Best 1629 quotes in «suicide quotes» category

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    I want him to live if HE wants to live. If he doesn't, then by forcing him to carry on, you, me..... we become just another shitty bunch of people taking away his choices.

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    I want to commit suicide but am afraid someone will think I am crazy.

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    I want to feel the rush of death, the high of utter nothingness, the fragility of my own mortality. Let it slip through my fingers like sand and when it's gone for good, I'll be none the wiser.

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    I want to die because I love you. I don't want to die because I love you.

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    I want to say that yes, it was worth it; that I could suffer through pain and torture for her and go through a lot more than what Puck and his friends are capable of, and I can do it for all of eternity; suffer, until she realizes how much I love her. But she’s gone before I can say any of it. I wait till she’s left. And then I reach for my wallet. Hidden inside one of the flaps is a piece of paper that barely conceals a razorblade. Its frayed edges still have my blood on them. The blood is from the previous cuts I’ve made and I carry it around like a trophy, like Dexter carries around his victims’ blood on slides. I use that blade to give myself a cut and it starts bleeding. Right away, it feels as though the pressure that has been building inside me ever since that confrontation with Puck is lifted. I feel free again.

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    I want to live. Doesn't everyone feel the same way?

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    I was not right to want to die. I didn't want to leave my family. I liked my mind and its potential. I knew the type of burden I was. I was like my mother.

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    I was so happy when I found out the wounds you’d inflicted weren’t serious, that you had stopped.” “Yes, I stopped. Barry, all of you, see what I did as this suicide attempt. But I didn’t want to die. I only wanted my mom to hear me. To come find me. To see that I was sad. To help me, I guess. I just didn’t have it in me to tell her what I needed. And fine, I get now that she couldn’t read my mind.” He wiped his eyes again. “But I didn’t get it then. I’m so mad at myself. What was wrong with me that I couldn’t just tell her? That I didn’t have the capacity to ask her for anything.

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    I wasn't glad that I hadn't died. And I wasn't sad that I hadn't. I wasn't anything.

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    I was so blinded by her talent that I didn't recognize the tremendous pain behind her work. She gave me hundreds of images, so many chances to see that she was in trouble. I failed her.

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    I was right; just as soon as you take the first step toward getting to know someone your own age, everything you thought was magical about that person turns to shit right in front of your face

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    I wasn't suicidal. Even in the beginning, when death unquestionably would have been a relief, I didn't consider it. I owed too much to Charlie. I felt too responsible for Renee. I had to think of them.

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    I was so tired of fighting. Tired of hurting. Tired of the guilt that never released me, and the regrets that could not be changed. I didn't want this life. They're were only so many times I could hear that I should never have been born, before I wished it to be true.

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    I was unable to throw myself in the ocean,” she writes, the handwriting more erratic as the painkillers seep into every cell, shutting out lights in empty rooms.

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    I was worse off than even Alison was; she hated life, I hated mysef. I had created nothing, I belonged to nothingness, to the néant, and it seemed to me that my own death was the only thing left that I could create.

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    I went down to the river, I set down on the bank. I tried to think but couldn't, So I jumped in and sank.

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    I will kill myself soon. But until then how do l tame my pain?

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    I wish I could break this window. Step through it. But I can't break this window. I can't even find some less dramatic way to die inside of this school, like hanging myself or slitting my wrists, because what would they do with my body? It might put everyone at risk. I won't let myself do that. I'm not selfish like Lily. I hate her. I hate her so much my heart tries to crawl out of my throat but it gets stuck there and beats crazily in the too narrow space. I bring my hands to my neck and try to massage it back down. I pres so heard against the skin, my eyes sting, and then I'm hurrying back down the stairs, back to the first floor. I think of Trace running laps, something he can control.

