Best 4819 quotes in «loss quotes» category

Have the courage to walk away, those that value you will want you back, & those that do not won't hold you back.

Have you ever reached to a point where you asked God if the assignment is really from Him. In your account you have just 100 dollars and He is asking you to execute a 400 million dollar project. Have you reached to the point that you consider going further will make no sense? Have you reached the point where you asked God are you sure you are still with me? I just found myself in that Junction now. Turning back ....to realise I have gone too far for Him to forsake me. Moving forward I heard the voice saying ...be still and know that I am your God. Giving up.....Couldn't find it in my dictionary. Moral of the lesson. God cannot give you an assignment that is equal to your pocket. If it suits your pocket it is definitely not from God. Remember God will not take glory where nothing happen.

Have you ever lost someone close to you? Someone who is at the core of your universe, the hero of all your stories...when that happens, it isn’t just the loss of one life, it’s the loss of two lives - one who found another world, perhaps...and one who is left behind.

Have you ever had anything that you feel like you’d die without?” Houndstooth said it so quietly that it sounded like a prayer. “Something that you’ve put everything into—your whole life, all your heart? Have you ever had anything like that?

Haymitch isn't thinking of arenas, but something else. "Johanna's back in the hospital." I assumed Johanna was fine, had passed her exam, but simply wasn't assigned to a sharp shooters' unit. She's wicked with a throwing axe but about average with a gun. "Is she hurt? What happened?" "It was while she was on the Block. They try to ferret out a soldier's potential weakness. So they flooded the street, " says Haymitch. This doesn't help. Johanna can swim. At least, I seem to remember her swimming around some in the Quarter Quell. Not like Finnick, of course, but none of us are like Finnick. "So?" "That's how they tortured her in the Capitol. Soaked her then used electric shocks," says Haymitch. "In the Block, she had some kind of flashback. Panicked, didn't know where she was. She's back under sedation." Finnick and I just stand there as if we've lost the ability to respond. I think of the way Johanna never showers. How she forced herself into the rain like it was acid that day. I had attributed her misery to morphling withdrawal. "You two should go see her. You're as close to friends as she's got," says Haymitch. That makes the whole thing worse. I don't really know what's between Johanna and Finnick, but I hardly know her. No family. No friends.Not so much as a token from District 7 to set beside her regulation clothes in her anonymous drawer. Nothing.

He always kept a handful of stars in his pockets and rays of sunshine in his smile, a hurricane in his eyes and whole galaxies in his mind. And now when I close my eyes, my mind roams and enters the cave where our memories still resided. There's so much I wish I could tell you, but most of all I wonder how you could do this to us. I'm yet again stuck in this darkness that seems to never end.

Heartbreak is an altogether different thing. Disappointment doesn't grow into heartbreak, nor does failure...It comes form the loss of love or the perceived loss of love...Heartbreak is what happens when love is lost.

Hearing loss is a known effect of high altitude barotrauma.

Heartache, guilt, loss, grief, these things, too, are monsters.

Heartbreak , death and loss were shared between us, but renewal, commitment and strength as well.

Heaven left a hole in your heart. But it’s up to you to choose if that hole will be filled with pain, anger, and the eternal darkness of loss . . . Or if you will choose to fill it with light and love and have that hole shine out of you like a spotlight into your life, keeping their memory alive . . . {It’s up to you.}

Heavy is the head that holds the pen of creation. We construct these characters from nothing, molding them from our imaginations. We give them hopes and dreams and unique personalities until they feel so real you’re mind believes it must be so. We watch them grow by our hands, not always knowing the paths they will choose with the obstacles we throw at them. They take on a life of their own and often surprise even us by their actions we couldn’t have imagined before it poured out of us onto the paper. We could change it if we really wanted to, but it would be forced and not be true to the characters. And when something tragic happens and one is lost, we feel that loss even though we know they were not a friend, a family member or even ourselves. It can be a hard thing to voice sometimes, to give tribute to the one’s left behind with the real sadness over something not so real. But we find the words and press on to the next challenge, because that's what good writers do.

He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried hard to memorize this moment. I wanted to remember him exactly as he was right then, how his arms looked brown against his white shirt, the way his hair was cut a little too short in the front. Even the bruise, there because of me. Then he was gone. Just for that moment, the thought that I might never see him again… it felt worse than death. I wanted to run after him. Tell him anything, everything. Just don’t go. Please just never go. Please just always be near me, so I can at least see you. Because it felt final. I always believed that we would find our way back to each other every time. That no matter what, we would be connected—by our history, by this house. But this time, this last time, it felt final. Like I would never see him again, or that when I did, it would be different, there would be a mountain between us. I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn’t expect was to feel so much grief. Bye bye, Birdie.

