Best 488 quotes in «fairy tales quotes» category

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    BELIEVING IS SEEING what you want! Seeing, might be believing, what you don't want! Your inside eyes are your special sight, to create your life in every way, But the environment you see with your eyes creates your thoughts every day. The beliefs that come from outside of you will make more of the same; So to see a change you must think out of the box; this is how you play the game. What you think, see and feel all at once, is how you create your life; Be the observer in your heart and mind, not what will repeat your strife, This will promote a healthy brain, to focus on joy rather than pain, See what you want, as if it is happening NOW, the Little People just showed you how! Because, your imagination is your real tool, no matter what anybody else tells you! The Little People Journey into the Mystic Sea

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    Be mindful of the thoughts and emotions you put out, they will only project back to you like a boomerang, no doubt!” Grampa Foster, See the Little People…An Enchanting Adventure

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    Be Strong when you are weak, be brave when you are scared, be humble when you are victorious. Be Badass Everyday! Pink

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    Beware a kiss, he told her. Kisses are powerful things. You expose part of your soul.

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    Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.

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    But as she continued and finished her tale, I could tell that her heart was elsewhere, and when she excused herself to go to bed, she left without saying good night. After that, the princesses in her stories were always beautiful. Always.

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    But here's a great thing about stories: they can be retold.

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    But life is not a fairy tale. It's brighter and darker, longer and briefer, duller and more magical. It's full of contradictions, but one thing it's not is neat.

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    But nobody writes fairy tales about the ugly and poems are not there for the broken and I will never find myself in the words of a hymn nor will any whispered prayer ever say my name (which name, which me am I looking for?) because I am shouting at a cross splintered into pieces by my angry fists, and crying at the stained glass falling like killing rain around me.

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    but the human heart has a bad habit of being hopeful.

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    But, these days, fairy-tale endings come in all shapes and sizes. It’s okay for the princess to end up with the prince, it’s okay for her to end up with the footman, it’s okay for her to end up on her own. It’s also okay for her to end up with another princess, or with six cats, or to decide she wants to be a prince. None of those make her any more or less a feminist.

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    Can you not see, […] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.

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    Clichés are relatives of the fairy tale, and tropes aren’t bad; they go with the territory.

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    Carelessness was once something to be owned. They wore it around their necks as they joined the springtime breeze while ducking in and out of the forest believing their fairy tale.

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    Cinderella proof that a new pair of shoes can change your life.

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    Classic fairy tales do not deny the existence of heartache and sorrow, but they do deny universal defeat.

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    Come sit, dear," the old woman said. "We were just discussing kelpies and changelings." I turned a delightfully amused face at Ronan, hoping to see him embarrassed to be caught in a world of fantasy, but his face was impassive, completely unperturbed. Those were the hardest boys to ignore: the ones that weren't concerned with your opinion of them, not afraid to be caught listening to fairytales.

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    Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.

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    Cress . . . " He seemed torn, but also hopeful and unguarded. He took a deep breath. "She looked like you.

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    Creators of literary fairy tales from the 17th-century onward include writers whose works are still widely read today: Charles Perrault (17th-century France), Hans Christian Andersen (19th-century Denmark), George Macdonald and Oscar Wilde (19th-century England). The Brothers Grimm (19th-century Germany) blurred the line between oral and literary tales by presenting their German "household tales" as though they came straight from the mouths of peasants, though in fact they revised these stories to better reflect their own Protestant ethics. It is interesting to note that these canonized writers are all men, since this is a reversal from the oral storytelling tradition, historically dominated by women. Indeed, Straparola, Basile, Perrault, and even the Brothers Grimm made no secret of the fact that their source material came largely or entirely from women storytellers. Yet we are left with the impression that women dropped out of the history of fairy tales once they became a literary form, existing only in the background as an anonymous old peasant called Mother Goose.

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    Corto à lui même: Ce serait bon de vivre dans une fable. Bouche Dorée à Corto: Oh oui!… Mais toi tu vis continuellement une fable et tu ne t'en aperçois plus. Lorsqu'un adulte entre dans le monde des fables, il ne peut plus en sortir. Le savais-tu?

