Best 22487 quotes in «art quotes» category

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    My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition.

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    My love for sports will never die. I love martial arts and I want to promote it in whichever way I can. I am a fighter first, then an actor.

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    My life's a sequel to a movie where the actors' names have changed.

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    My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun; I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.

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    My main concern is that there is a balance in the system and that some art-based hip-hop can get out to the masses, 'cause right now people are not responding to what they don't know. Most people are just afraid to think on their own.

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    My main influence are the other members of the Royal Art Lodge, we've drawn together enough that we can't help but influence each other.

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    My main influences - I loved art. I sounds a little pretentious to say I was into art but I liked drawing. I liked music; music was my outlet from day one. I was giving you an image of Ireland being this dull, grey, massive unemployment, not much going on and the future was the dull queue or - and, for me, the window of hope was music and books. So I fell in love with sort of T-Rex and David Bowie very young. They sort of said, "Hey. You don't have to live in this north side of Dublin that's all grey and depressed. You can be a spider and go to Mars.

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    My Master of Arts degree means nothing at all to these monkeys and I have come to share their indifference.

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    My mentality is that when I go to sleep at night, I'm a better martial artist than when I woke up in the morning.

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    My love of fine art increased - the more of it I saw, the more of it I wanted to see.

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    My method is related to an attempt to do something that might be understood by today's world, or that could at least provide understanding. In other words, doing something I understand and that everyone understands. This natural desire for communication is also found in other domains, like reading and discourse, etc. I also hate repeating myself; it gives me no pleasure whatsoever. Once I've understood something, I need to start off on new ground.

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    My main goal, and it's a big one, is that every child has a chance to get close to music - as a right - that as they have access to food, health, and education, they get the chance to have art and culture - especially music.

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    My major was Fine Arts and Education thinking I would become an Art Teacher. I couldn't visualize myself as an art teacher, thinking how it wouldn't work.

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    My martial arts came a lot from my uncle, who actually taught martial arts through the military. He was a black belt in tae kwon do, but also, he used a lot of military-style fighting where it's not the high kicks or anything like that. It's basically defeat your opponent as fast as possible.

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    My mission is not to forbid French art. If the quality is there, I buy; if the quality isn't there, I don't.

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    My middle school experience was pretty hellish. There was a lot of negativity, a lot of bullying and a lot of insecurity. It was the reason I ended up going to my arts high school because I was pretty bullied.

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    My mom is an art teacher and is very much into the performing arts. What can I say? She is the female in my life and has guided me on how to act and conduct myself. A lot of my strength comes from her.

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    My mom is a painter, so I've been doing drawings and paintings as early as I can remember. Then there was this gap where I was doing graffiti in high school and making as much [traditional] art.

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    My Mom played violin and piano when she was growing up and she insisted, and I don't know if you can imagine how uncool it is to play the violin when you're eight and ten years old, but I told my Mom that I would quit every day until I went to high school and I met these other gentlemen who would become Yellowcard, and my friends, and I really fell in love with music and it wasn't just classical music, just submerged in the arts in the school I was in.

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    [My mother] is the greatest hero I'll ever know because she kept us all together, she made sure we all graduated college. She always believed in us no matter what we do. My older brother Joel became an art teacher; my brother Rip ultimately became a television producer and singer and actor himself.

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    My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books.

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    My mother and father were interested in the arts.

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    My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books. I've learned that the more I collaborate, like by having someone do a soundtrack to one of my books, the more I see my own work differently.

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    My mother's a genius. She just kept feeding me art on whatever we had; paper plates, silver platter, didn't matter. You know, she just kept feeding it to me. So we went to see all kinds of theater. We would go to the art museum pretty much every Sunday, and I would watch her. She let me know that art was supposed to touch.

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    My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.

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    My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.

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    My mother really didn't come from artists. Her famous quote to me was, "The only artists I've ever heard of are dead." The pottery classes were meant to be a part of my overall uplift. I knew what it meant to be sent to art classes, but I still didn't know anything about being an artist.

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    My mother was a high school arts teacher, so I was always surrounded by the arts

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    My mother was always expanding my art skills and getting me to paint different things. You always got to push some. And, I mean, I learned basic things like getting up on time, how to shop - you know, you don't touch things in a store you're not going to buy. These things were taught very young. I don't see today enough of this basic, you know, basic skill teaching.

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    My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.

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    My mother was a teacher, and when she wanted to show me art and literature and science, she'd take me to museums, parks and free exhibitions.

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    My mother would say, before I left the house, 'Remember Art, hugs are better than drugs.' And I believed my mother, I believed everything she said - until the first time I got high at a party. I leaned back, and I went, 'God, this is way better than when my Uncle Perry hugs me. What else has my mother been lying to me about?

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    My musical sensibilities were formed around punk rock, that quintessential dilution of an art that's both ugly and lovely at the same time.

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    My mother was the most creative, fantastic person and would come up with great things for us to do. She'd buy art supplies and all of us would sit around painting. I was lucky.

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    My mustrious lordship, i'll show you what a woman can do

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    My notion of art is very maximalist and souped-up: I love spectacle, overload, magic materials, magic words, incantation and litany, incarnation and possession, spilling and wounds. Art as a sacred event.

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    My objective in teaching my pupils is that they should be fitted for any kind of art.

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    My old school in Liverpool is now a performing-arts school, and I kind of teach there - I use the word lightly - but I go there and talk to students.

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    My opinion is that the best thing would be to work on till art lovers feel drawn toward it of their own accord, instead of having to praise or to explain it.

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    My overall approach toward art is to remain as open as possible in front of the world, to always be curious, not to be afraid to experiment, and have a sense of self-criticism and a general criticism toward the surrounding. Also, trying to make a difference between serious research and pure gag! And making as few compromises as possible toward doing things that might not be accepted by the majority of society, even if this dominant society is the one which is ruling the art world. To keep this fundamental idea, even if it's a bit trivial: to have the desire to transform the world.

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    My opinion of art is that a man should have love for it, because my idea is that he paints from his heart and mind.

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    My own duty as a teacher...is not so much to interpret Beethoven, Wagner, or other masters of the past, but to give what encouragement I can to the young musicians of America. I...hope that just as this nation has already surpassed so many others in marvelous inventions and feats of engineering and commerce, and has made an honorable place for itself in literature in one short century, so it must assert itself on the...art of music...To bring about this result, we must trust the very youthful enthusiasm and patriotism of this country.

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    My opponent is my teacher, my ego is my enemy.

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    My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.

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    My parents, and especially my mother, encouraged by the director of the local school which I was attending, wanted in spite of everything to send me to a National School of Arts and Crafts so that I could later become an engineer.

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    My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings.

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    My paintings are certainly nonobjective. They're just horizontal lines. There's not any hint of nature. And still everybody responds, I think.

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    My parents didn't have records, they didn't have radios, and they didn't listen to music. My grandmother was my main connection to art and music. She could play piano very well, and she had perfect pitch.

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    My painting does not come from the easel.

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    My paintings are only the ashes of my art