Best 6303 quotes in «nature quotes» category

It’s when your plans look dead that God’s resurrection power begins to operate in your life in greater measure

I turn my face to the window as the train starts to move. Charles suggested I take the car, but I prefer this strange elevated route out of town, the rooftop tour of south London as the carriages rattle between spires and old smokestacks and the tips of poplars; the sudden glimpses into school playgrounds and street markets and quiet litter-strewn alleys, narrow avenues of blackened brick. Little by little the city falls away, like something giving up, and then the acoustics of the carriage change, and we're out in the open: meadows riven with streams, the fast blue shadows of clouds on the hills.

It was a place as blank as a sheet of paper. It was the place I had always been looking for... Flat expanses would call to me... These are the places where the desert is most itself: stark, open, free, an invitation to wander, a laboratory of perception, scale, light, a place where loneliness has a luxurious flavor...

It was a morning like other mornings and yet perfect among mornings.

It was April in Minneapolis and snowing, the flakes coming down in thick swirls enchanting the city

It was as if they had climbed the last hill in creation.

It was a small church. No large cathedral towers overshadowed the purpose of the house of worship. It was a monument to faith rather than a monument to man’s triumph over nature.

It was earliest morning, when even small trees cast long shadows and scarlet foxes trot denward through the dew like flecks of fire.

It was as though the plants wanted me to write a different kind of book and sent gentle roots deep into my brain. They wanted me to fully acknowledge their importance in human history, their amazing powers of healing, the nourishment they provide, their ability to harm if we misused them, and, ultimately, our dependence on the plant kingdom. The plants seemed to want me to share with the world my own understanding of their beingness, so that people might better honor them as important partners in so many of our endeavors.

It was even said that some birds spring to life in the tension of accidental chords being struck in the ether, a confluence of arbitrary sound waves from unrelated sources: a piano, a truck, a breaking bottle---a bird.

It was a warm night for the end of March. Walt had left the front door to the ice-cream parlor open when he went out after supper to gossip with the old men down at Darly Stidger's Store. And yet it was not spring, although winter was dead and the moon was sickly with the neitherness of the time between those seasons: those last few weeks before the cries of the green frogs would rise in stitching clamor from the river shores and meadow bogs.

It was early evening twilight when we came around a corner… and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close… so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time… with this lovely, cold strange world of water and stone, sharp light and deep shadows. And I would never be the same again.

It was generally believed, said Theophilus, that Orpheus learned his music from the birds. His small voice, piping after theirs, filled with all the secret stories of the earth.

It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.

It was great to see the owls," I said. She smiled. "Yes. They're wild things, of course. Killers, savages. They're wonderful.

It was morning distilled, the sun rising on a quiet world, a mute witness. To Liz, it was both the oldest miraculous event, and the newest. This one belonged to her, and she to it.

It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden. “You can learn a lot from raising roses, Will. I’ve always told you that.” “I’ve never raised a good weed, Abigail. I could kill kudzu.” “Then one part of your life is empty,” she declared. “There’s a part of the spirit that’s not being fed.

It was made clear to me that Music is related to everything, especially nature and language, but in order to speak it naturally, I had to first make myself a part of it.

It was magic, the oldest magic of all when day became night, gods working in tandem, and I gave it the full benefit of my witness for the singular wonder it was.

It was one of those golden autumn afternoons and there were blackberries and splashes of old man's beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold winter came along. There were tall trees here and there on either side, oak and sycamore and ash and occasionally a sweet chestnut.

It was one of those bitter mornings when the whole of nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one's feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything.

It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.

It was Red Rock Canyon. One of the most beautiful places in Waterton... in the Rockies, for that matter. And it was there, waiting for him to find it. As long as he was willing to look for it.

It was the cool gray dawn, and there was a delicious sense of repose and peace in the deep pervading calm and silence of the woods. Not a leaf stirred; not a sound obtruded upon great Nature's meditation [...] Gradually the cool dim gray of the morning whitened, and as gradually sounds multiplied and life manifested itself. The marvel of Nature shaking off sleep and going to work unfolded itself to the musing boy [...] All Nature was wide awake and stirring, now; long lances of sunlight pierced down through the dense foliage far and near, and a few butterflies came fluttering upon the scene.

It was the most fleeting time of day, and maybe that was why it was her favorite. Because if you blinked, if you closed your eyes or turned your head for even the briefest of moments, you might just miss it. And like most things in life, the transient, fleeting nature of the moment made it all the more special.

It was then that she saw the curl. A lovely, shiny curl of hair the color of coral tea roses that wrapped itself around twigs and weeds, and then disappeared beneath an overgrown forsythia. So very Pre-Raphaelite! Beatrice reached to touch the curl, brushing the weeds aside. Nothing could have prepared her for the image of the peacock. Suddenly, there it was: tail-feathers fully unfurled, luminous blues and greens shimmering between blades of grass.

It was the time of year when migrating crows wheeled across the sky, thunderous flocks that moved like a single veil, and I heard them, out there in the wild chirruping air. Turing to the window, I watched the birds fill the sky before disappearing, and when the air was still again, I watched the empty place where they had been.

It was very sad under the trees. Although spring was well advanced, in the deep shade there was nothing but death-rotten leaves, gray and white fungi, and over everything a funeral hush.

It were better that we were not at all, than that we should live still in wickedness, and to suffer, and not to know wherefore.

It would be great if mother nature would be able to put on a repellent against the parasitic humans making them change their paths away from self destruction.

