Best 22487 quotes in «art quotes» category

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    The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.

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    The sublime in art is the attempt to express the infinite without finding in the realm of phenomena any object which proves itself fitting for this representation.

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    The successful construction of all machinery depends on the perfection of the tools employed; and whoever is a master in the arts of tool-making possesses the key to the construction of all machines... The contrivance and construction of tools must therefore ever stand at the head of the industrial arts.

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    The sugar maple is remarkable for its clean ankle. The groves of these trees looked like vast forest sheds, their branches stopping short at a uniform height, four or five feet from the ground, like eaves, as if they had been trimmed by art, so that you could look under and through the whole grove with its leafy canopy, as under a tent whose curtain is raised.

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    The summit charms us, the steps to it do not; with the heights before our eyes, we like to linger in the plain. It is only a part of art that can be taught; but the artist needs the whole. He who is only half instructed speaks much and is always wrong; who knows it wholly is content with acting and speaks seldom or late.

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    The sun was a warrior whom I gladly contested and whom I overthrew. Dazzling and magnificent was the sun's army on my back and joyous were the blades of sweat that came from my pores and vanquished him.

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    The sun does not shine for a few trees, and flowers, but for the wide world's joy. The lonely pine on the mountain-top waves its sombre boughs and cries, 'Thou art my sun.' And the little meadow violet lifts its cup of blue, and whispers with its perfumed breath, 'Thou art my sun.' And the grain in a thousand fields rustles in the wind, and makes answer, 'Thou art my sun.' So God sits effulgent in heaven, not for a favored few, but for the universe of life; and there is no creature so poor or so low that he may not look up with childish confidence and say, 'My Father, Thou art mine.

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    The Sun Stone, the famous Aztec calendar, is unquestionably a perfect summary of science, philosophy, art and religion.

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    The summer gig turned into my day job. I was an arts administrator who helped make indie flicks. At the filmmakers' encouragement, I tried shooting a couple of shorts of my own. Directing was stressful, it was not my strength. But writing the scripts and helping others with their scripts - that was a gas. Making stuff up the way I wanted to see it was the biggest kick I ever experienced.

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    The supreme excellence is not to win a hundred victories in a hundred battles. The supreme excellence is to subdue the armies of your enemies without having to fight them.

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    The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.

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    The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.

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    The supreme question about a work of art is out of how deep a life does it spring.

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    The supreme morality of art is to endure.

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    The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.

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    The systems they (the Arts) nourish, which include our integrated sensory, attentional, cognitive, emotional, and motor capacities, are, in fact, the driving forces behind all other learning.

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    The task of cinema or any other art form is not to translate hidden messages of the unconscious soul into art but to experiment with the effects contemporary technical devices have on nerves, minds, or souls.

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    The task of the artist is to sense more keenly than others the harmony of the world, the beauty and the outrage of what man has done to it, and poignantly to let people know.

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    The tea ceremony requires years of training and practice ... yet the whole of this art, as to its detail, signifies no more than the making and serving of a cup of tea. The supremely important matter is that the act be performed in the most perfect, most polite, most graceful, most charming manner possible.

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    The task of art today is to bring chaos into order.

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    The teaching of one virtuous person can influence many; that which has been learned well by one generation can be passed on to a hundred.

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    The talent is always there and art is cyclical. I’m optimistic.

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    The task of art is to take hold of the shining, the radiance, the manifestation, of that which as spirit weaves and lives throughout the world. All genuine art seeks the spirit. Even when art wishes to represent the ugly, the disagreeable, it is concerned, not with the sensory - disagreeable as such, but with the spiritual which proclaims its nature in the midst of unpleasantness. If the spiritual shines through the ugly, even the ugly becomes beautiful. In art it is upon a relation to the spiritual that beauty depends.

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    The task of art today is to bring chaos into order. Artistic productivity is the capacity for being voluntarily involuntary.

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    The taxpayers cannot be relied upon to support performing arts such as opera. As a taxpayer, I am forced to admit that I would rather undergo a vasectomy via Weed Whacker than attend an opera.

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    The task of art is to transform what is continuously happening to us, to transform all of these things into symbols, into music, into something which can last in man’s memory. That is our duty. If we don’t fulfill it, we feel unhappy.

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    The technical phase can be boring because there is little opportunity for creavivity, for art. Boredom leads to complacency and mistakes.

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    The term comics long ago became obsolete and inaccurate. It merely defined the content of the early joke-based comical strips. Sequential Art is a more accurate description of the form. I first suggested it because I believed something needed to be done to correct the feeling of inferiority by artists and writers in this field.

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    The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.

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    The terminology of philosophical art is coercive: arguments are powerful and best when they are knockdown, arguments force you to a conclusion, if you believe the premisses you have to or must believe the conclusion, some arguments do not carry much punch, and so forth. A philosophical argument is an attempt to get someone to believe something, whether he wants to beleive it or not. A successful philosophical argument, a strong argument, forces someone to a belief.

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    The techniques should not be practised simply so they can be performed in the kata. Since karate is a fighting art each technique and movement has its own meaning. The karateka must consider their meaning, how and why they are effective, and practise accordingly

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    The temple of art is built in words.

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    The term 'Pre-Raphaelite' is in danger of becoming one of the most misused tags in art history

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    The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.) Denial of Agency: She didn't write it. Pollution of Agency: She shouldn't have written it. Double Standard of Content: Yes, but look what she wrote about. False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"? Or simply: Neither "she" nor "it" exists (simple exclusion).

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    THE TECHNIQUES OF the Art of Peace are neither fast nor slow, nor are they inside or outside.. They transcend time and space.

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    The temple of art is built of words. Painting and sculpture and music are but the blazon of its windows, borrowing all their significance from the light, and suggestive only of the temple's uses.

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    The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.

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    The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.

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    The theater is the only branch of art much cared for by people of wealth; like canasta, it does away with the brother of talk after dinner.

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    The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.

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    The test of policy is how it ends, not how it begins. Foreign policy is the art of establishing priorities. Demonization is not a policy; it is an alibi for the absence of one. The test is not absolute satisfaction but balanced dissatisfaction.

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    The test of the artist does not lie in the will with which he goes to work, but in the excellence of the work he produces.

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    The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.

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    The thing about architecture is that it's an art [you] simply learn more by doing more. It's one of those things that is really not an art about thinking, but doing. So in a way, what it has done is greatly intensify the way that I build.

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    The thing about art is that life is in no danger of being meaningless.

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    The terrifying and edible beauty of Art Nouveau architecture.

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    The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.

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    The thing in comedy is that once you start worrying about something not succeeding, you're frozen. There's no verdict on anything. You can make ¡Three Amigos!, and some people will at the time say, "Oh, that's too silly." Then five years later, silly is hip. Now it's considered art. I never comment on anything I do, because if I say anything negative about X film, or X TV show, or X project, people who saw it and loved it go, "Well, am I an idiot?

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    The thing I am most aware of is my limits. And this is natural; for I never, or almost never, occupy the middle of my cage; my whole being surges toward the bars.

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    The thing I loved the most about being art director was picking the photographers and working with them.