Best 22487 quotes in «art quotes» category

The fabliau, then, is a short story that is a tall story. It combines a burly blurting of dirty words with a reveling in humiliations that are good unclean fun. A popular venture that is keen to paste—épater—everybody (not just the bourgeoisie), it is the art of the single entendre. Highly staged low life, it guffaws at the pious, the prudish, and the priggish. High cockalorum versus high decorum…. The introduction here, like the translator’s note, tells well the story of the comic tales, anonymous for the most part, usually two or three hundred lines long, of which about 160 exist.

The fact is that even art is subject to fashion.

The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.

The fact that creative powers come from an area of the mind that seems to be independent of the conscious will, and often emerge with a good deal of emotional disturbance in their wake, provides the chief analogy between prophecy and the arts... Some people pursue wholeness and integration, others get smashed up, and fragments are rescued from the smash of an intensity that the wholeness and integration people do not reach.

The fact is that the learning process goes on, and so long as the voices are not stilled and the singers go on singing some of it gets through.

The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.

The fact that cartoons are reproduced doesn't mean anything to me as far as whether they are "real art" or not.

The fact that the work is affirmed by the Museum of Contemporary Art I think sends continued signals that this is worth paying attention to, looking at, and understanding.

The fact that I'm a woman is as important to my work as a poet as the fact that Ahmad Shāmlu was a man was important to his work as a poet. Basically, gender shouldn't be viewed as an advantage in art. If a poem or a piece of writing is good, what difference does it make whether it's by a woman or a man? And, if it's bad, why should its writer's gender make it good?

The faculty of art is to change events; the faculty of science is to foresee them. The phenomena with which we deal are controlled by art; they are predicted by science.

The fact that there are so many weak, poor and boring stories and novels written and published in America has been ascribed by our rebels to the horrible squareness of our institutions, the idiocy of power, the debasement of sexual instincts, and the failure of writers to be alienated enough. The poems and novels of these same rebellious spirits, and their theoretical statements, are grimy and gritty and very boring too, besides being nonsensical, and it is evident by now that polymorphous sexuality and vehement declarations of alienation are not going to produce great works of art either.

The fairest thing we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. It is the source of all true art and science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle.

The family was an art ... and the dinner table was the place it found expression.

The feat of superbly imitating a muscle, as Michelangelo did, or a face, as Raphael did, created neither progress nor a hierarchy in art. Because these artists of the sixteenth century imitated human forms, they were not superior to the artists of the high periods of Egyptian, Chaldean, Indochinese, Roman, and Gothic art who interpreted and stylized form but did not imitate it.

The fate of our times is characterized by rationalization and intellectualization and, above all, by the 'disenchantment of the world.' Precisely the ultimate and most sublime values have retreated from public life either into the transcendental realm of mystic life or into the brotherliness of direct and personal human relations. It is not accidental that our greatest art is intimate and not monumental.

The fear of loss is an engine of horrors, but also a source of the greatest forms of heroism. There's not a lot of art that puts that in bold letters. It's psychologically very interesting and acute, I think. That's not the central reading, I think, of the New Testament.

The fear thou art in, Sancho," said Don Quixote, "prevents thee from seeing or hearing correctly, for one of the effects of fear is to derange the senses and make things appear different from what they are; if thou art in such fear, withdraw to one side and leave me to myself, for alone I suffice to bring victory to that side to which I shall give my aid;" and so saying he gave Rocinante the spur, and putting the lance in rest, shot down the slope like a thunderbolt.

The female body has always been a construction. Even feminist art of the 1970s fashioned a body in accordance with its own ideas, and in this regard it was a form of manipulation too. Subsequently, we've had to engage with a lot of things that we used to disavow as manipulation. We can't just dismiss everything as manipulations anymore, since the alternatives are constructions, too. From our perspective, from this corner of the planet, we have to admit that it's all constructed. There is absolutely no nature. Nature is one of the biggest constructions.

The fiction is like the art, in making stuff out of nothing, in creating a hyper-reality to have an experience. If it's strong enough, and your spell is strong enough, then you become, like, ultra-magnetic and then everything comes to you.

The field of action of a photograph should be that chessboard of the heart and mind upon which poetry and art have always operated

The films of Warhol, when they are about anything are about sucking people off. This can be high art, to people who are interested in sucking people off. But that will not liberate Black people.

The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man.

The fine art of preparing sushi is something that you watch and learn.

The fine-art world knows very little about the cartoon world.

The finest works of art are those in which there is the least matter. The closer expression comes to thought, the more the word clings to the idea and disappears, the more beautiful the work of art.

The first art in caves were really psychedelic experiences, and the reason that they were is because the tribal encyclopedia, the amount of information that people needed to know in order to move to a new way of life, suddenly increased over that period of time.

The fine art of executive decision consists in not deciding questions that are not now pertinent, in not deciding prematurely, in not making decision that cannot be made effective, and in not making decisions that others should make.

The fine arts are five in number, namely: painting, sculpture, poetry, music, and architecture, the principal branch of the latter being pastry.

The finest works of art are precious, among other reasons, because they make it possible for us to know, if only imperfectly and for a little while, what it actually feels like to think subtly and feel nobly.

The first assumption of an art critic is that the artist meant to paint something else.

The final test of a work of art is not whether it has beauty, but whether it has power.

The fine arts once divorcing themselves from truth are quite certain to fall mad, if they do not die.

The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design.

The final purpose of art is to intensify, even, if necessary, to exacerbate, the moral consciousness of people.

The final, unfinished fugue from The Art of Fugue is the greatest piece of music ever composed.

The fine arts, both in those who cultivate and those only who admire them, open and expand the mind to great ideas. They inspire liberal feelings, create a harmony of temper, favorable to a sense of justice and a habit of moderation in our social intercourse.

The fine arts thing at college was always too much for me to think about. What I was more involved in was being successful at arts school.

The finest productions of human art are immensely short of the meanest work of Nature. The nicest artist cannot make a feather or the leaf of a tree.

The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art

The first book ever written in an alphabet was the Hebrew Bible or the Old Testament. And the most important passage was the Ten Commandments. The first commandment is the most revolutionary sentence ever written. It states: "I am the Lord thy God there is no other." The second prohibits us from making images. Thus, there is a profound rejection of any goddess influence and a ban of representative art.

The first impression of a work of art is its otherness from reality.

The first move toward the determination of the direction of my art was the fortunate invention of plans for Blok’s wonder The Puppet Show.

The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known.

The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions.

The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward choose for more particular application. The power of drawing, modeling, and using colors, is very properly called the language of the art.

The first drugs I ever took, I was still at art school, with the group - we all took it together - was Benzedrine from the inside of an inhaler.

The first hole made through a piece of stone is a revelation.

The first idea, the first art piece I ever did, was when I was four. I cut the seed of a pear in half and the seed of an apple in half in put those two halves together and planted the seed, hoping a very strange tree might grow. And I never stopped.

The first merit of pictures is the effect which they can produce upon the mind; — and the first step of a sensible man should be to receive involuntary effects from them. Pleasure and inspiration first, analysis afterward.

The first essential to success in the art you practice is respect for the art itself.