He couldn’t count them all. Nobody taught him how to count past ten. Such losses were beyond his comprehension.

He crosses the front room, which he calls his study, and comes down the staircase. The stairs turn a corner; they are narrow and steep. You can touch both handrails with your elbows, and you have to bend your head, even if, like George, you are only five eight. This is a tightly planned little house. He often feels protected by its smallness; there is hardly room enough here to feel lonely. Nevertheless.

He didn’t want to see any more reminders of dead friends.

He doesn’t want to meet me, doens’t want to forgive me. He must really hate me so much to refuse to see me this last time…He must not even hate me at all. He just feels unconcerned and doesn’t care. -Ruo Xi

HE didn't realize she was his everything until he gave her up for everything else.

He doesn't visit me in dreams, but the smell of garlic on my fingers reminds me of him and, by extension, he loss of him. Sulfurous, maybe a little shameful, the smell reminds me of love.

He entered the city asked a blind man if he had ever heard the name Enkidu, and the old man shrugged and shook his head, then turned away, as if to say, ‘It is impossible to keep the names of friends whom we have lost

He felt lighter than he had in weeks, and he realized that the monster he had been running from wasn’t really a monster after all. It was simply that place in the heart that holds the measure of your history, the joy and the grief, the laughter and the tears, the magic and the wonder; all the ingredients that add up to the story of a life well lived.

He felt like his own heart might stop beating just from acknowledging the concept. The sadness, the sorrow, and the loss, they were living things, funnily enough.

He grasped for hope in Emerson's vision of natural polarities, in which all things are balanced by their opposites—darkness by light, cold by heat, loss by gain.

He felt something trickle down his face and he wiped it away irritably. When he looked at the back of his hand, he found trails of red. He had never cried in his life; in fact, he could not cry with no tear ducts. But now, at last, he was. He was crying tears of blood. For her.

He had never cared if his victims lived or died once he was through with them. But not her. He couldn’t allow her to die. The moment he felt that small flutter of her heart, ready to give way to his hunger, he had stopped and gazed down at her for long moments.

He had no idea how to deal with the staggering amount of grief he felt, so he looked to the sun and blinded himself with its light.

He hadn’t saved her. He hadn’t even bothered trying.

He hated how many people had to die, so they could gain their freedom. What hurt most was that they did not even die at the hands of the infected. They were killed for no good reason.

He lives vividly in her recollections, however, and his memory is etched on her soul.

He let himself into the house and sat down with his back against the door, where the tiles were cool on his legs and he tried to hear, as he had earlier imagined, every single thing that his wife was not doing in their home on this Sunday night. He could hardly keep track of it all, she was so busy being absent. She was not pouring water into a glass or a pitcher. She was not kicking his shoes out of the hall. She was not switching the laundry into the dryer. She was not opening the screen door and going outside barefoot and calling for him to come look at the sunset. She was not putting lotion on her elbows or flattening the newspaper or picking up the ringing telephone, which would go on calling out the absence of Petra in nine-ring sequences dozens of times every day.

HELLO, my name is your potential. But you can call me impossible. I am the missed opportunities. I am the expectations you will never fulfil. I am always taunting you, regardless of how hard you try, how hard you hope.

He longed for her more than he could say. It was a wonderful thing to be able to truly want someone like this –the feeling was so real, so overpowering. He hadn’t felt this way in ages. Maybe he never had before. Not that everything about it was wonderful: his chest ached, he found it hard to breathe, and a fear, a dark oscillation, had hold of him. But now even that kind of ache had become an important part of the affection he felt. He didn’t want to let that feeling slip from his grasp. Once lost, he might never happen across that warmth again. If he had to lose it, he would rather lose himself.

He looked at me like I was the stars when all I’d ever felt like was the dark nothingness between them.

Help me,” I sobbed. “I beg you, help me.” My eyes burned, but no tears came. I had lost the basic human ability to weep. Human…I am no longer human. “Destroy me. Take pity and send me on my way.

He may take long walks in the raining dark almost aimlessly to a spot of soaked grass in a neighbor’s open field. He’s decided this is the place for you and him to meet again.

