Best 22487 quotes in «art quotes» category

We need to eliminate the existing hierarchy of subjects. Elevating some disciplines over others only reinforces outmoded assumptions of industrialism and offends the principle of diversity. The arts, sciences, humanities, physical education, languages and maths all have equal and central contributions to make to a student's education.

We need to make sure that there's art in the school. Why? Why should art be in the school? Because if art isn't in a school, then a guy like Steve Jobs doesn't get a chance to really express himself because in order for art to meet technology, you need art.

We need to cut these things that aren't constitutionally mandated, that are kind of on the periphery, the fluffery, like NPR and National Endowment for the Arts. Those are obvious.

We need to think about encryption not as this sort of arcane, black art. It's a basic protection.

We need to understand that every time an elementary teacher captures the imagination of a child through the arts or music of language this nation gets a little stronger.

We need to teach the highly educated man that it is not a disgrace to fail and that he must analyze every failure to find its cause. He must learn how to fail intelligently, for failing is one of the greatest arts in the world.

We need to think about what cooking is, what context it takes place in and what its relationship to the world of art is. If there were criticisms of my presence at Documenta, that's a good thing because it means we were doing something new. Your mission in creating something artistic is to produce something new and polemical.

We need to regain the art of civil discourse and more practically, I don't think you change anyone's mind by calling them names.

We need to remind ourselves that contemporary art is first of all a form of conceptual gymnastics, in which we learn to coexist with what we don't understand.

We need writers who know the difference between the production of a commodity and the practice of an art.

We often observe in lawyers, who as Quicquid agunt homines is the matter of law suits, are sometimes obliged to pick up a temporary knowledge of an art or science, of which they understood nothing till their brief was delivered, and appear to be much masters of it.

We never really perceive what color really is, as it physically is. This fact makes color the most relative medium in art.

Wenn jemand sich in Inkarnation befindet, bietet ihm dieser Körper das Problem, das er erlernen muss oder (wenn die Evolution fortgeschritten ist) bietet den Träger, der sich für die Art der jeweiligen Aufgabe am besten eignet. Ein orientalischer Körpertyp hat eine gewisse Anzahl von Fähigkeiten, und ein abendländischer Körpertyp weist andere und, wenn ich so sagen darf, ebenso gute Eignungen auf.

We often hear the terms 'positional' and 'tactical' used as opposites. But this is as wrong as to consider a painting's composition unrelated to its subject. Just as there is no such thing as 'artistic' art, so there is no such thing as 'positional' chess.

We ordinary people must forge our own beauty. We must set fire to the greyness of our labor with the art of our own lives ... What is the essence of this art of living? Of course, even this art should have beauty as its essence.

... we performers are monsters. We are a totally different, far-out race of people. I totally and completely admit, with no qualmsat all, my egomania, my selfishness, coupled with a really magnificent voice.

We play different people - our art form is performance art - so unless you're playing the same type of person, I don't know if you could improve or make it worse.

We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.

We're able to influence younger generations on design and art. They might not have realized they were an artist.

We rappers are role models.

We're all busy. It's a very fast-paced world. And art - and by that, I mean culture in a wider sense - is one of the few spaces where we're allowed to look and think without an immediate response or reaction.

We profess to teach the principles and practice of medicine, or, in other words, the science and art of medicine. Science is knowledge reduced to principles; art is knowledge reduced to practice. The knowing and doing, however, are distinct. ... Your knowledge, therefore, is useless unless you cultivate the art of healing. Unfortunately, the scientific man very often has the least amount of art, and he is totally unsuccessful in practice; and, on the other hand, there may be much art based on an infinitesimal amount of knowledge, and yet it is sufficient to make its cultivator eminent.

We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself - he has in mind the demands that he makes upon life.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

We're all gonna land, we don't have rocket packs that last forever. But these things that we love, these things that give us purpose, these moments along the way are our parachutes. So I feel very fortunate to have all of these. Art and my family are pretty much my biggest parachutes.

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.

We recognize that the arts are an essential part of San Francisco's cultural vitality.

We're creating multiple personas. We're creating a thespian sense of personality where we see ourselves as works of art, and we see everything in our environment as a prop, as a set, as a stage, as a backdrop for filling ourselves in. We don't see ourselves as ever completed. We are in-formation.

We're being treated to the wisdom of some puffed up, little fart. Doing exactly what I used to do, pretensions to anarchy and art.

We’re built to deal with death, disease, failure, struggle, heartbreak, problems. It’s what separates us from the animals and why we envy and love animals so much. We’re aware of it all and have to process it. The way we each handle being human is where all the good stories, jokes, art, wisdom, revelations, and bullshit come from.

We recognise in the finished art, which is the result of these conditions, the best words in the best order - poetry; and to put this essential poetry into different classes is impossible.

Were I called on to define, very briefly, the term Art, I should call it 'the reproduction of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'

Were I asked to define it, I should reply that archeology is that science which enables us to register and classify our knowledge of the sum of man's achievement in those arts and handicrafts whereby he has, in time past, signalized his passage from barbarism to civilization.

We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it, it's worth a fortune. I'll make this a work of magic warlock art.

We're led by denial like lambs to slaughter, serving empires of style and carbonated sugar water.

We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat.

We're not choosing the art, the art is choosing us. The pieces are choosing the walls where they hang.

We're more popular than Jesus Christ now.

We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life.

We're one of the last handmade art forms. There's no fast way to make plays. It takes just as long and is just as hard as it was a thousand years ago.

We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined.

We seem to have lost contact with the earlier, more profound functions of art, which have always had to do with personal and collective empowerment, personal growth, communion with this world, and the search for what lies beneath and above this world.

We seem to have forgotten that the expression "a liberal education" originally meant among the Romans one worthy of free men; while the learning of trades and professions by which to get your livelihood merely, was considered worthy of slaves only. But taking a hint from the word, I would go a step further and say, that it is not the man of wealth and leisure simply, though devoted to art, or science, or literature, who, in a true sense, is liberally educated, but only the earnest and free man.

We sell books, other people sell shoes. What's the difference? Publishing isn't the highest art.

"We, Seth, Emperor of Azania, Chief of Chiefs of Sakuyu, Lord of Wanda and Tyrant of the Seas, Bachelor of the Arts of Oxford University, being in this the twenty-fourth year of our life, summoned by the wisdom of Almighty God and the unanimous voice of our people to the throne of our ancestors, do hereby proclaim..." Seth paused in his dictation and gazed out across the harbour where in the fresh breeze of early morning the last dhow was setting sail for the open sea. "Rats," he said; "stinking curs. They are all running away.

We should all develop the mind to rejoice in, praise and share in the gift of those who have artistic talents and a richness of heart, whether they achieve wide recognition or not. Cultivating such a beautiful mind is a very worthy effort. Culture and art are not just decorations. They are not just accessories. What matters is whether culture enriches the essential substance of our lives.

We should continually be striving to transform every art into a science: in the process, we advance the art.

We should comfort ourselves with the masterpieces of art as with exalted personages-stand quietly before them and wait till they speak to us.

We should always remember that sensitiveness and emotion constitute the real content of a work of art

We should not have a tin cup out for something as important as the arts in this country, the richest in the world. Creative artists are always begging, but always being used when it's time to show us at our best.