Best 22487 quotes in «art quotes» category

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    The best way to truly understand narrative art is to experience it.

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    The Bible has been a bestseller for centuries. Why should I let two thousand years of publicity go to waste?

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    The better the artist, the more vulnerable he seems to be.

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    The big art is our life.

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    The Biblical story of the creation is an excellent parable of movement. The work of art, too, is above all a process of creation, it is never experienced as a mere product.

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    The Biblical worldview is not given to us in the discursive and analytical language of philosophy and science, but in rich and compact language of symbolism and art.

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    The big artist .. . keeps a sharp eye on Nature and steals her tools.

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    The biggest problem with every art is by the use of appearance to create a loftier reality.

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    The biggest fool to hit the big time and all I've got to do is act naturally.

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    The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.

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    The big, strong, tough guy goes to class, and he keeps getting tapped by the skinny, technical guy. It begins to change him. It makes him humble. That's what Jiu Jitsu does to you. It makes you humble.

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    The birch-bark canoe of the savage seems to me one of the most beautiful and perfect things of the kind constructed by human art.

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    The black artist is dangerous. Black art controls the 'Negro's' reality, negates negative influences, and creates positive images.

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    The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.

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    The blood of my motherland waters a magic plant that cures all ills. That plant is art, and sometimes art needs corruption as a kind of fertilizer

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    The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstances, whether created by others or by one's own human failing.

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    The body is living art. Your movement through time and space is art. A painter has brushes. You have your body.

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    The black man in Africa had mastered the arts and sciences. He knew the course of the stars in the universe before the man up in Europe knew that the earth wasn't flat.

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    The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.

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    The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet's Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.

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    The body is your instrument in dance, but your art is outside that creature, the body. I don't leap and jump anymore. I look at young dancers, and I am envious, more aware of what glories the body contains. But sensitivity is not made dull by age.

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    The body is to be compared, not to a physical object, but rather to a work of art.

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    The body is your instrument in dance, but your art is outside that creature, the body.

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    The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame.

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    The book it reminded me of most is Henry Miller’s The Books in My Life. Like Miller, Shields manages to convey his affection for and admiration of literature, and that, the enthusiasm and admiration, can revitalize the reader’s love for the art form. I’m grateful for How Literature Saved My Life because the book has made me think again – and for the first time in a while – 'Well, what is it we do when we read?' It’s a damned annoying question, but it needs to be asked now and then, and Shields has asked it in a way I find resonant and moving.

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    The Boston Globe: The Woodstock Music and Art Festival will surely go down in history as a mass event of great and positive significance in the life of the country ... That this many young people could assemble so peaceably and with such good humor in a mile-square area ... speaks volumes about their dedication to the ideal of respect for the dignity of the individual ... In a nation beset with a crescendo of violence, this is a vibrantly hopeful sign. If violence is infectious, so, happily, is nonviolence.

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    The bottom line for me is that life is short and art is long.

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    The bottom line is we must get off our duff and make an effort to succeed. Trust me on this, when you see someone successful in any of the arts they have been willing to make an extra effort.

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    The bourgeoisie and the petty bourgeoisie have armed themselves against the rising proletariat with, among other things, culture. It's an old ploy of the bourgeoisie. They keep a standing art to defend their collapsing culture.

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    The brain has an attentional mode called the "mind wandering mode" that was only recently identified. This is when thoughts move seamlessly from one to another, often to unrelated thoughts, without you controlling where they go. This brain state acts as a neural reset button, allowing us to come back to our work with a refreshed perspective. Different people find they enter this mode in different ways: reading, a walk in nature, looking at art, meditating, and napping. A 15-minute nap can produce the equivalent of a 10-point boost in IQ.

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    The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .

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    The brightest sun of the art always rises on the horizons of unhappiness.

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    The brain is full of lonely ideas, begging you to make some sense of them, to recognize them as interesting. The lazy brain just files them away in old pigeonholes, like a bureaucrat who wants an easy life. The lively brain picks and chooses and creates new works of art out of ideas.

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    The bulk of mankind believe in two gods. They are under one dominion here in the house, as friend and parent, in social circles, in letters, in art, in love, in religion; but in mechanics, in dealing with steam and climate, in trade, in politics, they think they come under another.

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    The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication...is towards participation in a process, rather than apprehension of concepts.

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    The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.

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    The butterfly, a cabbage-white, (His honest idiocy of flight) Will never now, it is too late, Master the art of flying straight.

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    The business of every art is to bring something into existence, and the practice of an art involves the study of how to bring into existence something which is capable of having such an existence and has its efficient cause in the maker and not in itself.

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    The buttocks are the most aesthetically pleasing part of the body because they are non-functional. Although they conceal an essential orifice, these pointless globes are as near as the human form can ever come to abstract art.

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    The camera can photograph thought. It's better than a paragraph of sweet polemic.

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    The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.

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    The canary bird in the coal mine theory of the arts: artists should be treasured as alarm systems.

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    The cannabis experience has greatly improved my appreciation for art, a subject which I had never much appreciated before.

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    The celebrated painter Gainsborough got as much pleasure from seeing violins as from hearing them.

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    The centipede has rhythm and flow in its hundred legs precisely because it does not have to think about it. Consider this the next time you move the instruments of your art.

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    The certainties of one age are the problems of the next.

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    The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.

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    The character of the artist doesn't enter into the nature of the art. Eliot said that art is the escape from personality, which I think is right. We know that Velázquez embezzled money from the Spanish court and wanted power and so on, but you can't see this in his art.

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    The characters [of The Tempest] have always been favorites of mine. It is one of his meditations on art - what it does.

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    The channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.