Best 22487 quotes in «art quotes» category

I always wanted to show the world that art is everywhere, except it has to pass through a creative mind.

I always want to design a frame that’s open to everyone. I don’t see art as a secret code.

I always was drawn to the performing arts. I started dancing when I was two. I sang, loved to act, and loved going to visit my mom on-set. But she wanted me to have a normal childhood, so I wasn’t really allowed to pursue acting till I got older.

I am afraid of what is happening in the West. In a way, the link between art and politics is about to snap. Music and politics, it seems, are increasingly considered to be separate domains. Music is about making peace, not conflict, they say. And, therefore, it is best to do what is considered normal and uncontroversial. Increasingly, accepting the status quo is a precondition for being considered entertainment, while protest culture is grouped alongside politics.

I am against limitations like perspective. Perspective is illusion, it's the opposite of presence, and art is presence.

I am adamant that we must not cut back on funding of the teaching of the arts in the schools: music, painting, theater, dance, all of it. The great thing about the arts is that the only way you learn how to do it is by doing it.

I am a famous artist. I make millions. But I frequently see debut shows of unknown artists with prices that are double of mine... what they're really doing is barely getting by and helping me sell 1,000 paintings a year effortlessly, because they make my paintings look like such a bargain. Thank you to all the egotistical art students!

I am afraid that as evangelicals, we think that a work of art only has value if we reduce it to a tract.

I am a hobbyist photographer so I relate to the visual arts that way, but Im not a painter.

I am a huge comic book fan, and I love everything vintage: cars, movies, music, art, and style - especially the 1950s style.

I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down.

I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.

I am an anarchist in politics and an impressionist in art as well as a symbolist in literature. Not that I understand what these terms mean, but I take them to be all merely synonyms of pessimist.

I am an artist. The track is my canvas, and the car is my brush.

I am an expert in the 'art of the possible.'

I am always wandering around in enigmas. There are young people who constantly come to tell me: you, too, are making Op Art. I haven't the slightest idea what that is, Op Art. I've been doing this work for thirty years now.

I am a morning person and start work, whether composing, rehearsing, preparing syllabi/tests, or proofing an article or manuscript, early in the morning before the flood of e-mails, phone calls and disturbances, usually by my four cats! I like to do projects that I can become passionate about - women in the arts and mentoring students. Like all of us, if we enjoy what we are doing, it's not work, and we might even get paid for it!

I am an artisan. I only became an artist when people watch what I do. That is when it becomes art.

I am an artist... I am here to live out loud.

I am an Asian designer. I was born in Taiwan. That is who I am. But I am a designer, like any designer of any race. Growing up in the '80s in Taiwan, the arts were not considered a career.

I am an illusionist - that's why I create art.

I am an artist. For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul. And you are like in some kind of possession, where you are doing anything to get the visual. You become another person. You're becoming an artist in action. And then a lot of miracles come. A lot of discovering. It's a very complicated thing.

I am an artist, you understand? For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul.

I am a stickler for good manners, and I believe that treating other people well is a lost art. In the workplace, at the dinner table, and walking down the street--we are confronted with choices on how to treat people nearly every waking moment. Over time these choices define who we are and whether we have a lot of friends and allies or none.

I am a poor man and of little worth, who is laboring in that art that God has given me in order to extend my life as long as possible.

I am a real person that cares about his art and cares about what he's doing - I have a heart and a soul and want to touch people and give.

I am a soul. I know well that what I shall render up to the grave is not myself. That which is myself will go elsewhere. Earth, thou art not my abyss!

I am a result of what has happened on this planet - how could I find the art to say that? I can't, and yet, I am drawn to it because of the enormity of it. That seems really important.

I am a walking piece of art every day, with my dreams and my ambitions forward at all times in an effort to inspire my fans to lead their life in that way.

I am certain about what I will never do - but not about what my art will render.

I am a very, very strong advocate of the notion that we shouldn't equate the arts with other aspects of infrastructure. They have a unique role in any civilised society and that requires appropriate and targeted government support.

I am certainly not regenerating French art, but am struggling hard to accomplish something on an unlucky piece of paper which has done me no harm at all, and on which, believe me, I am doing nothing that is good... I hope things will improve eventually; as it is, I am pretty wretched.

I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.

I am close friends with Marina Abamovich, so I love strong, very aggressive political art. She is like a mom who wants to adopt me.

I am convinced the most unfortunate people are those who would make an art of love. It sours other effort. Of all artists, they are certainly the most wretched.

I am curious to know what would happen if art were suddenly seen for what it is, namely, exact information of how to rearrange one's psyche in order to anticipate the next blow from our own extended faculties.

I am convinced that in the arts, committees are useless.

I am dead against art's being self-expression. I see an inherent failure in any story which fails to detach itself from the author-detach itself in the sense that a well-blown soap-bubble detaches itself from the bowl of the blower's pipe and spherically takes off into the air as a new, whole, pure, iridescent world. Whereas the ill-blown bubble, as children know, timidly adheres to the bowl's lip, then either bursts or sinks flatly back again.

I am committed to my art. I believe that all art has as its ultimate goal the union between the material and the spiritual, the human and the divine. I believe that to be the reason for the very existence of art.

I am confirmed in my belief that war is utter destructive violent chaos. There is no "art," no "order(s)," no "just war." No matter what the ideologies, wars are the same.

I am damnably sick of Italy, Italian and Italians, outrageously, illogically sick.... I hate to think that Italians ever did anything in the way of art.... What did they do but illustrate a page or so of the New Testament! They themselves think they have a monopoly in the line. I am dead tired of their bello and bellezza.

I am convinced that in the arts, committees are useless. What is necessary are people like Karajan, [fellow recording producer John] Culshaw and me; we know not only how to achieve the best artistic results but how to attract the public and carry out the whole operation with carefully chosen collaborators. Democracy is fatal for the arts; it leads only to chaos or the achievement of new and lower common denominators of quality.

I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself... Long live art, long live friendship, long live the joy of life!

I am fascinated a) by transgressive art and b) what happens beyond the boundaries.

I am doing what I want to do - painting pictures people want and understand. I have no burning ambition to create the kind of 'art' which the confused critics praise for its 'plastic significance,' 'fluid lines,' and 'inner awareness,' or 'must be understood on three levels.

I am drawn to the new chart with all of its colorful intricacies as a gourmet must anticipate the details of a feast ... I shall keep them forever. As stunning exciting proof that a proper mixture of science and art is not only possible but a blessed union.

...I am driven on by an idea that I really only grasp as it grows with the picture.

I am dominated by one thing, an irresistible, burning attraction towards the abstract. The expression of human feelings and the passions of man certainly interest me deeply, but I am less concerned with expressing the motions of the soul and mind than to render visible, so to speak, the inner flashes of intuition which have something divine in their apparent insignificance and reveal magic, even divine horizons, when they are transposed into the marvellous effects of pure plastic art.

I am essentially a painter of the kind of still life composition that communicates a sense of tranquillity and privacy, moods which I have always valued above all else.

I am far from any intention to limit curiosity, or confine the labours of learning to arts of immediate and necessary use. It is only from the various essays of experimental industry, and the vague excursions of mind set upon discovery, that any advancement of knowledge can be expected; and though many must be disappointed in their labours, yet they are not to be charged with having spent their time in vain; their example contributed to inspire emulation, and their miscarriage taught others the way to success.