my concerts but there's nothing like being on Broadway.

Being a gay married man, I love Broadway musicals.

Being on Broadway and getting a Tony nomination - this has been an incredible ride, from rather humble beginnings.

Broadway, I have to memorize everything. You get one time to do it right.

Broadway has always been a dream of mine.

Broadway is a definite symbol of New York. It's classic New York.

Broadway was without doubt the hardest I ever worked in my life and the highest highs I've ever had as an actor. The unadulterated fear was on a level that was hard to explain.