Best 22487 quotes in «art quotes» category

It may seem difficult at first, but everything is difficult at first.

It may safely be asserted that the art of war will soon be reduced to a simple question of expenditure and credit, and that the largest purse will be the strongest arm.

It needs great art, learning to play with one's own life, to play on one's own life. Meditation is the art to create music from your heart. Meditation is simply the method to transform noise into harmony, the method to shift your consciousness from the head to the heart. The head is noisy, it is all noise - a tale told by an idiot, full of fury and noise, signifying nothing.

It must be for truth's sake, and not for the sake of its usefulness to humanity, that the scientific man studies Nature. The application of science to the useful arts requires other abilities, other qualities, other tools than his; and therefore I say that the man of science who follows his studies into their practical application is false to his calling. The practical man stands ever ready to take up the work where the scientific man leaves it, and adapt it to the material wants and uses of daily life.

It never was in the power of any man or any community to call the arts into being. They come to serve his actual wants, never to please his fancy.

I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.

I took what worked for me and found I had a system that others were interested in and seemed to work for a wide number of people. It was recognised by other martial artists, grandmasters and such, and they gave me the recognition. I'm proud of my work in martial arts. I still teach but only once a week in a private class, and I train a couple more days a week.

I totally believe that art is an open dialogue and that it is not logical. It does not always make sense.

I took Eugene Sue's Arthur from the reading-room. It's indescribable, enough to make you vomit. You have to read this to realize the pitifulness of money, success, and the public. Literature has become consumptive. It spits and slobbers, covers its blisters with salve and sticking-plaster, and has grown bald from too much hair-slicking. It would take Christ of art to cure this leper.

It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.

I took courses at USC in film editing and art direction and photography when I was still in high school.

I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more and more into ceramics, I thought, life drawing doesn't have anything to do with ceramics.

It present to allow me to ask myself questions about what I'm doing. I think that's what visual art does - it either reminds you of something or allows you to question something. I don't know why Robert Motherwell; I love so many different artists.

I train about four or five times a week. I guess I am addicted to it. I also do a lot of martial arts. More than I have done in awhile. I like to go back to martial arts because it makes me feel good.

It once occured to me that literature - all art really - is either talking to people about God, or talking to God about people.

It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.

I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.

I took no money to make art, but my woman backed me up on it and I want my children to see their father happy.

I treat clothing or a piece of jewelry like it was a piece of art.

It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again.

I truly, genuinely like clothes. Making them is an art form, and wearing them is a form of self-expression. I find it very emotional because I can remember moments in my life - my mood, how I felt - through these clothes.

I tried to grow up. Honest. Didn’t quite happen. I guess I’m someone for whom youth still seems more real than the present, or the half century in between. And why not? I'm deeply underwhelmed by most contemporary art, literature, music, films, TV, the heinous little phones, money talk, real estate talk, all that stuff. The Internet, which at first seemed so fascinating, appears to be evolving into something even worse than TV, but we'll see.

It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfully reflected; too faithfully indeed for art to imitate, for only Nature may exaggerate herself.

I tried to go out for theater or theater arts, but I was too scared or too intimidated. But I had a lot of friends on the cross country team that had great senses of humor.

It reveals us to ourselves, it represents those modulations and temperamental changes which escape all verbal analysis, it utters what must else remain forever unuttered and unutterable; it feeds that deep, ineradicable instinct within us of which all art is only the reverberated echo, that craving to express, through the medium of the senses, the spiritual and eternal realities which underlie them.

I tried a very fancy attack I'd learned in France, which involved a beat, a feint in quarte, a feint in sixte, and a lunge veering off into an attack on his wrist. I nicked him, and the blood flowed.

I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!

I tried to show that fashion is an art. For that, I followed the counsel of my master Christian Dior and the imperishable lesson of Mademoiselle Chanel. I created for my era and I tried to foresee what tomorrow would be.

I truly believe we all have a sleeping giant within us. Each of us has a talent, a gift, our own bit of genius just waiting to be tapped. It might be a talent for art or music... a special way of relating to the ones you love. It might be a genius for selling or innovating.... I choose to believe that our Creator doesn't play favorites, that we've all been created unique, but with equal opportunities for experiencing life to the fullest.

I trust people who are violent about art, as long as they aren't closed-minded. But, unfortunately, most art blowhards are also art bigots.

I truly believe that our major social ills would disappear if we just spent our lives perfecting the art of connecting with each other.

I truly believe the art's larger than the artist. Who cares about John Steinbeck? I care about the Joad family.

I try not to make any boundaries. I try to let all art influence me.

I truly feel absolutely at home on the stage. It's very comfortable to me. It's very much my workplace, very much my workplace. I feel that an audience and I are happy with one another. I'm grateful for that.

I try to give people a different way of looking at their surroundings. That's art to me.

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.

I try to be patient. I feel like the point of art is to go down within yourself and to pop up into other people. If you're lucky, all of a sudden you're like, "whoop!" You're in other people.

I try to concentrate on quality clothing and accessories that are worth having, and to get my people to take fewer trips by air and stay longer each time they travel. It’s more human, especially if they take time to visit an art gallery while there.

I try to keep the martial arts up. It's a good thing, not just physically but also for your mind.

I tried the line out on some people on the street, like, "What do you think of this: 'the art of family life is to not take it personally'?" And they would laugh. But you know, everybody's got something going on in their families, and then once you have kids, that of course exponentially rises.

I tried to do it all myself: be mommy and camp counselor and art teacher and prereading specialist (and somehow, in my off-hours, to do my own work). I tried my absolute best. And like so many of the moms around me, I started to go a little crazy.

I try to keep a low profile in general. Not with my art, but just as a person.

I try to paint what I have found and not what I look for. In art, intentions are of little importance.

I try to see interviewing as performance art, and just take it as it comes.

I try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn't give them. Which withholds absolute meaning by incorporating parasite meanings. Which suspends meaning while perpetually dispatching you toward interpretation, urging you beyond dogmatism, beyond doctrine, beyond ideology, beyond authority.

I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a Judd - and compose them like sentences.

It's about finding meaning through light. I'm always interested in tensions. A primary one is the collision between the familiar and the strange.

It’s a beautiful, distinctive art, and shoes are like the foundations. If the foundations aren’t right, the building won’t stand upright, and if a woman’s balance isn’t right, nothing else is.

I try to teach a modernist and postmodernist position. On one hand, if you're a painter, you need to know the history of painting. But I'm also interested in the moment we live in. I love television, and movies, and books, and music. So I also think of art as this cultural production along with all this other stuff that's happening. So that's a kind of postmodern, not media-specific, but the times, what is your art relevant to this moment we live in versus media specificity? That's my teaching philosophy, both of those things are important.

I try to update my arsenal constantly. Learning different martial arts since childhood. To understand what's out there. To really be in tune.