It wouldn't be much fun living on a planet where grass could not grow.

I used to walk out, at night, to the breakwater which divides the end of the harbor form the broad moor of the salt marsh. There was nothing to block the wind that had picked up speed and vigor from its Atlantic crossing. I’d study the stars in their brilliant blazing, the diaphanous swath of the milk Way, the distant glow of Boston backlighting the clouds on the horizon as if they’d been drawn there in smudgy charcoal. I felt, perhaps for the first time, particularly American, embedded in American history, here at the nation’s slender tip. Here our westering impulse, having flooded the continent and turned back, finds itself face to face with the originating Atlantic, November’s chill, salt expanses, what Hart Crane called the “unfettered leewardings,” here at the end of the world.

I've always longed to have a patch of personal wilderness. Of waist-high grass entwined with wildflowers through which I can prance; within which I can lie down and disappear from sight.

I've heard my teacher say, where there are machines, there are bound to be machine worries; where there are machine worries, there are bound to be machine hearts. With a machine heart in your breast, you've spoiled what was pure and simple; and without the pure and simple, the life of the spirit knows no rest.

I’ve never run this far before," he said at one point. "Or this fast for so long. It’s better than sticking your head out a car window, that’s for sure." My theory is that Oberon might be a master of Tao. He always sees what we filter out. The wind and the grass and something in the sky, sun or moon, shining on our backs as we run: They are gifts that humans toss away like socks on Christmas morning, because we see them every day and don’t think of them as gifts anymore. But new socks are always better than old socks. And the wind and grass and sky, I think, are better seen with new eyes than jaded ones. I hope my eyes will never grow old.

I've often thought about how all these different life forms occupy the same space as me during a given moment and how easy it can be to get so wrapped up in your own world you forget you're part of something larger and marvelous.

I've spent a lot of time considering what lessons I want to pass on to my own kids...Rather than conquering nature or giving it fake human morality, I'd want her to simply approach nature with open eyes and curiosity.

I’ve often thought of the forest as a living cathedral, but this might diminish what it truly is. If I have understood Koyukon teachings, the forest is not merely an expression or representation of sacredness, nor a place to invoke the sacred; the forest is sacredness itself. Nature is not merely created by God; nature is God. Whoever moves within the forest can partake directly of sacredness, experience sacredness with his entire body, breathe sacredness and contain it within himself, drink the sacred water as a living communion, bury his feet in sacredness, touch the living branch and feel the sacredness, open his eyes and witness the burning beauty of sacredness

I walk in the direction she tells me. I feel my pores opening, sweat and heat radiating out of my body. A firefly dances in the distance, leaving tracers, and if I turn my head from side to side, I see long yellow-green streaks that cut through my vision and burn in front of my retinas even after the light that sparked them has gone. I emerge from the mango grove into a field. In the distance unseen trucks pass with a sound like the ocean licking the sand. A tracery of darkness curls into a starry sky, a solitary pipal tree making itself known by an absence of light, like a flame caught in a photographer's negative, frozen, calling me.

I’ve seen a lot of stuff… maybe I’ve seen too much. I see most humans in a bad light because I’ve seen what they can do, how evil they can be… I’ve seen the Holocaust and I’ve seen Jonestown, I’ve seen the Vietnam War and I’ve seen Hiroshima… I’ve seen the Chernobyl disaster… I’ve seen the World Trade Center attack… I’ve been alive too long, over a hundred years is a long time to be alive,” Alecto sighed, staring at the cigarette he was holding.

I walk alone and on my own.

I wanted solitude, but a treasure like that didn't exist in the city. I only found silence in Central Park, still littered with people of course, but the only place that held moments of calm. I breathed in that wonderful silence as my pace finally slowed, and nature delighted my senses.

I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.

I want to be intoxicated by the darkened ether of midnight, running through my fingers as sparkling stardust. I crave the taste of the ocean's salty tears, as her temperamental tides crash and break against the rocks. I yearn for the sweet scent of sun on my skin and the earthy musk of dirt giving way under my bare feet. I want to lay naked in golden fields, as i gaze up at an endless sky, dreaming my dreams, as Mother Nature's love washes over me like spiritual sunshine.

I was a black center in the middle of all the nature. I was nothing, but I could do anything.

I was almost sad when we arrived a the squat, white clubhouse. It was halfway to dark by then, with both a moon and a sun sitting high in a sky that was sugar almond pink and shot with gold. The birds were singing valiantly against the coming night, swooping over the greens in long, drunken loops. The air was grassy, with a hint of flowers and earth, and the warm, sweet outbreath of the day sighed gently into our hair and over our skin. I felt like asking Raymond whether we should keep walking, walk over the rolling greens, keep walking till the birds fell silent in their bowers and we could see only by starlight. It almost felt like he might suggest it himself.

I was born subject like others to errors and defects, But never to the error of wanting to understand too much, Never to the error of wanting to understand only with the intellect.. Never to the defect of demanding of the World That it be anything that’s not the World.

I was misplaced air that cradled all around you, held to cobalt skies to shelter your fledgling wings.

I was not brought up to know the Earth in intimate detail. No one I can remember from my childhood ever suggested that the land I lived on and was surrounded by contained anything important to me. My sense of kinship was connected to my house, my bedroom (my one almost personal space), my family, and my friends. I had no conscious sense of connection to the wild; the closest I came was that I deeply loved the trees in our small suburban backyard.

I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?