Best 5189 quotes in «history quotes» category

I have lived long enough to see God make my enemies my footstool not even footsteps.

I have my priorities and I know my purpose. I do not Praise God because of my pain but I praise Him because of what the pain is producing.

I have learned to thank God for what I cannot see, I have learned to trust God with what I cannot.

I have lived long enough to know that wherever there is crisis there is always Christ. Look for Jesus in the middle of all your crisis. Whenever He comes the whole storm goes down.

I have no expectation that any man will read history aright who thinks that what was done in a remote age, by men whose names have resounded far, has any deeper sense than what he is doing today.

I have no roots anywhere else. I have no 'at home' but here. And I feel doomed. Like I'm riding to Hell on a fast horse. I'm not afraid of dying, but I don't want to die alone. I don't want some no one finding me finished off and asking a sheriff, 'Who's that ?

I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show.

I have raised you to respect every human being as singular. And you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman whose mind is as active as your own, whose range of feelings as vast as your own, who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddys in the nearby stream, who loves her mother in her own complicated way, thinks her sister talks to loud, has a favorite cousin, a favorite season, who excels at dress making, and knows inside herself that she is as intelligent and capable as anyone. Slavery is the same woman born in a world that loudly proclaims its love of freedom and describes this world in essential texts. A world in which these same professors hold this woman a slave. Hold her mother a slave, her father a slave, her daughter a slave. And when this woman peers back into the generations, all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren, but when she dies, the world, which is really the only world she can really know, ends. For this woman enslavement is not a parable, it is damnation, it is the never ending night, and the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains, whole generations followed by more generations who knew nothing but chains.

I have seen the tourism market shift over the last ten years with greater value attached to the culture of places, seen people growing sick of plastic phoniness and genuinely wanting to experience places and people that do different things. I see how bored we have grown of ourselves in the modern Western world and how people can fight back and shape their futures using their history as an advantage not an obligation.

I have seen a stunning amount of death and destruction. Creation yes, but more death than birth. Mankind has learned nothing from their forefathers. Their ancestors. It is true what they say: history does repeat itself, Delacroix, and those after history are left to make it, but how can they,” he removed his hand from the globe, waving it thoughtfully through the air, “when it has already been made?

I have taken a different approach. One that I hope is more easily accessible to the reader’s emotional imagination, though less analytically systematic. I have summoned back into life again—through my own translations from a selection of popular Chinese novel sand poems—some of the imagined worlds in which Chinese have passed their daily reality during the last two hundred years. I have tried to convey something of what it felt like to be a Chinese, living in Chinese society, in different settings of status, age, and gender, and how this has changed over time. For reasons of method, I have looked at a small number of organically coherent emotional spaces, contained in individual works or parts of works, and considered them in detail. ... It would be pretending to more wisdom than I have to claim that the selection I have made is the result of a rigorous intellectual winnowing process from a harvest of widespread reading in late-imperial and modern Chinese literature. Honesty compels the admission that it is more the outcome of chance, serendipity, and whatever happened to catch my imagination, for reasons that I am probably in no position to do more than guess at. ... In so far as there has been a guiding principle behind my choices it has been the desire to show as much as the constraints of space allow of the contrasts among those in different social position, different periods, and different ideologies.

I have the word of God and my bible is very interesting, this book was conceived in battle, Jesus Christ our Saviour was conceived in brokenness, out of barenness to redeem a people who were in bondage to their sin. I know exactly where to go when the people start getting confused, trading lies for truth, buying injustice for justice and even when the media starts to show me the prospectives of the world that I am living in, I have my prospective from the word of God.

I have the mind of Christ. The best life you could ever live is the one that your creator destined you for. The one He made you for. He has given us everything we need ......... to become like Him. To reach to your potentials. Worship Him in spirit and in truth.

I heard my teacher said "great people make history". I am not concern about "great" or "people" or "history". I am concerned about "make" and it keeps me asking the next question "how?"! They are Determined and Disciplined!

I hope to stand firm enough not to go backward, and yet not go forward fast enough to wreck the country's cause.

I hope… that we are making China more interesting and less exotic to our Europeanist colleagues. Soon it may no longer suffice for historians of Europe to make mere polite bows in the direction of China; they will have to become more familiar with Chinese history on a serious level in order to carry on their work in European history effectively.

I imagine that every historian is similarly affected when he begins to record the events of some period and wishes to portray them sincerely. Where is the center of events, the common standpoint around which they revolve and which gives them cohesion? In order that something like cohesion, something like causality, that some kind of meaning might ensue and that it can in some way be narrated, the historian must invent units, a hero, a nation, an idea, and he must allow to happen to this invented unit what has in reality happened to the nameless.

