Best 22487 quotes in «art quotes» category

Happiness is what matters, feeling alive-not art or knowledge or money.

harusnya hujan ini dapat membasuh hati yang kering. tapi realitanya ? ahsyudahlah... biarkan hujan menentukan haknya~

hari ini aku bingung membedakan pedekate dengan padabete biarkan waktu yang berbicara saja... tapi bicara kesiapa? :

Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!

Have you ever asked yourself this question "what can God do through me?" The preacher has no platform if the people has no sense of mission.

Have you ever make out time to ask God if there is anything or anybody you need to drop in your life? Are you still holding on to offences? When is the right time to drop it? I am sure once you make this attempt He will show you. I declare that God is going to set some captives free.

... Have you ever reflected that posterity may not be the faultless dispenser of justice that we dream of? One consoles oneself for being insulted and denied, by reyling on the equity of the centuries to come; just as the faithful endure all the abominations of this earth in the firm belief of another life, in which each will be rewarded according to his deserts. But suppose Paradise exists no more for the artist than it does for the Catholic, suppose that future generations prolong the misunderstanding and prefer amiable little trifles to vigorous works! Ah! What a sell it would be, eh? To have led a convict's life - to have screwed oneself down to one's work - all for a mere delusion!... "Bah! What does it matter? Well, there's nothing hereafter. We are even madder than the fools who kill themselves for a woman. When the earth splits to pieces in space like a dry walnut, our works won't add one atom to its dust.

Having been a Ship’s Captain, a Naval Officer a Mathematics & Science Teacher, most people would believe that my primary interests would be directed towards the sciences. On the other hand, those that know me to be an author interested in history, may believe me to be interested in the arts. University degrees usually fall into the general category of Art or Science. It’s as if we have to pick sides and back one or the other team…. With my degree in Marine Science I am often divided and pigeon holed into this specific discipline or area of interest. One way or the other, this holds true for most of us but is this really true for any of us. As a father I can certainly do other things. Being a navigator doesn’t preclude me from driving a car. Hopefully this article does more than just introduce Cuban Art and in addition gives us all good reason to be accepted as more than a “Johnny One Note.“ My quote that “History is not owned solely by historians. It is a part of everyone’s heritage” hopefully opens doors allowing that we be defined as a sum of all our parts, not just a solitary or prominent one. As it happens, I believe that “Just as science feeds our intellect, art feeds our soul.” For the years that Cuba was under Spanish rule, the island was a direct reflection of Spanish culture. Cuba was thought of as an extension of Spain's empire in the Americas, with Havana and Santiago de Cuba being as Spanish as any city in Spain. Although the early Renaissance concentrated on the arts of Ancient Greece and Rome, it spread to Spain during the 15th and 16th centuries. The new interest in literature and art that Europe experienced quickly spread to Cuba in the years following the colonization of the island. Following their counterparts in Europe, Cuban Professionals, Government Administrators and Merchants demonstrated an interest in supporting the arts. In the 16th century painters and sculptors from Spain painted and decorated the Catholic churches and public buildings in Cuba and by the mid-18th century locally born artists continued this work. During the early part of the 20th century Cuban artists such as Salvador Dali, Joan Miró and Pablo Picasso introduced modern classicism and surrealism to Europe. Cuban artist Wilfred Lam can be credited for bringing this artistic style to Cuba. Another Cuban born painter of that era, Federico Beltran Masses, known to be a master of colorization as well as a painter of seductive images of women, sometimes made obvious artistic references to the tropical settings of his childhood. As Cuban art evolved it encompassed the cultural blend of African, European and American features, thereby producing its own unique character. One of the best known works of Cuban art, of this period, is La Gitana Tropical, painted in 1929, by Víctor Manuel. After the 1959 Cuban Revolution, during the early 1960’s, government agencies such as the Commission of Revolutionary Orientation had posters produced for propaganda purposes. Although many of them showed Soviet design features, some still contained hints of the earlier Cuban style for more colorful designs. Towards the end of the 1960’s, a new Cuban art style came into its own. A generation of artists including Félix Beltran, Raul Martinez, Rene Mederos and Alfredo Rostgaard created vibrantly powerful and intense works which remained distinctively Cuban. Though still commissioned by the State to produce propaganda posters, these artists were accepted on the world stage for their individualistic artistic flair and graphic design. After bringing the various and distinct symbols of the island into their work, present day Cuban artists presented their work at the Volumen Uno Exhibit in Havana. Some of these artists were Jose Bedia, Juan Francisco Elso, Lucy Lippard, Ana Mendieta and Tomas Sanchezare. Their intention was to make a nationalistic statement as to who they were without being concerned over the possibility of government rep

He ached for creation. For life to somehow rise from the drawings in his sketching book. For his own energy, his own impressions to swirl and spin on a canvas. For a dream city he had tacked above his bed.

