Best 4819 quotes in «loss quotes» category

It can be tempting to blame others for our loss of direction. We get lots of information about life but little education in life from parents, teachers, and other authority figures who should know better from their experience. Information is about facts. Education is about wisdom and the knowledge of how to love and survive.

It goes without saying that the stability of the Middle East is the foundation for peace and prosperity for the world, and of course for Japan. Should we leave terrorism or weapons of mass destruction to spread in this region, the loss imparted upon the international community would be immeasurable.

It has always appeared to me, that there is so much to be done in this world, that all self-inflicted suffering which cannot be turned to good account for others, is a loss - a loss, if you may so express it, to the spiritual world.

I think a current understanding about urban behavior tells us that it's important that people get out and be able to get away from the concrete jungles and the dense environment where they live for their own mental well-being. If they don't do this, the costs in human loss and human sickness will be far greater than what we would be expending for these kinds of releases and open spaces.

I think a lot of our problems are because people don't listen to our children. It is not always easy. They're not always so brilliant that you want to spend hours with them. But it is very important to listen to them.

I think any athlete will tell you that season-ending losses stay with you for a long time. If you are one of the main reasons for a season-ending loss, it sticks with you longer.

I think Donald Trump is a master of moving on from losses when he suffered them, and if he can`t find a way in the short term to get the wall paid for by Mexico, I think he`ll Trumpet the fact that the wall is being built.

I think I felt God's love the deepest when I experienced my deepest loss. Amazing how God does that!

I think if you've suffered, if you've experienced loss, you're probably more open to understanding it and more comfortable talking about it and experiencing it.

I think I'm really fortunate to be an installation artist who is heavily invested in photography: I don't have the emotional problems with the loss of work that some installation artists have. The photographs wouldn't exist without the installation... but at the same time, I think I'd kill myself if I only did installations. There's something deeply tragic about doing work that you know is temporal.

I think it's doubly important, now that we see so many people failing. When the norm is an anti-hero, there's a serious loss when you cannot portray a decent person on screen without it becoming slightly sentimental or feeling like it's unrealistic.

I think it's interesting, from a creative point of view, to have witnessed the loss of consciousness on a national level and on a cultural level - Bush had 91 percent support in the polls after 9/11. We wanted to kick some ass!

I think it's going to be a tough century; I also think people are starting to rise up, and that a growth in human solidarity will help compensate for the loss of margin in the natural world that will make life harder.

I think loss of loved ones is the hardest blow in life.

I think living in the West, we live in a culture where everybody strives for perfection, whether it's in body, health, spirit, skin, hair, nails. Perfect happiness would be a constant state of bliss, which doesn't exist. Growing up and going through the loss I went through, I never had a moment where I believed a constant state of bliss was possible. Instead, I tried to create many moments. But, I didn't know how to get there. Because of what I went through, I have a natural tendency towards darkness. Though it may be in my DNA as well.

I think I've always had a decent perspective on wins and losses on the tennis court.

I think one of the issues quite often, from a mental health perspective, that people find power behind a gun. Frequently, that is the issue behind most people. They feel a loss of power. They use a gun to sort of equalize things. And, of course, once the process begins, quite often people die in that process.

I think part of a hero construct is overcoming loss, or being abandoned, or having to make your own way in the world.

I think people can get a little weirded out by pain, suffering, and death. They don't know what to do so they end up saying things that are hurtful to people who have experienced loss.

I think of depression as the mechanism that pushes down the pain of that loss. It tries to distance us from the loss but it lowers our whole energy level. I think that's a pervasive way we end up responding to loss or the anticipation of loss. Natural but not necessary.

I think people who are unhappy are always proud of being so, and therefore do not like to be told that there is nothing grand about their unhappiness. A man who is melancholy because lack of exercise has upset his liver always believes that it is the loss of God, or the menace of Bolshevism, or some such dignified cause that makes him sad. When you tell people that happiness is a simple matter, they get annoyed with you.

