Best 488 quotes in «fairy tales quotes» category

Never go down to the darkest room. Stay far away from the rotting coffin. If you want to live through the night, let the devil sleep.

Not all fairy tales have happily ever afters, some just have afters.

Never underestimate children... They can experience the same horrors as the rest of us without knowing any different.

Now Arthur, if humans could learn to gaze with their eyes or use their special sight, they would realize there is more to seeing than just what is in front of them!” Den the Wise Oak Tree, See the Little People…An Enchanting Adventure

No one is too old for fairy tales.

Not all fairy tales come from the books.

Not all who are lost are lost forever.

Now Arthur, if humans could learn to gaze with their eyes or use their special sight, they would realize there is more to seeing than just what is in front of them!” Den the Wise Oak Tree, Meet the Little People…An Enchanting Adventure

Of course, fairy tales are transmissible. You can catch them, or be infected by them. They are currency that we share with those who walked the world before ever we were here. (Telling stories to my children that I was, in my turn, told by my parents and grandparents makes me feel part of something special and odd, part of the continuous stream of life itself.)

OHHHH don’t make me cry, I’m a big strong guy, I can make you laugh and I’d never tell a lie, See my muscles on my legs when I swim, I can do back spins with the force of my fins. SOOOOO don’t make me cry, I’m a big strong guy, I can make you laugh and I’d never tell lie. The muscles in my heart are tougher than my shell, To “love” makes me stronger than to lift a barbell.” Willard the Sea Turtle, The Little People Journey into the Mystic Sea

Oh, oh. Gerade habe ich mir noch ein Wolf gelacht, aber jetzt starre ich fassungslos auf den Hipster vor mir, der ganz offensichtlich ein Hipster-Wolf ist!

OMG. He's a gift shop, a lamb kebab with mint,/a solar panel poetry machine with biceps. He's the path/through the dark woods, the light on the page, a postcard/from the castle and a one-way ticket there. He's the most/astounding arrangement of molecules ever!/Just look at those tights! An honest-to-God prince at last.

Now fairy stories are at risk too, like the forests. Padraic Column has suggested that artificial lighting dealt them a mortal wound: when people could read and be productive after dark, something fundamental changed, and there was no longer need or space for the ancient oral tradition. The stories were often confined to books, which makes the text static, and they were handed over to children.

Once upon a time,' I whispered, "there was a girl who got away.' The light burned a little less brightly through my lids. Maybe. 'Once upon a time there was a girl who changed her fate,' I said, louder. The words ran together like beads on a string. Like a story, or a bridge I could climb-- up, up, up, like a nursery-rhyme spider. 'She grew up like a fugitive, because her life belonged to another place." I held my fingertips out, feeling the ice of them melt the wall's fine, hot fizzing. 'She remembered her real mother, far away on an Earth made of particles and elements and /reason/. Not stories. And she ripped a hole in the world so she could find her way home. And she lived happily ever after in a place far, far from the Hinterland,' I said. I begged. 'And the freeze left her skin. And she found her real mother in the world where she had left her.' Slowly, slowly, I opened my eyes.

Once upon a time the fairy tales begin. But then they end and often you don't know really what has happened, what was meant to happen, you only know what you've been told, what the words suggest.

Once upon a time there was a man with no heart. Drifting through black-and-white life, caring naught for those hurt, and never, ever allowing another near enough to hurt him. Until, on the least likely day, the most unlikely place, the man with no heart met the most surprising person. He was fearless. He was strength and power. He wore his heart boldly on his sleeve. The man with no heart began, shockingly, to feel a movement in his breast. A stretching, a slow, steady beat...

Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams. From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness. Plus ça change, plus c'est la même chose.

Once upon a time, there was a woman who lived in a cottage at the edge of the woods. She was neither young nor old, neither pretty nor unattractive. As such, people from the village didn’t take much notice of her. Nor did she take much notice of them. She spent her days foraging for roots and mushrooms in the forest, simmering broths in the cauldron at her hearth, and spinning wool into long strings that would be woven into shawls and mittens.

One is not a "believer" in fairy tales. There is no theology, no body of dogma, no ritual, no institution, no expectation for a form of behavior. They are about the unexpectedness and mutability of the world.

