Best 22487 quotes in «art quotes» category

There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.

There was an era when people would turn on their radio and hear a radio drama. Now, you could be as scared by that as seeing it filmed. In those days, people used to sit by the fire and imagine what they were hearing. Everything is its own art form.

There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis.

There was an old brochure for the American Academy of Dramatic Arts with a quote from Robert Redford or someone, that said, "You're only as good as you dare to be bad.

There was a review by Fairfield Porter from the 1950s about Mark Rothko, one of the more hallowed names in American art. Porter says something like, "Yeah, Rothko paints rectangles of color. They have mass but no weight." That's not in any way a detraction, but it's a description. And it has nothing to do with the spiritual dimension. The main thing is as an intelligent viewer, to identify just what those things are that it does, that those rectangles do, and then not assume that they do these things over here. I don't know why that's challenging.

There was a saying around MGM: "Norma Shearer got the productions, Greta Garbo supplied the art, and Joan Crawford made the money to pay for both".

There was an art to the male posterior. That's all there was to it.

There was an exchange between me and Andy Warhol. We met, we liked each other, we appreciated each other. He would come to us for Easter in Marrakech. In September we would meet up in Venice. And every time I went to New York I would spend some time with him at the Factory, where we would have dinner together. He's a man that I admired deeply. He shook up the notion of painting - not as much as Marcel Duchamp had done, but he was part of the same general movement. And then we both admired art deco.

There was laughter in the back of the theater, leading to the belief that someone was telling jokes back there.

There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.

There was never much question as to what I was going to do in life, because working with clay was what I could do . . . there are things I watch my hand do that are almost thoughtless. I can remember the moment of learning them. It is knowledge you have in the hand.

There was no special event that made me decide. I had collected some photos and the idea was in the back of my mind for a long time. It was growing and growing, so finally I said, 'I must paint this.' I come from East Germany and am not a Marxist, so of course at the time I had no sympathy for the ideas, or for the ideology that these people represented. I couldn't understand, but I was still impressed. Like everyone, I was touched. It was an exceptional moment for Germany.

There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.

There was no hope for any kind of big opportunity. I'm not saying it was hopeless. The big pay-off was to work as an artist and gain some shred of respect from your friends, who were also artists. But there was never any notion that you could make a living out of art. On the rare occasions you had a gallery show, and sold a little work, well, that was just gravy.

There was something striking about her posture; something about the tilt to her head. She was like a beautiful and lonely piece of art, lovely but unreachable.

There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.

There were a few verses that I wrote literally on the spot. But the concept was there. It's about being in your own world musically and waking up in the morning and walking outside and being consumed by everything around you. Just being aware of the good things in art and music and life. It's also about how the world is at a boiling point, in a way.

There was very little art in my childhood.

There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.

There were some types of sanctions that happen in the public world that made my work acceptable, where someone looks at the paintings and they don't - they may go, "okay," and then look at it in a different sort of way. Instead of just looking at it as some type of wild art, they look at it in a historical perspective or context.

There were nude pictures... a lot of it is erotic or sexual. But I don't view my collection as dirty in any way. I view it as art.

There were decades I didn't play sober. I thought, Who would want to? But at some point, I decided that if it was important enough to me to keep doing it as art, I should do it with all my tools.

There were only two men on the planet better educated in the various martial arts than Butler, and he was related to one of them. The other lived on an island in the South China Sea, and spent his days meditating and beating up palm trees. You had to feel sorry for the B'wa Kell.

There were periods when the art market got overheated, but there is no reason it should appreciate dramatically.

There were positive things about the church, that is, in the European cultural sense, the architecture, the liturgy, the music, the art, such as it was, the stations of the cross in the church, the tradition, and the atmosphere of awe and mystery in the mass. The atmosphere of miracle, one of mainly mystery, that's what fascinates me.

There were times in the past that I got angry at some members of the press whose writings greatly disrupted my serious pursuit of art and my behavior as an artist.

There will be losing years; but if the art of making money is not to lose it, then there should not be substantial losses.

There will be very few occasions when you are absolutely certain about anything. You will consistently be called upon to make decisions with limited information. That being the case, your goal should not be to eliminate uncertainty. Instead, you must develop the art of being clear in the face of uncertainty.

There will be as much deceit and criminality in the world as there is lack of art.

There will certainly be no lack of human pioneers when we have mastered the art of flight....Let us create vessels and sails justed to the heavenly ether, and there will be plenty of people unafraid of the empty wastes. In the meantime we shall prepare, for the brave sky-travelers, maps of the celestial bodies.

There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation.

There will still be things that machines cannot do. They will not produce great art or great literature or great philosophy; they will not be able to discover the secret springs of happiness in the human heart; they will know nothing of love and friendship.

The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography.

The richer we have become materially, the poorer we become morally and spiritually. We have learned to fly in the air like birds and swim in the sea like fish, but we have not learned the simple art of living together as brothers.

The right art is purposeless, aimless! The more obstinately you try to learn how to shoot the arrow for the sake of hitting the goal, the less you will succeed in the one and the further the other will recede.

The ring at the end of my nose makes me look rather pretty.

The role of a liberal arts college within a university is to be a genuine part of that university, giving and responding to the other parts.

The romance of the old West vanished so fast and so few ever did anything with it. Does it make you realize the importance of Art and how the main knowledge of history is through Art alone?

The 'Rise, Rebel, Resist' video is a reflection of the outrage the American people are feeling at the absurd hypocrisy, and overwhelming nonsense and balderdash plaguing Washington D.C. It uses a bit of satire and a bit of wishful thinking to form this powerful amalgam of imagery that nourishes and empowers the living art of the song. Our message is clear: Either these elected officials do their job and protect the rights and lives of ALL Americans or be prepared to face the consequences.

The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.

The role of art for me is the visualization of attitude, of the human attitude towards life, towards the world.

The roles of art, morality, religion, political faith, science itself are not to repair organic exhaustion nor to provide sound functioning of the organs. All this supraphysical life is built and expanded not because of the demands of the cosmic environment but because of the demands of the social environment.

The role of art is not to express the personality but to overcome it.

The romantics really did want to romanticise the world itself, and that meant re-creating the state, society and even nature so that it became a work of art.

The Romans never allowed a trouble spot to remain simply to avoid going to war over it, because they knew that wars don't just go away, they are only postponed to someone else's advantage. Therefore, they made war with Philip and Antiochus in Greece, in order not to have to fight them in Italy... They never went by that saying which you constantly hear from the wiseacres of our day, that time heals all things. They trusted rather their own character and prudence- knowing perfectly well that time contains the seeds of all things, good as well as bad.

The rude beginnings of every art acquire a greater celebrity than the art in perfection; he who first played the fiddle was looked upon as a demigod.

The rule in the art world is: you cater to the masses or you kowtow to the elite; you can't have both.

The romanticised life, where all the great poetry and music and art of the world comes from, is great but it requires a lot of self-indulgence.

The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused.

The safest way to avoid the world is through art; and the safest way to be linked to the world is through art.