Best 22487 quotes in «art quotes» category

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    I try to keep a low profile in general. Not with my art, but just as a person.

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    I try to keep the martial arts up. It's a good thing, not just physically but also for your mind.

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    I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a Judd - and compose them like sentences.

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    I try to paint what I have found and not what I look for. In art, intentions are of little importance.

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    I try to see interviewing as performance art, and just take it as it comes.

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    I try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn't give them. Which withholds absolute meaning by incorporating parasite meanings. Which suspends meaning while perpetually dispatching you toward interpretation, urging you beyond dogmatism, beyond doctrine, beyond ideology, beyond authority.

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    It’s a beautiful, distinctive art, and shoes are like the foundations. If the foundations aren’t right, the building won’t stand upright, and if a woman’s balance isn’t right, nothing else is.

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    I try to teach a modernist and postmodernist position. On one hand, if you're a painter, you need to know the history of painting. But I'm also interested in the moment we live in. I love television, and movies, and books, and music. So I also think of art as this cultural production along with all this other stuff that's happening. So that's a kind of postmodern, not media-specific, but the times, what is your art relevant to this moment we live in versus media specificity? That's my teaching philosophy, both of those things are important.

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    I try to update my arsenal constantly. Learning different martial arts since childhood. To understand what's out there. To really be in tune.

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    I try to write art theory down and understand it but I'm not a writer. I don't want to impress people with my writing. I'd rather impress people with my ability to see and feel it and then share that.

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    It's about finding meaning through light. I'm always interested in tensions. A primary one is the collision between the familiar and the strange.

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    It’s about a singer who first sneered about my allegedly not authentic style but later she stole and copied it. And now she’s acting like I am the art project and she the true super artist. My God and people actually believe her, she’s successful! I shouldn't continue ranting, it doesn’t get anywhere.

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    It's about time you admitted that you are a miraculous work of art. You came into this world as a radiant bundle of exuberant riddles. You slipped into this dimension as a shimmering burst of spiral hallelujahs. You blasted into this realm as a lush explosion of ecstatic gratitude. And it is your birthright to fulfill those promises.

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    I try to use models at least for the main characters because of the nature of my art. I tend to focus on the humanity of my subjects, the details of expression that add a certain reality to the work. Real faces = real art. That's the goal anyway.

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    It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it?

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    It's a collaborative art form where we can both learn something from the other. That's what you want from the relationship with a director.

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    It's a creative enterprise, just like art, just like painting, music. Creating something can be done in different categories, so to do it in film is just another expression, which is great. Because it translates so well because so many people see the work, if you're lucky.

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    It's a fine line of doing what's good for your life and what your parents want you to do, but also following your dreams. With my parents, when I was younger, I always had to do two things. If I was acting, I always had to do a sport or something on the arts side of things, along with that. That way, if one fell apart, I always had something else to fall back on.

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    It's a divine art to be cheerful.

    • art quotes
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    It's a lifestyle, it's something you do the rest of your life," LaLanne said. "How long are you going to keep breathing? How long do you keep eating? You just do it.

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    It's a horrible and wonderful battle with yourself, to stay calm, stay in the moment. My coach said, "Stay here, not at the target. Don't be down there." It's why they call it the Zen art.

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    It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.

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    It's all about a balancing act between time, temperature and ingredients: That's the art of baking.

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    It's all romanticism, nonsense, rottenness, art.

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    It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.

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    It's always helpful to look outside of the web for your inspiration, to places where you might not at first expect to find a solution. The world is a collage of inspiration, from newspapers, magazine publishing, and advertising to product design, architecture and the fine arts.

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    It's amazing how everyone has their different ways of working. I like hearing about that process, reading about it. I have so much appreciation for movies because I understand how hard it is to make one. There is always something I gain from watching a movie, whether it's a silly romantic comedy or an art film.

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    It's a myth that older writers can't write for younger audiences. Shakespeare wasn't 15 when he wrote Romeo and Juliet.

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    It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.

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    It's amazing what you can do with an E in A-Level art, a twisted imagination and a chainsaw.

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    It's a melting pot, southern Africa. You find these cultural collisions that result in art and music, and it's pretty amazing.

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    It's an art to live with pain... mix the light into gray.

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    It's an extreme to go from an artist like myself to a commercial artist with art directors looking over your shoulder, or any other knucklehead telling you what your art should look like.

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    It's an honor putting art above politics. Politics can be seductive in terms of things reductive to the soul.

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    It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.

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    It's a shame because we experienced probably the greatest thing - in art, in pop - we'll ever do. And it would be good to sit around and talk about it.

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    It's an old ploy of the bourgeoisie. They keep a standing 'art' to defend their collapsing culture.

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    It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'

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    It's as if scientists exert every effort of will they possess deliberately to find the least significant problems in the world and explain them. Art matters. Happiness matters. Love matters. Good matters. Evil matters. Slam the fridge door. They are the only things that matter and they are of course precisely the things that science goes out of its way to ignore.

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    It's art. It's commerce. It's heartbreaking and it's fun. It's a great way to live.

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    It's as interesting and as difficult to say a thing well as to paint it. There is the art of lines and colours, but the art of words exists too, and will never be less important.

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    It's a pity if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.

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    It's as though aesthetic value, quality, could be preserved only by concentrating on 'absolute' or 'autonomous' art: thus on visual art... that held and moved and stirred the beholder as sheer decoration could not.

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    It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.

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    It's been fascinating over the last few years, watching the high and mighty in business and politics fall precipitously-not because their plans didn't work, but because their character flaws undercut those plans. Whether the microphone caught them making racist comments or their greed overcame their common sense, who they were as people made all the difference-more than their résumés, their degrees, or even their past successes. If you fail at the art of being human and staying human, you recklessly court disaster.

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    It's a terrific privilege to be able to see into somebody else's life.

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    It's been kind of extreme - people either love it or they don't like it at all - and I think that's a good thing. It's my first art project where there's not a middle ground. I find it very interesting. But the negative feedback hasn't at all kept me from doing it, obviously. Because I haven't really gotten any negative feedback that I feel is really warranted.

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    It's better sometimes when we don't get to touch our dreams.

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    It scares me that people are going to stop writing music. I don't mean music that has to be physically written down, but they'll stop using their brain which is without a doubt the most powerful tool that you could have in any art.

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    It's clever, but is it Art?

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