Best 22487 quotes in «art quotes» category

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    And in a picture I want to say something comforting, as music is comforting.

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    And I think that's why I was going to be a musician. I was very rebellious. And I didn't want to be an actor. My father used to say to me you should be an actor if you want to be in the arts.

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    And I think that's a singer's job. You know, to really interpret a lyric. There's an art to it, and I think some people are really great at it, like Tammy Wynette and George Jones and Tony Bennett.

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    And I've always worked on the principle that if it interests me enough to write about it, then it must interest a lot of other people.

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    And it has been sarcastically said, that there is a wide difference between a good physician and a bad one, but a small difference between a good physician and no physician at all; by which it is meant to insinuate, that the mischievous officiousness of art does commonly more than counterbalance any benefit derivable from it.

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    And it's possible to monetize your art without compromising the integrity of it for commerce.

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    And let no one suppose that I claim that just living can be taught for, in a word, I hold that there does not exist an art of the kind which can implant sobriety and justice into depraved natures.  Nevertheless, I do think that the study of political discourse can help more than any other thing to stimulate and form such qualities of character

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    And no one shall work for money, and no one shall work for fame, But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They are!

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    And now that thou art lying, my dear old Carian guest, A handful of grey ashes, long, long ago at rest, Still are thy pleasant voices, thy nightingales awake; For Death, he taketh all away, but them he cannot take.

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    And now too late, we see these things are one: The art is sacrifice and self-control And who loves beauty must be stern of soul.

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    And now it seems she's on my wavelength. That's all I need. My mind isn't much of a comfort to me but at least I thought it was private.

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    And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.

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    And really the purpose of art - for me, fiction - is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have.

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    André Bazin wrote that art emerged from our desire to counter the passage of time and the inevitable decay it brings. But in “Boyhood,” Mr. Linklater's masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn't fighting time but embracing it in all its glorious and agonizingly fleeting beauty.

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    And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.

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    And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art. . .

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    And one of the things I noticed pretty early on in art school was that my classmates had no notion of an audience. Right? I mean, growing up with the mother that I did, I learned that when you walk into the dry cleaners, there's an audience waiting for you. You know, maybe it's just the person behind the counter.

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    ... and over that side of the island all their sacred men were at work trying to kill me by their (magical) arts. Messengers arrived from every quarter of the island, inquiring anxiously about my health, and wondering if I was not feeling sick.

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    And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.

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    And so while dreams are the individual man's play with reality, the sculptor's art is (in a broader sense) the play with dreams.

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    And so matching by itself is incapable of creating an art of reckoning. Without our ability to arrange things in ordered succession little progress could have been made. Correspondence and succession, the two principles that permeate all mathematics - nay, all realms of exact thought - are woven into the very fabric of our number system.

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    And that's what art is, a form in which people can reflect on who we are as human beings and come to some understanding of this journey we are on.

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    And the art was in every corner and wall... a Mural of the Century of Progress in Colombia South America is rich in detail, painted by a student of the Fine Arts Academy of Chicago named Santiago Martinez; a name to remember.

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    And the glory of character is in affronting the horrors of depravity to draw thence new nobilities of power: as Art lives and thrills in new use and combining of contrasts, and mining into the dark evermore for blacker pits of night.

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    And luckily, therefore the good old days return. The traditional art of driving counts again, and it is all about good tactics, skills and reflexes instead of simple power.

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    And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.

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    And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.

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    And then the work bears a strong sense of leave-taking for me personally. It ends the work I began in the 1960s (paintings from black-and-white photographs), with a compressed summation that precludes any possible continuation. And so it is a leave-taking from thoughts and feelings of my own on a very basic level. Not that this is a deliberate act, of course; it is a quasi-automatic sequence of disintegration and reformation which I can perceive, as always, only in retrospect.

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    And then before going back for my sophomore year, I decided to change my major to arts and sciences, and my dad cut a deal with me: He said if I'd quit school he'd pay my rent for the next three years, as if I were in school.

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    And then we moved to New Jersey and I went to the Art Students League.

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    And so long as they were at war, their power was preserved, but when they had attained empire they fell, for of the arts of peace they knew nothing, and had never engaged in any employment higher than war.

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    And this is the origin of pop music: it's a professional music which draws upon both folk music and fine arts music as well.

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    And therefore those skilled in war bring the enemy to the field of battle and are not brought there by him.

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    And the thing that I always tried to do with important singers when I met them was to sit down and record everything they knew, give them a first real run-through of their art.

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    And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object.

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    And the prince who has relied solely on their words, without making other preparations, is ruined, for the friendship which is gained by purchase and not through grandeur and nobility of spirit is merited but is not secured, and at times is not to be had.

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    And the first rude sketch that the world had seen was joy to his mighty heart, till the Devil whispered behind the leaves 'It's pretty, but is it Art?'

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    And treating poetry as a performing art emphasizes its ephemerality. A printed poem can be endlessly reprinted, photocopied, scanned, uploaded, cut and pasted - but a performance, even if somebody's there with a video camera, is one time only: the audience experiences something that won't exist when the performance is over, and which won't ever be reproduced in exactly the same form. I find that appealing.

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    And thou art terrible--the tear, The groan, the knell, the pall, the bier; And all we know, or dream, or fear Of agony, are thine.

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    And when thou art weary I'll find thee a bed, Of mosses and flowers to pillow thy head.

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    And what more could I possibly ask as an artist than that your most precious visions, however rare, assume sometimes the forms of my images.

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    And what is 'art'? - a firestorm rushing through Time, arising from no visible source and conforming to no principles of logic or causality.

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    And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.

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    And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.

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    And though the philosopher may live remote from business, the genius of philosophy, if carefully cultivated by several, must gradually diffuse itself throughout the whole society, and bestow a similar correctness on every art and calling.

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    And what art thou, thou idol Ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers?

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    And what we can see if we look deep within is that the authentic self is the Soul made visible. Do not try to remake yourself into something you're not. Just try making the best of what God made. The sacred art and craft of nurturing our souls and the souls of those we love is Simple Abundance soulcraft. Begin today by turning on the Light.

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    And when neither their property nor honour is touched, the majority of men live content, and he has only to contend with the ambition of a few, whom he can curb with ease in many ways.

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    And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is gift and a privilege, not a right. We must earn life once it has been awarded us. Life asks for rewards back because it has favored us with animation. So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.

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    And when he is obliged to take the life of any one, to do so when there is a proper justification and manifest reason for it; but above all he must abstain from taking the property of others, for men forget more easily the death of their father than the loss of their patrimony.