Best 22487 quotes in «art quotes» category

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    The aim of art is almost divine: to bring to life again if it is writing history, to create if it is writing poetry.

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    The aim of art is to project an inner vision into the world, to state in aesthetic creation the deepest psychic and personal experiences of a human being. It is to enable those experiences to be intelligible and generally recognized within the total framework of an ideal world.

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    The aim of great books is ethical: to teach what it means to be a man. Every major form of literary art has taken for its deeper themes what T.S. Eliot called "the permanent things"-the norms of human action.

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    The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.

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    The air of the New World seems favorable to the art of declamation.

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    The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.

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    The aim of every authentic artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history.

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    The alchemy of good curating amounts to this: Sometimes, placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact, transform both, and create a third thing.

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    The Almighty Lecturer, by displaying the principles of science in the structure of the universe, has invited man to study and to imitation. It is as if He has said to the inhabitants of this globe that we call ours, "I have made an earth for man to dwell upon, and I have rendered the starry heavens visible, to teach him science and the arts. He can now provide for his own comfort, and learn from my munificence to all to be kind to each other.

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    The ambition of superior sensibility and superior eloquence disposes the lovers of arts to receive rapture at one time, and communicate it at another; and each labors first to impose upon himself and then to propagate the imposture.

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    The alienation effect in German epic theater is achieved not only through the actors, but also through music (chorus and song) andsets (transparencies, film strips, etc.). Its main purpose is to place the staged events in their historical context.

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    The almighty dollar and the lust for world wide fame, slowly killed tradition, and for that someone should hang.

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    The American dream has always depended on the dialogue between the present and the past. In our architecture, as in all our other arts-indeed, as in our political and social culture as a whole-ours has been a struggle to formulate and sustain a usable past.

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    The Americans... are almost ignorant of the art of music, one of the most elevating, innocent and refining of human tastes, whose influence on the habits and morals of a people is of the most beneficial tendency.

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    The amount which cannot be harnessed and domesticated, but insists on its own form of activity rather than one which is offered ready made, is the energy used for the creation of art.

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    The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.

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    The analogies between science and art are very good as long as you are talking about the creation and the performance. The creation is certainly very analogous. The aesthetic pleasure of the craftsmanship of performance is also very strong in science.

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    The amiable is the voluptuous in expression or manner. The sense of pleasure in ourselves is that which excites it in others; or, the art of pleasing is to seem pleased.

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    The ancient codes were doubtless originally suggested by the discovery and diffusion of the art of writing.

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    The amount of psychology which is necessary to all teachers need not be very great.

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    The animal merely makes a bed, which he warms with his body, in a sheltered place; but man, having discovered fire, boxes up someair in a spacious apartment, and warms that.... Thus he goes a step or two beyond instinct, and saves a little time for the fine arts.

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    The apex of perfection in equestrian art is not an exhibition of a great deal of different airs and movements by the same horse, but rather the conservation of the horse's enjoyment, suppleness and finesse during the performance, which calls for comparison with the finest ballet, or performance of an orchestra, or seeing a play by Racine, so moving is the sight of perfectly unisoned movements.

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    The apprehension of... values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of... prolonged tuition.

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    The art always wins. Anything can happen to me, but the art will stay.

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    The art and architecture of the past that we know is that which remains. The best is that which remains where it was painted, placed or built.  Most of the art of the past that could be moved was taken by conquerors. Almost all recent art is conquered as soon as it's made, since it's first shown for sale and once sold is exhibited as foreign in the alien museums. The public has no idea of art other than that it is something portable that can be bought. There is no constructive effort; there is no cooperative effort. This situation is primitive in relation to a few earlier and better times.

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    The art form has to do with the mystery and the hidden invitation that's in the room. And that's when the magic happens, that's when the deep silence emerges to the surprise of all the attentively listening ears. In a way, you're following that silence. You go where the silence is deepest.

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    The art has three factors, the disease, the patient, the physician. The physician is the servant of the art. The patient must cooperate with the physician in combatting the disease.

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    The art I like concentrates on the body. I don't have a feel for Poussin, but for Courbet, Velásquez - artists who get to the flesh. Visceral artists - Bacon, Freud. And de Kooning, of course. He's really my man. He doesn't depict anything, yet it's more than representation, it's about the meaning of existence and pushing the medium of paint.

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    The art is about opening, it is not about prejudice, it is not about contempt prior to investigation. It's about endlessly trying to keep from having contempt by admitting that you don't know. Even if you know a lot compared to some other people, usually, I think, the honest experience would be: "God, how little I know! And how much I need to have compassion for myself and for other people.

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    The art is in preparing the content for optimal human consumption. The data doesn't just talk back to you. You collect, you analyze, you tell stories.

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    The art is just really mysterious. If I understood it more, maybe I would write more.

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    The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.

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    The artist himself is often surprised at the finished work of art. He cannot tell 'how it happened', nor could he repeat the feat at someone's bidding.

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    The artist is justified by his art.

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    The artist is the antenna of the race.

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    The artist is today and has been for many years, despite his absence of merit, simply a spoiled child. So many honors, so much money bestowed on men without souls and without education.

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    The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.

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    The art and passion of reading well and deeply is waning, but [Jane] Austen still inspires people to become fanatical readers.

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    The art (as opposed to the technology) of reading requires that you develop a beautiful tolerance for incomprehension. The greatest books are the books that you come to understand more deeply with time, with age and with rereading.

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    The art challenges the technology, and the technology inspires the art.

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    The art critics on some of Britain's newspapers could as easily have been assigned gardening or travel, and been cheerfully employed for life.

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    The art has to make it on its own, without explanations, and it’s the same for poetry. If the poem or the painting has to be explained, then it’s a failure in communication.

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    The artist and his work are not to be separated. The most willfully foolish man cannot stand aloof from his folly, but the deed and the doer together make ever one sober fact.

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    The artist confronts chaos. The whole thing of art is, how do you organize chaos?

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    The artist gazes upon a reality and creates his own impression. The viewer gazes upon the impression and creates his own reality.

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    The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.

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    The art is the challenge which you must meet every day: the technique you should learn to control with time. The science and the art of photography are really one, and not opposed to each other.

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    THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.

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    The artistic impulse seems not to wish to produce finished work. It certainly deserts us half-way, after the idea is born; and if we go on, it is labor.

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    The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.