Best 22487 quotes in «art quotes» category

I was the toast of two continents: Greenland and Australia.

I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.

I was the least Pop of all the Pop artists.

I was told I was talented when I applied to Falmouth School of Art and that I should consider skipping the course and proceeding directly to degree level.

I was trying to release emotions, exercise emotions, and then I entered the art world. Even after grad school, some of [the earlier works] were still lingering in my head. I realized there were some pieces where I felt that I had to respond to the criticism.

I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.

I was very prejudiced when I started arts school. I, like all of those kids, was like, "I don't like this modern stuff." I came to arts school with a very stupid, conservative set of ideas about art.

I was very sickly as a kid and had a lot of allergies, so martial arts gave me the chance to feel strong.

I was working in the gap where Martin Luther King, Jr. quoted communism and Warhol appropriated the protest image and named it riot, which is precisely what King didn't want his cause to be associated with. But that was the very thing that made it sexy to the art world. So I played between the two associations.

I went away to this summer program after my junior year of high school. They used to have this thing called the Governor's School, and they had it for different disciplines - science, math, performing arts. I auditioned and I got accepted, and it was an eight-week program away from home. I went for acting. I was 15, and I turned 16 while I was there, so that was a seminal moment for me. It made me realize the life of it, the discipline of it, and the joy of that discipline, where it was all we did.

I went back to my mother's house recently and I saw some of my earlier works as a 15-year-old art student. And a lot of them were reiterations of classic works.

I went back to the Art Institute, then spent the summer at the Ox-Bow School in Saugatuck, Michigan. That's what really awakened me. I made a lot of oil paintings and my first performance.

I went through two schools of acting but I learned more about acting from meditating and from my marshall arts teacher.

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement.

I went to an art school in Brooklyn and painted Fine Art, if thats what youd call it for eight years in New York, until I saw the first underground comics in the East Village Other.

I went out into the world when I was about 22. I wrote books and I illustrated books and did book covers, and I taught tap-dancing, and I was a model in the art school. I had no ability for any of those things, but what else could I do?

I went to an art high school in Washington D.C., and I majored in visual art. When I started there, I was horrible - couldn't draw, couldn't sketch, couldn't do anything. I remember at one point I came to terms with the fact that I had to work my ass off to do well and that's exactly what I did. I drew and drew and drew, and it worked - I ended up getting the award for best artist and went on to apply to design school because I loved it so much. I think it really speaks to the idea that you can in fact excel at whatever you put your mind and your heart to.

I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals... or has just given me nightmares!

I went to art school and never thought I'd be a musician, but then punk rock came along in the late 70s and kind of ruined my life. So I quit art school to get involved in music and I've been doing it ever since.

I went to art school, but I didn't last because in those days you couldn't take comics as a course. And they weren't even teaching you to draw real things, they were really into abstracts, and I was not into abstracts, so art school and I did not work out.

I went to art school, I think it helped me a great deal because it taught me who I am.

I went to a theater arts school, so I'm interested in many different projects, whether it be film, television or even live theater. I'm a performer. That's what I do. That's what I want to do.

I went into directing having observed and learned from the best. There was a certain standard of procedure. I found that I was equal to it. I thoroughly enjoyed directing, I liked it a lot. It's very satisfactory to see that you can do it. The art takes care of itself.

I went to a private school in Singapore and they had an incredible arts program. Every day I was doing something artistic.

I went to art high school and thought I'd be a painter. Unfortunately I didn't finish high school, but that's always been part of my work.

I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.

I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.

I went into the business for the money, and the art grew out of it. If people are disillusioned by that remark, I can't help it. It's the truth.

I went to a Canadian college for performing arts and then I auditioned for Canadian Idol. That honestly was my golden ticket.

I went to a little liberal-arts college in Missouri called Truman State University.

I went to a performance-art high school, and a teacher there was signing me up for open-mic nights at the comedy club. I think about it now, and I think, 'Well, that may be inappropriate,' but it was great!'

I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.

I went to art school when I was little.

I went to a school in N.Y. that is conceptual and interdisciplinary and modeled after Cal Arts. It is not just painting or sculpture; it was everything mixed together.

I went to a performing arts high school, we learned Shakespeare, I did 'Fences.' When you train, you can do anything.

I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.

I went to art school for about a year. I was born and raised in the Willamette Valley in Oregon into a middle-class family who didn't have the funds to say, "Here, kid. Here's your money for school." So I worked real hard during the summer and saved money and was able to go to school for a year and borrowed a little money which I paid back after that first year.

I went to art school when I was little. I took ballet lessons. I played a little kick ball. I was sort of into everything because I had too much energy and I didn't know where to put it. When I was a preteen, I got into singing, and became really obsessed with it.

I went to art school actually when I was sixteen years old.

I went to art school and interned at DC, and then did the band. When that stuff comes up, you've gotta embrace it and run with it for as long as you can, and I did. I did that for as long as I felt I could.

I went to art school, and that's how I got the internship, and then I started a band. But I always missed comics, I always wanted to do them.

I went to art school in Chicago for a year at Columbia College. I had this whole master plan of getting into sustainable development and green architecture and construction, so I wanted to go to business school and then get my masters in construction and development.

I went to Berlin for a year and a half, and that's where I learned about culture and art and everything. Before that, I lived in total absence of culture. I come from a house where there was nothing like reading or art.

I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.

I went to the High School for Performing Arts, and to Howard University on a talent scholarship.

I went to Cal Arts and AFI, and I worked on 'Bonfire Of The Vanities.' I got this grant from the Academy to be Brian De Palma's apprentice director. And it was such a harrowing, disillusioning, awful experience.

I went to college as a theater major. But after about three weeks of that, I changed to the school of fine arts as a painter.

I went to college to be a jock and to play on the baseball team. And then, I got cut and realized that that was it for that. I was really small. The other guys were really big, on that team. I was a bit of a theater nerd, and I was an art history major.

I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.

I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.