Best 22487 quotes in «art quotes» category

Mixed Martial Arts is a dangerous practice that could result in injuries and loss of life.

mixing comes natural. i just ought to. not am i mixed to perfection, i have aptitude for art and colors.

MMA is in like the bare-knuckle era as where boxing once was. What it has to do is be given time to grow up. The sport is really just starting right now. Slowly, the public will become educated about and appreciate all the different technical aspects of the sport and athletes will develop without a strict adherence to a distinct art or style.

Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art.

Models are there to look like mannequins, not like real people. Art and illusion are supposed to be fantasy.

Modern abstract art starts in Russia in about 1915 with Malevich, and then the Russian Revolution happens, and eventually all that experimental art gets squashed and social realism comes back into play. All of a sudden, Malevich is no longer painting black squares; he's painting peasants in colorful schmattas.

Mixed martial arts was invented by Brazilians, whose families had been trained by the Japanese. Those Brazilians came to the U.S., where their invention was bought out, gussied up and presented to the world, which found it good.

Modern art did not just happen. It came as a result of a deep reversal of spiritual values in the Age of Reason, a movement that in the course of a little more than two centuries changed the world.

Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply as they have been influenced, maybe more. Anyway painters don't have a copyright on M. A. We were all born in the same upheaval.

Mister Dresden," he said. "And Miss Rodriguez, I believe. I didn't realize you were an art collector." "I am the foremost collector of velvet Elvii in the city of Chicago," I said at once. "Elvii?" Marcone inquired. "The plural could be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural.

Mixed Martial Arts is wonderful to watch, it is very practical but dangerous at the same time. You have to be very careful when doing something like that.

Mitt Romney announced he will fight former heavyweight champion Evander Holyfield in a charity boxing match. You can tell that Romney is serious about it. Today, his butler gave him a piggyback ride up the steps of the Philadelphia art museum.

Modern art to me is nothing more than the expression of contemporary aims of the age that we're living in.

Modern art was born from a desire to destroy kitsch.

Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.

Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.

Modern art is childish - not childlike, remember, childish; not innocent but stupid, insane, pathological. We have to get rid of this trend. We have to create a new kind of art, a new kind of creativity. We have to bring to the world again what Gurdjieff calls objective art.

Modern art must strike out from the old. The new is not revealed to those whose eyes are fastened in worship upon the old…Have you ever seen an inch worm crawl up a leaf or twig, and then clinging to the very end, revolve in the air, feeling for something to reach? That's like me. I am trying to find something out there beyond the place on which I have a footing.

Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.

Modern man is too impatient and wants to master the art of meditation immediately.

Modern value-neutral society (Gesellschaft rather than Gemeinschaft) is systematized predation tempered not by conscience or values but rather merely by a system of law, which is no less corrupt with private interests and its own forms of predation. In modernity sophism is the order of the day, and this obliges its most adept practitioners to learn how to develop the art of appearing to be other than one actually is.

Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.

Modern man has been in search of a new language of form to satisfy new longings and aspirations - longings for mental appeasement, aspirations to unity, harmony, serenity - an end to his alienation from nature. All these arts of remote times or strange cultures either give or suggest to the modern artist forms which he can adapt to his needs, the elements of a new iconography.

Modernism', as a label, has currency in the arts, architecture, planning, landscape, politics, theology, cultural history and elsewhere.

Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.

Modernistic-Abstractionist-Art consists of 75% explanation and 25% God knows what!

Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable.

Modern physics has taught us that the nature of any system cannot be discovered by dividing it into its component parts and studying each part by itself... We must keep our attention fixed on the whole and on the interconnection between the parts. The same is true of our intellectual life. It is impossible to make a clear cut between science, religion, and art. The whole is never equal simply to the sum of its various parts.

Modesty: the gentle art of enhancing your charm by pretending not to be aware of it.

Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.

Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.

Modern pictures are, no doubt, delightful to look at. At least, some of them are. But they are quite impossible to live with; they are too clever, too assertive, too intellectual. Their meaning is too obvious, and their method too clearly defined. One

Money-getters are the benefactors of our race. To them ... are we indebted for our institutions of learning, and of art, our academies, colleges and churches.

Mom used to frame everything we made, and now I'm following her example. It makes children so proud to see their work on display instead of hidden away. I figure if I take my children's work seriously, maybe they will too. And it reinforces the idea that art is not something alien and esoteric. Anyone can make art.

Money is completely boring to me. It means nothing, except it feeds my art. Every penny I make goes back into the Haus of GaGa. My Haus of GaGa is something like Andy Warhol's Factory.

Money follows art. Money wants what it can't buy. Class and talent. And remember while there's a talent for making money, it takes real talent to know how to spend it.

Money is something that can be measured; art is not. It's all subjective.

Money issue looms so large in art now. And it has absolutely nothing to do with art.

Money talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear.

Money, thou bane of bliss, and source of woe, Whence cam'st thou, that thou art so fresh and fine? I know thy parentage is base and low: Man found thee poor and dirty in a mine.

Morality, like art, means drawing a line someplace.

More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt.

More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.

Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in nature. Art brings it out, and gives it more transparent forms. It is here that art, when it knows well its power and resources, engages in a struggle with nature in which it may have the advantage.

More and more I think about the role of the arts, and as an artist, I think that it's important that I share the love and peace.

More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.

More matter with less art.

More people now work in the arts than the steel, coal and car industries combined.

MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.

More people than ever are spending money to support more artists and musicians and give them more leisure time to build cereal balls...and the art world is eating those balls up!