Best 6303 quotes in «nature quotes» category

This is the simplest of spells, and foundation to all others. Magic seeks to better understand, and eventually to build on, the connection between minds and bodies. Even to calm a storm, you treat the wind and rain as if they were alive and corporeal. That is why blood is part of the spell, along with words and symbols.

This is the way in which he (poet) did his work. He used to go out with a pencil and a tablet and note what struck him...and make a picture out of it...But Nature does not allow an inventory to be made of her charms! He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it.

This is where Mother and I differ greatly. Her advice in the face of melancholy is: 'Think about all the suffering in the world and be thankful you're not part of it.' My advice is: 'Go outside and try to recapture the happiness within yourself; think of all the beauty in yourself and in everything around you and be happy.

This is why children can see Angels, touch spirits, hear the songs of the trees, and talk to the animals. Quite simply, they acknowledge the magic.

This landscape is animate: it moves, transposes, builds, proceeds, shifts, always going on, never coming back, and one can only retain it in vignettes, impressions caught in a flash, flipped through in succession, leaving a richness of images imprinted on a sunburned retina.

This leaf has fallen from its mother and withered. Yet the tree does not mourn the loss. While barren, it stands tall, ready to bear the burden of winter, for it knows that through hardship comes renewal.

This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less.

This naked embrace of earth and sky, the sun hard and strong overhead, pulling up moisture from the foliage, from soil, so that the swimming glisten of heat is like a caress made visible, this openness of air, everything visible for leagues, so that the circling hawk (the sun glancing off its wings) seems equipoised between sun and boulder -- this frank embrace between the lifting breast of the the land and the deep blue warmth of the sky is what exiles dream of; it is what they sicken for, now matter how hard they try to shut their minds against the memory of it... Living in town, Martha had forgotten this infinite exchange of earth and sky.

This past year - if you'd have tried, you'd have seen even more clearly the futility of trying to change the world without the efforts of everybody else on Earth. You saw and smelled and drank the evidence of six billion disasters that can only be mended by six billion people. || A thousands years ago this wouldn't have been the case. If human beings had suddenly vanished a thousand years ago, the planet would have healed overnight with no damage. Maybe a few lumps where the pyramids sand. One hundred years ago - or even fifty years ago - the world would have healed itself just fine in the absence of people. But not now. We crossed the line. the only thing that can keep the planet turning smoothly now is human free will forged into effort. Nothing else. That's why the world has seemed so large in the past few years, and time so screwy. It's because Earth is now totally ours.

this terror then and drakness of mind must be dispelled not by the rays of the sun and glittering shafts of day, but by the aspect and the law of nature; the warp whose design we shall begin with this first principle, nothing is ever gotten out of nothing by divine power.

This was no longer art: it even destroyed the harmony of the portrait itself. They were alive, they were human eyes! It seemed as if they had been cut out of a living man and set there. Here there was not that lofty pleasure which comes over the soul at the sight of an artist's work, however terrible its chosen subject; here there was some morbid, anguished feeling. 'What is it?' the artist asked himself involuntarily. 'It's nature all the same, its living nature––why, then, this strangely unpleasant feeling? Or else the slavish, literal imitation of nature is already a trespass and seems like a loud, discordant cry?

This witnessing consciousness, this formless dimension of yourself, is the awareness in which your experience happens, yet it remains untouched by this experience at all times. It is similar to the background of white on which you are reading these words. This white background allows any and every word to exist within it, yet it is not confined to any of these words. Similarly, your awareness allows any and every form to exist within it, but it is not bound to any of these forms.

This world is your world but that doesn't mean you can always stop it from burning.

This World "We hear that other lands are better: we do not know. The pines sing and we are glad. Our children play in the sand and we hear them sing and we are glad. The seeds ripen an we have them to eat and we are glad. We do not want their good lands; we want our rocks and the great mountains where our fathers lived." A Shi’vwits chief to JW Powell Sun on red rock Raves riding thermals Jays crazy in the pines Big blue mountain On the far horizon And here- infinite air- Moving, opening East-west, north-south, Up-down, high Over the one-way river Pulling The whole sky west. What need For any other world?

This world is of a single piece; yet, we invent nets to trap it for our inspection. Then we mistake our nets for the reality of the piece. In these nets we catch the fishes of the intellect but the sea of wholeness forever eludes our grasp. So, we forget our original intent and then mistake the nets for the sea. Three of these nets we have named Nature, Mathematics, and Art. We conclude they are different because we call them by different names. Thus, they are apt to remain forever separated with nothing bonding them together. It is not the nets that are at fault but rather our misunderstanding of their function as nets. They do catch the fishes but never the sea, and it is the sea that we ultimately desire.

This world of withering leaves and melting snow may not be a perfect world, but it's the only real one.

This was trail magic. Sea Breeze’s fire, his light, his heat, his life, remained, their salvation. It is a fact that all drainages, if followed downhill, lead to the same lowland water body. Lost and fallen hikers follow drainages down because walking ridges is harder. And so, despite the complex web of paths, waterfalls, cliffs, as a hiker wanders downhill, drainages merge, faint, abstract paths coalesce, thicken, until there is one path – the one, natural, trodden way. It isn’t a coincidence that Sea Breeze, Brandon Day and Gina Allen, and countless other hikers all wandered, lost, down the same steep slope to nowhere.

Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.

Thorns with rose petals, beauty with imperfection, softness of insensibility, pain of love; duality of human nature

Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?

Those who don't return become a part of the clouds, a part of the animals that hide in the ravines and of the water that comes from the earth. They become a part of everything... they become the Soul of the World.