Hay que dejar totalmente claro que las normas ordinarias del cine comercial y las producciones televisivas al uso corrompen al público de forma imperdonable, porque le roban cualquier posibilidad de contacto con el arte verdadero

he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.

he child sees everything in a state of newness; he is always drunk. Nothing more resembles what we call inspiration than the delight with which a small child absorbs form and colour. Genius is nothing more nor less than childhood recovered at will - a childhood now equipped for self-expression with manhood's capacities and a power of analysis which enables it to order the mass of raw material which it has involuntarily accumulated.

He could even talk about painting, and that's more than can be said of most painters.

He could pour himself into my little paper cup heart and my emptiness would finally have a meaning.

He dismisses our art." "I'm not sure I understand." I waved the book in my hand without turning around. "My father. He had an entire section on the primitive arts of the Melenese people. He says our finest artists lack technique, lack the ability to translate the real world onto canvas. He can't see that it's not about transferring the world exactly how it is, but rather expressing how it feels.

He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask. I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.

He died at forty-two. I was there to collect his talent. I was there at the hospital deathbed of my beloved Billie Holiday, just forty-four, her liver destroyed by drinking; I was there inside the hotel room of Charlie Parker, my singular jazz saxophonist, who died in his midthirties, but whose body was so ravaged by drugs the coroners thought he was sixty. Tommy Dorsey, the bandleader, choked in his sleep when he was fifty-one, too deep in pills to awaken. Johnny Allen Hendrix (you called him Jimi) swallowed a handful of barbiturates and expired. He was twenty-seven. It is not new, this idea that a purer art awaits you in a substance. But it is naive. I existed before the first grapes were fermented. Before the first whiskey was distilled. Be it opium or absinthe, marijuana or heroin, cocaine or ecstasy or whatever will follow, you may alter your state, but you will not alter this truth: I am Music. I am here inside you. Why would I hide behind a powder or a vapor? Do you think me so petty?

He doesn't believe in talking too much about art, especially while you're looking at it. The pressure to appreciate is the great enemy of actual enjoyment. Most people don't know what they like because they feel obligated to like so many different things. They feel they're supposed to be overwhelmed, so instead of looking, they spend their time thinking up something to say, something intelligent, or at least clever.

He disregarded everything, he gave everything to art. He tirelessly visited galleries, spent whole hours standing before the works of great masters, grasped and pursued a wondrous brush. He never finished anything without testing himself several times by these great teachers and reading wordless but eloquent advice for himself in their paintings.

He gives her his Art History lecture. ‘Then you get Mo-net and Ma-net, that’s a little tricky, Mo-net was the one did all the water lilies and shit, his colors were blues and greens, Ma-net was the one did Bareass on the Grass and shit, his colors were browns and greens. Then you get Bonnard, he did all the interiors and shit, amazing light, and then you get Van Guk, he’s the one with the ear and shit, and Say-zanne, he’s the one with the apples and shit, you get Kandinsky, a bad mother, all them pick-up-sticks pictures, you get my man Mondrian, he’s the one with the rectangles and shit, his colors were red yellow and blue, you get Moholy-Nagy, he did all the plastic thingummies and shit, you get Mar-cel Du-champ, he’s the devil in human form….’ She’s asleep.

He gave us music that reached into the ear like a lover's tongue and changed the color of our feelings. He presented movement so exquisite and fluid it coaxed our souls out of our bodies to dance with him, weightless in the perfume of divinity.

He granted its due share to everything equally, drawing from everything only what was beautiful in it, and in the end left himself only the divine Raphael as a teacher. So a great poetic artist, having read many different writings filled with much delight and majestic beauty, in the end might leave himself, as his daily reading, only Homer's Iliad, having discovered that there is nothing that has not already been reflected in its profound and great perfection.

He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial eagle.' Taking down the dictation, Theodora [his secretary] felt it to be almost more than she could bear. 'It is a heart-breaking thing to do, though, there is the extraordinary fact that his mind does retain the power to frame perfectly characteristic sentences.

He has no talent at all, that boy! You, who are his friend, tell him, please, to give up painting. –--Manet to Monet, on Renoir---

He had been haunted his whole life by a mild case of claustrophobia—the vestige of a childhood incident he had never quite overcome. Langdon’s aversion to closed spaces was by no means debilitating, but it had always frustrated him. It manifested itself in subtle ways. He avoided enclosed sports like racquetball or squash, and he had gladly paid a small fortune for his airy, high-ceilinged Victorian home even though economical faculty housing was readily available. Langdon had often suspected his attraction to the art world as a young boy sprang from his love of museums’ wide open spaces.

He had liked to listen to the exotic (to a Belsey) chatter of business and money and practical politics; to hear that Equality was a myth, and Multiculturalism was a fatuous dream; he thrilled at the suggestion that Art was a gift from God, blessing only a handful of masters, and most Literature merely a veil for poorly reasoned left-wing ideologies.

