Best 22487 quotes in «art quotes» category

Our human landscape is overburdened with competitions and contests. Art need not be a contest. Art is a personal quest for quality. Quality is the forerunner of acceptance. Character is the forerunner of quality. Be your own discriminating connoisseur.

Our individual lives cannot, generally, be works of art unless the social order is also.

Our griefs, as well as our joys, owe their strongest colors to our imaginations. There is nothing so grievous to be borne that pondering upon it will not make it heavier; and there is no pleasure so vivid that the animation of fancy cannot liven it.

Our job is to get out of the way of ourselves and let the art flow through us. We need to stop trying, stop doing, start allowing. We have no clue what we can be when you stop forcing and start being.

Our jobs as artists is to make sure our art tells a real story and let people see themselves in these characters. It's about having a conversation about being better people.

Our life is a work of art. We must seek always to be its artist.

Our leading men are not of much account and never have been, but the average of the people is immense, beyond all history. Sometimes I think in all departments, literature and art included, that will be the way our superiority will exhibit itself. We will not have great individuals or great leaders, but a great average bulk, unprecedentedly great.

Our little systems have their day; They have their day and cease to be… And thou, O Lord, art more than they.

Our minds must meditate on some object. According to what he thinks, a man can create an atmosphere of radiance, exuberance, buoyancy; and this brings joy. Or he can carry gloom with him. It is a matter of the habit of thought. We must build up our own life by our thoughts. There are many ways by which we can do this. Art, music, even manual work, all can bring ripening to the soul.

Our most intimate contact with civilizations long since dust has been through the art which has survived them.

Our music is always, as you know, very spacey- computer graphics, music, images, lyrics, and visual art we make ourselves, or that we make with artists. And it's all synchronized.

Our music, whose eternal being is forever bound up in its temporal sounds, is not merely an art, enriching beyond measure our cultural life, but also a message from higher worlds, raising and urging us on by it's reminders of our own eternal origins.

Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee.

Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.

Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were selected not for art content but for their relationship to the anthropological history of mankind.

Our natures are a lot like oil, mix us with anything else, and we strive to swim on top.

Our one goal is to give the world a taste of peace, friendship and understanding. Through the visual arts, the art of celebration of life.

Our Nation has a diverse and extremely rich cultural heritage. It is a source of pride and strength to millions of Americans who look to the arts for inspiration, communication and the opportunity for creative self-expression.

Our passions do not live apart in locked chambers but dress in their small wardrobe of notions, bring their provisions to a common table and mess together, feeding out of the common store according to their appetite.

Our thoughts are to the individual as our art is to the community.

Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe.

Our strategy in dealing with patents in Mono is the same strategy that any other software developer would take. In the event of a patent claim, we will try to find prior art to the claim of the patent.

Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.

Our thoughts, our language, are always at a distance from whatever they're trying to describe. We have other kinds of languages, like mathematics, like music, like art, but there's always that gap.

Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.

Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness — and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. The corporate revolution will collapse if we refuse to buy what they are selling — their ideas, their version of history, their wars, their weapons, their notion of inevitability.

Our thoughts fly therefore by themselves in this festive hour of our plant community, to the man whom we thank for the ressurection of our Nation: Adolf Hitler, the patron of German labour and German art.

Our unalterable resolution would be to be free. They have attempted to subdue us by force, but God be praised! in vain. Their arts may be more dangerous then their arms. Let us then renounce all treaty with them upon any score but that of total separation, and under God trust our cause to our swords.

Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who have been very little influenced by social systems, have always responded instinctively to latent assumptions about the shape of the universe. The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art.

Our whole life can go on in observation of the laws of nature, if we gain dominion over our desires from the beginning and if we do not kill, by various means of a perverse art, the human offspring, born according to the designs of divine providence; for these women who, in order to hide their immorality, use abortive drugs which expel the child completely dead, abort at the same time their own human feelings.

Our unconscious, then, does not believe in its own death; it behaves as if it were immortal. It knows nothing that is negative; in it contradictories coincide. This may be the secret of heroism.

Our world has changed for better or for worse. It is for us to find truth and beauty for today, constantly re-applying the truth of God's word to our own time and our contemporary situation.

Out of the debris of a statue thoroughly shattered a new art work is born: a naked foot unforgettably resting on a stone; a candid hand; a bent knee which contains all the speed of the foot race; a torso which has no face to prevent us from loving it.

Outcomes rarely turn on grand gestures or the art of the deal, but on whether you've sent someone a thank-you note.

Outside the world of politics, one person in the world of the arts I would mention as an influence is Nick Cave, another person who has been around since the late 1970s. He has developed and changed remarkably, whilst remaining true to his vision. He has been a great help to me as well, without his knowing it.

Out of the ashes of the music business, comes the rebirth of the musician business.

Out of the fragrant heart of bloom, The bobolinks are singing; Out of the fragrant heart of bloom The apple-tree whispers to the room, "Why art thou but a nest of gloom While the bobolinks are singing?

Outside is the world; it's there. Pop Art looks out into the world.

Outstanding past work in photography, and in fact in all the arts, is very important to today's photographers. But it should be used for inspiration and not for imitation. These works should be something to be built upon, not to be repeated.

Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.

Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.

Overcoming fear and conceiving this 'art of more' should be a fundamental practice in what it is that you do and make.

Overall, I think any opportunity to expose people to art on a mass level - to have some kid in Oklahoma say to his mother, "I want to be an artist" - is a good thing.

Over the years, I developed an extreme hostility towards the non-profit art organization gulag. I formed the opinion that it's actually a very sophisticated form of government suppression of creativity, particularly in young people. When I see the younger generation dragged into this and being told to write these statements and take these photos, define your work this way or that way, I think it's wrong. I think instead of paying any attention to politics, a great project for young artists is to attack and destroy the non-profits of our world.

O wretched state! O bosom black as death! O limed soul that, struggling to be free, art more engaged! Help, angels! Make assay! Bow, stubborn knees! and, heart with strings of steel, be soft as sinews of the new-born babe!

Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes.

Over the years, she [my mother] always encouraged me in the arts. She actually worked at an art museum when we were kids. I took classes there. She was the one that, when we'd go to the store and I would have a pack of eight pastels, she'd say, "No, get the 24-pack." She was always encouraging me to get the best materials, which was really awesome.

Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.

O woman! woman! thou shouldest have few sins of thine own to answer for! Thou art the author of such a book of follies in a man that it would need the tears of all the angels to blot the record out.

Over the years I have learned that creating art has made me happy. I used to be a lawyer and I'm much happier being an artist.