Those who dwell , as scientists or laymen, among the beauties and mysteries of the earth are never alone or weary of life. Whatever the vexations and concerns of their personal lives, their thoughts can find paths that lead to inner contentment and to renewed excitement in living. Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is symbolic as well as actual beauty in the migration of the birds, the ebb and flow of the tides, the folded bud ready for spring. There is something infinitely healing in the repeated refrains of nature--the reassurance that dawn comes after night, and spring after winter.

...those who think their God ... has nowhere so plainly shown himself as in his works, will seek in the face and lineaments of Nature that consoling smile which every lonely soul so miserably craves ... betake thee to the fields; betake thee to the woods ... thou shalt be comforted ... Lay thy tired head on Nature's breast ... always there is at hand the Infinite and the Eternal: about thee, above thee ...

Thou art sore troubled in mind for the people in the world’s sake: loves thou that people better than he that made them?

Though I myself am an atheist, I openly profess religion in the sense just mentioned, that is, a nature religion. I hate the idealism that wrenches man out of nature; I am not ashamed of my dependency on nature; I openly confess that the workings of nature affect not only my surface, my skin, my body, but also my core, my innermost being, that the air I breathe in bright weather has a salutary effect not only on my lungs but also on my mind, that the light of the sun illumines not only my eyes but also my spirit and my heart. And I do not, like a Christian, believe that such dependency is contrary to my true being or hope to be delivered from it. I know further that I am a finite moral being, that I shall one day cease to be. But I find this very natural and am therefore perfectly reconciled to the thought.

Thoughts and sorrows seem to have remained on the other side of the mountains. Between tormented men and hateful deeds, a person has to think and sorrow so much! Back there it is so difficult and so desperately important to find a reason for staying alive. How else should a person go on living? Sheer misery makes one profound.

Thou hast given a right judgment, but why judge thou not thyself also?

Thousands of mosquitoes had already bitten all of us on chest and arms and ankles. Then a bright idea came to me: I jumped up on the steel roof of the car and stretched out flat on my back. Still there was no breeze, but the steel had an element of coolness in it and dried my back of sweat, clotting up thousands of dead bugs into cakes on my skin, and I realized the jungle takes you over and you become it.

Three hundred types of mussel, a third of the world’s total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct. This ought to be a little surprising in a national park. I mean it’s not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service’s stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century.

Thou, nature, art my goddess; to thy laws my services are bound... {His second motto, from King Lear by Shakespeare}

Throughout the journey West, I had a raging fever. In a mere two days, we drove 1,925 miles from Connecticut to Colorado Springs, where we chose to break our journey. The further West we went, the sicker I seemed to become. As though the turmoil, rage, and grief within me were tightening their coiled grip, sensing that something was coming that would force it to relinquish their hold.

Through the open window-leaf, Emma watched glimmering stars in the black sky. The cooling breeze had been invading with scents of autumn to the bedroom.

Thunder is nature’s paradox makes us feel both threatened and protected at the same time.

Thunder - nature’s paradox that makes us feel both threatened and protected at the same time.

Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…

Tidal waves surge forward, And in their wake, Stale water is replenished. (Haiku from Chapter Thirty, SHADOWWATER)

Time is a precious gift.

Time is the art of nature.

TIME: The Forgotten Fundamental Force Of Nature.

Tis open before your eyes," returned the scout; "and he who knows it is not a niggard of its use. I have heard it said that there are men who read in books to convince themselves there is a God. I know not but man may deform his works in the settlement, as to leave that which is so clear in the wilderness a matter of doubt among traders and priests. If any such there be, and he will follow me from sun to sun, through the windings of the forest, he shall see enough to teach him that he is a fool, and the greatest of his folly lies in striving to rise to the level of One he can never equal, be it in goodness, or be it in power.

To anyone with a drop of Irish blood in them the land they live on is like their mother. It's the only thing that lasts, that's worth working for, for fighting for...

Thy heart had gone too far in this world, and think thou to comprehend the way of the most High?

Thunder is nature’s paradox that makes us feel both threatened and protected at the same time.

Time spent in one place deepens this interaction, creating a melding and meshing that can feel a bit like love. In the drowsy light of the coming evening I not only see where I've walked before, but who I was when I walked there. What I was feeling; what I was thinking. And isn't this how we navigate this sphere? Creating fusions of human and place, attaching meaning and emotions, drawing cognitive maps that make scenes of the realm beyond our comprehension? Our connection to the world is always two things at once: instinctive and augmented.

To a poet, his works aren't just a reflection of life itself, but an entire life in the boundless invisible. Isn't the heavenly oasis of all human emotions - the soul - invisible? I reaped: We cannot see the wind, but we can feel it, we cannot see the warmth of the sun, but we can also feel it. This bond between nature and humans is the best proof of the Creator’s existence.

To appear in heaven, let yourself disappear amongst the beauties of nature!

To be standing together in a frosty field, looking up into the sky, marvelling at birds and revelling in the natural world around us, was a simple miracle. And I wondered why we were so rarely able to appreciate it.

Today something unusual happened; I was walking without even knowing, where I was going. I was smiling without any cause. I was just happy without reasons. I can tell you that birds do sing, leaves of trees, do dance, and it’s beautiful. I am, a complete nature boy! Maybe, I was fully satisfied that sunlight was falling on my cheek. I got the power to love myself, nature and rest of humankind. Cheers, Everyone!

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

Today the earth speaks with resonance and clearness and every ear in every civilized country of the world is attuned to its wonderful message of the creative evolution of man, except the ear of William Jennings Bryan; he alone remains stone-deaf, he alone by his own resounding voice drowns the eternal speech of nature.