He has heard, and causes those with ears to hear, even today, what we shall not see until the end of time - the whole context of Providence. As though in the light of this end, he heard the harmony of creation to which the shadow belongs but in which the shadow is not darkness, deficiency is not defeat, trouble cannot degenerate into tragedy and infinite melancholy is ultimately forced to claim undisputed sway...Mozart causes us to hear that even on the latter side, and therefore in its totality creation praises its master and is therefore perfect.

He knew Kandinsky by heart: every trickle of red, slash of black ink, and hemorrhage of gold. Each dissonant note in its allegro, the harmony in its adagio, and its deep blue intermezzo, formed a symphony he had memorized in his body. He couldn’t say if Fragment 2 symbolized the Deluge, the Last Judgment, or the Resurrection. But it had become his religion, offering both redemption and pain..

He lifted his shirt, and on his back was the White Rabbit, wearing his waistcoat and looking at his watch. It was just like the illustration from the book. Only standing next to him, back-to-back, was another White Rabbit wearing a leather motercycle jacket and boots and smoking a cigar.

He loved the sea for deep-seated reasons: the hardworking artist's need for repose, the desire to take shelter from the demanding diversity of phenomena in the bosom of boundless simplicity, a propensity—proscribed and diametrically opposed to his mission in life and for that very reason seductive—a propensity for the unarticulated, the immoderate, the eternal, for nothingness. To repose in perfection is the desire of all those who strive for excellence, and is not nothingness a form of perfection?

He looked at me, that first day, like he had just found something he’d lost a thousand years ago.

He or she is greatest who contributes the greatest original practical example.

He had a sense—honed by experience—that what he’d contrived might achieve something of the effect he wanted. That, Martinius had always said, was the best any man in this fallible world could expect. [p. 67]

He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist.

He loves the painting. Whenever he stands before it he feels the world is sharing a secret with him.

He painted until his cursive brushes were only whispers of rawness on the thin ivory. Only the walls and the ravens that watched knew the boy with the paint-stained palms weaved his art onto his sketchpad on the park bench at lunchtimes, and only the trees whispered it like a prayer.

HER BARBED-WIRE SMILE LIFTED YOU TO HEAVEN BUT I HAVE TO ASK DID GOD LOOK LIKE HER VOICE

He remembered that in the art books he had leafed through at Leader's, many paintings depicted death. A severed head on a platter. A battle, and the ground strewn with bodies. Swords and spears and fire; and nails being pounded into the tender flesh of a man's hands. Painters had preserved such pain through beauty.

Here’s a quote from the musician Tracey Thorn of Everything but the Girl. I think it’s great. It really describes the problem of irony: ‘It is difficult for people in the arts to be entirely sincere about things without looking like they have not thought it out properly. The problem with irony is that it assumes the position of being the end result, from having looked at it from both sides and having a very sophisticated take on everything. So the danger of eschewing irony is that you look as though you’ve not thought hard enough about it and that you’re being a bit simplistic.

Her flat looked like a mess –a coloring mess. Once you enter it, you can feel like a person had eaten all the colors and paints and brushes in the whole world and threw up there. But somehow when you enter it, you wouldn’t feel the urge to throw up, actually, the colors mixed with furniture too well, the masterpieces were drawn perfectly that you feel like you are standing in an art museum.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding. If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Heretics are the only [bitter] remedy against the entropy of human thought. ("Literature, Revolution, and Entropy")

Here’s to the “so-so-ing” it. Here’s to the working since I was 14 in a smoke clouded day. Here’s to saying I could stay until the forms were faxed. Here’s to driving home past dark and dozing off the road. Here’s to no over time. Here’s to the long line to management. Here’s to ALREADY DONE THAT! Here’s to quitting, saying I’m through, saying I can’t compete for your leftover lean cuisine. Here’s to art. Here’s to freedom. Here’s to saying God gave me every penny and knowing it’s true. Here’s to the next 40 years with you. Here’s to the new. — Adrianna Stepiano

Her life is lived through the masterpiece of art, that she cannot draw.

He said, it's rather like your voice. You put up with your voice and speak with it because you haven't any choice. But it's what you say that counts. It's what distinguishes all great art from the other kind.

He says we will graduate knowing how to read and write because we'll spend a million hours learning how to read and write. "Why not spend that time on art: painting, sculpting, charcoal, pastel, oils? Are words or numbers more important than images? Who decided this? Does algebra move you to tears?" (Hands raise, thinking he wants answers.) "Can the plural possessive express the feelings in your heart? If you don't learn art now, you will never learn to breathe!!!

He said, one has to learn that painting well - in the academic and technical sense - comes right at the bottom of the list. I mean, you've got that ability. So have thousands.

He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.

He was an artist, and she, an anarchist, the destroyer of his beautiful creations. His body tensed, pushing hot adrenaline through his body with irascible rage. His anger gave way to lamentation as his heart wailed for his lost inventions. His mind saw each one desperately screaming for help, their outcries echoing between the orange flames and ashy ruins of their compatriots.

He was no stranger to middle fingers anyways; in Texas he had worked for a graphic design company, and the art world is overflowing with such fingers. At times almost exclusively.