Best 22487 quotes in «art quotes» category

I think people should be given a test much like driver's tests as to whether they're capable of being parents! It's an art form. I talk a lot. And I think a lot. And I draw a lot. But never in a million years would I have been a parent. That's just work that's too hard.

I think people have always misinterpreted my self-destructive nature as nihilistic, because if you don't care about the world, you can't create art. I am misanthropic and self-loathing, but never nihilistic. And I think I act far worse off-stage than onstage.

I think pictures and words have the power to make us rich or poor.

I think rap definitely has its place in the art world. I think it is an art form. But, just like any art form, you can misuse it.

I think President Obama really does get the value of the arts.

I think pornography is the only art form where you can be videotaped on a shaky handy cam sucking off a horse and be considered a star.

I think [“Shake It Off”] is awesome! It sticks in your head. I heard it one time and I was, like, singing it all day long! Of course she's gonna go and do a pop record if she wants to. She's an amazing writer so if she comes back tomorrow and says 'I'm gonna make a country record now', we'll listen to that and buy it too! I mean, it doesn't matter. I'm just proud of her for doing whatever art she wants to do; it's gonna be successful it's Taylor Swift! I have a lot of her material on my iPod and I bought the new single. I'm a supporter of hers.

I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.

I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.

I think some of the musicians are more like punk rock musicians. It's like an art as opposed to being a musician. It's definitely more radical psychedelic bands, more than anything.

I think something happens with age. And I find this really a lot in what I read from certain art critics: For people who are all about change-people who are supposed to be intellectually and culturally drawn to the idea of change and how the voice of a creative person affects the world on a bigger scale than just the canvas-I would expect a person in that position to have that open mind. It's only a sign of age that they become so locked in their own rules that they forget that this is what it's all about.

I think sometimes that it is almost a pity to enjoy Italy as much as I do, because the acuteness of my sensations makes them rather exhausting; but when I see the stupid Italians I have met here, completely insensitive to their surroundings, and ignorant of the treasures of art and history among which they have grown up, I begin to think it is better to be an American, and bring to it all a mind and eye unblunted by custom.

I think that an obsession with art history gave rise to the work.

I think subjectivity plays into everything. It's unavoidable; you couldn't avoid it if you tried. I think, potentially, a lot more commercial movies, it seems to be that the people making the films are trying to elicit the same reaction. I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.

I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.

I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.

I think that a lot of people who like training with guns are probably drawn to it not only for practical reasons, but also in that same restless quest for physical excellence that draws people to a martial arts dojo.

I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.

I think that artists don't make art - the art makes itself through us. I'm not the doer. I'm just along for the ride. Acting really reminds me of that because I don't write the words; I don't make the decisions. That's the director. Narcissism is a tragic condition. It must be so miserable to live trapped in a reflection that only includes the smallest version of our identities. Our true identities should have no bounds and no limits.

I think that art has something to do with an arrest of attention in the midst of distraction.

I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.

I think that artists have a better chance at making great art if they know as much about every different area in the industry as they can.

I think that art is supposed to be ahead of the times.

I think that at the bottom of all art lies the impulse to preserve.

I think that great programming is not all that dissimilar to great art. Once you start thinking in concepts of programming it makes you a better person...as does learning a foreign language, as does learning math, as does learning how to read.

I think that if you are going to be successful as a Christian in the arts, you have to be successful in your Christian life.

I think that experiencing through art is a wonderful way to expand the horizon and everything around it.

I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.

I think that from the very beginning it wasn't simply, what made Playboy so popular was not simply the naked ladies, what made the magazine so popular was, there was a point of view in the magazine, that you couldn't run nude pictures without some kind of rational that they were art.

I think that for thousands of years people have made the observation that there are certain kinds of extreme depressive states that seem to be more likely to produce philosophers, people in the arts, unusually brilliant scientists.

I think that he [Michael Jackson] did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.

I think that high art reposes on popular art, without one there cannot be another.

I think that in itself is kind of an amazing achievement to be able to say that your full-time career is in any creative arts, let alone a show that has kept people interested for coming on four seasons and hopefully more.

I think that, like any art, fashion is about expression. It allows you to express yourself and your identity through what you choose to wear.

I think that most art is asking a question or is looking for something, looking for answers and that is what life seems to be about for most people.

I think that movies can help guide us through those experiences [the problems that are happening in our daily lives, the stresses between countries, the economy and global warming]. I think all art tries to grapple with, redefine, come to terms with, express what's happening now when it's working. You can be entertained, but you can also be stimulated to think about things.

I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.

I think that its an artist's responsibility to have a point of view. Society takes its cue from popular art. People need something to look to, something to provoke them into questioning whether they completely hate something or completely love something.

I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.

I think that many things that go on in an art school have a tendency to undermine confidence, and that shouldn't be part of the ballgame, ever.

I think that, just like the art scene and the music scene is exploding in LA - I mean, let's face it: if you want to be an artist you cannot live in New York anymore because it is too expensive…

I think that just the nature of art education in schools, it's about packs, you know? Like, we're young wolves running together, creating a consensus. And consensus is antithetical to the art process.

I think that nudity is beautiful. Sometimes it can be awful, but when it's beautiful? Cinema is the art about reality; it's art from reality. In French we say l'art de la realite. You show reality, so you have to show bodies.

I think that once you're able to sort of get in line with who and how you relate to the world, you'll become closer to this index that I'm referring to. Because what you want is this card that relates to that book. What you want is this human that relates to this world, rather than having this art school society scattering that point of view somewhere in between. It becomes diffused. And that level of clarity, I think, was gained at the Studio Museum in Harlem.

I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.

I think that other people covering my work is really exciting... Im really open to that kind of thing because I think interpretation is an art form.

I think that my responsibility to my art is to try to get it right or to push the boundaries of what I'm able to do in any way.

I think . . . that philosophy has the duty of pointing out the falsity of outworn religious ideas, however estimable they may be as a form of art. We cannot act as if all religion were poetry while the greater part of it still functions in its ancient guise of illicit science and backward morals. . . .

I think that no matter how old or infirm I may become, I will always plant a large garden in the spring. Who can resist the feelings of hope and joy that one gets from participating in nature's rebirth?