Best 241 quotes in «creative process quotes» category

I personally just love movies about the creative process.

Fear is a killer, when it comes to the creative process.

I never liked stardom. It's weird to me. I only like the creative process. I only like the work.

A creative mind is a spark of divinity.

I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, in the band, I would say.

1. Write. 2. Put one word after another. Find the right word, put it down. 3. Finish what you're writing. Whatever you have to do to finish it, finish it. 4. Put it aside. Read it pretending you've never read it before. Show it to friends whose opinion you respect and who like the kind of thing that this is. 5. Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. 6. Fix it. Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving. 7. Laugh at your own jokes. 8. The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (That may be a rule for life as well as for writing. But it's definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter." [Ten rules for writing fiction (The Guardian, 20 February 2010)]

My life will be the best illustration of all my work.

Preconceived notions and rules are antithetical to the creative process.

Your page stands against you and says to you that you are a thief.

10 Steps to Becoming a Better Writer Write. Write more. Write even more. Write even more than that. Write when you don’t want to. Write when you do. Write when you have something to say. Write when you don’t. Write every day. Keep writing.

A hammer made of deadlines is the surest tool for crushing writer's block.

After passionately nursing this idea for about an hour, I suddenly had another idea: no I wouldn't. Of course I wouldn't make an entire city out of cereal boxes in the basement. The moment I had this second thought, I knew this was the real one.

All that night he thought like boomerangs fly: an idea would shoot way off into the distance, all the way to a caravan in Hollywood and, for a moment, when he had got as far away from school and reality as it was possible to go, he was reasonably happy; then it would begin the return journey, thump him on the head, and leave him in exactly the place he had started from. And all the time it got nearer and nearer to the morning.

All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she as extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.

A marijuana high can enhance core human mental abilities. It can help you to focus, to remember, to see new patterns, to imagine, to be creative, to introspect, to empathically understand others, and to come to deep insights. If you don’t find this amazing you have lost your sense of wonder. Which, by the way, is something a high can bring back, too.

All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.

Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as writer." [1967 interview]

An idea made real through imagination shapes the spiritual prototype of a thing created.

Another mistake is presenting too much background information, and doing so in the first few pages. Writers should begin their stories with the event that kicks off the story, and then spoon-feed us background information only when it's needed to understand what's going on." [A Conversation with Evan Marshall (Writers Write, September 1999)]

Art is a journey of excellence not a goal of perfection.

Art has something to do with beauty. The act of creating beauty pulls the portion of your soul to the surface that is true to the way you were created.

Art is the overflow of emotion into action.

Art manifests itself in paradoxical ways. At times it creates and at times it gets created!

Artists see the invisible before anyone else.

A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.

A storm of yellow notepads, broken pencils, papers, and books littered the tables and floor of the room, along with a collection of empty beer cans. It looked as if a party of wild librarians had just cleared out.

A writer can do without food for a few hours but not without the sight of books.

A wise man will create more opportunities than those that have been presented to him.

As you become a better writer, the writing becomes more difficult. You toil harder to tell a story in a smaller number of words.

A writer gets to live yet another life every time he or she creates a new story.

Be a good reader first if you wish to become a good writer.

Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of." [From the preface.]

Beautiful things come together one stitch at a time.

Consuming the content and culture of creatives does not make one a creative. Creating makes a creative.

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else’s snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It’s world-creating. It’s raw, exposed dreaming. It’s humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next. It’s what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience.

But the conquest of the physical world is not man’s only duty. He is also enjoined to conquer the great wilderness of himself. The precise role of the artist, then, is to illuminate that darkness, blaze roads through that vast forest, so that we will not, in all our doing, lose sight of its purpose, which is, after all, to make the world a more human dwelling place.

Compassion, in its essence, is neutral. It’s holistic that way, and powerful because it yields a much wider perspective free of judgment or stress of any kind. We use it all the time in our work the way we’re always studying humanity intensely — always walking in someone else’s shoes, feeling the seams in their socks, wounds and elations in their souls.

Creativity can turn into an avalanche or a tempest, but can also flow like a meandering tributary to same destination

Creativity is as much about order against freedom; control versus rebellion; organisation against disorder as it is about straightforward imagination.

Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way. [Interview, The Wall Street Journal, Nov. 20, 2009]

Creativity is an inherently human trait that allowed us to dominate our environment and make our way to the top of the food chain.

Creativity is the tangible manifestation of an indulgent excursion through a higher state of transcendental consciousness.

Be sure not to discuss your hero's state of mind. Make it clear from his actions." (Letter to Alexander Chekhov, May 10, 1886)

Catching creativity is like catching butterflies – fast-flying, bright-colored sparks darting here and there, it requires quick wits, good eyes and desire to net them. And once you have them, you need to act fast. An idea, like a butterfly doesn’t last long: it is ephemeral. It is here, and now it is gone – so quick, grab your laptop, your pen and paper, your Dictaphone, your sketch pad, whatever your mode of expression or recording, swoop and catch.

Certain words, certain expressions. Things like ‘I love you’ and ‘I hate you.’ They’re big traps for actors. They can tempt you away from the connection you’ve developed with your partner and lead you into swamplands of clichéd performing. ‘Love’ and ‘hate’ are powerful words, and for some reason, we feel like we must fulfill them—and other words like them—whenever we say them. But we don’t have to.” Bill turns to Adam. “Actors hit that line—‘you know I’m absolutely crazy about you. Don’t you?’—and go all kablooey. Your head’s saying, ‘How can I not say a line like that without letting love swim into the duck pond? But inside you’re saying, ‘To hell will love! This girl’s really pissed me off, breaking off an important date like that.’ Follow your true inner response. It will never lead you astray. You’ll be bubbling up with impatience and irritation and you’ll say a line like that and it’ll have new meaning. It’ll have your meaning. Remember: Bad actors consciously adjust their inner responses to what they think the lines of the text require. Good actors adjust the text to the inner emotional line created by their sensitized responses to the other actor.” Adam says, “I get it. I was trying to act the words.” Bill nods. “You were manipulating yourself, cutting off our real response in order to live up to what you thought the text demanded of you. But any line can mean anything, and come out of you in any way.

Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Or else they are likely going to move on to another book.

Creativity is a magic wand that works two ways. When you set it in action and seek to create something, it does not just brings into existence that object or work, it also raises in your heart a dream, a hope, and a will to achieve that creation. And when all else seems lost and steeped in hopelessness, the magic of creativity can still keep you going. For when all else seem dark, an urge to create something would still give you an aim to look forward to. And if you just take hold of this urge, it will take hold of you and see you through even the darkest times. Like it did to me.

Creativity isn't a switch that's flicked on or off; it's a way of seeing, engaging and responding to the world around you.

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them." [Twelve Things You Were Not Taught in School About Creative Thinking (The Creativity Post, December 6, 2011)]

Creativity takes courage. Not just once, but consistently. Without courage we cannot be creative. Without feeling fear at some point we will not reach our creative potential. From first putting paint on paper through to selling our work on a worldwide stage there is plenty to be scared of. But this is where creativity lives – on the edge of our comfort zones.