[January 1944] As to this country, I have been lecturing now for three years to the troops and their attitude is the same. They don’t believe in concentration camps, they don’t believe in the starved children of Greece, in the shot hostages of France, in the mass-graves of Poland; they have never heard of Lidice, Treblinka or Belzec; you can convince them for an hour, then they shake themselves, their mental self-defence begins to work and in a week the shrug of incredulity has returned like a reflex temporarily weakened by a shock. Clearly all this is becoming a mania with me and my like. Clearly we must suffer from some morbid obsession, whereas the others are healthy and normal. But the characteristic symptom of maniacs is that they lose contact with reality and live in a phantasy world. So perhaps it is the other way around: perhaps it is we, the screamers, who react in a sound and healthy way to the reality which surrounds us, whereas you are the neurotic, who totter about in a screamed phantasy world because you lack the faculty to face the facts! Were it not so, this war would have been avoided, and those murdered within sight of your daydreaming eyes would still be alive!

I just don't see why the past has to matter.

I know history. There are many names in history but none of them are ours.

I know quite well why I became a historian.... It was because dissension was frowned upon when I was a child: 'Don't argue, Claudia,' 'Claudia, you must not answer back like that.' Argument, of course, is the whole point of history. Disagreement; my word against yours; this evidence against that. If there were such a thing as absolute truth the debate would lose its lustre. I, for one, would no longer be interested.

I know that imprisonment will be harder for me than it has ever been for anyone, filled with cowardly threats and hideous cruelty. But I do not fear prison, as I do not fear the fury of the miserable tyrant who took the lives of 70 of my comrades. Condemn me. It does not matter. History will absolve me.

I know this goes without saying, but Stonehenge really was the most incredible accomplishment. It took five hundred men just to pull each sarsen, plus a hundred more to dash around positioning the rollers. Just think about it for a minute. Can you imagine trying to talk six hundred people into helping you drag a fifty-ton stone eighteen miles across the countryside and muscle it into an upright position, and then saying, 'Right, lads! Another twenty like that, plus some lintels and maybe a couple of dozen nice bluestones from Wales, and we can party!' Whoever was the person behind Stonehenge was one dickens of a motivator, I'll tell you that.

Il corridoio del secondo piano del padiglione di storia era deserto. Il rumore dei tacchi della donna risuonava rimbombando da una parete all’altra e riempiendo il silenzio. I passi cadenzati scandirono il loro ritmo fino alla fine del corridoio. La donna osservò la porta di legno scuro dove si leggeva il nome del professor Benjamin Bessòn. Si guardò intorno. Il pavimento del lungo corridoio di marmo rosso era illuminato dal sole del tardo pomeriggio. Le lame di luce calda di quel giorno di primavera fendevano le vetrate a piombo che riempivano le alte finestre. C’era odore di antico, di libri, di cultura e di conversazioni spese, disperse e coltivate tra quelle mura. Accanto alla porta dell’ufficio del professor Bessòn era stata sistemata, lungo la parete, una panca in legno. La donna si lisciò la gonna del completo e si sbottonò la giacca. Tentò di ravviarsi i capelli che non volevano rimanere in ordine. Sfilò e infilò nuovamente un paio di forcine nella crocchia sulla nuca. Il frusciare dei suoi abiti sembrava stracciare quel silenzio sacro che saturava l’ambiente. Si sedette e si lasciò avvolgere da quell’ambiente immerso in un’atmosfera che sembrava trasportare lontano anni luce dalla frenesia e dal caos della città al di fuori. Attese.

Il busto è sollevato dalle forti braccia, ma dal bacino in giù è completamente abbandonato su di me. «Sei mia e di nessun altro.» © #IlPattoDelMarchese‬ - Giovanna Roma

I like ethics." The question of morality, how and why do people behave in certain ways. "And the principle of knowledge." I continue, "I've read this one." I show him On Certainty (book) by Ludwig Wittgenstein wrapped in my hand. "An intelligent one, that is, though, modern mind rarely appreciates such kind of writing. Not any more. I studied philosophy myself, and you know what I think? Every branch of knowledge needs philosophy for it helps to organise the flow of ideas and articulate meanings. I could not agree more to that. "Do you think it will be deserted one day?" "Probably. Nobody will bother about it any more, just like history. What is the only thing people become more interested in nowadays?" he asks. "Making money." His thumb rubs repeatedly over the tip of the index finger. "Philosophy and history are considered as eccentric. They don't usually offer people high income, and that's the inexorable reality. We've got to deal with it anyhow.

I linger near Galileo’s telescopes, then round the corner and stand transfixed: I did not expect this- a dark, cool room full of globes of the night sky from the seventeenth, eighteenth, and nineteenth centuries. Globo celeste, they are called in Italian: ‘celestial globe,’ maps of the night sky… I imagine him making another globo celeste, this one smaller, yet still exquisitely painted, still breathtaking in detail. It’s a map of the earth still flowing with creation, one you can spin and when you stop it with your finger, there is some tiny detail…some miraculous beauty, some wonderful example from each location at night. The white flower of a night blooming saguaro cactus, the feathers from a great-horned owl, the crunched, smiling face of a particular bat- here, I’m spinning it, I stop it at in the north, where I want there to be something still- he’s painted the black-and-white feathers of a loon…or a globe of night sounds, so that by touching your location you hear the night there- the cricket song, the ocean surf, the frog mating calls.

