Best 22487 quotes in «art quotes» category

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    Printed prose is historically a most peculiar, almost an aberrant way of telling stories, and by far the most inherently anesthetic: It is the only medium of art I can think of which appeals directly to none of our five senses. The oral and folk tradition in narrative made use of verse or live-voice dynamics, embellished by gesture and expression--a kind of rudimentary theater--as do the best raconteurs of all times. Commonly there was musical accompaniment as well: a kind of one-man theater-of-mixed-means.

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    Printing demands a humility of mind, for the lack of which many of the fine arts are even now floundering in self-conscious and maudlin experiments.

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    Princes should delegate to others the enactment of unpopular measures and keep in their own hands the means of winning favours.

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    Primitivism has become the vulgar cliché of much modern art and speculation.

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    Principles for the Development of a Complete Mind: Study the science of art. Study the art of science. Develop your senses- especially learn how to see. Realize that everything connects to everything else.

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    Prig and philistine, Ph.D. and C.P.A., despot of English 218c and big shot of the Kiwanis Club-how much, at bottom, they both hate Art, and how hard it is to know which of them hates it the more.

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    Prior art is as effective as US soldiers in Iraq: They control the ground they stand on, and nothing more. I used to say Vietnam, but, well, you know.

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    Prize not thyself by what thou hast, but by what thou art; he that values a jewel by her golden frame, or a book by her silver clasps, or a man by his vast estate, errs; if thou art not worth more than the world can make thee, thy Redeemer had a bad pennyworth, or thou an uncurious Redeemer.

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    Probably the deepest use of music and of art is to create conscience.

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    Probabilities direct the conduct of the wise man.

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    Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing.

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    Prizefighting ain't the noblest of arts and I ain't the noblest artist

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    Probably the art, in that a lot of the people who I want to collaborate with can do something that I can't do. Like with New Bums and Donovan Quinn, he is seriously one of the greatest songwriters in terms of words that is alive right now. So I really wanted to play with him to experience that, to play music with these really great words.

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    Problems may be solved in the study which have baffled all those who have sought a solution by the aid of their senses. To carry the art, however, to its highest pitch, it is necessary that the reasoner should be able to use all the facts which have come to his knowledge; and this in itself implies, as you will readily see, a possession of all knowledge, which, even in these days of free education and encyclopaedias, is a somewhat rare accomplishment.

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    Production of identity is a resistance element, an aggressive element. Both a refusal and an affirmation and an assertion, and certainly, we in Jamaica were talking about black art. And the idea that there is a role for art in the civil rights revolution and in the successor to the civil rights revolution.

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    Programming is a Dark Art, and it always will be. The programmer is fighting against the two most destructive forces in the universe: entropy and human stupidity. These are not things you can overcome with a "methodology" or on a schedule.

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    Programming is the art of writing essays in crystal clear prose and making them executable

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    Procrastination is the art of keeping up with yesterday.

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    Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed.

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    Producing perfection from imperfection is, after all, the highest of art forms.

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    Programming is the art of telling another human being what one wants the computer to do.

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    Progress comes by experiment, and this from ennui that leads to voyages, wars, revolutions, and plainly to change in the arts of expression; that cries out to the imagination, and is the nurse of the invention whereof we term necessity the mother.

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    Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger.

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    Progress in art does not consist in reducing limitations, but in knowing them better.

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    Progressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation.

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    PROMOTE A REVOLUTIONARY FLOOD AND TIDE IN ART. Promote living art, anti-art, promote NON ART REALITY to be fully grasped by all peoples, not only critics, dilettantes and professionals.

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    Promotion and perception are synonymous twins of art marketing.

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    Propaganda is that branch of the art of lying which consists in nearly deceiving your friends without quite deceiving your enemies.

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    Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.

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    Project management is the art of creating the illusion that any outcome is the result of a series of predetermined, deliberate acts when, in fact, it was dumb luck.

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    Progressive art can assist people to learn what's at work in the society in which they live.

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    Propaganda is the art of persuading others of what you don't believe yourself.

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    Propaganda rarely makes good art.

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    PROPHECY, n. The art and practice of selling one's credibility for future delivery.

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    Prosperity is an essential partner in civilization itself. It is the basis of leisure, charity, and a hopeful outlook on life. It is the means for conquering poverty at the lowest rung of society, the basis on which children and the elderly are cared for, the foundation for the cultivation of arts and learning. Crush an economy and you crush civilization.

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    Prospecting for oil is a dynamic art... The greatest single element in all prospecting, past, present and future, is the man willing to take a chance

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    Providence has fixed the limits of human enjoyment by immovable boundaries, and has set different gratifications at such a distance from each other, that no art or power can bring them together. This great law it is the business of every rational being to understand, that life may not pass away in an attempt to make contradictions consistent, to combine opposite qualities, and to unite things which the nature of their being must always keep asunder.

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    Psychological factors are vital. We don't learn how to improve our emotional intelligence. Even in ancient cultures, such as the Greeks, cultivation of the art of being able to enter a state of awareness that is deeply blissful, and beyond thought and feeling as such. Many people have become disillusioned with religions and, as such, have turned away from pursuing anything spiritual. That create a loss of sense of purpose and a lot of anger. Sure, there are all sorts of problems with organised religions, but there are also all sorts of problems with the world of 'science' too.

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    Public art existed all along, but ecological art just naturally grew out of my thinking and writings in that area for years. I didn't get involved in it; I started what then became a movement.

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    Public opinion which, to be sure, can at times be helpful, must never for an instant swerve us from what we know in our heart we are trying to convey. For honesty is the great requisite of art. If we remain honest with ourselves, art, which is always there, never lets us down.

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    Public relations, in this country, is the art of adapting big business to a democracy so that the people have confidence that they are being well served and at the same time the business has freedom to serve them well.

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    Psychiatry is the art of teaching people how to stand on their own feet while reclining on couches.

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    Psycholog­y is in its infancy, as a science. I hope in the interests of Art, it will always remain so.

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    Psychology saves us from mistakes. It makes us more clear as to what we are about. We gain confidence in respect to any method which we are using as soon as we believe that it has theory as well as practice at its back.

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    Psychoanalysis cannot be considered a method of education if by education we mean the topiary art of clipping a tree into a beautiful artificial shape. But those who have a higher conception of education will prize most the method of cultivating a tree so that it fulfils to perfection its own natural conditions of growth.

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    Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn.

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    Psychology is a science, and teaching is an art; and sciences never generate arts directly out of themselves.

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    Publishers, theatrical managers, and critics ask not for the quality inherent in creative art, but will it meet with a good sale, will it suit the palate of the people? Alas, this palate is like a dumping ground; it relishes anything that needs no mental mastication. As a result, the mediocre, the ordinary, the commonplace represents the chief literary output.

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    Publishing has gone very middlebrow. It's turned its back on legacy of modernism and gone into a humanist mode. When people go through art school they are exposed to the history of the avant-garde, and there's a general understanding that what you're doing as an artist is to a large extent, not just regurgitating that history, but engaging with it. There's this denial of that in the mainstream publishing world.

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    Psychology ought certainly to give the teacher radical help.