  • By Anonym

    I wish I knew why she never told me any of this. Maybe she thought I wouldn't be able to handle it, that I was too sheltered or too innocent or something. If she had told me why she cut herself all the time, or that it was the pills that made her act so spaced out, or that she was even on pills, or even saw doctors, or any of it, I would have done my best to help her. I'm not saying I'm a superhero. I'm not saying I would have just swooped down and saved her. I'm just saying the only reason everything was a waste was that she made it a waste. That whole time, back when I was just a normal kid in high school, living out my normal life, I really thought everything mattered.

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    I wish you all an ego free driven day!

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    I wish to go down under the waters— the cool, crystalline waters that I knew, where all that is, here, existing, is is only to be lost within the susurrations and the rumours of water and the evening star we wait for...

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    I wonder if it will rain after we die. When you kill yourself, you don't know what happens next, afterward.

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    I wonder if there is anyone who is not depraved. A wearisome thought. I want money. Unless I have it.... In my sleep, a natural death!

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    I wonder what it will feel like when all the lights go off and everything is quiet forever. I don't know if it will be painful, if in those last moments I'll be scared, but all I can hope is that it will be over fast. That it will be peaceful. That it will be permanent.

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    I wonder if that's how darkness wins, by convincing us to trap it inside ourselves, instead of emptying it out. I don't want it to win.

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    Listen, we’ll come visit you. Okay? I’ll dress up as William Shakespeare, Lucent as Emily Dickinson, and beautiful ‘Ray’ as someone dashing and manly like Jules Verne or Ernest Hemingway...and we’ll write on your white-room walls. We’ll write you out of your supposed insanity. I love you, Micky Affias. -James (from "Descendants of the Eminent")

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    Literature is a defense against the attacks of life. It says to life: "You can't deceive me. I know your habits, foresee and enjoy watching your reactions, and steal your secret by involving you in cunning obstructions that halt your normal flow." The other defense against things in general is silence as we muster strength for a fresh leap forward. But we must impose that silence on ourselves, not have it imposed on us, not even by death. To choose hardship for ourselves is our only defense against that hardship. This is what is meant by accepting suffering. Not being resigned to it, but using it as a springboard. Controlling the effect of the blow. Those who, by their very nature, can suffer completely, utterly, have an advantage. That is how we can disarm the power of suffering, make it our own creation, our own choice; submit to it. A justification for suicide. Charity has no place in all this. Unless, perhaps, this act of violence is in itself the truest form of charity?

  • By Anonym

    Los borrachos están indefectiblemente solos. Los suicidas vienen acompañados al menos por otra persona, en general varias más. Que tal vez era la idea en un principio. Mínimo dos agentes de la policía de Oakland. Al final he entendido por qué el suicidio se considera delito.

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    Loneliness always eats up time, fills on depression where hands move slow, to reach out for a moment of care.

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    Loneliness, depression, and suicide are in fact side effects rising out of the misinterpretation of beliefs – beliefs that are created by the places we are in, the people we are surrounded by, and ourselves. Misunderstanding stops us from seeing further, causing emptiness, and making life seem uninteresting, limited – and consequently, boring.

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    Long after you go down and the vessel rusts apart your bones sunken buried in the ocean floor I wonder if you miss people?

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    (Looking at the tree) Pity we haven't got a bit of rope.

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    Love gives insight, Maggie, and insight often gives foreboding. Listen to me, let me supply you with books; do let me see you sometimes, be your brother and teacher, as you said at Lorton. It is less wrong that you should see me than that you should be committing this long suicide.

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    Living in Republican red states causes opioid addiction and suicide. The stress, the poverty, the depression… these are prime reasons for addiction and suicide.

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    Look at the statistics. You're more likely to top yourself if you've just gone through a divorce. Or if you're anorexic. Or if you're unemployed. Or if you're a prostitute. Or if you've fought in a war, or if you've been raped, or if you've lost somebody . . . There are lots and lots of factors that push people over the edge; none of these factors are likely to make you feel anything but fucking miserable.

