Best 22487 quotes in «art quotes» category

I will be patient, kind, faithful and true To a man who loves music a man who loves art Respect's the spirit world and thinks with his heart

I will never permit myself to give in to American taste and lower the standards of art.

I will live in thy heart, die in thy lap, and be buried in thy eyes—and moreover, I will go with thee to thy uncle’s.

I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classics - and artistic integrity is unsurpassed.

I will end up with someone in the arts. I am positive. I eat, breathe and sleep acting. And I'll end up with someone who is happy staying at home and having me cook supper. But I also really need to be intellectually challenged and stimulated. I want someone bookish, and someone who is passionate.

I will have no man work for me who has not the capacity to become a partner.

I will never forget experiencing Venice for the first time. It feels like you are transported to another time - the art, music, food and pure romance in the air is like no other place.

I will use treatment to help the sick according to my ability and judgment, but never with a view to injury and wrongdoing. Neither will I administer a poison to anybody when asked to do so, nor will I suggest such a course. Similarly, I will not give to a woman a pessary to cause abortion. I will keep pure and holy both my life and my art.

I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.

I wish I was better at art. I love some of the great artists of the 19th century and, compared to them, I just feel I lack this technique that they had. They have so much skill.

I wish people would understand that comedy is an art form, and that the same thing that makes a Picasso painting is the same thing that gives Bill Cosby the ability to do an hour of comedy on his kids.

I wish that the arts were better supported, and you can't say that enough times, but I also believe that whatever happens, artists will keep going.

I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year. It's just too much. And at the end of the day, if you're a dealer and a professional, fine, that's your business, that's all you do. But as an individual, if you're not a dealer and it's not your business, you need time for these things. You need time to study what's happening. You need time to understand the market. You need time to go to a museum. You need time to see a show. You can't go to one every day. It's becoming a trend.

I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.

I wish to be of service to the artists of our own day, by showing them how a small beginning leads to the highest elevation, and how from so noble a situation it is possible to fall to utmost ruin, and consequently, how these arts resemble nature as shown in our human bodies.

I wish to lead a life free from care, and I see that I shall be unhappy if I cannot always work at my art.

I wish to share and pass down some of my generation's traits, and encourage young people to create their own art, music, and literature.

I wish you to be persuaded that success in your art depends almost entirely on your own industry; but the industry which I principally recommend is not the industry of the hands, but of the mind.

I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are.

I wonder what art is about and I'm not sure that what I do is art because I'm a photographer, not an artist. But whatever you do, the secret is to do what you think you ought to do, and do the hell out of it.

I wonder who I left behind on the other side of fame.

I wonder if real art comes when you build the thing that they don't have a prize for yet.

I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.

I wore one of my Tanguy earrings and one made by Calder in order to show my impartiality between Surrealist and Abstract Art.

I wonder whether there is such a thing as critical art. I suppose there are portraits of people who could destroy you.

I wonder whether art has a higher function than to make me feel, appreciate, and enjoy natural objects for their art value?

I won't forget those kind of things, but I just want to write them down and look at them. It's almost like when things like music come out and you're listening to a song and you have experiences with art or phenomena that supersede your simple relationship with them as just a piece of art. They're more than that. That's just what those quote are for me. They're big, they're important.

I work as diligently on my canvases as the laborers do in their fields.

I work in the field of art, and you know how during a period of Marxist ideology, fewer people are inclined to believe in the power of the culture as a whole: they believe in the revolutionary potential of economics, class struggle theory.. ..Therefore it's time to show that art means the power of creativity, and it's time to define art in a larger way, to include science and religion too..(1973

I worked in an art gallery for a few years, doing administrative assistance stuff, and it exposed me to what the whole world of art dealers and the art market was about.

I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.

I worked my way through art school as an auto mechanic, doing various stuff including sanding bodywork and using Bondo filler.

I work out two, two and a half hours a day. For 'Immortals,' it was body-weight stuff: crunches, pullups, and martial arts-based cardio.

I would be nowhere without martial arts. It's a passion.

I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.

I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.

I would be willing to do almost anything to make Art happy. I care about our friendship. The only thing I won't do is change the essence of my work.

I would confide to you perhaps my secret profession of faith - which is ... which is ... that let us say and do what we please and can ... there is a natural inferiority of mind in women - of the intellect ... not by any means, of the moral nature - and that the history of Art and of genius testifies to this fact openly.

I would describe myself as a writer and a student of media. If there's a central idea in media theory, it's to take media as form. It might grow out of philosophical aesthetics or the study of literature and visual art, but the various strands of media theory converge in treating all of those as subsets of the study of media as form.

I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.

I would have artists be convinced that the supreme skill and art in painting consists in knowing how to use black and white... because it is light and shade that make objects appear in relief.

I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. The baroque is the final stage in all art, when art flaunts and squanders its resources.

I would have liked maybe to be in architecture or painting, something connected to the fine arts.

I would like the whole world to be full with authentic art, throbbing with it, living with it, because that is the only way: through authentic art, real art, you transcend it. If the music is real, soon you will move into meditation, because the music will only give you a little glimpse of meditation, nothing more.

I would like to apologize to Brock Lesnar, his family, the UFC and the UFC fans for my stupid remarks. I respect Brock, all the other fighters, and the sport of mixed martial arts. I’m sorry that I stepped out of line.

I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.

I would like my art to be about the possibility that each of us has to realize our connectedness with this great Spirit, whatever you want to name it, our inherent Buddha nature, Christ consciousness, primordial reality, the ground of being, God. Whether you want to go for a personal or impersonal perception of Spirit, is up to the individual.

I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.

I would like the people that buy my clothes to understand that for me it’s one small piece of art.

I would like to assure those who would serve Daridranarayana that there is music, art, economy and joy in the spinning wheel.