Best 22487 quotes in «art quotes» category

Even creating shit is hard to do. First, you need money to buy food. Then you have to chew it, eat it, and swallow. A complex process called digestion follows. Finally, you have to strain and excrete your foul smelling wonder into the world. Try doing that with a paint brush!

Even in zazen you will lose yourself. When you become sleepy, or when your mind starts to wander about, you lose yourself. When your legs become painful—“Why are my legs so painful?”—you lose yourself. ” - “You just sit in the midst of the problem; when you are a part of the problem, or when the problem is a part of you, there is no problem, because you are the problem itself. The problem is you yourself. If this is so, there is no problem.” - “When you start to wander about in some delusion which is something apart from you yourself, then your surroundings are not real anymore, and your mind is not real anymore. If you yourself are deluded, then your surroundings are also a misty, foggy delusion. Once you are in the midst of delusion, there is no end to delusion. You will be involved in deluded ideas one after another. Most people live in delusion, involved in their problem, trying to solve their problem. But just to live is actually to live in problems. And to solve the problem is to be a part of it, to be one with it.

Even science is art, when it flows pure and free - literature is art, when it flows pure and free - mathematics is art, when it flows pure and free. Any act of the mind that flows pure and free, is art, for freedom is the soul of art.

Even the girl he'd danced with had thought it was some marvelous trick. She had been enveloped in real, bright fire and she had tipped back her head and laughed, the tumble of her black hair becoming a crackling waterfall of light, the heels of her shoes striking sparks like glittering leaping dust all over the floor, her skirt trailing flame as if he were following a phoenix tail. Magnus had spun and swung with her, and she'd thought he was marvelous for a single moment of bright illusion. But, like love, fire didn't last.

Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.

Every art communicates because it expresses. It enables us to share vividly and deeply in meanings… For communication is not announcing things… Communication is the process of creating participation, of making common what had been isolated and singular… the conveyance of meaning gives body and definiteness to the experience of the one who utters as well as to that of those who listen.

Every artist takes their final work to the grave.

Every act of creation is first of all an act of destruction." ― Pablo Picasso

Every art fights the noose of verbal description.

Every act of making matters. How we make matters. I like to remember, and remark with regularity, that the word “making” occupies seventeen pages in the Oxford English Dictionary, so there are multiple possibilities for a lifetime of making: make a cup, a conversation, a building, an institution, make memory, make peace, make a poem, a song, a drawing, a play; make a metaphor that changes, enlarges, or inverts the way we understand or see something. Make something to change your mind — acts that amplify.

Every book has to wait for the right time to be read and understood.

Every child has known God, Not the God of names, Not the God of don'ts, Not the God who ever does Anything weird, But the God who knows only 4 words And keeps repeating them, saying: "Come Dance with Me." Come Dance.

…Every day I discover even more beautiful things. It is intoxicating me, and I want to paint it all - my head is bursting…

Every creative act involves... a new innocence of perception, liberated from the cataract of accepted belief.

Everyday objects shriek aloud.

Every emotion, every phrase or sentence, every bit of human action, can be a form of art. Art is not necessarily bound to the stereotypical notions of the human society. Art can come in the form of a little sentence, art can come in the form of a simple brush-stroke, art can come in the form of an everyday snapshot, art can come in the form of a plain strumming on the fret of an old guitar. Art doesn't require definition, and more importantly, art cannot be bound by the descriptions of words, yet words themselves can form the most rejuvenating and liberating form of art.

Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.

every good artist paints what he is

Every human is unique every spirit is engaging.

Every man whose tastes have been allowed to develop in wrong directions, or in whom the best tastes have failed of higher perfection, loses thereby from the inner joy and outer value of his whole life. Every good taste is a source and guarantee of happy healthy hours and days, and thus of the enrichment and elevation of life. A reasonable capacity to appreciate music and art quite suffices to enrich life and exercise a wholesome influence upon character. The taste for good reading is inseparable from a taste for good thinking.

Every night I used to pray that I’d find my people, and finally I did on the open road. We had nothing to lose, nothing to gain, nothing we desired anymore, except to make our lives into a work of art.

Every morning when I wake up, I experience an exquisite joy —the joy of being Salvador Dalí— and I ask myself in rapture: What wonderful things is this Salvador Dalí going to accomplish today?

Everyone is a blank canvas, waiting to be filled with the colour of discovery.

Everyone likes everything nowadays. They like the television and the phonograph and the shampoo and the soda pop and the Cracker Jack. Everything becomes everything else and it's all nice and pretty and LIKABLE. Everything is fun in the sun! Where's the discernment? Where's the arbitration that separates what I LIKE from what I RESPECT, what I deem WORTHY, what has... listen to me now... SIGNIFICANCE.