One of my favourite things to do when I write is to bring a sense of wonder to a normal everyday setting... Yes, there are magical elements, but there are also very down-to-earth elements and often what shines through isn’t the magic, but the lanterns that the characters light against the dark... If you substitute the words “fairy tale” or “myth” for “fantasy,” the reason I use these elements in my own work is that they create resonances that illuminate solutions to the real world struggle without the need for an authorial voice to point them out. Magic never solves the problems–we have to do that on our own–but in fiction it allows the dialogue to have a much more organic approach than the talking heads one can encounter in fiction that doesn’t utilize the same tools. [from the interview Year’s Best 2012: Charles de Lint on “A Tangle of Green Men”]

One shouldn't be labelled a cynic just because one refuses to believe in fairy tales.

Our traditions teach us the past is not forgot, yet the past repeats the future believe it or not. If we dwell on the negative, we continue to make, an unhealthy life we must never forsake. Our fairy ring teaches us cause and effect, what we give to the world, returns to us direct!” Chepi, Meet the Little People…An Enchanting Adventure

One evening, after a particularly terrible row, the prince smashed his princess over the head with an old wooden clock and she tumbled to the floor, dead.

Our traditions teach us the past is not forgot, yet the past repeats the future believe it or not. If we dwell on the negative, we continue to make, an unhealthy life we must never forsake. Our fairy ring teaches us cause and effect, what we give to the world, returns to us direct!” Chepi, See the Little People…An Enchanting Adventure

Nowhere hidden has ever turned away a goodheart guest.

Perhaps it also demonstrates that any young girl can live quite healthily on coarse bread and clear water – so long as she has fine clothes.

Outbreaks of unvarnished truths in the backyard of our true self can be very precious and inspiring, even though we might inconsistently be tempted to give in to the exhilarating perfume of fables and fairy tales or to flattering praise and fiction. ("The day the mirror was talking back")

Pan took the joke good-naturedly, probably deciding it wasn't a good idea to argue with a fifteen-year-old who had just pulled two people up ten feet.

People would rather believe in fairy godmothers and divine intervention than to think that you took charge of your own destiny.

Plus, I happened to be a history nerd. Why else would I be interested in a guy born in the year 519?

Please tell a story about a girl who gets away.” I would, even if I had to adapt one, even if I had to make one up just for her. “Gets away from what, though?” “From her fairy godmother. From the happy ending that isn’t really happy at all. Please have her get out and run off the page altogether, to somewhere secret where words like ‘happy’ and ‘good’ will never find her.” “You don’t want her to be happy and good?” “I’m not sure what’s really meant by happy and good. I would like her to be free. Now. Please begin.

Rarely do wonder tales end unhappily. They triumph over death. The tale begins with "Once upon a time" or "Once there was" and never really ends when it ends. The ending is actually the beginning. The once upon a time is not a past designation but futuristic: the timelessness of the tale and its lack of geographical specificity endow it with utopian connotations - "utopia" in its original meaning designated "no place," a place that no one had ever envisaged. We form and keep the utopian kernel of the tale safe in our imaginations with hope. The significance of the paradigmatic functions of the wonder tale is that they facilitate recall for teller and listeners. They enable us to store, remember, and reproduce the utopian spirit of the tale and to change it to fit our experiences and desires, owing to the easily identifiable characters who are associated with particular assignments and settings ... The characters, settings, and motifs are combined and varied according to specific functions to induce wonder, It is this sense of wonder that distinguished the wonder tales from such other oral tales as the legend, the fable, the anecdote, and the myth; it is clearly the sense of wonder that distinguishes the literary fairy tale from the moral story, novella, sentimental tale, and other modern short literary genres. Wonder causes astonishment, and as manifested in a marvelous object or phenomenon, it is often regarded as a supernatural occurrence and can be an omen or a portent, It gives rise to admiration, fear, awe, and reverence. The Oxford Universal Dictionary states that wonder is "the emotion excited by the perception of something novel and unexpected, or inexplicable; astonishment mingled with perplexity or bewildered curiosity." In the oral wonder tale, we are to wonder about the workings of the universe, where anything can happen at any time, and these happy or fortuitous events are never to be explained. Nor do the characters demand an explanation - they are opportunistic, are encouraged to be so, and if they do not take advantage of the opportunity that will benefit them in their relations with others, they are either dumb or mean-spirited. The tales seek to awaken our regard for the miraculous condition of life and to evoke in a religious sense profound feelings of awe and respect for life as a miraculous process, which can be altered and changed to compensate for the lack of power, wealth, and pleasure that is most people's lot. Lack, deprivation, prohibition, and interdiction motivate people to look for signs of fulfillment and emancipation. In the wonder tales, those who are naive and simple are able to succeed because they are untainted and can recognize the wondrous signs. They have retained their belief in the miraculous condition of nature, revere nature in all its aspects. They have hot been spoiled by conventionalism, power, or rationalism. In contrast to the humble characters, the villains are those who use words intentionally to exploit, control, transfix, incarcerate, and destroy for their benefit. They have no respect or consideration for nature and other human beings, and they actually seek to abuse magic by preventing change and causing everything to be transfixed according to their interests. Enchantment equals petrification. Breaking the spell equals emancipation. The wondrous protagonist wants to keep the process of natural change flowing and indicates possibilities for overcoming the obstacles that prevent other characters or creatures from living in a peaceful and pleasurable way.