I think that the loss of confidence in yourself to make good music is what being jaded is.

I think so many families are touched by illness and loss, and we kind of overprotect our children often, you know, we sanitize.

I think that 9/11 is a greater loss if we do not change our behavior in some way. I think that if we don't turn it into a positive change in some way, those innocent people really died for no purpose. I would like to think they had some important purpose. What I see, that I don't like, is the product of what our land of opportunity can breed.

I think that I am profoundly influenced by writers who have explored loss, and longing, and fear. Those influences have turned me into a thriller writer, essentially.

I think that's the real loss of innocence: the first time you glimpse the boundaries that will limit your potential.

I think that we are passionate creatures who really live our fullest life when we are deeply engaged, when we feel successes, and exult in them, when we feel losses and tragedies and are hurt by them. So I came to the conclusion that Eastern ideas of withdrawal may not be right for modern Westerners. If you read the ancient texts, they're pretty severe. I mean, they really are not the sort of thing that you would think compatible with really throwing yourself into life and being a part of it.

I think the heartbreak of September 11 - America's grief not only over the loss of life but also the loss of our own innocence -has expanded us as people because it has tenderized our hearts. On a psychological level, the American people have matured as a result of that awful day.

I think that public grieving is a good thing. People need to be grieved; loss needs to be acknowledged publicly, because it helps to confer a sense of reality on the loss but also because it makes it known that this was a real life.

I think that youth culture is now very deliberately designed by both corporate entities and by governments to not involve people directly. Because as soon as you involve people you have a small loss of control; and as soon as that happens, anything could happen.

I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.

I think there'd be huge losses if there weren't newspapers. I know everything's shifting to the Internet and some people would say, 'News is news, what you're talking about is a change of consumption, not the product that's out there.' But I think there is a change.

I think you have to grieve the loss of youth before you can claim the joy on the other side of it.

I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.

I think this lack of a center has something to do with the loss of certainties that Christianity had to offer

I think we now come to the park expecting to win instead of playing not to lose.

I thought a lot about how so many memoirs about fatness focus on weight loss; they don't focus on living with weight in a world that is rather inhospitable to it. So I knew that was the idea that was going to be most interesting and most challenging, and I like to be challenged as a writer.

It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.

I thought of the pillowcases as a symbol of love and loss, of retaining the memory of your loved one.

It hurt the economic historians, the Marxists and the fabians, to admit that the Ten Hour Bill, the basic piece of 19th century legislation, came down from the top, out of aa nobleman's private feelings about the Gospel, or that the abolition of the slave trade was achieved, not through the operation of some "law" of profit and loss, but peurlet as the result of tyhe new humanitarianism of the Evangelicals.

It is a hard matter, my fellow citizens, to argue with the belly, since it has no ears.

It is always our treasure that the lightning strikes.

It is an immense loss to have all robust and sustaining expletives refined away from one! At. moments of trial refinement is a feeble reed to lean upon.

It is a mysterious thing, the loss of faith—as mysterious as faith itself.

It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.

It is a terrible thing for an old woman to outlive her dogs.

It is better to cherish virtue and humanity, by leaving much to free will, even with some loss of the object , than to attempt to make men mere machines and instruments of political benevolence. The world on the whole will gain by a liberty, without which virtue cannot exist.

I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.

I though about what death is, what a loss is. A sharp pain that lessens with time, but can never quite heal over. A scar. The idea occurred to me there on the site. Take a knife and cut open the earth, and with time the grass would heal it. As if you cut open the rock and polished it.

It is abundantly evident that, however natural it may be for us to feel sorrow at the death of our relatives, that sorrow is an error and an evil, and we ought to overcome it. There is no need to sorrow for them, for they have passed into a far wider and happier life. If we sorrow for our own fancied separation from them, we are in the first place weeping over an illusion, for in truth they are not separated from us; and secondly, we are acting selfishly, because we are thinking more of our own apparent loss than of their great and real gain.