Best 22487 quotes in «art quotes» category

Once you have hundreds of millions of dollars, it’s hard to know where to put it all. Art is transportable, unregulated, glamorous, arcane, beautiful, difficult. It is easier to store than oil, more esoteric than diamonds, more durable than political influence.

One atom is capable of producing an atomic explosion that can unleash unfathomable destruction. What if this nearly infinite potential exists in everything? Maybe this explains the full emotional potential of music. Perhaps a single note truly and completely heard would overwhelm us as completely as the voice of the Creator himself, entering our consciousness through processes of intricate complexity . . . the crafting of instruments, perfecting of skills, vibrating air and eardrum, nerves and synapses and understanding, and my God, it is all so magnificent!

One can show one's contempt for the cruelty and stupidity of the world by making of one's life a poem of incoherence and absurdity.

One could say that the mechanism of metamorphosis is the only element of life that never changes. The journey of every individual, every country, every historical epoch, of the entire universe and all it contains, is nothing but a series of changes, constitute the backbone of all of us. Whether they are a salvation or a loss, they are moments that we tend to remember. They give a structure to our existence. Almost all the rest is oblivion. I think that the power of art is the power to wake us up, strike us to our depths, change us. What are we searching for when we read a novel, see a film, listen to a piece of music? We are searching, through a work of art, for something that alters us, that we weren't aware of before. We want to transform ourselves.

One day a young daughter was watching her mother make a roast for the family. She watched as her mother cut off the two ends of the roast and put it in the pan, along with the potatoes and vegetables. Perplexed by the procedure, the child asked why her mother cut off both ends. The mother smiled and answered, “Because that’s the way grandma always did it.” The next time the child saw her grand- ma, she asked her why she did this. Her grandma answered that she had cut off the ends of her roasts and baked them in a small pan because the stove she had was so small. Like the girl’s mother, many of us do things a certain way be- cause that’s the way they have always been done, and we never nd out if those things are still relevant today. So let’s take a moment and think outside the box of what has been done in the past, asking God to reveal Himself to us afresh.

One day people will come back. they won't be able to help themselves. People need music and dance and beautiful things. They forget sometimes, but not forever. You'll see. One day, this will be a magical place again. With music and dance and good times and people celebrating.

One could certainly call Diaghilev a creative genius, although it is not easy to analyse the nature of his creative gift. He practised neither painting not sculpture, nor was he a professional writer; for his few critical essays, remarkable as they were as proofs of his taste and judgement, did not amount to much – and anyway Serge hated the business of writing. He even lost faith before long in any vocation he may have felt for music, which was his real speciality. In no branch of art did he become an executant or a creator: and yet one cannot deny that his whole activity was creative.

One falls in love with the embodiment of the values that formed a person’s character, which are reflected in his widest goals or smallest gestures, which create the style of his soul—the individual style of a unique, unrepeatable, irreplaceable consciousness.

One doesn’t arrive — in words or in art — by necessarily knowing where one is going. In every work of art something appears that does not previously exist, and so, by default, you work from what you know to what you don’t know. You may set out for New York but you may find yourself as I did in Ohio. You may set out to make a sculpture and find that time is your material. You may pick up a paint brush and find that your making is not on canvas or wood but in relations between people. You may set out to walk across the room but getting to what is on the other side might take ten years. You have to be open to all possibilities and to all routes — circuitous or otherwise. But not knowing, waiting and finding — though they may happen accidentally, aren’t accidents. They involve work and research. Not knowing isn’t ignorance. (Fear springs from ignorance.) Not knowing is a permissive and rigorous willingness to trust, leaving knowing in suspension, trusting in possibility without result, regarding as possible all manner of response. The responsibility of the artist … is the practice of recognizing.

One has to commit a painting,' said Degas, 'the way one commits a crime.

One man thinks justice consists in paying debts, and has no measure in his abhorrence of another who is very remiss in this duty and makes the creditor wait tediously. But that second man has his own way of looking at things; asks himself Which debt must I pay first, the debt to the rich, or the debt to the poor? the debt of money or the debt of thought to mankind, of genius to nature? For you, O broker, there is not other principle but arithmetic. For me, commerce is of trivial import; love, faith, truth of character, the aspiration of man, these are sacred;

One is either an artist or one is not. It is not something one becomes. It is something that one is from birth. We do not study to be artists. We study to become more proficient. To understand more.

One might well conceive all of human history as the story of humankind's journey from beauty lost to beauty gradually sought and regained. Never, over the centuries, has the human need for beauty been extinguished...Art, somehow removed from the practical demands of everyday life, reveals that our kinship is not with the biological world only; it is also with the spiritual world.

Oneness is not sameness.

One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore. Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.

One must give himself completely to his art and not hold back. Throw caution to the wind. Embrace the muse. Make love to your art.

One of the best ways to recharge is by simply being in the presence of art. No thoughts, no critiques. Just full-on absorption mode.

One of the foremost tasks of art has always been the creation of a demand which could be fully satisfied only later. The history of every art form shows critical epochs in which a certain art form aspires to effects which could be fully obtained only with a changed technical standard, that is to say, in a new art form. The extravagances and crudities of art which thus appear, particularly in the so-called decadent epochs, actually arise from the nucleus of its richest historical energies.

One of Scotland's most important cultural exports - stories.