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    - Macie akta - odparł. - To było samobójstwo. - O tak. Skoro w to wierzysz, to dlaczego przyznałeś się do winy i poprosiłeś o osobną celę? - Bałem się. Samobójstwa bywają zaraźliwe.

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    Maybe comfort exists in believing there is order in the world, even when someone is making the most disorderly decision we know: running toward death instead of away from it. In their absence, we're left trying to pin meaning to air.

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    Mama, I know you used to ride the bus. Riding the bus and it’s hot and bumpy and crowded and too noisy and more than anything in the world you want to get off and the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going? Well, I can get off right now if I want to, because even if I ride fifty more years and get off then, it’s the same place when I step down to it. Whenever I feel like it, I can get off. As soon as I’ve had enough, it’s my stop. I’ve had enough.

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    Many laws passed by Congress have grandiose names and are hailed by their sponsors as far more important than they really are. In one case, however, legislators promised little of consequence for a law that reshaped the country. The Hart-Celler Act of 1965, also known as the Immigration and Nationality Act, abolished the national-origins immigration quotas set up in 1924 to preserve the European character of the American population. As we saw in the previous chapter, the promoters of the act insisted it would have little effect on the ethnic mix of the country, which was then nearly 90 percent white. By 2008, however, whites had already fallen to 65 percent of the population, and the Census Bureau was predicting they would become a minority in 2042—just 77 years after enactment. This would be a more dramatic long-term effect than perhaps that of any other legislation passed in the 20th century. Post-Hart-Celler immigration has also enormously increased the population of the United States, which is the only industrial nation that is growing like a developing country. In 2010, the population was expanding by about 7,500 people every day—nearly three million a year—and immigrants and their children accounted for 75 percent of the 27.3 million increase from 2000 to 2010. Growth at this rate requires enormous amounts of new infrastructure, including about 8,000 new schools every ten years. In 2008, the Census Bureau projected that the population would expand from 302 million to 439 million by 2050, assuming immigration continues at current rates. If immigration stopped after 2009, there would be much more moderate growth, with the population reaching 345 million rather than 439 million.

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    Mary Hepburn was meanwhile murdering herself up in her room, lying on her bed with the polyethylene sheath of her "Jackie dress" swapped around her head. The sheath was now all steamed up inside, and she hallucinated that she was a great land tortoise lying on its back in the hot and humid hold of a sailing ship of long ago. She pawed the air in perfect futility, just as a land tortoise on its back would have done. As she had often told her students, sailing ships bound out across the Pacific used to stop off in the Galàpagos Islands to capture defenseless tortoises, who could live on their backs without food or water for months. They were so slow and tame and huge and plentiful. The sailors would capsize them without fear of being bitten or clawed. then they would drag them down to waiting longboats on the shore, using the animals' own useless suits of armor for sleds. They would store them on their backs in the dark paying no further attention to them until it was time for them to be eaten. the beauty of the tortoises to the sailors was that they were fresh meat which did not have to be refrigerated or eaten right away.

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    Matsu gathered up what little was left of the food and wrapped it back up in the furoshiki. 'I followed you and the others down to the beach yesterday morning. I wondered if you might try to find your way to peace as she did.' 'I couldn't,' I began to cry, turning away in shame. Then Matsu leaned over close to my ear. He smelled of sweat and the earth as he whispered, 'It takes greater courage to live.

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    Maybe I did mean to kill myself. I didn't think it outright but...maybe the truth is, I didn't--I don't--much care one way or th'other.

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    Maybe all you need to pull you back form the ledge is to know someone would miss you if you fell.

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    Maybe you think life is not worth living, but is death worth dying for?

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    Meredith's father, the composer, who shot himself in this house. Came all the way from Vienna to shoot himself in LA. Escaped the Nazis but not himself.

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    Messy, isn't it?

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    Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith's, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.

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    ...[M]en are put in a sort of guard-post, from which one must not release one's self or run away...

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    Milkshakes make the world seem less shitty.

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    Mistreatment of disabled people by the corporate controlled government is the root cause of a huge number of suicides.