Best 22487 quotes in «art quotes» category

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    I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. Its the most radical thing.

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    I want to create things while I have time on Earth, and the art of costume and culture has always inspired me.

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    I want to create work that extends beyond myself because I always thought it was a way to change the general rules about art, and also to give an impulse to something else. It's a transformation about attitude. Most of the time, when someone buys the object, it's 100 percent transferred to them. I don't think this is true. Something exists within the object that can never be appropriated. This little part, I try to make it visible.

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    I want to explore the art of pleasure in Italy, the art of devotion in India and, in Indonesia, the art of balancing the two. It was only later, after admitting this dream, that I noticed the happy coincidence that all these countries begin with the letter I. A fairly auspicious sign, it seemed, on a voyage of self-discovery.

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    I want to feel that art is an utterance made in good faith by one human being to another.

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    I want to create amazing art and content that inspires people to want to be the best versions of themselves everyday, and never let anyone (even themselves) hold them back.

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    I want to get young girls excited in science, tech, engineering mathematics, art, design - and how they come together. We've got this Choose Science campaign. Once women are there, though, we have to retain them. When I look at universities, it's not enough to have role models, we need to have champions. We need to have more women in senior leadership positions. There are issues about work-life balance. Women go to have children and then who keeps the lab running? There are many challenges.

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    I want to learn martial arts," he said docilely, "so when I want to kill someone, I can do something about it.

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    I want to make exalted art. A successful image has pictorial lift. I am looking for whatever is up there

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    I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.

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    I want to live with that sense with the music I make, with the art I make, with the way I love my kids, with the way I am a father and a husband and a friend and a follower of Christ, I want to live with reckless abandonment to the truth of the Gospel.

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    I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.

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    I want to reach that condensation of sensations that constitutes a picture.

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    I want to see abstract art move. Especially in the '30s, you had animators doing innovative work, and I was entranced by that. It's basically what you see when you close your eyes, when you fall asleep.

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    I want to serve chess through games, books that are works of art. I would like to bring the game closer to many people all over the world.

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    I want to touch people with my art. I want them to say "he feels deeply, he feels tenderly".

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    I want to suggest to you that the day of the artists has come. That there are things about symbols and the genuine indirectness of art with integrity that can speak into a lost and stuck imagination. We are awakening the imagination of people who have become cynical about the old 'grand stories' that have done so much harm. We are sowing the possibility that the might be one which could actually set them free.

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    I want to take some quite incredible photographs that have never been taken before... pictures which are simple and complex at the same time, which will amaze and overwhelm people ... I must achieve this so that photography can begin to be considered a form of art.

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    I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.

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    I want to write poems that are natural, luminous, deep, spare. I dream of an art so transparent that you can look through and see the world.

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    I was 17 when I moved to NYC . I'm now 32. But I do know I can't see myself living anywhere else. I love the food, the fashion, art, the intelligence of this city and the people that live in it.

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    I was 11 when I was first introduced to live drawing classes and going to art school.

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    I was 12 in 1989 during perestroika, when my mother found a program that sent me to Russia to study art in the forests outside of Leningrad.

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    I was a child of a single mother/art teacher, and a father who was an architect, so I've always been around the combination of art, fine art, and architecture my entire life.

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    I was a dancer for fifteen years, and I think a lot of what dancing gives you crosses over so much into anything to do with fighting, martial arts, anything action.

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    I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.

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    I was a creative kid; I wasn't really into sports, and sports in the South are a pretty big deal. It's like a religion down there. It was tough to find my footing, but thankfully, my parents discovered, through a neighbor, this theater called Young Actors Theater and signed me up for the summer program. It really was a gift. Even if a kid doesn't go into acting or the arts like I did, some kids need that environment to find themselves and find what they love to do. I'm so thankful for that theater; it was a big gift to me.

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    I was a liberal arts junkie and I figured, well, I'll go work for somebody somewhere. All I knew was that I was going to have to come home and figure it out.

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    I was a hoodlum. I was a gang member, and art saved my life.

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    I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.

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    I was a high school student like Picasso. I was a little eccentric, but I had high ideals. I wanted to get along well with girl, but when I met them face-to-face, I acted cold toward them. I was always in the art room drawing, I wanted to attract someone's interest. I thought that if I got good at drawing I might be able to establish a connection with the world.

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    I was a jock, hardcore sports all the way down the line, but I heard that if you auditioned for this arts school, you got time off school, and that sounded good to me.

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    I was always a performing arts kid in general - but I felt like my ultimate goal was to be an actress and be in films.

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    I was always more of a film guy than an athlete guy. I had an art scholarship at Western.

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    I was always nervous about coming back to Australia which was a complete hangover of the days when I left when ballet was not accepted, when I was not accepted, when I was considered a freak for wanting to be a ballet dancer. And, to be 100% honest, I rather dreaded coming back.

  • By Anonym

    I was always a little bit of a collector and a hoarder. And whenever I got involved in anything, whatever it was - even when I was a kid and I collected cigarette cards - I really got into it and had the most. So when it came to paintings, once I got the bug, I always wanted to buy something. But I really knew nothing about art.

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    I was always a natural performer. It was easy for me. I danced and I sang, and all that stuff. I felt like I'd be something in the arts, but it vacillated between being a dancer and a singer, or whatever.

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    I was always drawn to performing, but I never thought I could. I have no idea what I wanted to do outside of the old cowboy-or-fireman. When I was in college, I got serious about acting. I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.

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    I was always interested in dance as a creative art and traditionally dance is taught as an interpretive art.

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    [I] was always my dream to attend the Art Institute. I have always had this zeal to become the best that I can be and I saw that this institution will act as an avenue to me achieving that goal. I applied to the institution and got accepted based on my impressive portfolio.

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    I was always an artist. I was a broker to earn a living, but I was always thinking about my art.

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    I was always an emotional, tearful kid. As a child I was really focussed on my fine art - I took it very seriously. I really wanted to be a master painter. I didn't think I'd ever become a musician because I was so shy.

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    I was always exploring relationships between art and science.

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    I was an anorexic, beer drinking, class cutting, doodling, shoplifting, skater chick that was into nature, art class, and the beach.

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    I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.

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    I was always involved in art and when I went under contract at Warner Bros. at 18, it afforded me the possibility of never having to stop painting, never having to stop taking photographs and so on, and to actually live a cultural life.

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    I was always involved in the arts from a young age. I started studying classical piano at age four as a student of the Associated Board of the Royal School of Music.

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    I was always seeking truth from childhood. And I identified truth with many things, with science, with politics, with art, and I kept coming back to the thought that without God I can't get to what I'm looking for.

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    I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".

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    I was a real art freak when I was a teenager.