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    Did I ever tell you the difference between a Northern fairy tale and a Southern one?" she asked him, indulging herself and letting her head rest on his shoulder. God, he felt good. Her man. Where her head was meant to lie, right there, on him. "What's the difference?" "A Northern one starts 'once upon a time,' while a Southern one starts 'y'all ain't going to believe this shit.

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    Das pädagogische Bedenken: „Darf man Kinder mit dem Hokuspokus afrikanischer Zauberer und böser Feen unterhalten?“ kommt ungefähr der Frage gleich, ob man den Eskimos ihre Amulette und Zauberpriester weiterhin gestatten soll. Literarisch ließe sich gegen Märchen wie „La Belle au Bois Dormant“, „Le Petit Cahperon Rouge“, „Le Chat Botté“, „Riquet à la Houppé» eigentlich nichts einwenden; waren sie doch von einem Charles Perrault (de l’Academie Francaise) und seiner Geliebten, einer Comtesse d’Aulnay […] in die Aristokratensalons des Louis Quatorze eingeführt worden und hatten sich so manierlich, so chevaleresk aufgeführt, dass sie überall als geistige Sprösslinge ihrer durchaus hoffähigen Editoren empfunden wurden. Ihr plebejischer, ja asiatischer, ja negroider Ursprung wurde erst im XIX. Jahrhundert aufgedeckt, als in Deutschland und Rußland Sprachforscher ihren Stammbäumen nachgingen: als die Rechtsgelehrten Brüder Grimm ihre Erzählungen unverblümt dem Volksmund nachschrieben, um sie „in letzter Minute für die armen und einfachen Leute zu retten, denen man sie vorenthielt…“ Aber was da zum Vorschein kam, wuchs den Philologen über den Kopf, wie das so oft im Eifer der Wissenschaften vorkommt. Bei ihrem Vorhaben, im reinsten Interesse der Germanistik heimische Sagenschätze schlichter Bauern und ehrbarer Ammen freizulegen, waren sie auf Aushöhlungen gestoßen, aus denen ihnen geile Succuben entgegenflatterten, giftiges Schlangen- und Basiliskengezücht entgegenkroch, der Blutgeruch shakesperarischer Hexenkessel in die Nase stieg. Auch hatten sie damit, ohne es zu wollen, einer überall gärenden permanenten Verschwörung Vorschub geleistet – nämlich einer der Kinder aller Rassen, aller Zeitläufte, die heimtückisch, mit dem Revanchegelüst zu kurz gekommener Zwerge das abstruse Riesenreich der Erwachsenen unterwühlen.

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    Disheartened, enraptured, and strangely lightheaded, Grady emerged from the trees and walked back through town to the island bridge, his ankles and hands marked up with thorn scratches.

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    Don't be afraid to grow up, Peter. It's only a trap if you forget how to fly.

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    Do not lose hope - what you seek will be found.

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    Disenchantment is the blessing of becoming yourself.

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    Do I look like I want to be involved in your teen love saga? Ask someone who cares.

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    Don't ever let anyone tell you that fairy tales aren't real. I drink a potion made from magic beans every day, and it brings me back to life.

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    Don't let the inconsequential fairy tales stand in your way! You do what makes you happy, no matter what.

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    Do you ever wonder about the fairy tales of life?

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    Don’t look for permanent love. You will be disappointed. It is found only in novels, fairy-tales, and films.

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    Do you not believe, Governess, where this power comes from, you seek? It is not from the “things” you keep. I trust the Creator to take care of me. Come what may, I will stay out of your way.” Trinity, The Little People Journey into the Mystic Sea

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    Do you mind,” he asked politely, “if I slide my blade under your skin, just a little?

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    Dusk has dawned, I hear its call, above the world I’ve watched it fall; I smell blood and I smell bone, and I smell fear coated in gold; Grind your bread and bake their teeth, and death will come while you’re asleep; I will rage. I will rage. Fee-Fi-Fo-Fum ‘Til the mountains crumble down, and oceans become heaven’s crown; Land sinks low, the gold runs dry, and when these bones rain from the sky; ‘Til the giants fall to myth, and none remains to journey with; I will stand. I will stand. Fee-Fi-Fo-Fum I will stand for my homeland, for nowhere else could bear my hand; I will stand by friend and kin, we share the gold under our skin; I will stand ‘til my death comes, and as my soul greets sky and sun, I will sing, I will sing, Fee-Fi-Fo-Fum

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    Dragons were a problem sometimes, but they only came on Tuesdays, so you could work around them.

