Best 22487 quotes in «art quotes» category

When you react, you don't give your mind the time to get filled with emotions. You are devoid of anger, fear, and frustration; you are simply moving.

When you present works of art, one thing I've learned is that if you're lucky - [Laughs] - there will be those few people who, shall we say, get it? Really become engaged, become moved by it in their own way. You cannot control what other people are going to think about it.

When you're a creative person and you create art with other people, whether you're married to them or not, you're going to run into creative conflicts. If you're a couple, certain inhibitions and barriers are gone. I have those barriers with other people, but I don't have them with my wife.

When your art fails, make better art.

When you play guitar you are drawing a frame around a moment and saying to the listener, 'Here is how I want you to experience this. How you begin and end a solo is framing, How you structure a song is framing, how you present yourself onstage is framing. See every corner, not just the center, framing should heighten the impact of the art and give clarity to your vision.

When you're actually making a film, it's just people on your back all the time wanting stuff and you're constantly having to it deal with them. It's probably the most time consuming of all the arts, but I do love it because it is a great mix of visual art and music and writing.

When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that. I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!

When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.

When you're at dinner with somebody and they are on their phone. I think there's that lost art of conversation and so I just always try to keep my phone far away from me when I'm with people.

When you really get technique... there is no strength that will stop you.

When you're dead weight, in the right position, you win. And in reality, you wouldn't see someone my size kicking seven martial arts experts and winning.

When you recite you're giving a performance, in the way that an actor or a singer performs, and some poets are not interested in doing that, maybe because they're writing for a readership as opposed to an audience, or because they see poetry as a very private art.

When you're doing martial arts, you feel like you can master certain skills and be so much more in control of who you are, so that really appealed to me.

When you're jealous, especially of someone else's art or creations you automatically put up these selfish walls that reinforce your stupid ideas. It's hard to pull those walls down and look at what you're hiding. Look at your own weakness and realize that the jealousy came from knowing that you're intimidated by someone else's work, and that when you compare it to your own, you fall short.

When you're making art, there's a lot of self-importance attached to that, but at the end of the day, you can always fall back on the fact that it's just a play. It's not like the Iraq War or something. We're not causing anybody any harm, other than a couple hours of a wasted evening.

When you're not concerned with succeeding, you can work with complete freedom.

When you reread a classic, you do not see more in the book than you did before; you see more in you than there was before.

When you're somebody who has the pretension to make art, it's completely different from when someone else says I want to make a book of your art. You don't decide the title, you don't decide the size, the order of the photographs . . . so it's completely out of control!

When you're talking about fighting, as it is, with no rules, well then, baby you'd better train every part of your body!

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water... If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirit.

When you set down the path to create art, whatever sort of art it is, understand that the path is neither short not easy. That means you must determine if the route is worth the effort. If it's not, dream bigger.

When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.

When you see a great teacher, you are seeing a work of art.

When you shake you ass, they notice fast. And some mistakes were built to last.

When you sit down to play a game you should think only about the position, but not about the opponent. Whether chess is regarded as a science, or an art, or a sport, all the same psychology bears no relation to it and only stands in the way of real chess.

When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.

When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.

When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.

When you start out on a career in the arts you have no idea what you are doing. This is great. People who know what they are doing know the rules, and know what is possible and impossible. You do not. And you should not. The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them. And you can. If you don't know it's impossible it's easier to do. And because nobody's done it before, they haven't made up rules to stop anyone doing that again, yet.

When you teach her that hoe mentality, they accept that as reality.

When you study our greatest artists, you will find that they give us a key to understand how to deal with each other, and that our bloodlines are intertwined. It's not hyphenated America. That there is an America, and it is expressed in those arts. It gives us a key to figure out how to negotiate with each other, and it tells us actually who we are.

When you talk about state of the art, that doesn't mean a damn thing. Think about it. State of the art. "This is the state of the art brush from Winsor-Newton." Yeah, but the state of the art sucks rubber donkey lungs.

When you start in movie business... It is a business, actually. Nothing to do with art. Picasso is art, and Giacometti, but film acting is no art. Just the luck of being discovered, maybe.

When you start putting a higher value on works of art than people, you’re forfeiting your humanity.

When you start a company, it's more an art than a science because it's totally unknown. Instead of solving high-profile problems, try to solve something that's deeply personal to you. Ideally, if you're an ordinary person and you've just solved your problem, you might have solved the problem for millions of people.

When you study art history, you learn that there is very little that is completely new, and in many ways digital art is no different. I love to derive inspiration from all types of images: mosaics, hieroglyphics, petroglyphs, woven patterns in textiles, and needlework. There is a lot of very good "pixel" design work before the 20th century, like a 1760 sampler by Elizabeth Laidman that looks like a bitmap font.

When you've always worked hard in the theatre, you find that, when you stop playing, at the end of a run, the evenings seem very long indeed. You have to find something to keep yourself occupied with because you're so used to gearing yourself up to that eight o'clock curtain, but to find any kind of real, absorbing alternative is impossible. Nobody is as interesting to spend an evening with as a really good part.

When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it

Where a love of natural beauty has been cultivated, all nature becomes a stupendous gallery, as much superior in form and in coloring to the choicest collections of human art, as the heavens are broader and loftier than the Louvre or the Vatican.

Where any view of money exists, art cannot be carried on.

When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.

Where art thou, beloved To-morrow? When young and old, and strong and weak, Rich and poor, through joy and sorrow, Thy sweet smiles we ever seek,-- In thy place--ah! well-a-day! We find the thing we fled--To-day!

Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.

Where art thou, Muse, that thou forget'st so long / To speak of that which gives thee all thy might?

Where art and business intersect is a challenging hurdle for a lot of people, reconciling the fact that not everyone is going to make it in the same way. Yeah, you have to be a little selfish, probably.

Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.

Where faith commences, science ends. Both these arts of the human mind must be strictly kept apart from each other. Faith has its origin in the poetic imagination; knowledge, on the other hand, originates in the reasoning intelligence of man. Science has to pluck the blessed fruits from the tree of knowledge, unconcerned whether these conquests trench upon the poetical imaginings of faith or not.

Where have you been hanging out lately honey? You can't dress trashy 'til you spend a lot of money.

Where art is concerned, it is the process of creating - exploring, discovering, and experimenting -- that has the greatest value. Through self-expression and creativity, children's skills will develop naturally, and their ability to create will soar.