Best 22487 quotes in «art quotes» category

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    They got how many trillions of dollars in gold and silver and jewelry and art and real estate and stained glass and they're passing the basket on Sunday so they can get the tomato farmers' donation?

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    They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.

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    The youth of an art is, like the youth of anything else, its most interesting period.

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    The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it.

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    They're not dogs [poodles], they're art.

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    They're not your words, but you're reciting the lines.

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    They say of me, and so they should, It's doubtful if I come to good. I see acquaintances and friends Accumulating dividends And making enviable names In science, art and parlor games. But I, despite expert advice, Keep doing things I think are nice, And though to good I never come Inseparable my nose and thumb.

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    They say pantomime's a lost art. It's never been a lost art and never will be, because it's too natural to do.

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    They say that art comes from the soul. The more drama in an artist's life, the more he can draw on for his art. Van Gogh and Picasso had troubled souls, but poor Steve Kaufman has been shot once, stabbed 3 times - all by women. That is a lot of drama for great art.

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    They say rock is dead. Andy [Warhol] said art is dead. God is dead according to Nietzsche. If everything's dead what's alive? Only technology. We're in the era of technology.

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    They say that a lion puts his all, even into catching a rabbit. You should make it a habit of putting your all into every little thing you do.

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    They say the average person can't make a living in art... but if you tell me there's something I can't do, that's what I have to do.

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    They teach you there's a boundary line to music. But, man, there's no boundary line to art.

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    They tell me, Lucy, thou art dead, that all of thee we loved and cherished has with thy summer roses perished; and left, as its young beauty fled, an ashen memory in its stead.

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    They speak of "This Dojo" and "That Dojo". They are looking for profit.

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    They say that art should stand the test of time. Life lasts a limited amount of time. Mountains and trees and earth will outlive human beings, but we don't know if they will be here always. Art does outlast the life span of its maker. Art should communicate to an increasing circle of strangers-people who do not know the artist, but come to know the work, and through the work, come to know something about the humanity of the artist that rings with their own humanity.

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    They seemed to forget that the increase of known truths stimulates the investigation, establishment and growth of the arts; not their dimination or destruction.

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    They self-inflict punishment on their own broken lives, put their faith in their possessions, in their jobs, or their wives.

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    They [spies] cannot be properly managed without benevolence and straightforwardness.

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    They that examine into the Nature of Man, abstract from Art and Education, may observe, that what renders him a Sociable Animal, consists not in his desire of Company, Good-nature, Pity, Affability, and other Graces of a fair Outside; but that his vilest and most hateful Qualities are the most necessary Accomplishments to fit him for the largest, and, according to the World, the happiest and most flourishing Societies.

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    They were kissing. Put like that, and you could be forgiven for presuming that this was a normal kiss, all lips and skin and possibly even a little tongue. You'd miss how he smiled, how his eyes glowed. And then, after the kiss was done, how he stood, like a man who had just discovered the art of standing and had figured out how to do it better than anyone else who would ever come along.

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    Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.

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    Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life

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    Things are beautiful if you love them.

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    Things live by moving and gain strength as they go.

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    Things perfected by nature are better than those finished by art.

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    Things rarely happen for a single reason. Even the cleverest and most skilled manipulators recognize that their real art lies in making use of that which they cannot predict.

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    Think about how many great works of art or game-changing ideas were ahead of their time - their creator's talent underappreciated until many years later. That's how we need to treat our young people - because who knows where the next great idea will come from?

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    Things that bring out your emotions are what should be in theaters and in books. That's what art is. It makes you feel things.

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    Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

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    Think about the pressure to "pass" by lying about one's agethat familiar temptation to falsify a condition of one's birth oridentity and pretend to be part of a more favored group. Fair-skinned blacks invented "passing" as a term, Jews escaping anti-Semitism perfected the art, and the sexual closet continues the punishment, but pretending to be a younger age is probably the most encouraged form of "passing," with the least organized support for "coming out" as one's true generational self.

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    Thinking is the subtlest form of self-polemics, the art of a certain finesse in psychological self-vivisection and self-crucifixion (Hegel of course called the path of self-disillusion the via dolorosa or "highway of despair," in Baillie's fine and florid rendering, like Jesus' route to Golgotha).

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    Thirty-three-years-old, still creating art. It's rage, it's creativity, it's pain, it's hurt, but it's the opportunity to still have my voice get out there through music.

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    Think of the universal substance, of which thou has a very small portion; and of universal time, of which a short and indivisible interval has been assigned to thee; and of that which is fixed by destiny, and how small a part of it thou art

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    This art, born of genius and good taste, can become beautiful and varied to an infinite degree.

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    This art of participating in happiness is one of the foundations if you want to be happy.

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    This Catholic thing, I think what it does is it makes a place for mystery in a person. And even when the faith goes away, there's that space where you crave something bigger than yourself. For me, that's kind of where art came in, after that.

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    This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

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    This art of conservation is strength, and makes the masterpiece a masterpiece. Otherwise, the man who simply brought all the different colors obtainable, and squeezed them out upon the canvas to give it 'full force,' would be the greatest master, instead of being merely extravagant.

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    This art of acting is a process I love very much. It's an unbelievably fulfilling experience for me and I look forward to building upon my art in the years to come.

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    This beginning with Audacity, or being thrown into the middle of it, is already a very great part of the art of painting.

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    This communication alone, by the comparison of the antagonisms, rivalries, movements which give birth to decisive moments, permits the evolution of the soul, whereby a man realizes himself on earth. It is impossible to be concerned with anything else in art.

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    This concern which interests us more than anything else: the blurring of the distinction between art and life.

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    This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, 'love of fate,' love of the fate that is inevitably death, constitutes the experience of the tragic art.

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    This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God.

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    This fellow is wise enough to play the fool; And to do that well craves a kind of wit: He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practise As full of labour as a wise man's art For folly that he wisely shows is fit; But wise men, folly-fall'n, quite taint their wit.

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    This everyday world affects the way art is created as much as it conditions its response.

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    This funding from the National Endowment for the Arts has been like the Good Housekeeping seal of approval.

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    This helpful book on the role of the arts fills a significant gap in the growing literature on holistic faith-based programs.

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    This Hollywood ain't no good, I would rather be like Robin Hood.