One of the great things about art is you get to see what your concerns are, what those things tumbling around inside you are.

One of the most beautiful things to do is to paint darkness, which nevertheless has light in it.

One of the most magical things about photography happens when you place one picture next to another picture to create new meanings.

One of the great moments in Artist's life is to watch her own oeuvre through a Gallery's door, to see all the Art-works hanging out together on a publicly accessible wall, to slow down and think about the creative process that continues to mystify us all.

One of the most magical things about photography happens when you place one picture next to another picture to create new meanings. When you see a picture of a person and another of a place, your mind automatically fills in the gaps as if they're connected.

One ought, really, never to speak of a uniform "style of the time" dominating a whole period, since there are at any given moment as many different styles as there are artistically productive social groups. Even in epochs in which the most influential work is found on a single class, and from which only the art of this class has come down to us, it ought to be asked whether the artistic products of other groups may have been buried or lost.

One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora.

One should not become an artist because he can, but because he must. It is only for those who would be miserable without it.

One shouldn't take art too literally.' He remembered what his brother-in-law, Philip Quarles, had said one evening, when they were talking about poetry. 'Particularly where love is concerned.' 'Not even if it's true?' Walter had asked. 'It's apt to be too true. Unadulterated, like distilled water. When truth is nothing but the truth, it's unnatural, it's an abstraction that resembles nothing in the real world. In nature there are always so many other irrelevant things mixed up with the essential truth. That's why art moves you-precisely because it's unadulterated with all the irrelevancies of real life.

Only art explains, and that cannot itself be explained.

One thing, however, did become clear to him—why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing—mystery. That was what dreams and truly great works of art had in common: mystery.

One should not confuse creativity with whining.

Only after seeing the winter, do you comprehend the richness of summer. This was a big theme, and one I could confidently do: the infinite variety of nature.

Only art and science can raise men to the level of gods.

ONLY' having the Gift, people appreciate this madness as Art. Everybody wants to have Art in their lives, but no body wants to have what the Art came out from in their lives...

Only great artists have the wisdom to let go of good ideas.

One’s skill is never complete, one’s knowledge is forever lacking, one’s taste is invariably altered, one’s opinion ever subject to controversy. There is a complete and constant urge towards improvement.

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too.

Only by examining our personal biases can we grow as artists; only by cultivating empathy can we grow as people.

Only Creative People understand the importance of being alone.

Only in art can empires cheat oblivion,..

On my website there's a quote from the writer Anthony Burgess: "The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind." I've always found that inspiring because the written word, as an art form, is unlike any other: movies, TV, music, they're shared experiences, but books aren't like that. The relationship between a writer and a reader is utterly unique to those two individuals. The world that forms in your head as you read a book will be slightly different to that experienced by every other reader. Anywhere. Ever. Reading is very personal, a communication from one mind to another, something which can't be exactly copied, or replicated, or directly shared. If I read the work of, say, one of the great Victorian novelists, it's like a gift from the past, a momentary connection to another's thoughts. Their ideas are down on paper, to be picked up by me, over a century later. Writers can speak individually to readers across a year, or ten years, or a thousand. That's why I love books.

On the Rules of Perspective A bad trick. Mistake. Dishonesty. These are the views of Braque. Why? Braque rejected perspective. Why? Someone who spends his life drawing profiles will end up believing that man has one eye, Braque felt. Braque wanted to take full possession of objects. He said as much in published interviews. Watching the small shiny planes of the landscape recede out of his grasp filled Braque with loss so he smashed them. Nature morte, said Braque.

On the opposite wall was a Damien Hirst spot painting, bought by Arabella after a decent bonus season. Roger's considered view of the painting, looking at it from aesthetic, art-historical, interior-design, and psychological points of view, was that it had cost forty-seven thousand pounds, plus VAT.

On the whole, however, art is free, shameless, irresponsible, and, as I said: the movement is intense, almost feverish, like, it seems to me, a snakeskin full of ants. The snake itself has long been dead, eaten, deprived of its poison, but the skin moves, filled with meddlesome life.

On the levels of politics and theology, beauty is perfectly compatible with nonsense and tyranny. Which is very fortunate; for if beauty were incompatible with non­sense and tyranny, there would be precious little art in the world. The masterpieces of painting, sculpture and architecture were produced as religious or political propaganda, for the greater glory of a god, a govern­ment or a priesthood. But most kings and priests have been despotic and all religions have been riddled with superstition. Genius has been the servant of tyranny and art has advertised the merits of the local cult. Time, as it passes, separates the good art from the bad meta­physics. Can we learn to make this separation, not after the event, but while it is actually taking place? That is the question.

On the one hand, it is in and through creative minds that the community fulfils itself at its best and reaches its highest forms; and on the other, it is from them that the community recovers the social substance with which it had nourished them, transfigured by their creative alchemy into a still higher social substance. The creative evolution of his community and his own creative evolution must always be the two earnest purposes of the individual. Its own creative evolution and that of the individuals in its midst must always be the two earnest purposes of the community.

On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.

Open spaces sing to my heart of the art of nature and the nature of art.

Opinion is neither fake nor fact, perspective is neither lie nor truth. Accept the act of listening but don't follow everything you listen. Accept the lie of art and realize the truth.

Opium resembles religion insofar as a magician resembles Jesus.