Best 22487 quotes in «art quotes» category

When I paint a woman in an armchair, the armchair is there to show illness and death-or as a protection.

When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.

When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.

When I put a green, it is not grass. When I put a blue, it is not the sky.

When I read that Malaysia Airlines flight MH370 had disappeared - a state-of-the-art Boeing 777, said to be an incredibly safe way to travel - I waited patiently for the chance to learn what happened.

When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.

When I reached intellectual maturity and began to ask myself whether I was an atheist, a theist, or a pantheist; a materialist, or an idealist; a Christian, or a freethinker; I found that the more I learned and reflected, the less ready was the answer; until, at last, I came to the conclusion that I had neither art nor part with any of these denominations, except the last.

When I see beautiful clothes, I want to keep them, preserve them... Clothes, like architecture and art, reflect an era.

When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.

When I say to the Moment flying; 'Linger a while -- thou art so fair!' Then bind me in thy bonds undying, And my final ruin I will bear!

When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.

When I speak now, my experience in art wells up so articulately that I am surprised even while I am talking. I move around a podium as easily as if it were my living room and although I am keyed up I am not anxious. I feel as if I were doing what I should be doing - the feeling I have when intent in my studio.

When I speak to students and they ask how much money you can make in art, as if that is a reason to persue it, I tell them to do something else.

When I sing, I have to live in that moment, so my audience can feel that. That is my reason for doing art.

When I spoke, I was listened to; and I was at a loss to know how I had so easily acquired the art of commanding attention, and giving the tone to the conversation.

When I speak about freedom, it's about freedom of the spirit. Freedom of the spirit can't be represented by a body. It has to be art. It has to be all the colors. It has to be something that moves and has no boundaries.

When I see a beautiful piece of art, it inspires me to be creative.

When I speak of the aspiration towards the beautiful, of the ideal as the ultimate aim of art, which grows from a yearning for that ideal, I am not for a moment suggesting that art should shun the 'dirt' of the world. On the contrary! the artistic image is always a metonym, where one thing is substituted for another, the smaller for the greater. To tell of what is living, the artist uses something dead; to speak of the infinite, he shows the finite. Substitution... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite: the image.

When I started Dylan's Candy Bar in 2001, I wanted it to be a place that merged my love of pop culture, fashion, art and music with candy. Since then, we have been fortunate to pioneer artistic partnerships with many legends.

When I started to take literature and poetry classes, I just started to get inspired by these new incredible works of art that I had never seen or heard of before. I wrote a lot of bad high-school poetry, just like pretty much everyone did, I think, at some point. For me, the inspiration never really stopped.

When I start doing a body of work I feel vulnerable, fearful. If I stopped trusting the process, I would stop doing art.

When I submitted samples, I had only written stories to give myself something to draw. I was told, "The art is good, but not quite professional yet. But, I like the writing." I've been a writer for almost a half a century. It's very cool.

When I started martial arts... Bruce Lee is obviously the top dog and Jackie Chan is a legend. But for a lot of westerners it was Van Damme. He was the first person you saw that made you realise you didn't need to be Asian or Oriental to do that stuff.

When I started out in independent films in the early 70s, we did everything for the love of art. It wasn't about money and stardom. That was what we were reacting against. You'd die before you'd be bought.

When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.

When it came to the stylish and graceful art of ballroom dancing, my dad was a king of the clubs, a prowling tiger and a wonderfully natural mover.

When it comes to art, buy with your eyes, not your ears. I tried very hard not to 'decorate' with art. Art should be reflective of your personality and what's going on in your head-not reflective of the colors of a sofa.

When it comes to art you can't please everybody but if you please yourself then take pleasure in that.

When it comes to my art work I would say that I am a perfectionist, although my sketchbook, and my process, is a mess.

When it comes to performing and entertaining, the art removes itself from the writing.

When it came to my art, I went my own way and did not follow the trends.

When it comes to fashion or any high art, you have to have a combination of delicacy, along with taste.

When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.

When it comes to art and science, people don't like a lot of either. Instead of being open to it, they're closed off about it.

When it comes to art, money is an unimportant detail. It just happens to be a huge unimportant detail.

When I think of the Harlem Renaissance, I think of bright colors, and bold, dynamic art. African American artists of the period were, in large measure, breaking out of the constrictions white society had set for them. They were claiming and remaking their own images, and doing so in bold and striking ways.

When it comes to words I have a uniqueness that I find almost impossible in art – and it's my words that actually make my art quite unique.

When I think about the reference to baroque, I'm most interested in how art was integrated into domestic life. That's why I like fresco, because fresco is part of the wall. It's art, but it's decoration at the same time.

When I think of my art tribe - you know, my peeps - there are certain people who are autobiographers that I really love. But for the most part, overwhelmingly, my tribes are the surrealists and the storytellers, in song and literature.

When I travel, I draw and paint sketches which is great fun. And as long as you are fully aware that it has nothing to do with actual art, I think that's all right.

When I think of art I think of beauty. Beauty is the mystery of life. It is not in the eye it is in the mind. In our minds there is awareness of perfection.

When I was 10, I knew there was something different about me. Everyone was football-mad, but I just wanted to watch musicals and see art.

When I view the world, I don't think of my own work. I think of my hope that, through art, people can get a sense of the type of invisible fabric that holds us all together, that holds the world together.

When it's cold, water freezes into ice; when it's warm, ice melts into water. Similarly, when you are confused, essence freezes into mind; when you are enlightened, mind melts into essence.

When I was 19 I went to art school. I had six months of teaching myself to play baritone ukulele under my belt so I was sort of a novice folkie... I was singing folk songs at that time.

When I was a boy, unconsciously, spontaneously I learned the art of telling ironic stories.

When I was a kid, I looked at art as a way of blending everything. One of my favorite composers is Wagner - who coined the term "gesamtkunstwerk," or "total art work." That's what was going on in the 19th century, and the 20th century just kept it going.

When I was a kid, I was told rock n' roll wasn't music. It wasn't art. Queen was my proof, my evidence, that these people were wrong - and they meant everything to me.

When I was at art college, the teachers who helped me were not the ones I agreed with, or the ones who encouraged me, but the ones who took very strong positions. Because if someone does that, you can find your own position in relation to it: what is it that I don't agree with? In the studio I want to articulate a position clearly enough so that other people can use it - or chuck it away if they don't want it.

When I was a young stunt guy the director would say: "You're useless..." But I wanted to be the best, I wanted to be a super stunt guy. That's how I built myself, because of martial arts and everything.