Pixies is understood as the counterparts of faeries.

Pretty things can be denied when it is beauty that comes from a place inside. Your outer appearance may have its place but to walk in beauty is to walk in grace. So lift your confidence to gain inner merit, then walk in beauty and connect to your spirit. Embellish yourself with art for fun, it enhances, inspires and in beauty, YOU RUN!" Maiara, The Little People Journey into the Mystic Sea

Princess, princess, youngest daughter, Open up and let me in! Or else your promise by the water Isn’t worth a rusty pin. Keep your promise, royal daughter, Open up and let me in!

Princess Cookie’s cognitive pathways may have required a more comprehensive analysis. He knew that it was possible to employ certain progressive methods of neural interface, but he felt somewhat apprehensive about implementing them, for fear of the risks involved and of the limited returns such tactics might yield. For instance, it would be a particularly wasteful endeavor if, for the sake of exhausting every last option available, he were even to go so far as resorting to invasive Ontological Neurospelunkery, for this unorthodox process would only prove to be the cerebral equivalent of tracking a creature one was not even sure existed: surely one could happen upon some new species deep in the caverns somewhere and assume it to be the goal of one’s trek, but then there was a certain idiocy to this notion, as one would never be sure this newfound entity should prove to be what one wished it to be; taken further, this very need to find something, to begin with, would only lead one to clamber more deeply inward along rigorous paths and over unsteady terrain, the entirety of which could only be traversed with the arrogant resolve of someone who has already determined, with a misplaced sense of pride in his own assumptions, that he was undoubtedly making headway in a direction worthwhile. And assuming still that this process was the only viable option available, and further assuming that Morell could manage to find a way to track down the beast lingering ostensibly inside of Princess Cookie, what was he then to do with it? Exorcise the thing? Reason with it? Negotiate maybe? How? Could one hope to impose terms and conditions upon the behavior of something tracked and captured in the wilds of the intellect? The thought was a bizarre one and the prospect of achieving success with it unlikely. Perhaps, it would be enough to track the beast, but also to let it live according to its own inclinations inside of her. This would seem a more agreeable proposition. Unfortunately, however, the possibility still remained that there was no beast at all, but that the aberration plaguing her consciousness was merely a side effect of some divine, yet misunderstood purpose with which she had been imbued by the Almighty Lord Himself. She could very well have been functioning on a spiritual plane far beyond Morell’s ability to grasp, which, of course, seared any scrutiny leveled against her with the indelible brand of blasphemy. To say the least, the fear of Godly reprisal which this brand was sure to summon up only served to make the prospect of engaging in such measures as invasive Ontological Neurospelunkery seem both risky and wasteful. And thus, it was a nonstarter.

¿Qué quiere decir felices por siempre jamás, después de todo, sino una caída en lo ordinario, en la debilidad humana, acumulando desesperación, una caída de muerte?

