Best 22487 quotes in «art quotes» category

We learned from Gauguin that every work of art is a transposition, a caricature, a passionate equivalent of a sensation which has been experienced. He freed us from all restraints which the idea of copying naturally placed on our painter's instincts. All artists are now free to express their own personality.

We like to think of film and music as art, but actually art is something that is not restricted.

We like to think of industrialization as being despicable. I don't really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We're using those things – but we're not really advocating stupidity, international teenagerism, and terrorism.

We learn geology the morning after the earthquake.

We live amid surfaces, and the true art of life is to skate well on them

We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.

We live in a culture where the one who shouts the loudest gets the most attention. It's not in the vulgar, it's not in the shock that one finds art. And it's not the excessively beautiful. It's in between; it's in nuance.

We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?

We live in an era when established values are no longer valid, when prodigious discoveries are being made every year, when catastrophes of unbelievable proportions occur weekly. In ancient Greek the word “chaos” means “gaping void” or “yawning emptiness.” The most effective response to the chaos in our lives is the creation of new forms of literature, music, poetry, art and cinema.

We live in an era where each of us has a massive catalog of film and television available through the internet at the swipe of a finger. To get folks out of their homes for a piece of art or entertainment, I think you need to offer something they can't get on Netflix or Amazon.

We live under a prince who is an enemy to fraud, a prince whose eyes penetrate into the heart, and whom all the art of impostors can't deceive.

Well, Art is Art, isn't it? Still, on the other hand, water is water. And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now you tell me what you know.

We live in a world where art is always looked upon as the perfect medium. We live in a society where we can alter our body parts, we can act in the most perfect or right way. A lot of that is dangerous because, especially in the world of art, the chief enemy of creativity is being safe. If you're safe, you can't fall and hurt yourself. The older you are, the further down the crash is going to be. But if it works out, the higher the high.

We live in the digital age and, unfortunately, it’s degrading our music, not improving it  It’s not that digital is bad or inferior, it’s that the way it’s being used isn’t doing justice to the art. The MP3 only has 5 percent of the data present in the original recording. … The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn’t have to make that choice.

We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both.

Well, art is art, isn't it? Still, on the other hand, water is water.

We'll always have art, darling.

Well, any time you do anything good, it's man versus himself, right? That's the art, the challenge.

We live in constant danger of coming apart. The mystery of why we do not always come apart is the animating tension of all art.

We live through books; we have adventures in them, we lead alternative lives through them. We expand our memories through them. And that sometimes art can offer us more intense experiences of the world than life itself can.

We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.

Well, art has to be sexy.

Well-crafted things inspire me, whether it's pottery or art or music.

Well, I dare not allow myself any illusions, and I am afraid it may never happen that Father and Mother will really appreciate my art. It is not their fault; we do not see the same things with the same eyes, or have the same thoughts raised in us by them. They will never be able to understand what painting is.

Well, I feel that we should always put a little art into what we do. It's better that way.

Well, I'm an artist to the core. And my objective has always been to use my talents and my skills to elevate humanity through my art.

Well, I enjoy my life. You know, I think life is an art, and that one has to live it as an art. That's your choice.

Well, I mean, taking time for your art is taking time for yourself, isn't it?

Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.

Well, I think, you know, the arts are really what - one of the things that make this country strong. We always think it's our economy or our military power, but in fact, I think it's our culture, our civilization, our ideas, our creativity.

Well, it's one of the things that will. Words are good, and words help us become the leading species on earth to the point where we are now ready to wipe ourselves off the earth. But I think that all the arts are needed, and sports too, and cooking, food, and all these different ways of communication. Smiles, looking into eyes directly, all these different means of communication are needed to save this world. But certainly a great melody

Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life].

Well, it was one of my most gratifying experiences because I could devote my knowledge and my talent for the good for the City of Washington, and all the Federal projects where the Fine Arts Commission had jurisdiction, and it was a tremendous experience.

Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great.

Well my taste wasn't very good when I first started out. But later, when I began to appreciate the art of acting, I would say the actress I most admire is Vanessa Redgrave.

Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours, shapes. And so a picture emerges that may look quite good for a while, so airy and colourful and new. But that will only last for a day at most, at which point it starts to look cheap and fake. And then the real work begins - changing, eradicating, starting again, and so on, until it's done.

Well, they'll bark you down like carneys, sell you Christmas cards in June.

Well, this week's peeve might be... when art writers talk about an artist's 'efforts,' meaning their work. It always sounds patronizing to me, like 'I'll give you an E for effort.' How about the artist's 'effortlessnesses' instead? It's certainly something, or at least the appearance of something, that I aspire to myself.

Well, then, Lord Jesus! I will creep if I cannot walk; I will take hold of Thy word. When I stumble, Thou wilt support me; when I fall, Thou wilt hold out Thy cross, and help me with it to rise again, until at length I reach the place where Thou art, and with all my weaknesses and wants, cast myself into Thy bosom.

Well, well, well, well. If it isn't fat, stinking billygoat Billy-Boy in poison. How art thou, thou globby bottle of cheap, stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou.

Well to be perfectly frank with you I never created art or have done demonstrations for anyone before myself artistically. I always do it to try to push my own envelope to be the best I can be.

Well Washington DC what are you going to do. They think the capitol steps are the state of the art in comedy. You try to drag them into the 20th century let alone the 21st and they refuse to come with you.

Well, we have certainly produced great art before we did this. In my view, there are any number of areas of government which tax money should not be spent.

We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.

We lose ourselves in stories; that's the beauty of literary art.

We made an amazing video about Newtown's struggle to figure out what to do with all the letters and art sent to the town.

We may distinguish six kinds of terrain, to wit: (1) Accessible ground; (2) entangling ground; (3) temporising ground; (4) narrow passes; (5) precipitous heights; (6) positions at a great distance from the enemy.

We may lay it down as an incontestible axiom, that, in all the operations of art and nature, nothing is created; an equal quantity of matter exists both before and after the experiment; the quality and quantity of the elements remain precisely the same; and nothing takes place beyond changes and modifications in the combination of these elements. Upon this principle the whole art of performing chemical experiments depends: We must always suppose an exact equality between the elements of the body examined and those of the products of its analysis.

We may appreciate the efforts, and even the greatness of the men who have tried to find the universal, the general 'behind' appearances; yet at the same time their quest was doomed to fail, for all universals break down as soon as the Creator, He who made man in His image, is denied or left out of account.

We love to be hurt and we love to have our unhealing wounds opened and reopened again: we sit staring in the mirror of art, fascinated by our own deformities.