Best 22487 quotes in «art quotes» category

I wouldn't give five cents for all the art in the world.

I wouldn't recommend it, because art school is a funny business. Yes, if you can find a situation where they'll give you money to live at the school and do whatever you want and pay for all your materials, if you're a painter or maybe a filmmaker, do it. But acting should be the most fun thing in the world; you're surrounded by other people who are as obsessed with Anton Chekhov as you are.

I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.

I wouldn't mind turning into a vermilion goldfish.

I wouldnt want to be remembered as the guy who contaminated a perfectly legitimate form of protest art with money and celebrities.

I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman.

I would prefer to have one comfortable room well stocked with books to all you could give me in the way of decoration which the highest art could supply.

I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.

I would rather live in Russia on black bread and vodka than in the United States at the best hotels. America knows nothing of food, love or art.

I wouldn't say the purpose of making art is to enjoy it necessarily. For me, it happens to be the thing I enjoy the most. I don't even know what the purpose of art is really, I just know that is something that makes me feel satisfied in a way that other things don't. That's all I know, that's why I like to write songs and films or draw. I just like to make things and somehow I find it gives me a feeling of satisfaction that I can't find in other areas of my life.

I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.

I would say if you are familiar with our history and the history of our art and literature that you see a clear cut pattern of people wanting to contribute, not only artistically, but in some practical purpose, for the benefits of the community.

I would rather instill in my amateur students love, than knowledge, of music.  Left with only knowledge, they will at the end close their books and consign the course to forgetfulness.  But if they have learned to love but the smallest part of the art, they are likely to pursue some phase of it the rest of their lives.

I would really hope this would make people see the short story as an important art, not just something you played around with until you got a novel.

I would say being deeply involved in the art world would help keep a young artist on track. Doing what you love, so that your focus is your artistry.

I would sooner look for figs on thistles than for the higher attributes of art from one whose ruling motive... is money.

I would trade many an art-film classic for the final exchange between Redford and Streisand in front of the Plaza.

I wound up studying art and design, got a job at Lonely Planet Publications as a designer, cartographer and illustrator.

I would that our farmers when they cut down a forest felt some of that awe which the old Romans did when they came to thin, or letin the light to, a consecrated grove (lucum conlucare), that is, would believe that it is sacred to some god. The Roman made an expiatory offering, and prayed, Whatever god or goddess thou art to whom this grove is sacred, be propitious to me, my family, and children, etc.

I would wake up at night and think, 'What the hell have I gotten myself into? You don't want to do that!' But you gotta do something, and with art, there's freedom - which is actually very seldom practiced by artists.

I write because I write - as anyone in the arts does. You're a painter because you feel you have no choice but to paint. You're a writer because this is what you do.

I write about what I know: sex, pornography, art, fame obsession, drugs, and alcohol. I mean, why would anyone care to listen to me if I wasn't an expert in what I write about?

I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.

I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.

I wrote on my desk wall when I was writing the film...'Art is socialism, but life is capitalism.' That's the hard thing in all of it if you expect to make a living.

I write songs by sitting around in bars, so drinking songs are a little obvious. It's surprising that I don't write entirely drinking songs, since I am, in fact, drinking while writing the song. Drinking and love are the two principal sources of pleasure outside of music. There's only so many sources of pleasure, really. That's about it. Well, there are other arts as well. But none of them are as pleasurable as music, on a physical level.

I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.

I wrote in the War of Art that I could divide my life neatly into two parts: before turning pro and after. After is better.

I wrote 'The Art of the Deal' and numerous other books. Some were number one best-sellers. I guess 'The Art of the Deal' is the best-selling business book of all time.

Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.

Jackass millionaires, hey, hey, Hollywood, here we come.

Jackie Chan, Jet Li and Bruce Lee are my masters; they're the inspiration for my work. Bruce Lee was a heavy fighter who threw hard punches. Jackie moves very fast and uses a lot of comedy, and Jet Li is very fluid. I've tried to combine all of their styles and added some things of my own.

I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.

Jackie Chan is a very good comedy/martial arts star. He does one kind of martial arts that Jet Li doesn't know how to do and Jet Li does a martial art that Jackie Chan doesn't know how to do. You can both go to two Chinese restaurants, but both can have different kinds of food.

Jack Sturtzer, one of my cousins, had gone to art school and suggested that I might be interested in a private school called the Art Institute of Buffalo, and in fact that is what happened. So upon graduation in 1948, I then went to stay with my cousins on Seventeenth Street and enrolled in the program at the Art Institute on Elmwood Avenue.

Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it.

Jake was close to tears. In that moment he saw the world in its true light, as a place where nothing had ever been any good and nothing of significance done: no art worth a second look, no philosophy of the slightest appositeness, no law but served the state, no history that gave an inkling of how it had been and what had happened. And no love, only egotism, infatuation and lust.

Jazz is for joy. It's for euphoria, it's for emotion, and anguish, and excitement, and all of the joys that great art can produce, and if it loses that, then it's lost everything.

Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art.

Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.

Jazz can be a blank canvas full of possibilities.

Jazz is an art form that depends on its antecedents, there must be respect for the people that have gone before.

Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.

Japanimation is a whole different art form.

Jazz comes from our way of life, and because it's our national art form, it helps us to understand who we are.

Jazz is one of the least learnable art forms.

Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.

Jazz is about the only form of art existing today in which there is freedom of the individual without the loss of group contact.

[Jazz] is a music of freedom and wonder. It's our indigenous art form, and I'm still blessed to travel around the world and people lay out the carpet for us, so it's quite touching.

Jazz is part folk art, part progressive art.