Best 4819 quotes in «loss quotes» category

Seeing his daughter slowly die, coupled with his infinite sadness and misery, the clockmaker becomes a recluse to the tower of the castle and begins to build something behind closed doors, not even his daughter knows what he’s up to. For five years, she only sees him briefly at meal-times before locking himself up in the tower once again..." "...Did he have a bathroom in the tower?" "Yes, Jack. A big one! En-suite! Power-shower and spa! Where was I!?

Seeing him again had been a gut punch.

See, you’ve got to understand, son. There’s two types of guys in this world. There’s guys . . . who think they’re in control, and guys like us who live in the moment. Who accept life as it is.

Severed and gone, so many years! And art thou still so dear to me, That throbbing heart and burning tears Can witness how I cling to thee?

Shaken by emotional storms, I realized that choosing to feel guilt, however painful, somehow seemed to offer reassurance that such events did not happen at random.... If guilt is the price we pay for the illusion that we have some control over nature, many of us are willing to pay it. I was. To begin to release the weight of guilt, I had to let go of whatever illusion of control it pretended to offer, and acknowledge that pain and death are as natural as birth, woven inseparably into our human nature.

She always used to suspect that the price for happiness, the price for enjoying the company of a person you loved, was the steadily increasing risk of losing them, and at times, when she considered the possibility that she might lose Isabel or Clancy or, in the early days, Todd, Bernice didn't think she could stand it, didn't think she could go on living in a universe whose laws forced her to submit to such a terrible fear. Now she sees what a small price it is to pay, what staggering joy she received in return. You should be willing to pay that price for as little as a few days or hours with a person you love, she thinks, rubbing her fingers across a patch of linoleum the years have worn down to a cloudy smear.

She asked another question: "What does it matter if the rhinos die out? Is it really important that they are saved?" This would normally have riled me... but I had come to think of her as Dr. Spock from Star Trek - an emotionless, purely logical creature, at least with regards to her feelings for animals. Like Spock, though, I knew there were one or two things that stirred her, so I gave an honest reply. "... to be honest, it doesn't matter. No economy will suffer, nobody will go hungry, no diseases will be spawned. Yet there will never be a way to place a value on what we have lost. Future children will see rhinos only in books and wonder how we let them go so easily. It would be like lighting a fire in the Louvre and watching the Mona Lisa burn. Most people would think 'What a pity' and leave it at that while only a few wept

She can feel her vanished talent like a phantom limb, the empty ache of its subtraction from the short list of her assets, and she knows with spiteful certainty that it is gone for good.

{She} considered mentioning...how she, to, was all alone. But it didn't matter. So many stupid ways to live and die. She felt a shift inside herself at the thought, a letting go...she had reached a limit now and was moving into something new.

She couldn't put into words how desparately she wanted to know what had happened to Sarah. But she'd suddenly realized that Sarah was not the only one who had lost her memory of what happened when she was a little girl. Hundreds of thousands of people had lost their memories of what had happened to them ...

She did not belong to the healthy group of widows and widowers who, after mourning, would nurture the seed of their grief into growing from loss—perhaps continuing the dreams of the lost, or learning to cherish alone the things they’d cherished together. She belonged instead to the sad lot who clung to grief, who nurtured it by never moving beyond it. They’d shelter it deep inside where the years padded it in saudade layers like some malignant pearl.

She did not like seeing her loved ones like this, bent over with sorrow; everything in her wanted to cry out, to thrash and scream at the sight of it. But she knew that great grief came from great love, and that their grief was an honor to her. And she did love them so very much.

She'd loved Mada Vittora once. A twisted, misunderstood love, but even the cruelest forms of love were never lost without heartache.

She did not even have words, only a feeling, a terrible hollow feeling, as if everything inside her had been scooped out raw.

She did not know how to grieve in the context of her life.

She felt damned. As though she were marching to her death. She felt like had been sentenced. And yet she felt eerily free.

She felt the depth of her losses before they were realized, and she wondered, Is there still hope? Did she even dare hold on to such a tenuous thing as hope?

She had a dream, quite singular, dearest to her heart. She had a dream, quite eccentric, treasured in her soul. She nurtured it, she cuddled it and kept it covered in the twinkle of her eye and waited patiently with a fond expectation. Yet in that sky wrapped in the radiance of a rainbow , all but that dream came alive. She often smiled at that solitary dream with numb tears of pallid fulfilment.

She had learnt a painful lesson, she thought – that as they die, the ones we love, we lose our witnesses, our watchers, those who know and understand the tiny little meaningless patterns, those words drawn in water with a stick. And there is nothing left but the endless flow.

She had never met Caroline's mother, but she knew a thing or two about what happened when someone went far away, how after a time you couldn't see their faces anymore when you closed your eyes or hear exactly how they laughed at a joke, how they seemed less like a real person whom you loved and more like a character in a story. And once that happened, it was easy, too easy, to let them float away like milkweed.

She had a sense of longing and loss that she had never had before. It was as if her family history had been erased and they'd been left unmemorable.She imagined that Rachel's family must have similar feelings, but she did not try to share these thoughts with Rachel.

She had conquered, but she had also necessarily lost much. Perhaps what she had lost was not worth keeping; but at any rate she had lost it.

She had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering.

...she imagines her body curled in the narrow monk's bed, knees to chin, her own irrefutable geography, but she sees the blood of her futile heart seeping out over her chest and arms and legs, flooding across the rough wooden floor, down the narrow wooden stairs and out into the old soil of the garden. No roses, no, she does not even ask to make roses, just dissolution; most any night she asks just for that.