Everyone sings about art. I am the art. People write out of obligation. I write to illuminate my art.

[…] Everyone tries to make his life a work of art. We want love to last and we know that it does not last; even if, by some miracle, it were to last a whole lifetime, it would still be incomplete. Perhaps, in this insatiable need for perpetuation, we should better understand human suffering, if we knew that it was eternal. It appears that great minds are, sometimes, less horrified by suffering than by the fact that it does not endure. In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day. One morning, after many dark nights of despair, an irrepressible longing to live will announce to us the fact that all is finished and that suffering has no more meaning than happiness.

Every page should explode, either because of its staggering absurdity, the enthusiasm of its principles, or its typography.

Every plain wall deserves a piece of work, so why not cover it with a smile?

Every piece of art has a buyer. Only Time decides when the right buyer will see it.

Every second vibrates within our Present moment, our now. In one split second of awareness, we can create a Life full of Light, Joy, and Love.

Every season has its own art and the art of autumn is to bewitch the people!

Every science begins as philosophy and ends as art: It arises in hypothesis and flows into achievement. Philosophy is a hypothetical interpretation of the unknown (as in metaphysics), or of the inexactly known (as in ethics or political philosophy). It is the front trench in the siege of truth. Science is the captured territory, and behind it are those secure regions in which knowledge and art build our imperfect and marvelous world. Philosophy seems to stand still, perplexed, but only because she leaves the fruits of victory to her daughters the sciences, and herself passes on, divinely discontent, to the uncertain and unexplored.

Everything been Created, were once been conveyed as a Thought. And Imagination is an Art of Creation. Dare to Imagine it, be passionate to Work it, and you may end up leaving your world with that no one ever Thought could be!

Everything changed when I switched from saying “I have to do this” to “I GET to do this”. When I started viewing my art as a way to serve instead of building for my own profit. When I tried to meet people with an open heart and a will to love them instead of guarding my own history of solitude and brokenness. Dedication. Giving. Loving. That is the goal.

Everything I dreamed of became a reality, and my reality became a dream.

Everything hurts right now and nothing is helping because as the pain is getting worse — so is the love.

Everything, indeed, in a work of art should be unedited,--and even the words, by the manner of grouping them, of shaping them to new meanings,--and one often regrets having an alphabet familiar to too many half-lettered persons.

Everything in the universe is a work of art. Every living creature a story. You should hang out in a museum or art gallery sometime and listen to the comments and conversations. They’re no different than any other time or anywhere else. Existence is art.” (Derek in "The Supernatural Prodigy")

Everything I’ve ever written has brought me into being. Every project has matured me in a different way. I am who I am today precisely because of what I have made, and what it has made me into. Creativity has hand raised me and forged me into an adult.

Everything is art and it's part of the painting. (To talk with somebody it's art, to understand a language is art, to understand a book is art, to understand somebody is art...)

Everything worthwhile ends. We are in the perpetual process now: creation, maturation, cessation.

Everything that now exists, no matter how great and good it is, lasts for a time, fulfills a purpose, and then passes on. And so it will be with all the works of art that now exist; an eternal veil of forgetfulness will lie over them, just as there is now over those things that came before.

Everything you invent is true: you can be sure of that. Poetry is a subject as precise as geometry.

Every time she meets him, she feels like he was a new paper ready to be drawn. And she could clearly remember how the first time she met him, he was like a sketch paper filled with grey and blue and black, all mixed up together forming a confusing storm,

Every time I create something, whether an idea or a work of art, initially, its supposed completion seems absolutely perfect to me. However the more I think about it, stare it down, the more it marinates in my soul over the hours, days, and weeks, the more flaws I start to find in it; and finally, the more I'm pressed to continue enhancing it. It essentially turns out that whatever thing a flawed and imperfect, human eye once thought was amazing begins to appear quite wretched. This is why, eternally, God cannot be impressed by mere talents or by mortal achievements. To perfect eyes, I imagine that great is not really that great; rather, humility is ultimately a human being's true greatness.

Every work of art is one half of a secret handshake.

Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.

Exactly. The dots guy. I've always thought getting older was a bit like looking at those paintings. You're born, and that's when you're standing right up next to the canvas. Nothing makes any sense. There's just a lot of light and color. But as you get older, you begin to back away, and that's when the image starts to cohere. All those little spots of color turn into flowers, or people, or dogs. You gain perspective.

Exaggerate the essential. Sometimes the art of existence depends on how you exaggerate the essential.

Existence is a medium of art.