Best 22487 quotes in «art quotes» category

I'm discovering there are innumerable ways to package, promote and sell my humor, as long as I reserve a little for myself to keep bouncing back and laughing off the rejections that are also part of the art of cartooning.

I'm doing an introduction for one of Ralph's [Steadman] books. He's doing something called Gonzo, the Art I think he's stealing from me. I like Steadman and his coattail abilities. Ralph is better at business than I am. He has always managed to get free whiskey.

I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.

I mean, if this [film Age of Trump] wasn't on Netflix, it would be playing at some lovely art house theater on the West Side once or twice or for a week or maybe two weeks if I was lucky and then it would go away, and I'd be lucky if I could sell the DVDs off my website.

I mean, art for art's sake is ridiculous. Art is for the sake of one's needs.

I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.

I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.

I mean, the idea that it might help somebody out or help somebody make the decision to become a stewardess or otherwise... No, that's one of the nice things about making music or making movies, is that art does have the power to affect people. I feel really privileged to be a part of that.

I mean, people listen to music, and they like that, but I think in England, a lot of people don't like contemporary art.

I mean when you go to a network and say, "We want to make a martial arts series in the future." And give them the pitch. And by the way, the only way to achieve the authentic Hong Kong martial arts we need a full-time fight team unit working concurrently, and we're hiring a Chinese fight team from Hong Kong. And they were like, "Great, let's go.

I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.

I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.

I merely say that all reading for pleasure is escape, whether it be Greek, mathematics, astronomy, Benedetto Croce, or The Diary of the Forgotten Man. To say otherwise is to be an intellectual snob, and a juvenile at the art of living.

I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.

I met my wife Anne who was a sociology student, and her influence together with activities associated with the student movement of the time opened up my interests amongst other things into the theatre, art, music, politics and philosophy.

I merely took the energy it takes to pout and wrote some blues.

I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.

I'm especially interested in what I call practitioner criticism, which is when people who practice an art form start writing about it on blogs. I think that's an immensely important development. I want to see much, much more of that. People who make music who are verbally articulate. And not all musicians are verbally articulate. But those who are should be encouraged to write about what they do and their perception of what other people do. It makes the discourse smarter.

I'm enough of an anarchist aesthetically, when it comes to art - I want people to be reading my stuff voluntarily. They should be doing it because they want to.

I met Keith Haring at SVA college where he was having an art show, later we had a group art show at the Mud Club in NYC. Keith owed me $50, so he gave me a large framed canvas with barking dogs that had large dicks. I painted over Keith's painting to paint flowers for my mom's living room.

I met Mary [Hamill] in New York at my exhibition and when I told her about my oral history project she asked, "Would it be possible to incorporate visual art?" My sister stitches pillowcases, which led to Mary suggesting using cyanotype on them. I originally thought of the idea of pillowcases because when people get married, they have the bride and the groom lay their hands on each other's pillows while their relatives tie ribbons on their wrists. And then on the bed you usually have two pillows - one for yourself and one for your loved one - so when one is gone, one pillow remains.

I'm extremely profane, unconsciously so, when I see something great for the first time; I don't know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty...it might just be the reason I avoid going to museums with elderly ladies.

I'm fascinated by how Hollywood has changed since I started. Today it's about immediate delivery. There's less risk and less art.

I'm fascinated with video games, though I can't really play them. It's definitely an art form that intrigues me to no end, though.

I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.

I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.

I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.

I'm for turning off the tube and turning down the light, cause I'm for nothing else but me and you tonight.

I'm glad I am crazy, it keeps me trying. I despise trendies, I know they're lying.

I'm fully aware had I stayed with my art, I would be well known, respected and most likely rich.

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.

I'm glad I made a piece of art that can be interpreted so widely. Art is always interpreted subjectively

I'm going to put a museum on my ranch and people keep saying, "That's a huge idea." Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.

I'm going to just sit down for a couple of weeks and do nothing but read who-dunnits and Art books. I feel my work is getting a bit dull and mechanical and this proposed resting should work up some enthusiasm in me.

I'm happy that the evolution of art in the past 25 years, and the place of art in global culture-and even finance-has gotten to be so important. One thing I'm really proud of is the fact that now anybody can do anything. The work can be small or large, painting or sculpture, whatever it might be-it's all viable, and it can come from any part of the world. So the idea of democracy has really taken hold.

I'm happy to be a writer - of prose, poetry, every kind of writing. Every person in the world who isn't a recluse, hermit or mute uses words. I know of no other art form that we always use.

I'm in favor of an art that does something other than just sit on its ass in a museum.

I'm inspired by good work. Whether it is a great performance by another actor, a piece of art, or someone doing something altruistic.

I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.

I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.

I'm inspired by everything, really. I'm inspired by locations and travel, I'm inspired by art and music, I'm inspired by people. When my curiosity peaks and I want to know everything about the subject, I want to know how I can get more deeply involved.

Im inspired by throwing out any darkness that is inside of me. For me, art cures.

I'm in show business. I believe in illusion and delusions and in holding aloft the bubble of a dream of some sort because, really, there are lots of reasons to look at the chasm. But art and music, these ineffables, they're just - they're the consolations of what human beings can create and make, and delight is accessible, you know, should you care to find it.

I'm in a real minority as far as having really supportive parents in regards to the arts. They never batted an eye as far as not letting me do that stuff. That's invaluable. I can't believe how unabashedly supportive they were about everything, between music and acting.

I'm inspired by anything. Not even just art, just anything that's real and vulnerable.

I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.

I'm interested in how artists and writers do this, using art as therapy. Escaping into the worlds we create. We're all victims and few of us are truly free.

Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.

I'm interested in the limits of personality, in the possibility of change, and the saving power of art. Do powerful works of art raise our consciousness to such a degree that we refrain from sliding into moral hazard? Do we take note? Or are we doomed to repetition?

I’m interested in using the iconography of nature and the American landscape as surrogates or metaphors for psychological anxiety, fear or desire