She had worn the Morgenstern ring since Jace had left it for her, and sometimes she wondered why. Did she really want to be reminded of Valentine? And yet, at the same time, was it ever right to forget? You couldn't erase everything that caused you pain with its recollection. She didn't want to forget Max or Madeleine, or Hodge, or the Inquisitor, or even Sebastian. Every moment was valuable; even the bad ones.

She has been surprised by grief, its constancy, its immediacy, its unrelenting physical pain.

She is so soft with the scars But it's time for her to bloom To grow To stay in the light Though she is homesick for someone Who is so far away

She knew nothing of the massacre that went on around her, but when she released the wail of a broken hearted mother, one man heard her. The one who took her son's life.

She'll pause over a peppermint, still twisted in cellophane, and wonder if it's significant, if it had meant something to Lydia, if it was just overlooked and discarded. She knows she'll find no answers. For now, she watches the figure in the bed, and her eyes fill with tears. It's enough.

She looked so disappointed, so grieved and desperate that Clem longed to comfort her, only he couldn't think of thing to say that she hadn't heard a hundred times from Dad and Dr. Snow and Mrs. Mack: how things would get better in time, though no one knew how much time, and that life might be a little better for her and Jess once school began again.

She likes to write messages on balloons and send them to the sky. She takes out a black Magic Marker and she starts writing on the dozen or so balloons, one for each member of our family who died. She doesn't think she can write well and asks me not to read her notes. She likes to think they'll soar all the way to heaven. I think she knows they end up tangled in power lines or deflated in a pile of orange leaves in someone's backyard miles away, but I can never bring myself to say that to her. I've often wondered what they must think, those people who find our balloons. I've wondered if they read the messages and understand what they mean. I remember watching those balloons as a little boy, each fall, wondering if someday I, too, would be nothing but a balloon in the sky, soaring toward the sun until I began to fall slowly back to earth and into the hands of a stranger.

She loved beyond measure, When I was young I thought her cold. But in time I came to understand that she was too tender for the world she’d been born into,” I said. Sorrow gave Dalia an iron gift. Behind that hard shelter, she loved boundlessly in the distance and privacy of her solitude, safe from the tragic rains of her fate.

She realized the hurt from loss had never completely left. Instead, it had just scabbed over the hole hidden beneath the scar tissue.

She said that that was the disadvantage of bringing creatures into the house: one grew used to them, and then, one had the upset of their loss.

She remembers blood. A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss. Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms.

She might do what the mortals did, and strain to convince herself that the death of her Boy and the loss of her husband had happened for some reason, that some restitution would be made for her, that she would be paid for her suffering with a truer and more tolerable understanding of the world, but she didn't think she had the muscles for it.

She sensed that they expected her to fall apart, but she didn't know how to fall apart. She knew it was strange. She looked the same despite this massive piece of herself that had gone missing. She acted the same. She went to work, greeted people, went home. Everything normal on the outside, except the occassional muffled crying on the job.

She sheltered her colors in the dark, where others were blind to see; I caught a glimpse of her lastly when she gave me a chance, before disappearing into the day. There was beauty locked in her that unfolded like an umbrella's claw, her true self that desired compassion, trust, protection and the potential to soar. But I missed to late, that what I wasn't looking for, when she left her reasons in the rain.

she slammed the door and was gone. I looked at the closed door and at the doorknob and strangely I didn't feel alone.

She’s kept her love for him as alive as the summer they first met. In order to do this, she’s turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky. My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.

She's not coming back." "No." He knew it was true. He had the feeling that the world might easily stop turning without the girl in it. Every hour was arduous, and when it was over, you had to start again with a new one, no better. He wondered how long he would be able to keep it going.

She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop.

She thought often of her own death, but without fear, loss having been her only belonging in this life. For years, acceptance had been her only means of survival. She knew that no matter how miserable or wretched life became, all she could do with her meek piece of time was sustain it. Decades of guilt, lost faith, the betrayal by those few people she'd let herself love - it was worth enduring these things, if only for the gift of a single, exalted moment. And such moments happened, even frequently, in the lives of people wise enough to see them.

She wanted to tell him so much, on the tarmac, the day he left. The world is run by brutal men and the surest proof is their armies. If they ask you to stand still, you should dance. If they ask you to burn the flag, wave it. If they ask you to murder, re-create. Theorem, anti-theorem, corollary, anti-corollary. Underline it twice. It’s all there in the numbers. Listen to your mother. Listen to me, Joshua. Look me in the eyes. I have something to tell you.

She started beating it against the walls and floor until it was nothing but pieces, nothing but a memory of a guitar. I had an idea, though not yet clear, that it wasn’t her arms that beat what once could sing, but her heavy heart, as she once said that even the Rock of Gibraltar had ten thousand holes.

She understood loss, understood how it could leach into every fiber of one's being; how it could dull the shine on a sunny day, and how it could replace happiness with doubt, giving rise to a lingering fear that good fortune might be snatched back at any time.

She was a music I no longer heard, that rang in my mind, itself and nothing else, lost to all sense, but not perished, not perished.

She was all that I knew, all that was dear. I'd loved her and she'd loved me. Now I was alone in the world. How would I do without her? My thoughts echoed the landlady: What would become of me?

She was doing just what it looked like she was doing, lying about, half-awake and half-asleep, passing the time and waiting for something to change. Because it seemed very clear to her, in those first few days, that what she felt was so intolerable that it couldn't possibly last, and if she did nothing to distract herself from it, she'd use it up, and then she'd be able to get up, and move about, and care once again about her duties to her people, about her constitutional obligations to dancing and singing and feasting and praising the movements of the stars. She didn't consider at all--she didn't dare to consider--that the sources of grief inside her might be inexhaustible.

... she was impossible not to look at, impossible not to love. She moved through the party like an aura, and even the places she’d been and gone from held something of her radiance, her afterglow.