Best 94850 quotes in «people quotes» category

When I was in my early twenties, I fell in love at least 20 times a day. You have to be with someone where you think: if the world was full of people like you, I could not be monogamous. As you get older, you get to know yourself a little more. The older you get, the more you realize what you need. And you also realize how your choice in relationships is influenced by how you grew up. Now I feel like I've explored the dynamic of how I grew up, and I'm free to find someone who's really going to be a wonderful companion.

When I was in prison, I was wrapped up in all those deep books. That Tolstoy crap - people shouldn't read that stuff.

When I was in Russia I found that I thought I was going to give these people that I was interviewing a whole bunch of choice in terms of what they could drink while we were chatting.

When I was in Africa, this voice came to me and said, "Richard, what do you see?" I said, "I see all types of people." The voice said, "But do you see any niggers?" I said, "No." It said, "Do you know why? 'Cause there aren't any.

When I was in college I did a lot of stupid things and I don't want to make an excuse for that. Some of the things that people accuse me of are true, some of them aren't. There are pranks, IMs.

When I was in high school I moved from the big city to a tiny village of 500 people in Vermont. It was like The Waltons!

When I was in high school, I wanted to be a counselor and I wanted to work with kids. I've been through the worst of high school. And I want to motivate people to live the best life that they can, because we're only here for one life.

When I was in jail, I was a lot of people's favorite person. I practically ran the jail. I had more freedom than the police.

When I was in my 20s and 30s, there was such a variety and diversity of types of films that you could see. So many of them were really more about the human condition and about relationships between people, and they were smaller films that had a much greater impact on me as a human being.

When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.

When I was in college, I remember thinking to myself, this internet thing is awesome because you can look up anything you want, you can read news, you can download music, you can watch movies, you can find information on Google, you can get reference material on Wikipedia, except the thing that is most important to humans, which is other people, was not there.

When I was in law school I was taught that the great writers were people like [Oliver Wendell] Holmes Jr. and [Benjamin N.] Cardozo. But you go back and read their prose and it's sort of perfumed and very ornate and show-offy. And they're constantly striving for these abstractions that seem archaic nowadays.

When I was in south Sudan, people used to rap in my village. But the rapping was more in the mother tongue, Nuer.

When I was little, I always used to like to tell stories cuz it was entertaining to people.

When I was looking at the Russian Constructivists, these agitprop artists actually painted on trains. It was a heavy influence. They were bringing art to the people, to the masses, and breaking it out of the clubbiness of the art world, which is a monolith.

When I was lucky enough to be successful, I distanced myself completely from the whole thing of units and selling copies. I just wanted to keep everyone who comes to see me happy. I spend so much time after my shows talking to people who come from all over the world to see me. I'll go out and sign a picture and have a chat.

When I was studying at Chicago and at Stanford University, where many many cases of two people observing the same event have a different take on what happened.

When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.

When I was larger, people said I was fat. Now that I've lost weight, they say I died.

When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.

When I was on stage with the Spice Girls, I thought people were there to see the other four and not me.

When I was playing before I retired, I never really understood the appreciation and the respect that people gave me. People had treated me like a god or something, and that was very embarrassing.

When I was president, I announced and I still maintain that I can live with Roe v. Wade. I did everything I possibly could as president under that ruling, which I don't think ought to be changed, to minimize the need for abortions. I think every abortion is a result of a horrible series of errors on the part of people involved.

When I was really young, I was reluctant to be perceived as bossy, and I thought that working with an ensemble was about generating a consensus all the time. Later on, I realized that it's actually generous to know what you want and to tell people what you want - actors, crew, everyone.

When I was small, I didn't even know that I was a kid with special needs.  How did I find out? By other people telling me that I was different from everyone else, and that this was a problem.

When I was stalking my special lady friend on MySpace, people would always say, 'Is this really Marilyn Manson or some kind of psycho?' And I'm like, 'Both'

When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.

When I was in the Army, the unit I served in, you could never stop. It was a volunteer unit, and there was a fairly high rate of attrition. The people who stayed through are the people who were either great at it or the people who just didn't know how to stop. And I fell into that second category.