...he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world, so he prayed as a lament, as a consolation, and as a hope....

He never talked about his mother--and I had learned never to ask--but I sometimes sensed her absence in his reactions to certain events, as if he knew even then that there existed under everything a universal grief.

Here, falling in love can be an event, a proclamation without acknowledging that everyone you love could die an awful death, that loving someone is an acceptance of impending loss.

He put his head up to the sky and closed his eyes. The tear that fell down his cheek glistened in the sun and remained there, like the impression of a scar

He needs a looser association. He needs something that implies a man who wants the ice shard to remain in his chest, who's learned to love the sensation of being pierced.

He pondered his turmoil, wondering which he feared most—losing his father or being alone in the world. Both were inevitable. Neither could be stopped or slowed down. All he could do now was brace for impact.

Her bed felt huge and empty now, and when she slept, she did so with her arm around a pillow. She dreamed of him almost every night, sometimes good dreams of happy days and joyful times; often they were terrible dreams of abandonment, loss and sorrow. She didn't know which was worse: every morning she woke afresh to the knowledge that he was gone and he would never come back. It would never be all right again.

Here are the things I want for you - I want you to be happy. I want someone else to know the warmth of your smile, to feel the way I did when I was in your presence. I want you to know how happy you once made me and though you really did hurt me, in the end, I was better for it. I don't know if what we had was love, but if it wasn't, I hope to never fall in love. Because of you, I know I am too fragile to bear it. I want you to remember my lips beneath your fingers and how you told me things you never told another soul. I want you to know that I have kept sacred, everything you had entrusted in me and I always will. Finally, I want you to know how sorry I am for pushing you away when I had only meant to bring you closer. And if I ever felt like home to you, it was because you were safe with me. - I want you to know that most of all.

Her strategy for honoring the dead had always been to take action - solve the mystery, punish the criminal. But what did you do when there was no one to punish? When there were no answers to find? How do you assimilate that kind of loss without losing your mind?

Her mother wears it in her eyes: the grief, the regrets, the guilt. She has the body of a twenty-year-old. Eyes like she’s fifty. Dark purple circles. Wrinkle wings along the edges. This woman who used to fill her mind with princess stories, castles and dragons and magic rings that transported Lyric to other worlds. But there are no castles on the southeast side. And the only princesses in Grand Rapids are white and Dutch and oblivious to this life.

Her gaze wavered towards one of the books on the sales counter beside the register, a hardcover copy of Shakespeare’s Hamlet with many of the pages dog-eared and stained with coffee and tea. The store owner caught her looking at it and slid it across the counter towards her. “You ever read Hamlet?” he questioned. “I tried to when I was in high school,” said Mandy, picking up the book and flipping it over to read the back. “I mean, it’s expected that everyone should like Shakespeare’s books and plays, but I just….” her words faltered when she noticed him laughing to himself. “What’s so funny, Sir?” she added, slightly offended. “…Oh, I’m not laughing at you, just with you,” said the store owner. “Most people who say they love Shakespeare only pretend to love his work. You’re honest Ma’am, that’s all. You see, the reason you and so many others are put-off by reading Shakespeare is because reading his words on paper, and seeing his words in action, in a play as they were meant to be seen, are two separate things… and if you can find a way to relate his plays to yourself, you’ll enjoy them so much more because you’ll feel connected to them. Take Hamlet for example – Hamlet himself is grieving over a loss in his life, and everyone is telling him to move on but no matter how hard he tries to, in the end all he can do is to get even with the ones who betrayed him.” “…Wow, when you put it that way… sure, I think I’ll buy a copy just to try reading, why not?” Mandy replied with a smile.

(Her husband's departure ...) had picked Mildred up by the hair and dropped her down at the doorstep of insanity. From "Butterfly on F street

He sank to his knees, absolutely full of despair and sadness. For a long time, droplets of blood continued to fall into his lap.

He's not gone," said Jared. "Oh, and how do you figure that?" Kami demanded. "He seems pretty gone to me." "When my Dad died... When he died, he wasn't gone. My mom and I could never be what we might have been without him. He stayed like a shadow in every corner of our home, stayed a stain in our hearts. I felt it. I can't believe that good will leave us when evil remains. I will not. I do not.

He's lighter than you'd think, like whatever was inside him was used up long ago. With that reasoning, it's a wonder I don't float off into the sky.