Best 311 quotes in «city quotes» category

Installing massive amounts of wireless devices into every city may eventually be proven to be a global weather modification system.

In the city a funeral is just an interruption of traffic; in the country it is a form of entertainment.

In the City of Ishq, Very few are scorched by hatred And many stars are broken by Love.

In the city, human beings celebrated and enjoyed material conditions and comforts, but were caught in the labyrinths and knots of spiritual shallowness and psychological confusion. In the city human beings wrestled with the demands of survival and profit but fled from life’s imperatives of honesty and moderation. In the city man was afraid to confront his own face.

In the city, strangers seldom meet beyond daily functions. Instead, they brush by with a haste and preoccupation that so defines a century of 'too little time'.

In the modern city life, if you don't have money , you simply don't have life.

Invadiu-me um medo estranho. Não queria voltar à solidão do meu quarto. Caminhei pelas ruas de Berlim até à avenida de Kurfürstendamm que, de tão iluminada, era um mundo por si. Nada tinha a ver com o outro, o mundo de todos os dias, cheio de preocupações mesquinhas, em que se comia pingue em vez de manteiga e tomate em vez de carnes frias. Gente bem posta, objectos de luxo, música vindo do interior dos cafés e dos bares.

In town a man can live for a hundred years without noticing that he has long been dead and has rotten away.

I sat back down and poured a glass of wine. I left my door open. The moonlight came in with the sounds of the city: juke boxes, automobiles, curses, dogs barking, radios . . . We were all in it together. We were all in one big shit pot together. There was no escape. We were all going to be flushed away.

I saw cities, and roads of marvelous construction. I saw cruelty and greed, but I've seen them here too. I saw a people live a life that was strange in many ways, but also much the same as anywhere else." "Then why are they so cruel?" There was an earnestness to the girl's face, an honest desire to know. "Cruelty is in all of us," he said. "But they made it a virtue.

I saw the bumpy shape of my skull, I saw myself shorn and revealed. I wandered in a dream around the city, glimpsing in shop windows a strange creature with my face.

I seek the city because there is nothing sweeter than not being alone in your loneliness.

I, sometimes, fear that probably I'll just keep changing cities, and may be someday I'll also travel the world, but never find another soul who thinks exactly the way I do.

It happened every single day in Brooklyn: awaken to fresh glory, fall asleep to blight and ruin.

I thought of the cool, fresh air of the city I'd always dreamed of living in. The art museums and trolleys and the mysterious fog that blanketed it. I could almost smell the cappuccinos I'd planned to drink in bohemian cafes or hear the indie music in the bookstores I would spend my free time in. I pictured the friends I'd make, my kindred art people, and the dorm room I was supposed to move into.

It is my trade," he said. "I work for the bean family, and every day there are deaths among the beans, mostly from thirst. They shrivel and die, they go blind in their one black eye, and I put them in one of these tiny coffins. Beans, you know, are beautifully shaped, like a new church, like modern architecture, like a planned city

It is a nightmare come true, as the city becomes Hell on Earth.

It is always easy to create an ordinary city; what is difficult is to create an extraordinary one, peaceful and restful one, smart and tidy, artful and cultivated one, in short, a livable one! And Zurich is such a city!

It is marvelous to be young on a big city street.

It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.

It is strange being in a crowd where no one knows your face or cares for your purpose. In Lykos, I would have been jostled by men I'd grown up with, run across girls I'd chased and wrestled with as a child. Here, other Colors slam into me and offer not even a faint apology. This is a city, and I do not like it. I feel alone.

It's a strange city... filled with things that are not obvious.

It's like coming home," said Webster and he wasn't talking to the dog. "It's like you've been away for a long, long time and then you come home again. And it's so long you don't recognize the place. Don't know the furniture, don't recognize the floor plan. But you know by the feel of it that it's an old familiar place and you are glad you came." "I like it here," said. Ebenezer and he meant Webster's lap, but the man misunderstood. "Of course, you do," he said. "It's your home as well as mine. More your home, in fact, for you stayed here and took care of it while I forgot about it.

It's like we've been living in two different cities. You up here in all this marbled comfort, and me down there, killing myself in slow motion.

I turn my face to the window as the train starts to move. Charles suggested I take the car, but I prefer this strange elevated route out of town, the rooftop tour of south London as the carriages rattle between spires and old smokestacks and the tips of poplars; the sudden glimpses into school playgrounds and street markets and quiet litter-strewn alleys, narrow avenues of blackened brick. Little by little the city falls away, like something giving up, and then the acoustics of the carriage change, and we're out in the open: meadows riven with streams, the fast blue shadows of clouds on the hills.

It was a rule of London life that anybody could be anybody

It was common knowledge that big, bad city boys spent the bulk of their time sleeping around, coiffing their hair and posting pictures of food on the internet.

It was in those days when I wandered about hungry in Kristiania, that strange city which no one leaves before it has set its mark upon him. . . .

