Best 241 quotes in «creative process quotes» category

Photographers don't take pictures. They create images.

Playtime is a vital component of idea generation and fresh inspiration. It gives you permission to be in a state of discovery without purpose or agenda.

poetry. i am not writing it. (make way for me please) it is my skin. dripping with light.

Please don't entertain for a moment the utterly mistaken idea that there is no drudgery in writing. There is a great deal of drudgery in even the most inspired, the most noble, the most distinguished writing. Read what the great ones have said about their jobs; how they never sit down to their work without a sigh of distress and never get up from it witout a sigh of relief. Do you imagine that your Muse is forever flamelike -- breathing the inspired word, the wonderful situation, the superb solution into your attentive ear? ... Believe me, my poor boy, if you wait for inspiration in our set-up, you'll wait for ever.

Power up your intelligence. Hit that creativity button.

Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it." (Casual Chance, 1964)

Quite frankly, every single day that I do something creative, and show it to people, I'm nervous. Even this video, I'm like, 'You're too earnest, it's not funny enough, nobody likes you.' Um, well, I gotta do it, because unless I say something about the world I don't know if it's worth gettin' up in the morning. ...Was that depressing, or inspirational?

Q: What's the biggest myth about writing? A: That there's any wildness attached to it. Writing tends to be very deliberate." [Colm Tóibín, novelist – portrait of the artist (The Guardian, 19 February 2013)

Random thought fills the streambed, cascading with care and spilling over the flood plain until bifurcation forces it to arc and fork into a single, determined stream.

Remember, creativity is like a compass, each one has its own, and each one points to a different North.

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny. Inventing plausible new realities is what the genre is all about. One starts from a hypothesis and then builds out the logic, adding detail and incident to give substance to imaginary structures. In that respect, science fiction and theology have much in common.

She pours sugar on her life and drinks the artist’s marrow in the bone of her glass and she lives.

Remind me, Lord, of why I create things and that YOU ... you are the best of artists, put these gifts in me to share with the world.

Some of the greatest masterpieces of art are created against the odds of reality. from the book: stuff i think about

Someone is writing a poem. Words are being set down in a force field. It’s as if the words themselves have magnetic charges; they veer together or in polarity, they swerve against each other.

Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story." [A Conversation with Alice Munro, BookBrowse, 1998]

sometimes i wake up in the middle of the night and find poetry splattered all over my bed.

Step into the center of the center of the center - right into your Now - and see: how elegant and honest this moment is. Just being yourself, a world to hold your feet, a universe to lift your gaze, a heart beating - constant, in the center of it all.

Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters' arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event.

The characteristic common to God and man is apparently that: the desire and the ability to make things.

The creative journey is not a trek through the wilderness, but actually a clearly defined path, which though not visible to our outside eyes, can be felt with our inner senses.

The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image, and in elaborating and shaping this image into the finished work. By giving it shape, the artist translates it into the language of the present, and so makes it possible for us to find our way back to the deepest springs of life. Therein lies the social significance of art: it is constantly at work educating the spirit of the age, conjuring up the forms in which the age is most lacking.

The eyes of the creative spirit can see in all directions.

The "if I had time" lie is a convenient way to ignore the fact that novels require being written and that writing happens a sentence at a time. Sentences can happen in a moment. Enough stolen moments, enough stolen sentences, and a novel is born - without the luxury of time.

The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?" And the answer is: Confluence. Things come together. The right ingredients and suddenly: Abracadabra!

Rebels revel in rewriting reality's restrictions.

Sometimes to love people, I must completely avoid them. Sometimes, to be strong, I must completely fall apart. Sometimes, to create, I must completely destroy.

Só porque a criatividade é mística, não quer dizer que não deva ser desmistificada - especialmente se isso significa libertar os artistas das limitações de seus delírios de grandeza, de seu pânico e de seu ego.

Tactical steps in public relations should focus on branding, and the understanding that strategic communication is a creative and intentional process.

Theater is the crucible where we can create the dynamics of life without suffering the flames of their combustion.

The fundamental unity of the Sequence and Simultaneity points of view became plain; the concept of interval served to connect the static and the dynamic aspect of the universe. How could he have stared at reality for ten years and not seen it? There would be no trouble at all in going on. Indeed he had already gone on. He was there. He saw all that was to come in this first, seemingly casual glimpse of the method, given him by his understanding of a failure in the distant past. The wall was down. The vision was both clear and whole. What he saw was simple, simpler than anything else. It was simplicity: and contained in it all complexity, all promise. It was revelation. It was the way clear, the way home, the light. The spirit in him was like a child running out into the sunlight. There was no end, no end. ... And yet in his utter ease and happiness he shook with fear; his hands trembled, and his eyes filled up with tears, as if he had been looking into the sun. After all, the flesh is not transparent. And it is strange, exceedingly strange, to know that one's life has been fulfilled. Yet he kept looking, and going farther, with that same childish joy, until all at once he could not go any farther; he came back, and looking around through his tears saw that the room was dark and the high windows were full of stars. The moment was gone; he saw it going. He did not try to hold on to it. He knew he was part of it, not it of him. He was in its keeping.