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    Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.

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    Dr. Manning said he'd thought at first it might be sleeping sickness, or even narcolepsy, whatever that was, but - no, Pete was healthy enough physically. Manoel growled that the boy was bone-lazy, spending his time fishing and reading. Reading! No good could come of such things. 'In a way you're right, Manoel,' Dr. Manning said hesitantly. 'It's natural for a boy to day-dream now and then, but I think Pedro does it too much. I've let him use my library whenever he wanted, but it seems... h'm... it seems he reads the wrong things. Fairy tales are very charming, but they don't help a boy to cope with real life.' 'Com certeza,' Manoel agreed. 'You mean he has crazy ideas in the head.' 'Oh, they're rather nice ideas,' Dr. Manning said. 'But they're only fairy tales, and they're beginning to seem true to Pete. You see, Manoel, there are really two worlds, the real one, and the one you make up inside your mind. Sometimes a boy - or even a man - gets to like his dream world so much he just forgets about the real one and lives in the one he's made up.' 'I know,' Manoel said. 'I have seen some who do that. It is a bad thing.' 'It would be bad for Pete. He's a very sensitive boy. If you live too much in dreams, you can't face real life squarely.' ("Before I Wake...")

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    Even in the wood, there was a right road and a wrong one. All the most terrifying fairy tales inevitably began with some foolish innocent (or two) straying from the path. Then anything might happen.

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    Even Story Time was political. Miss Mumbi infused each fairytale with Kenyan flavour. She illustrated these remixes on the blackboard. 'Rapunzel' became 'Rehema,' a fly gabar imprisoned in Fort Jesus. Rehema had an Afro that grew and grew. Her Afro grew bigger than her body and she looked bomb. The Afro became so strong that it burst through the ceiling of the fort. It exploded into the sky and reached the stars. The Afro wrapped itself around the moon and pulled Rehema out of the fort.

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    Even if you can’t see any proof right now, you must believe. Sometimes, you must believe first before you can see!

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    ...everyone knows that road, the one leading out of town into a deep green expanse of pastures and old farmhouses, which at first makes it seem like you're entering a fairy tale, something sweet and old fashioned and lost in time. But, like all fairy tales, the beginning is always beautiful, a ruse to draw you into something you aren't anticipating.

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    Everyone knew you shouldn't go biting into fruit offered to you by magical creatures in the woods, even if you'd thought until just five minutes ago that such stories were, you know, only stories.

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    Everything has a purpose on our earth which reflects within us our own self-worth. Chepi, Meet the Little People…An Enchanting Adventure

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    Everyone wants the fairy tale, but don’t forget there are dragons in those stories.

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    Every time he raised his hands on her. He killed a prince from a fairy tale somewhere deep within her heart, brutally.

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    Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air! So they lined them up against a library wall one Sunday morning thirty years ago, in 2006; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and the shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at a fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curioser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!

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    Everything that ever happened is just stories now, Earl. But it was all very real to people while it was happening. Wasn't it?

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    Every time he said those words it was like a supernova of joy exploding inside me. I just didn’t yet know that supernovas burn so brightly because a catastrophe is taking place. That lesson would come later.

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    -Ey büyük Enesay,ey ulu nehir!Eğer senin derinliklerine bir dağ atsalar,o dağ orada bir taş gibi kaybolup gider.Eğer yüz yıllık bir çam ağacını atsalar,onu bir çöp gibi aparırsın!Senin için iki kum tanesi gibi olan şu iki insan yavrusunu kucağına kabul et.Bu yavrulara bu dünyada yer yok artık.Bunu ben mi sana söyleyeyim Enesay?Eğer yıldızlar insan olsa,gökyüzü onlara dar gelir,sığmazlardı.Eğer balıklar insan olsa,nehirler ve denizler onlara yetmezdi.Bunu ben mi sana söyleyeyim Enesay!Al onları,apar onları!Varsın onlar körpecik iken,temiz yürekli,kötü emeller ve kötü niyetlerle lekelenmemiş iken,temiz vicdanları insanların çektiği azablarlarla dolmadan,kendileri de başkalarına açık çektirmeden,bizim iğrenç dünyamızı terketsinler!Al bunları,apar bunları ey ulu Enesay!...