I lived through all these times, these great events, without caring very much, concerned with my own aging rather than the world's. Most of us do likewise. History is the heavy traffic that prevents us from crossing the road. We're not especially interested in what it consists of. We wait, more or less patiently, for it to pause, so that we can get to the liquor store or the laundromat or the burger bar

I like to live in the past. I don't think people are going to get much fun in the future.

I live in a world where people are guided by limited imagination; only facts that are favorable to them are truths. They are unable to live anyway else. When a person finds out that a fact is against them, it's usually because it's the truth. No one tries to step outside of the edge of reason. No one tries to step beyond the edge of the world.

I'll let you in on a little secret, Garry: everything is history. By the time you notice it, it's already happened. That famous imposter, "the present," disappears in the cognitive gap. Mind the gap!

I'LL LET YOU FREE IN MY NEVERLAND

Illness might progressively vanish so might identity. Grief might be diminished, but so might tenderness. Traumas might be erased but so might history. Infirmities might disappear, but so might vulnerability. Chance would become mitigated, but so, inevitably, would choice.

Il ne s'agit pas de choisit son époque, mais de se choisir en elle.

illustration Speaking before the Marion Hobby Club Marion, OH 2013 This writer is looking for an agent. An old adage warns: If you don't know your history, you will be forever condemned to repeat it. Likewise, if you don't know your science fiction, and heed its warnings, you could condemn the Earth to future catastrophe.

I looked more closely at what I considered to be the most significant information regarding the Great Pyramid, which was the accuracy with which it was built. It soon became obvious to me that the researchers on both sides of the issue were sympathetic to the craftspeople involved in building the pyramids. But the researchers were not craftspeople themselves, and they did not have the perspective gained through years of experience working with their hands and with machinery. Having that experience myself, I have some very strong opinions regarding the level of manufacturing expertise practiced by the ancient Egyptians. They were not primitive by any means, and their craftsmanship and precision would be an extreme challenge to duplicate today.

I look out at the reservation, still and glittering with casinos, and think of all the death dried up and buried in its dirt.

I look through old photo albums and wish I could have met the woman that died so I could be born

I looked at the two enemy prisoners. They were on their stomachs, face down and shaking like everything. I can only imagine the fear they must have felt in their hearts. Thank God we had air superiority on the battlefield.

I looked at the woman crying over the doll and felt something else. I was sick of people acting against their own interests. Mooing about how to refinance the slaughterhouse. Putting skylights in the killing pen and pretending the bolt in the brain was a pathway to a better field. I paid my bill. Save your fucking pennies for a gun and a history book, I thought.

I love learning. I love history. But there's history in everything. Every building, everybody you talk to. It's not limited to libraries and museums. I think people who spend their lives in school forget that sometimes. -Tak

I love long regarded my country as a secret, as a land half-won, its story half-told. It was as if the past was another country, mysterious and unexplained. 'Australian history' either was not taught or was not required for 'higher learning'. Contemporary history was unheard of. Black history was ridiculed. Historians and politicians, more concerned with imperial propriety than truth, covered up and distorted.

I love the word 'fashion.' That's why I'm using it in the title of this book. Fashion is about change and about creating clothes within a historical context. To me, dismissing fashion as silly or unimportant seems like a denial of history and frequently a show of sexism—as if something that's traditionally a concern of women isn't valid as a field of academic inquiry. When the Parsons fashion department was founded in 1906, it was called 'costume design,' because fashion was then a verb: to fashion. But the word 'fashion' has evolved to mean something much more profound, and those who resist it seem to me to be on the wrong side of history.

I love old things. Modern things are so cold. I need things that have lived.

I'm accustomed to reading Georgian and Victorian letters and sometimes you simply know in your gut that a blithe sentence is covering up a deeper emotion.

I made my name”. What does this mean? It means you developed endurance, perseverance and will-to-win as a core part of your character

I made my name”. What does this mean? It means you didn’t stop just because the way was hard, rather you found solutions to problems

Il segreto più profondo di Olimpia è racchiuso in quest'unica nota cristallina: lottare è un gioco, vivere è un gioco, morire è un gioco; profitti e perdite non sono che distinzioni passeggere, ma il gioco pretende tutte le nostre forze, e la sorte accetta, come posta, unicamente i nostri cuori.

..., imagine a loamy earth that starts with genocide, then adds a mix of further disease, wars, hurricanes, murder, great fires, dueling, insurrection and slavery, just to name a few of the many instances of tragedy. What dark seed would take root in such a disturbed and twisted soil?

Imagine, Dracula a pawn in the hands of the infidel. I wasted no time there-I learned everything I could about them, so that I might surpass them all. That was when I vowed to make history, not to be its victim.