The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize." [Modernism's Patriarch (Time Magazine, June 10, 1996)]

The hardest situation is when the individuals desperate “to cut off your wings” are your closest family members whom you can’t escape dealing with.

The message of love or beauty or hope needs to be said by a hundred thousand different voices, written by a hundred thousand different pens, at a hundred thousand different times in history, different places in the world, different sectors of society, in different genres and registers, simply to be heard by the billions of ears and hearts that lie waiting for a truth which fires their soul, answers their question, speaks to their heart.

The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.

The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can." [Keynote Address, University of the Arts, 134th Commencement (Philadelphia, PA, May 17, 2012)]

There is a juiciness to creativity, a succulence that comes up from within, a sensuality which both produces and is soothed by the act and product of creativity. Creativity is pleasing to us on a deep level. Be it the feel of clay in our hands, the colors that make us feel alive as we knit or sew, the meaning that we find in the words that we write, the energizing feel of movement as we dance and the music moves through our bodies. Taking part in creativity helps us to be more fully alive on every level, it asks that we engage with life in a visceral, and interactive way.

There is a kind of despair involved in creation which I am sure any artist knows all about. In art, as in morality, great things go by the board because at the crucial moment we blink our eyes. When is the crucial moment? Greatness is to recognize it and be able to hold it and to extend it. But for most of us the space between 'dreaming on things to come' and 'it is too late, it is all over' is too tiny to enter. And so we let each thing go, thinking vaguely that it will always be given to us to try again. Thus works of art, and thus whole lives of men, are spoilt by blinking and moving quickly on. I often found that I had ideas for stories, but by the time I had thought them out in detail they seemed to me hardly worth writing, as if I had already 'done' them: not because they were bad, but because they already belonged to the past and I had lost interest. My thoughts were soon stale to me. Some things I ruined by starting them too soon. Others by thinking them so intensely in my head that they were over before they began. Projects would change in a second from hazy uncommitted dreams into unsalvageable ancient history. Whole novels existed only in their titles.

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story. (Interview with Paris Review, 1958)

The trick to finding writing time is to make writing time in the life you've already got.

The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove somebody lit... I remember being shocked by the whoosh of the blue flame jumping off the burner, the suddenness of it... I saw that flame and felt that hotness of it close to my face. I felt fear, real fear, for the first time in my life. But I remember it also like some kind of adventure, some kind of weird joy, too. I guess that experience took me someplace in my head I hadn't been before... The fear I had was almost like an invitation, a challenge to go forward into something I knew nothing about. That's where I think my personal philosophy of life and my commitment to everything I believe in started... In my mind I have always believed and thought since then that my motion had to be forward, away from the heat of that flame.

The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising." [The Writer's Digest Interview: Stephen King & Jerry B. Jenkins (Jessica Strawser, Writer's Digest, May/June 2009)]

Those who speak in spiritual terms routinely refer to God as creator but seldom see "creator" as the literal term for "artist". I am suggesting you take the term "creator" quite literally. You are seeking to forge a creative alliance, artist-to-artist with the Great Creator. Accepting this concept can greatly expand your creative possibilities.

to be a poet means to live with a permanent wound forever susceptible to either the shade of the sky or someone's eyes.

To me, the greatest pleasure of writing is not what it's about, but the music the words make.

Too many people have either let their creative license expire or its been suspended.

Too many peoples creative licenses have been either suspended or completely revoked. Gotta renew those licenses!

To write is to feel the dance of your soul swirling in a dream that drips imagination onto paper.

To write with truth, I’ve been known to slow dance my words over graves of buried prayers, to drink my words under the shadow of my grandfather’s whiskey bottles, to lift my words from under the gaze of my daddy’s gentle eyes. I’ve had to write from the seeding syllables of my gardens, from the ammunition of my ancestors’ battlegrounds, and from the misery of my families’ tattered Bibles. I’ve pulled stories from the soil of my homeplace, from the juice stains of freshly-picked blackberries, and from the bottom of my bare feet. I write with the barbed-wire nouns and plural verbs of my mistakes, with the cast iron consonants and silent sugary vowels of my mother’s kitchen. But in the end, the only thing that matters is that I write.

Turn those deep feelings and obsessions of your heart into captivating pieces of literature.