Best 29 quotes of Mike Mills on MyQuotes

Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.

As a son of a man who pretended to be one thing for 33 years of my life and then was another thing, the questions of 'what is real' and 'what is not real' are very blurrily vivid to me.

As someone who grew up in a house where there wasn't a lot of talking, I'm used to just looking at the world. And in general I often feel like I just don't understand what's happening. That everybody else does, but I don't quite get it.

Grief and memory go together. After someone dies, that's what you're left with. And the memories are so slippery yet so rich.

Humans are vulnerable, messy little animals and that's normal. And all I want to do is make a space for that in my films.

I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.

I definitely believe in the energy of the set and the energy of the actor, way more than your written word.

I don't really believe that documentary is objective reality and fiction is all illusion.

If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.

I guess I watch movies to make myself happier a lot.

I'm into people's emotional lives and relationships and the complications of living. That's my turf.

I'm not a craftsman of graphics or art or film. I'm more of an idea generator and manufacturer.

It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.

L.A. is so isolated and unhip in a way; it gives you room to figure out who you are and explore more personal stuff.

Life is too short for a half-rack.

My dad's gay experiences really had a very positive influence on me and my straight relationships - how to better accept all the weirdness and ambiguity and ups and downs and paradoxes. I knew from the beginning I was writing about love.

My experience, with both my parents, is that grief has a lot of down, sad things, but I was also really emotionally raw, in the first year after each of them passed. Flowers smelled more intensely, my relationships were hotter, and I was more willing to risk. I was going for it a lot more. I was 'unsober' and I wasn't playing by my rules.

My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.

No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.

OK, so my parents were married in 1955 and my mom knew my dad was gay and my dad knew he was gay and so I was, like, 'Why in the heck did you get married?' Like, what was going on? What was that time? It's like this crazy paradox that my whole life is based on, or my family's based on. So I spent a lot of time trying to understand '55.

Over and over again, I'm trying to express or communicate these big and small struggles to the world, and really to myself.

People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.

Sadness is a super important thing not to be ashamed about but to include in our lives. One of the bigger problems with sadness or depression is there's so much shame around it. If you have it you're a failure. You are felt as being very unattractive.

The littlest thing can have the strongest connection when you're grieving. Your Proustian, poetic nerve is turned up to ten.

There is a drunkenness to grief, which is good.

There's great sadness and life doesn't work out like you would want, on a lot of levels, but there's no need to feel all alone. This happens to everybody, so there's no self-pity. This is the ride that humans are on, and all of it is essential for our natural part of it.

There's some movies I watch, they're kind of like my anti-anxiety pill, my anti-depressant pill. I watch them at least once or twice a month probably. And I never stop learning from them as a filmmaker.

To me it's like, every time I'm a director, like today, you're the captain of the ship, so you better dress like it. You're the host of the party.

To me, sadness and humor aren't disrelated and humor is the best tool I've had against the sadness in my life.