I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down. Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more. That's when the stories show up in me. They find me all the time. They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent. The only trouble is, I don't know which of those stories comes first. Maybe they all just merge into one. We'll see, I guess. I'll let you know when I decide.

I want you to write a narrative, a narrative from the future of your city, and you can date it, set it out one year from now, five years from now, a decade from now, a generation from now, and write it as a case study looking back, looking back at the change that you wanted in your city, looking back at the cause that you were championing, and describing the ways that that change and that cause came, in fact, to succeed. Describe the values of your fellow citizens that you activated, and the sense of moral purpose that you were able to stir. Recount all the different ways that you engaged the systems of government, of the marketplace, of social institutions, of faith organizations, of the media. Catalog all the skills you had to deploy, how to negotiate, how to advocate, how to frame issues, how to navigate diversity in conflict, all those skills that enabled you to bring folks on board and to overcome resistance. What you'll be doing when you write that narrative is you'll be discovering how to read power, and in the process, how to write power. So share what you write, do you what you write, and then share what you do. [...] Together, we can create a great network of city that will be the most powerful collective laboratory for self-government this planet has ever seen. We have the power to do that.

I visit you in my dreams and you talk to me in songs. Each sentence is a bridge taking me closer to the city that you are.

I walk the city, through its crush of people and its smells: body odour, rotting food, vomit and urine. A cocktail of oppression and freedom.

I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.

I went back to the clanging city, I went back where my old loves stayed, But my heart was full of my new love's glory, My eyes were laughing and unafraid. I met one who had loved me madly And told his love for all to hear -- But we talked of a thousand things together, The past was buried too deep to fear. I met the other, whose love was given With never a kiss and scarcely a word - Oh, it was then the terror took me Of words unuttered that breathed and stirred. Oh, love that lives its life with laughter Or love that lives its life with tears Can die - but love that is never spoken Goes like a ghost through the winding years… I went back to the clanging city, I went back where my old loves stayed, My heart was full of my new love's glory, - But my eyes were suddenly afraid.

I wish in the city of your heart you would let me be the street where you walk when you are most yourself. I imagine the houses: It has been raining, but the rain is done and the children kept home have begun opening their doors.

I woke up feeling alone, so lonely. The night before, I had cried myself to sleep. I lay there on the floor, listening to the tube trains passing beneath me. I thought, All those hundreds and thousands and millions of people. London, London - I hate you. I picked myself up and got ready.

Living between cities, we are abandoned by them as much as they are by us, because if they gave us all we needed, we wouldn't have to leave.

Living in this city, you developed a certain relationship with violence and news of violence: you expected it, dreaded it, and then when it happened, you worked hard to look away from it, because there was nothing you could do about it - not even grieve, because you knew that it would happen again and maybe in a way that was worse than before. Grieving is possible only when you know you have come to an end, when there is nothing more to follow. This city was full of bottled-up grief.

Local fog in Venice has a name: nebbia. It obliterates all reflections ... and everything that has a shape: buildings, people, colonnades, bridges, statues. Boat services are canceled, airplanes neither arrive, nor take off for weeks, stores are closed and mail ceases to litter one’s threshold. The effect is as though some raw hand had turned all those enfilades inside out and wrapped the lining around the city... the fog is thick, blinding, and immobile... this is a time for reading, for burning electricity all day long, for going easy on self-deprecating thoughts of coffee, for listening to the BBC World Service, for going to bed early. In short, a time for self-oblivion, induced by a city that has ceased to be seen. Unwittingly, you take your cue from it, especially if, like it, you’ve got company. Having failed to be born here, you at least can take some pride in sharing its invisibility...

London is one of the most fascinating, historic, amazing cities in the world!

London was one of the worst places to have a bad day and one of the best places to have a good day

Loneliness, I began to realise, was a populated place. A city in itself. And when one inhabits a city, even a city as rigorously and logically constructed as Manhattan, one starts by getting lost.

Lying flat on my back, with my toes dipped into the lake, I stared at the stars for a second. I guess I should have pondered their beauty and realized the rarity of a sky unsaturated by city lights, or something. But it occurred to me that you could probably see stars from the vast majority of the earth. It was city lights that were actually rare.

Maybe to save money, many people do not paint the outer walls of the private and public buildings. The city will appear clean and fine-looking if the exterior of all the houses are painted. So, regularly paint your houses and make your city and country beautiful!

Monfleury est en vente, je perds cinquante mille francs, s'il le faut, mais je suis tout joyeux, je quitte cet enfer d'hypocrisie et de tracasseries. Je vais chercher la solitude et la paix champêtre au seul lieu où elles existent en France, dans un quatrième étage donnant sur les Champs-Élysées.

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.

…my books are derived from city images, and the city of my dreams or nightmares is Mexico City. (The Art of Fiction, No. 68. The Paris Review, No. 82, Winter 1981.)

My dear, you are not one person. You have many people in you, and each one can ask only some kinds of questions.

My life wasn’t just about one city, or one Epic, anymore. It was about a war. It was about finding a way to stop the Epics. Permanently.

My mother always said that plain can be pretty too.