Best 22487 quotes in «art quotes» category

I'm right now standing inside Hamilton-Selway Fine Art as an artist, as a philanthropist, as a child of God, and more importantly as a human being.

I'm really visually stimulated more than anything. I don't really listen to music. I'm more into watching telly or watching movies and visual art.

Im saving up to buy art. Nothing famous, but every time Im in a new city I wander into galleries and dream about buying great pieces one day.

I'm seeking to have an art that is engaged as a way for saying, 'Hurray for unity.

I'm seduced by the arts in general. Arts is like the power of now.

I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.

I'm seeing too many kids where they get fixated on their own autism. I'd rather have them get fixated that they like programming computers or they like art or they want to sing in the church choir or they want to train dogs, you know, something that they can turn into a career.

I'm so immersed in my little world that I don't often sit back and pay attention to what's going on around me. It truly stuns me when people recognize me. Obviously, I'm not a film star, but even at a design exhibition or art exhibition, if someone comes up to me, I'm sort of taken aback. I don't think of myself like that. But if I can have an effect on young designers, that's great - particularly young designers coming from Australia. Europeans grew up with design. The rest of us lived on tidbits of information.

I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.

I'm so language-based and I'm so about communicating, and my art has always been very audience-based, and very about being functional and communicating something, and about feeling like I have to be heard.

I'm somewhat of an empath, I would say. I relate easily to ideas and stories, books, films, music. I'm moved by all of these things. Art in general. But not just art, you know?

I'm starting to get a following on Twitter. That's a really awesome power to have. It gives me the opportunity to make any kind of art I want.

I'm sorry that our country and the people do not consider the arts as vital to our well-being as, say, medicine. Suffering is unnecessary. It doesn't make you a better artist; it only makes you a hungry one. However, to me the acquisition of the craft of writing was worth any amount of suffering.

I'm sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one - music, fashion, and art. I'm hitting it from all angles.

I'm still totally going out and sleeping on people's floors so I can play a house show and give away music. Of course I would. That's how I started. All that sort of stuff reminds you to stay true to the essence of what art is about.

I'm still useful in my capacity as an arts educator and caretaker for the stray dogs.

I'm such an avid magazine reader - music, art, beauty magazines - and I found that food and restaurants were pouring into everything I cared about. Whether it was the pop-up concept, or some mysterious mini-mall restaurant, I got swept up in the sexy romance of the food movement.

I'm sure scientists would point to specific brain chemicals, but I think love is actually a kind of magic. It's what allows things to happen, people to be creative, the world to change. Great things come out of love - for other people, for art, for beauty.

I'm sure that the camera is part of European art.

I'm thinking to myself, I just love doing the art, it takes me a morning to do.

I'm thinking about the idea of poetic license. People say that about certain writers: "Oh, the grammar sucks, but it's just the poetic license." We accept it as being an art form of sorts: the incorrect rearrangement of meaningful things. Unlike sciences, literature as art relies on societal acceptance of a certain vocabulary. We're just making sounds out of our mouths if we don't both accept that what I'm saying has very significant meanings, and I'm accurately targeting what vocabulary I use and how I arrange each word.

I'm trying to create flesh architecture. I aim to get a sculptural feel for groups of bodies, as well as create performance art.

I'm trying to inspire as many people as I can. I want the viewer to enjoy the art and I want the whole family to have something to react to. I hope that folks go home and do a bit of doodling and creating on their own.

I murmured to Picasso that I liked his portrait of Gertrude Stein. Yes, he said, everybody said that she does not look like it, but that does not make any difference, she will, he said.

I'm using my art to comment on what I see. You don't have to agree with it.

I must create a system or be enslaved by another mans; I will not reason and compare: my business is to create.

I must apologise because I know all writers have memories of being on the outer because it's the children on the side of the playground who become the dangerous writers.

I must say that the first person to realise that I was talented in art was my mother.

I must walk toward Oregon, and not toward Europe. And that way the nation is moving, and I may say that mankind progress from east to west. We go eastward to realize history and study the works of art and literature, retracing the steps of the race; we go westward as into the future, with a spirit of enterprise and adventure.

I must only warn you of one thing. You have become a different person in the course of these years. For this is what the art of archery means: a profound and far-reaching contest of the archer with himself. Perhaps you have hardly noticed it yet, but you will feel it very strongly when you meet your friends and acquaintances again in your own country: things will no longer harmonize as before. You will see with other eyes and measure with other measures. It has happened to me too, and it happens to all who are touched by the spirit of this art.

I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.

I'm very crafty! One time I made a television set out of a cardboard box - Everybody thought it was a lark! This was the beginning of a love affair with the arts.

I’m very much half-American - my mom is American. I grew up in Australia until I was 16 then I finished high school over here because I got into this performing arts high school.

I'm very hard on the art world just being a big business.

I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.

I'm very much involved with Asian art and its theory and practice, mainly Chinese because that was quite sophisticated. I tend to look at that more than I look the Western.

I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.

I'm very happy to be a part of a very successful piece of art, as the 'Saw' films have been. One gets into this to participate. It's the coming together of a good story. So, that aspect of it has been just splendid. It really has nothing to do with me or my popularity. I'm fascinated.

I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.

I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.

I'm very much against photographs being framed and treated with reverence and signed and sold as works of art. They aren't. They should be seen in a magazine or a book and then be used to wrap up the fish and chucked away.

I'm very much involved in art. I started buying art a few years ago and really like the work of T.C. Cannon, who is a native American artist. Then I was introduced to Soviet-era Russian impressionism and started collecting that, especially Gely Korzhev.

I'm very grateful that I was too poor to get to art school until I was 21. . . I was old enough when I got there to know how to get something out of it.

I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing.

I'm very silly as a person, but quality silliness on-screen has more of an art to it. Harrison Ford, whom I was in Morning Glory with, has mastered that dry funny better than anyone.

I'm very tolerant of other art and other artists. But what I truly appreciate, what I truly admire in contemporary art, is work that takes on more than it can sometimes handle - art that gets in over its head.

I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.

I'm with a crowd but oh so alone.

I'm working in my mind.

In 1972 Charlie Chaplin was allowed back to America to receive an honorary Oscar, 'for the incalculable he had on making motion pictures the art form of this century'. That's what the Academy was always for - to blur the equation enough so that profit and fame could be called art.