Best 22487 quotes in «art quotes» category

We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.

We therefore work, not for the work's sake, but for money—and money is supposed to get us what we really want in our hours of leisure and play. In the United States even poor people have lots of money compared with the wretched and skinny millions of India, Africa, and China, while our middle andupper classes (or should we say "income groups") are as prosperous as princes. Yet, by and large, they have but slight taste for pleasure. Money alone cannot buy pleasure, though it can help. For enjoyment is an art and a skill for which we have little talent or energy.

We think only through the medium of words. Languages are true analytical methods. Algebra, which is adapted to its purpose in every species of expression, in the most simple, most exact, and best manner possible, is at the same time a language and an analytical method. The art of reasoning is nothing more than a language well arranged.

We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.

We, this nation of ours, could be the richest nation in the world. We could be the freest nation in the world - but only if the arts are alive and flourishing can we experience the true meaning of our freedom, and know the full glory of the human spirit.

We treat the lyrics like the woman any man wants to impress the most. We give the lyrics all the attention we can. I'm not sure other formats are remembering that the lyrics are what it's all about.

We try not to encourage demonstrations of his mastery of the gaseous arts.

We understand hereby, that the family, the business, science, art and so forth are all social spheres, which do not owe their existence to the State, but obey a high authority within their own bosom; an authority which rules, by the grace of God, just as the sovereignty of the State does.

We tottered together upon the brink of the fall. I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me. I slipped through his grip, and he with a horrible scream kicked madly for a few seconds and clawed the air with both his hands.

We use the term pop in the art world, as in Pop Art, but we forget that its root is popular - popular culture.

We use important words too frequently and they lose value; for instance, charm and great. An actor or musician often is proclaimedgreat when we really mean he is outstanding.

We've done this before in other worlds, in other lives. It is our strength, law, medicine, entertainment, and computers, the networking of energy. All of these are arts.

We view Sufism not as an ideology that molds people to the right way of belief or action, but as an art or science that can exert a beneficial influence on individuals and societies, in accordance with the needs of those individuals and societies ... Sufi study and development gives one capacities one did not have before.

We wait for the tortoises to come.  We wait for that lady who walks them.  That’s how art works.  It’s never a jackrabbit, or a racehorse.  It’s the tortoises that hold all the secrets.  We’ve got to be patient enough to wait for them.

We want Realism's wealth of experience and Symbolism's depth of feeling. All art is a problem of balance between two opposites.

We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.

We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.

We want to raise the art of living well.

We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.

We were all imitative. We all wandered in after Miss Edna St. Vincent Millay. We were all being dashing and gallant, declaring we weren't virgins, whether we were or not.

We were doing performance art as far back as 1965, just not calling it that.

We who are in the arts are at the risk of being in a popularity contest rather than a profession. If that fact causes you despair . . . pick another profession. Your desire to communicate must be bigger than your relationship with the chaotic and unfair realities . . . We have to create our own standards of discipline.

We were told, quite seriously, that there never would be a Canadian art because we had no art tradition.

...we will arrange for 'religion' to become a small subdepartment of ordinary life; it will be quite safe - harmless, in fact - with church life carefully separated off from everything else in the world, whether politics, art, sex, economics, or whatever.

We will make love an art and we will love like artists.

We will never get great art from women if their education exposes them only to the second-rate and if the idea of greatness itself is denied. Greatness is not a white male trick. Every important world civilization has defined its artistic tradition in elitist terms of distinction and excellence.

We will build an Air Force of at least 1,200 fighter aircraft, which the Heritage Foundation again has shown to be needed to execute current missions. We now have 1,113. Not enough. We will also seek to develop a state-of-the-art missile defense system.

We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.

We will, of course, without hesitation use art to parody, ridicule, debunk, or criticize ideologies.

What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.

What a devil art thou, Poverty! How many desires - how many aspirations after goodness and truth - how many noble thoughts, loving wishes toward our fellows, beautiful imaginings thou hast crushed under thy heel, without remorse or pause!

What adults call 'wrong' in Child Art is the most beautiful and most precious. I value highly those things done by small children. They are the first and purest source of artistic creation.

What a museum chooses to exhibit is sometimes less important than how such decisions are made and what values inform them. To have the crucial role of museum professionals usurped by self-serving tycoons in the name of economic imperative threatens not only the integrity of individual institutions but the very principle of art held in public trust.

What a crippling art writing is, no body to it, no craft, really. It's all in the mind and you never see it or feel it -- only sometimes hear it. It uses only such a small part of man. I wish I were a sculptor.

What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.

What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).

What are books but folly, and what is an education but an arrant hypocrisy, and what is art but a curse when they touch not the heart and impel it not to action?

What art can paint or gild any object in after life with the glow which nature gives to the first baubles of childhood? St. Peter's cannot have the magical power over us that the red and gold covers of our first picture-book possessed.

What art is not processed? "Conceptual art." Somebody making a painting has to conceive of the size. I don't understand where these words came from. I can't accept the fact that the concept of art as our concept of humanity is expanding.

What are you? What am I? Those are the questions that constantly persecute and torment me and perhaps also play some part in my art.

What artists call posterity is the posterity of the work of art.

What art Thou then, my God? what, but the Lord God? For who is Lord but the Lord? or who is God save our God? Most highest, most good, most potent, most omnipotent; most merciful, yet most just; most hidden, yet most present; most beautiful, yet most strong; stable, yet incomprehensible; unchangeable, yet all-changing; never new, never old; all-renewing, and bringing age upon the proud, and they know it not; ever working, ever at rest; still gathering, yet nothing lacking; supporting, filling, and overspreading; creating, nourishing, and maturing; seeking, yet having all things.

What Art was to the ancient world, Science is to the modern: the distinctive faculty. In the minds of men the useful has succeeded to the beautiful. Instead of the city of the Violet Crown, a Lancashire village has expanded into a mighty region of factories and warehouses. Yet, rightly understood, Manchester is as great a human exploit; as Athens.

What art does is it makes you feel alive and makes you feel like you're connected.

What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.

What art thou Faustus, but a man condemned to die?

What are we singers but the silver-voiced messengers of the poet and the musician?

What are you doing with the child?" I inquired cautiously. "I'm teachin' young James here the fine art of not pissing on his feet," he explained.

What Artistic and Scientific Experience Have in Common - Where the world ceases to be the scene of our personal hopes and wishes, where we face it as free beings admiring, asking, and observing, there we enter the realm of Art and Science. If what is seen and experienced is portrayed in the language of logic, we are engaged in science. If it is communicated through forms whose connections are not accessible to the conscious mind but are recognized intuitively as meaninful, then we are engaged in art. Common to both is the loving devotion to that which transcends personal concerns and volition.

What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.