When I was listening in on the phone call where Andre Leon Talley was saying that he was going to get my fat, black ass on the cover of a magazine. I think that - you know, Andre Leon Talley is fat and black. And it hurt my feelings. It hurt my feelings. But it also was a lesson in this is what they think, and this is what they will always think. And there's no way of being too talented or too pretty or too confident around it. People will still have their opinions.

When I was out of favor and people didn't want that type of boot, flats, or high heels with the elegant, dainty things, it gave me much more energy.

When I was pregnant, I was so huge and people on the bus would get up for me. That made me feel so precious and valued and valuable. I try to treat everyone like they're pregnant.

When I was small child, all that belonged to conservative society was fashionable, and no republicans were welcome in the smartersalons. People living in such a milieu could imagine that the impossibility of ever inviting an "opportunist", much less a "radical", was a thing that would last forever, like gas lamps and horse-drawn omnibuses. But similar to kaleidoscopes turning from time to time, society successively places in various ways elements which were thought to be immutable and creates a new composition.

When I was little, I attended five different elementary schools. My parents are very restless people, which is probably where I get my own nomadic lifestyle from.

When I was little, there were so many people in my house. Everyone was enjoying themselves, rehearsing, having fun. It was like a playground.

When I wasn't working I didn't know what to do with myself and sort of didn't exist, in a way, when I wasn't working, so I was like two different people. I am not like that anymore.

When I was really little, I was skinny and people laughed at me for being skinny, so, we all pay our dues for the bodies we're in one way or another. But thank god I haven't needed to alter it to feel good about myself.

When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.

When I was little, I would always lie about the stupidest things. In kindergarten or first grade, I would tell people I had tigers living in my attic and a room full of gold.

When I was setting out to be an artist, I said: If I can just produce one work that some people think is good, if I can become an obscure cult artist, that's all I want. Well, I attained that. I'm an obscure cult artist, and I think now, Why didn't I say I want to be another Picasso or something? What other options were open to me? But I was convinced I couldn't achieve great things because I don't have a steady-state mind.

When I was starting, I was very much influenced by the straight up, eyes to camera style of August Sander. He is really the only one. Had I known then the work of people like Ken Russell, Vivian Maier, Helen Levitt, and Steven Berkoff, they would undoubtedly have influenced me too.

When I was starting out, science fiction was a little genre over there, which only a few people read. But now -- where are you going to put, for example, Salman Rushdie? Or any of the South American writers? Most people get by calling them magical realists.

When I was twenty I was in love with words, a wordsmith. I didn't know enough to know when people were letting words get in their way. Now I like the words to disappear, like a transparent curtain.

When I was very young I wanted to be an opera singer, a ballet dancer... The people I loved were a little different.

When I was younger, I think I intimidated people much more because I was far more insecure.

When I was younger, I thought, 'Ok, I'm supposed to do this project because it'll help my career,' but that didn't work because I ended up doing movies that I worked really hard on but I didn't really like and they didn't turn out well, so it was like I lost double. Once I just started working with people and projects I believed in, everything changed and I suddenly had a career that I loved and that I was proud of.

When I was younger, I was very scared to talk to people. To the point where my parents took me to a therapist because they thought something was wrong with me.

When I was young I asked more of people than they could give: everlasting friendship, endless feeling. Now I know to ask less of them than they can give: a straightforward companionship. And their feelings, their friendship, their generous actions seem in my eyes to be wholly miraculous: a consequence of grace alone.

When I was young, I expected from people more than they could give: neverending friendship and constant excitement. Now I expect less than they can actually can give: to stay close silently. And their feelings, friendship, noble deeds always seem like a miracle to me: a true grace.

When I was young I thought, 'Yeah, people don't see, they're not recognizing how funny I am, and how talented I am'. And the guys that mentored me were like, 'You just have to keep getting up'. And I look back and they were right. They were all right.

When I was travelling in Rajasthan people were waving hands, and it felt like I was visiting my own constituency.