Que yo y otras muchas mujeres vayamos buscando heroínas de cuento de hadas en los libros es otra versión del mismo proceso: deseo validar mi reivindicación a poseer una parte equitativa del futuro, y expreso para ello la exigencia de que me concedan la parte del pasado que me corresponde.

Rap un zeal' Demon within. I might as well put up a giant 'Come and Get Eaten' sign for the good those warning runes do.

...remember that the danger that is most to be feared is never the danger we are most afraid of.

Reprenant une goulée de cervoise, le capitaine s’essuya les lèvres avec sa manche, se pencha vers Célian en posant une main sur la table. Dans ses yeux brillaient une joie écumante, une envie presque palpable de les accompagner, alors qu’il reprenait d’un ton confident : - Tout jeune, il m’a été dévoilé un fait essentiel : il y a toujours deux chemins. Un chemin facile qui est vite parcouru et, un autre, plus difficile. Dur et semé d’embûches mais dont la récompense est à la hauteur des efforts. - C’est vrai, approuva le hérisson picotier-colporteur en replongeant son museau dans une purée de carottes accompagnée de feuilles de laitue. - Choisir le plus dur chemin est éprouvant. On y gagne au moins un caractère bien trempé. Tu verras, Célian, bien des choses dans ta vie… Sache qu’une erreur n’en est pas une si on apprend de celle-ci. - Je tiendrai compte de vos conseils, capitaine Ghyralem, assura sagement le Sorcelier. - Alors ça ira, moussaillon. Le repas se poursuivit et Axys conta une vieille histoire de Chaz à propos d’un lièvre féérique, facile à apercevoir mais impossible à attraper.

Returning to bed, Rachel strokes Zachariah's black curls as he drifts into sleep and appreciates the shape and fractal geometry there, the self-similarity and infinity of scale. She breathes in at his scalp, then presses her ear to his, listening for the clamour of voices within, to the long line of fighting men who made him, his head a seashell. There is a template for the fighting man. Rachel listens across three times nine countries, as the fairy-tale saying goes, across three times nine countries in the thirtieth tsardom . . .

[referencing that what bothered her about Hansel and Gretel was the weak willed father who let the evil stepmother send the children into the woods not once but twice, and the unease of children reunited happily with their father] : In many ways that unease has guided me through these stories, that note of trouble that I think many of us hear in familiar tales, because we know - even as children - that impossible tasks are an odd way to choose a spouse, that predators come in many guises, that a prince's whims are often cruel. The more I listened to that note of warning, the more inspiration I found.

Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.

Screw fairy tales. My life was way more interesting.

Rebecca, we live in a world where darkness seems, in the minds of many, something banished to the world of fairy tales and superhero movies. How surprising it then becomes—even for those of us who believe otherwise—that it may appear in our own lives, in our own battles. To face an opponent that is more than the average ‘jerk,’ who has made a deadly choice, is, let us admit it, nothing that we expect to experience.

Rosina had the fierce charm of the rather nasty girl in the fairy-tale who fails to get the prince, but is more interesting than the girl who does, and has better lines too.

Science has never killed or persecuted a single person for doubting or denying its teaching, and most of these teaching have been true; but religion has murdered millions for doubting or denying her dogmas and most of these dogmas have been false. All stories about gods and devils, of heavens and hells, as they do not conform to nature, and are not apparent to sense, should be rejected without consideration. Beyond the universe there is nothing and within the universe the supernatural does not and cannot exist. Of all deceivers who have plagued mankind, none are so deeply ruinous to human happiness as those imposters who pretend to lead by a light above nature. The lips of the dead are closed forever. There comes no voice from the tomb. Christianity is responsible for having cast the fable of eternal fire over almost every grave.

Seeing is not believing, it is only seeing,” George MacDonald, The Princess and the Goblin

She'd fall back asleep dreaming of hurricanes whipping the palm trees around her childhood home, trying to run from the Godzilla-sized beast that rushed to devour her. But her feet were stuck in invisible cement. As she struggled to scream, she'd startle awake and feel the staccato beats of her heart thumping double-time. Only then would she remember: she brought him into this world. - The Monster In Her Bedroom, Havok Magazine, Issue 1.1