Best 22487 quotes in «art quotes» category

I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me－and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.

I know in the spy movies it always looks really cool when the operative goes from a maid's uniform to a slinky, sexy, ballgown in the amount of time it takes an elevator to climb three floors. Well, I don't know how it is for TV spies, but I can tell you that even with Velcro, the art of the quick change is one that must take a lot of practice (not to mention better lighting than one is likely to find in a tunnel that was once part of the underground railroad).

I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.

I know my comfort zone and I know what my strong points are and my first love was always music. I'm a huge cinema fan. I was taking my time; I got offered a lot of scripts and things along the way but until Burlesque showed up at my doorstep, it really spoke to me. I have a collection of burlesque books at home that I've had for years. I've always been intrigued and fascinated with the topic, the beauty and the art of it and the comedic value of it. I think it's just a beautiful, empowering thing for women.

I know now it's a hashtag and people have various feelings about it, but really if you look at all black art, even in hip-hop, it's all about that I exist and these are my feelings and this is what I feel about the world. It's always been an undercurrent.

I know now that everybody in the arts is forever a beginner. Experience counts for a great deal and very little. Every night onstage I feel I am starting from scratch, still not quite sure what I am doing and where I am going, thrown by the simplest thing that goes wrong.

I know my hair is out of the '60's, my clothes are '50's and the shoes I wear are from the '40's. But I like looking like I came out of a fairy tale.

I know perfectly well that only in happy instants am I lucky enough to lose myself in my work. The painter-poet feels that his true immutable essence comes from that invisible realm that offers him an image of reality....I feel that I do not exist in time, but that time exists in me. I can also realize that it is not given to me to solve the mystery of art in an absolute fashion. Nonetheless, I am almost brought to believe that I am about to get my hands on the divine.

I know people who've passed every creative writing course under the sun and who are more analytically intelligent and far better-read than I, but who just can't write either fiction or drama. It's like any art-form. In order for talent to be developed, crafted, it's got to be there in the first place.

I know street art can feel increasingly like the marketing wing of an art career, so I wanted to make some art without the price tag attached. There's no gallery show or book or film. It's pointless. Which hopefully means something.

I know that applause is food for the arts, but it ceases to be wholesome if administered indiscriminately; and the nutrition is so rich that, far from strengthening the constitution, it disturbs and enfeebles it. Stage beginners are similar to those children totally spoiled by the blind affection of their parents.

I know that one of the distinguishing things was I looked like I could hold a gun, even though I'd never held one before and I'm physically able to do the martial arts and all that stuff.

I know there are some labels that put out music for art's sake, but I don't know which ones.

I know that sounds a little bit corny, but I've found some solace in that. I hope art can continue to do that for people, I really do.

I know that the arts are important. I'm not denying that, but I can't associate myself with all the claptrap that goes on around it.

I know the community mostly for its art and culture... and of course its food, I eat at their restaurants." "They make you feel like taking off your shoes... it feels like home.

I know there's some poetry that sort of sounds like daisies, but most of the good poetry is also [political], you can feel the heartbeat; it's about some situation that concerns human beings under duress. It's suggesting a solution, or just acknowledging that [the situation] exists. Art does that.

I know thou art gone to the home of thy rest-- Then why should my soul be so sad? I know thou art gone where the weary are blest, And the mourner looks up, and is glad; I know thou hast drank of the Lethe that flows In a land where they do not forget, That sheds over memory only repose, And takes from it only regret.

I know when I watch certain actors or if I watch Thom Yorke sing on stage, I'm affected by it emotionally. I guess that's what we are all striving for in art but that's such a beautiful thing that happens between two people that may never even meet. So when you do get to meet someone who was affected in that way, it's awesome.

I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge - even wisdom. Like art.

I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes.

I learned from books that I picked up. That was something that just came out of nowhere but continued to be an attraction. So there was a continuum of my interest in the arts and involvement in creating that was strong enough that it later blossomed into much more.

I know your breed; all your fine officials debauch the younger girls who are afraid to lose their jobs: that's as old as Washington.

I learned how the brain is the softest organ we have - how soft the brain literally is and also how easily it can be manipulated. I think I will survive the whole thing, but there are lots of coincidences. For example, somehow I might have been trained to sustain stress through my life and through my art.

I learned to read when I was three, so I skipped right over picture books and didn't learn to appreciate art in books until much later.

I learned some classical music history, which I had done quite a bit at of Performing Arts. But I got some more with a great teacher named David Noon, who I've been in contact with quite a bit in recent years.

I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.

I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.

I like '50s and '60s American art. I have 85 or 90 Warhols.

I learnt a blend of different martial arts - not in great depth, obviously - but various moves such as kicks, blocks and punches. It was all quite fun.

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

I like art history and art criticism. Leo Steinberg has always been my favorite. Hes very original, very accurate and acute.

I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.

I like being connected to young people, or younger people who are trying to figure out the language of film, bringing theorists from the dawn of the art in the 20th century. There is a way you find a synthesis. You read texts by the Soviets who are discussing montage, and you have students figuring out how to put scenes together and tell stories visually. The theory becomes relevant in daily practice. It's free labor, which is pretty cool too. I think we all learn from each other and benefit from the collaborations.

I like Beyoncé because of her tenacity and strength and for giving 1000 percent to her performances, which is a lost art these days. She's cut from the cloth of some of us that really like to perform are cut from. I'm a big Beyoncé fan.

I liked books - the respite and privacy of them - books about plants and the formation of ice and the business of world wars. Whenever I sank into them I felt free.

I like art that trusts its audience, that's written for readers who like to work hard. I like art that knows its readers are up to the challenge of interacting with difficult material.

I like Betsy Ross as a model, too, the quilting bee, sitting around with your friends making art, asking what they think, so that you get the benefit of everyone's opinions and so it's not just about you in your you-dom.

I like challenge. I like to be put into a situation which I haven't done before. Something new presents itself and I see if I can somehow finagle it into making a work of art out of it.

I like charcoal drawing a lot. I'm not very good, but I always find myself buying canvases and paints whenever I'm on location, because I always have this ambition to fill the hotel room I'm in and turn it into an art studio.

I like cinematic art that doesn't have to include violence as the main meat of emotion. Now, excellence in cinema is based on murder, guns. Tarantino bores me. Even though he is very appealing and very facile about putting elements of pop culture into his work. But it kinds of dates it, right?

I like connecting with people, and that's what good art is, a point of connection. There's nothing better, on stage or on film, than feeling like you've achieved that.

I liked English and art and did a lot of painting. And for some reason I was good at math, but I wasn't an A student. I really had to work hard to get good grades.

I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters.

I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because 'you aren't going to make a living doing that.' I liked looking in art books at the work of painters.

I like dressing how I like to dress, and I look like a little art statement.

I liked your opera. I think I will set it to music.

I like doing arts and crafts, so I would probably go to one of those fun little ceramic places and go paint some plates and do something fun like that

I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.

I liked museums but I wanted to be a dancer, I wanted to go into performing arts, or be a writer.