Best 241 quotes in «creative process quotes» category

My life will be the best illustration of all my work.

I never liked stardom. It's weird to me. I only like the creative process. I only like the work.

I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, in the band, I would say.

I personally just love movies about the creative process.

10 Steps to Becoming a Better Writer Write. Write more. Write even more. Write even more than that. Write when you don’t want to. Write when you do. Write when you have something to say. Write when you don’t. Write every day. Keep writing.

Your page stands against you and says to you that you are a thief.

A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.

A writer gets to live yet another life every time he or she creates a new story.

Be a good reader first if you wish to become a good writer.

Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of." [From the preface.]

Be sure not to discuss your hero's state of mind. Make it clear from his actions." (Letter to Alexander Chekhov, May 10, 1886)

But the conquest of the physical world is not man’s only duty. He is also enjoined to conquer the great wilderness of himself. The precise role of the artist, then, is to illuminate that darkness, blaze roads through that vast forest, so that we will not, in all our doing, lose sight of its purpose, which is, after all, to make the world a more human dwelling place.

Catching creativity is like catching butterflies – fast-flying, bright-colored sparks darting here and there, it requires quick wits, good eyes and desire to net them. And once you have them, you need to act fast. An idea, like a butterfly doesn’t last long: it is ephemeral. It is here, and now it is gone – so quick, grab your laptop, your pen and paper, your Dictaphone, your sketch pad, whatever your mode of expression or recording, swoop and catch.

Compassion, in its essence, is neutral. It’s holistic that way, and powerful because it yields a much wider perspective free of judgment or stress of any kind. We use it all the time in our work the way we’re always studying humanity intensely — always walking in someone else’s shoes, feeling the seams in their socks, wounds and elations in their souls.

Consuming the content and culture of creatives does not make one a creative. Creating makes a creative.

Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Or else they are likely going to move on to another book.

Creativity is a magic wand that works two ways. When you set it in action and seek to create something, it does not just brings into existence that object or work, it also raises in your heart a dream, a hope, and a will to achieve that creation. And when all else seems lost and steeped in hopelessness, the magic of creativity can still keep you going. For when all else seem dark, an urge to create something would still give you an aim to look forward to. And if you just take hold of this urge, it will take hold of you and see you through even the darkest times. Like it did to me.

Creativity isn't a switch that's flicked on or off; it's a way of seeing, engaging and responding to the world around you.

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them." [Twelve Things You Were Not Taught in School About Creative Thinking (The Creativity Post, December 6, 2011)]

Creativity is an inherently human trait that allowed us to dominate our environment and make our way to the top of the food chain.

Creativity is the tangible manifestation of an indulgent excursion through a higher state of transcendental consciousness.

Creativity takes courage. Not just once, but consistently. Without courage we cannot be creative. Without feeling fear at some point we will not reach our creative potential. From first putting paint on paper through to selling our work on a worldwide stage there is plenty to be scared of. But this is where creativity lives – on the edge of our comfort zones.

Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [Getting Into Print (The Editor magazine, March 1903)]

Don’t interrupt when your characters take a flight of their own.

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the edit." [Ten rules for writing fiction (part two), The Guardian, 20 February 2010]

Doubt has become the veritable wellspring of my creative process and my philosophic explorations. It has equipped me with the temerity and wherewithal to question certain truths deemed ‘fundamental’ by my betters. Defiance has made me stubborn—possibly even arrogant—enough to shrug off rejection and all fears thereof, no matter how lacerating to the self-esteem these could be. It has given me the will to seek only to satisfy myself.

Dreams are good at playing with your memory. They love leaving no trace behind and hate to show up once again in the morning.

Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of creating. The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things.

Entire universes flourish in my mind. Sometimes I get lost in there.

Even as I write these words, which should be lucid and filled with glowing colour, I feel the very darkness of my own personality invading my pen. Only perhaps in the ink of this darkness can this writing properly be written? It is not really possible to write like an angel, though some of our near-gods by heaven-inspired trickery sometimes seem to do it.

Every creative act, however small, enriches our species and the world around us. To find and nurture talent, is to be truly wealthy.

Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.

Every great athlete, artist and aspiring being has a great team to help them flourish and succeed - personally and professionally. Even the so-called 'solo star' has a strong supporting cast helping them shine, thrive and take flight.

Every idea that occurred to him, because he became familiar with it in seconds, came with the fear of having stolen it.

Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.

Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea.

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had." [Commencement Speech; Mount Holyoke College, May 23, 1999]

Every thing must have a beginning, to speak in Sanchean phrase; and that beginning must be linked to something that went before. The Hindoos give the world an elephant to support it, but they make the elephant stand upon a tortoise. Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos; the materials must, in the first place, be afforded: it can give form to dark, shapeless substances, but cannot bring into being the substance itself.

Explore your inner creative genius through the medium you love and enjoy the journey!

Forget ideas, Mr. Author. What kind of pen do you use?

Help me, Lord, in times when I am uninspired to see things differently.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding. If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

I am an artist. Any artist knows that their creations, their pieces must express an array of human emotion and experience. From the juvenile and innocent, to the erotic and the dangerous, and everything in between. Because Life is all of these things and more. It is the artist's divine purpose to reflect what Experience has shown them and others. What truly sets us apart from each other is whether or not we truly know ourselves enough to reflect objectively; but, through our own unique 'voice'.

Ideas either age like fine wine or rot like potatoes over time.

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark.

I didn't think about anything, and yet I thought about everything. It was a special kind of thinking, the sort I'd always done when I was getting close to writing a book

I don’t know if creative children are different from others. But, say if life were one BIG party — the creative just tend enter the party from a different door. One that, perhaps, no one else knew was there!

I force myself to contradict myself in order to avoid conforming to my own taste.

If you think there is no time to write now, there will never be.

I have two righteous addictions. Firstly are my observations. Secondly, my imaginations.