Best 22487 quotes in «art quotes» category

Every time I paint a portrait I lose a friend.

Every thought is an afterthought.

Everything you have is to give. Thou art a phenomenon of philosophy and an unfortunate man.

Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.

Every time some new huckster of angst-ridden metaphor is appointed by Art Forum, the congregation genuflects, stroking the catalog like a handful of Rosary beads, and starts spreading that old gospel according to Hyperbole. No questions asked... And thus the bill of goods is sold, all along the line. An art historical snake, swallowing its own tale.

Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.

Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.

Everywhere there is craft and technique; everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of its awkwardness it obstructs that inner element.

Every true work of art must express a distinct feeling.

Everywhere I go, I still have time to meditate. People think meditating is sitting there, nobody bothering you, but you can even talk and still meditate

Everywhere in the modern world there is neglect, the need to be recognized, which is not satisfied. Art is a way of recognizing oneself, which is why it will always be modern.

Every win, regardless a good or bad one, gives you more confidence.

Every work of art is about everything.

Every work of art needs a spine – an underlying theme, a motive for coming into existence. It doesn't have to be apparent to the audience. But you need it at the start of the creative process to guide you and keep you going.

Every work of art which really moves us is in some degree a revelation: it changes us.

Every writer must reconcile, as best he may, the conflicting claims of consistency and variety, of rigour in detail and elegance in the whole. The present author humbly confesses that, to him, geometry is nothing at all, if not a branch of art.

Evidently the arts, all the visual arts, are becoming more democratic in the worst sense of the word.

Every woman knows the art of saying no with the lips and yes with the rest

Every work of science great enough to be well remembered for a few generations affords some exemplification of the defective state of the art of reasoning of the time when it was written; and each chief step in science has been a lesson in logic.

Every work of art changes its predecessors.

Every work of art has its necessity; find out your very own. Ask yourself if you would do it if nobody would ever see it, if you would never be compensated for it, if nobody ever wanted it. If you come to a clear ‘yes’ in spite of it, then go ahead and don’t doubt it anymore.

Every work of art is the child of its time, often it is the mother of our emotions.

Every work of art reaches man in his inner powers. It reaches him more profoundly and insidiously than any rational proposition, either cogent demonstration or sophistry. For it strikes him with two terrible weapons, Intuition and Beauty, and at the single root in him of all his energies... Art and Poetry awaken the dreams of man, and his longings, and reveal to him some of the abysses he has in himself.

Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them.

Every work of art is an abstraction from time; it denies the reality of change and decay and death.

Every work of art is a trick by which the artist manipulates appearances.

Every work of art depicts an aspect of reality.

Every work of art is an uncommitted crime.

Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.

Every work of art should give utterance, or indicate, the awful blind strength and the cruelty of the creative impulse, that is why they must all have what are called errors, both of taste and style.

Every year on my birthday I get a small dash on my inner thigh where my balls currently hang. You can't tell me that's not going to be a beautiful work of art when it's finished. My grandkids are playing with my balls, they can't figure it out. They're like, 'What are these things?' I'm like, 'It's your future, read the chart.' They don't stop growing; they're like earlobes. That joke was inspired by a door that wasn't locked when I was 11.

Evil is done without effort, naturally, it's destiny; good is always the product of skill.

Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.

Excellence in art is largely the result of attention to minutiae, and--prayer.

Evolution explains our biological evolution, but human beings are very unique creatures. As the Dobzhansky said, all animals are unique; humans are the uniquest. And that uniqueness of being human, language, art, culture, our dependency on culture for survival, comes from the combination of traditional biological evolution.

Exact science and its practical movements are no checks on the greatest poet, but always his encouragement and support ... The sailor and traveller, the anatomist, chemist, astronomer, geologist, phrenologist, spiritualist, mathematician, historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.

Excellence in art is to be attained only by active effort, and not by passive impressions; by the manly overcoming of difficulties, by patient struggle against adverse circumstance, by the thrifty use of moderate opportunities. The great artists were not rocked and dandled into eminence, but they attained to it by that course of labor and discipline which no man need go to Rome or Paris or London to enter upon.

Evolution tells us how to survive; art tells us how it's possible still to live even while knowing that we and all we love will someday vanish. It says there's beauty even in grief, freedom even inside the strictures of form and of life. What's liberating isn't what's simplest; it's the ability to include more and more shadows, colors and possibilities inside any moment's meeting of self and world.

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

Excellence is an art won by training and habituation. We do not act rightly because we have virtue or excellence, but we rather have those because we have acted rightly. We are what we repeatedly do. Excellence, then, is not an act but a habit.

Exceptional people deserve special concessions.

Excessive partiality for one foreign nation and excessive dislike of another cause those whom they actuate to see danger only on one side, and serve to veil and even second the arts of influence on the other. Real patriots who may resist the intrigues of the favorite are liable to become suspected and odious, while its tools and dupes usurp the applause and confidence of the people, to surrender their interests.

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.

Excellence is an art won by training and habituation.

Excellence is not an art. It is the habit of practice.

Exchanging blows generously, which is not uncommon in some other martial arts, is unthinkable in Shaolin philosophy, because a Shaolin disciple always assumes that an opponent is competent and able to inflict damage with just one blow.

Excusations, cessions, modesty itself well governed, are but arts of ostentation.

Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.

Experience is no more transferable in morals than in art.

Existence is a Fact, Living is an Art