Best 22487 quotes in «art quotes» category

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor

I'm a writer who doesn't much think about money because money doesn't really care about me. In other nations, art gets subsidized. Writers aren't wealthy by any means, but there's the idea that the state supports the creation of art.

I may be biased, but I think the cover art is stunning.

I may be expediting the attainment of an object that will in time be found of great importance to mankind; so much so, that a new era in society will commence from the moment that aerial navigation is familiarly realised. . . . I feel perfectly confident, however, that this noble art will soon be brought home to man's convenience, and that we shall be able to transport ourselves and our families, and their goods and chattels, more securely by air than by water, and with a velocity of from 20 to 100 miles per hour.

I may grow rich by an art I am compelled to follow; I may recover health by medicines I am compelled to take against my own judgment; but I cannot be saved by a worship I disbelieve and abhor.

I may remind you that history is not a branch of literature. The facts of history, like the facts of geology or astronomy, can supply material for literary art; for manifest reasons they lend themselves to artistic representation far more readily than those of the natural sciences; but to clothe the story of human society in a literary dress is no more the part of a historian as a historian, than it is the part of an astronomer as an astronomer to present in an artistic shape the story of the stars.

I may have been prejudiced against lawyer members of Congress, having run against one or two and having been threatened politically by a few others, and also because my own professional background was academic, principally in the liberal arts. Good lawyers, I asserted in campaigns, can be found in the yellow pages of the telephone books. Good historians, or political and social philosophers, are not so easily found or classified.

I'm being given a little bit of credit now as being a viable collage artist, which some people think is ridiculous. Like this guy who said, "Wait a minute: You had an art show where you just cut out pictures and then glued them back together?" And I said, "Yeah, that's pretty much what it is." There's more to it than that. It's about having the eye for detail, moving things from one environment and reassembling them into new environments....Everyone can do it, but not everyone can do it well.

IMBECILE!" the chef shouted. "Next time why don't you just put your whole HAND in the food, hey? Yes, your whole hand, or maybe your FACE! I arrange the food on plates with care, are you understanding what I am telling you? It is part of the art form of cooking, yes? A lovely plate of food is a thing of beauty! And then you, NUMBSKULL, come along and put your fat greasy FINGERS all over my plate, and SHAKE the plate, and move my food all around the plate until it looks like pigs' vomit!" "Chef Vlad!" I cried out in delight.

I may not be much good at most things, but if I didnt have the pleasure of planning and installing shows, and doing it better than anyone else, I would have stopped buying art many years ago.

I'm certain, as we filled down the great staircase, that I appeared the same as ever, a moping twelve years-old, all arms and legs. But secretly I knew I had been transformed, moved by the revelation that human beings create art, that to be an artist was to see what others could not.

I'm completely self-taught. I absolutely don't believe in art or film schools!

I'm constantly exposing myself to art and that inspires me.

I’m Charlotte Davidson: private investigator, police consultant, all -around badass. Or I could’ve been a badass, had I stuck with those lessons in mixed martial arts. I was only in that class to learn how to kill people with paper.

I'm bored with that line. I never use it anymore. My new line is 'In 15 minutes everybody will be famous.'

I'm convinced that, in the end, art is not for the artist but for their fellow man.

I'm convinced that art and science activate the same parts of the brain.

I'm convinced that imagination is at the heart of everything we do - in art, science, even astrophysics and higher mathematics. Imagination leads us to ask, "What if?

I'm delighted with it, because it used to be that films were the lowest form of art. Now we've got something to look down on.

I'm discovering there are innumerable ways to package, promote and sell my humor, as long as I reserve a little for myself to keep bouncing back and laughing off the rejections that are also part of the art of cartooning.

I'm doing an introduction for one of Ralph's [Steadman] books. He's doing something called Gonzo, the Art I think he's stealing from me. I like Steadman and his coattail abilities. Ralph is better at business than I am. He has always managed to get free whiskey.

I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.

I mean, if this [film Age of Trump] wasn't on Netflix, it would be playing at some lovely art house theater on the West Side once or twice or for a week or maybe two weeks if I was lucky and then it would go away, and I'd be lucky if I could sell the DVDs off my website.

I mean, art for art's sake is ridiculous. Art is for the sake of one's needs.

I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.

I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.

I mean, the idea that it might help somebody out or help somebody make the decision to become a stewardess or otherwise... No, that's one of the nice things about making music or making movies, is that art does have the power to affect people. I feel really privileged to be a part of that.

I mean, people listen to music, and they like that, but I think in England, a lot of people don't like contemporary art.

I mean when you go to a network and say, "We want to make a martial arts series in the future." And give them the pitch. And by the way, the only way to achieve the authentic Hong Kong martial arts we need a full-time fight team unit working concurrently, and we're hiring a Chinese fight team from Hong Kong. And they were like, "Great, let's go.

I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.

I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.

I merely say that all reading for pleasure is escape, whether it be Greek, mathematics, astronomy, Benedetto Croce, or The Diary of the Forgotten Man. To say otherwise is to be an intellectual snob, and a juvenile at the art of living.

I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.

I met my wife Anne who was a sociology student, and her influence together with activities associated with the student movement of the time opened up my interests amongst other things into the theatre, art, music, politics and philosophy.

I merely took the energy it takes to pout and wrote some blues.

I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.

I'm especially interested in what I call practitioner criticism, which is when people who practice an art form start writing about it on blogs. I think that's an immensely important development. I want to see much, much more of that. People who make music who are verbally articulate. And not all musicians are verbally articulate. But those who are should be encouraged to write about what they do and their perception of what other people do. It makes the discourse smarter.

I'm enough of an anarchist aesthetically, when it comes to art - I want people to be reading my stuff voluntarily. They should be doing it because they want to.

I met Keith Haring at SVA college where he was having an art show, later we had a group art show at the Mud Club in NYC. Keith owed me $50, so he gave me a large framed canvas with barking dogs that had large dicks. I painted over Keith's painting to paint flowers for my mom's living room.

I met Mary [Hamill] in New York at my exhibition and when I told her about my oral history project she asked, "Would it be possible to incorporate visual art?" My sister stitches pillowcases, which led to Mary suggesting using cyanotype on them. I originally thought of the idea of pillowcases because when people get married, they have the bride and the groom lay their hands on each other's pillows while their relatives tie ribbons on their wrists. And then on the bed you usually have two pillows - one for yourself and one for your loved one - so when one is gone, one pillow remains.

I'm extremely profane, unconsciously so, when I see something great for the first time; I don't know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty...it might just be the reason I avoid going to museums with elderly ladies.

I'm fascinated by how Hollywood has changed since I started. Today it's about immediate delivery. There's less risk and less art.

I'm fascinated with video games, though I can't really play them. It's definitely an art form that intrigues me to no end, though.

I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.

I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.

I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.

I'm for turning off the tube and turning down the light, cause I'm for nothing else but me and you tonight.

I'm glad I am crazy, it keeps me trying. I despise trendies, I know they're lying.

I'm fully aware had I stayed with my art, I would be well known, respected and most likely rich.

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.