Best 55 quotes of Jacqueline Bisset on MyQuotes

A Latin teacher told me I might make a good actress, and that stuck in my memory. I did some modeling, and Polanski gave me that small part.

At first I was always cast as the girlfriend. It was a long time before I got to play characters who were people.

At the time, 1980, people regarded actresses involved with production with a certain amount of fear, resentment and anger.

Being around people with whom you feel a connection, on many levels, not just a professional one, is very relaxing. Your ears are more open to someone who is not a cantankerous bastard.

Character contributes to beauty. It fortifies a woman as her youth fades. A mode of conduct, a standard of courage, discipline, fortitude, and integrity can do a great deal to make a woman beautiful.

Character contributes to beauty. It fortifies a woman as her youth fades.

I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.

I can't believe I've been doing it so long. In the last three or four years, I've slowed down. I'm doing only the roles I really want to do.

I consider myself a character actress, and that's working out. I'm getting chances to do things. I like the process - I don't want to pretend I'm something other than what I am.

I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.

Ideally, couples need three lives; one for him, one for her, and one for them together.

I'd like to get my public image nearer to my reality. People have a lot of misconceptions.

I'd like to work more, but I don't just want to do kind of generic characters. I want to do interesting characters, and I'd like to be cast against type.

I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants.

If people choose to judge how you look, that's their situation. I didn't feel that it was a problem. I've played all kinds of parts. I've played glamorous, and unglamorous, and all kinds of people. People want to pigeon hole you, I think.

I get called Jacqueline Bissette in America. In France, I get called Jackie Bisset. And actually, it is Jacqueline Bisset, which is not that easy to say.

I grew up in a small town about 40 miles outside London, but it was a fairly cosmopolitan household.

I have an intense obsession with making films. I not only love to make films, I perhaps need to make films.

I have very intense conversations with friends, people I really interconnect with. We talk about politics, important things. I like to talk about ideas and get people to be specific.

I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.

I love being in my garden. I don't plant a lot of exotic flora, but I do spend a lot of time outside doing manual labour.

I'm a very nurturing kind of person and a sort of a homemaker. I'm just interested in things remaining fresh.

I'm quite happy being myself. I'm a big fan of Jessica Lange and Jeanne Moreau, but I don't want to be anyone else.

I think I am an adult.

I've probably understood men too well. I realise they are predatory by nature, and I have a certain acceptance of the male animal.

I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On film, that's a massive contribution.

I want to keep my attractiveness as long as I can. It has to do with vitality and energy and interest.

I was never any good in the school theatrical productions. I always got a role like the March Hare.

I went to see Oliver Stone's 'Heaven & Earth,' which I thought was a wonderful movie, but I walked out because I was so moved. It was too painful to watch.

I went to the premiere of The Detective with Sinatra, and perhaps people jumped to conclusions. He was very protective towards me and never came on to me sexually.

I work hard, and I tend to play hard. I very seldom rest hard.

I work very hard at relationships. I've done the thing of being home. I worked all day and came home and did all the stuff at home that a woman is supposed to do, the cooking and the entertaining. I'm a perfectionist, and, besides, I loved all those things.

Making the decision to do more serious work raises eyebrows. It's less easy for the industry to deal with.

My looks are changing obviously, so I fuss like any woman if I look tired or whatever, I put on weight and blah, blah. But some part of me is very relaxed with it all.

My view is quite simple. When your dog pees on the carpet, you do not give away your dog. You say, This dog is special. I have to teach him not to pee on the carpet. I feel exactly the same way about men. They need to be taught things.

Not everyone likes watching rushes, but it makes me work harder, and I don't feel I am watching myself, but watching the progression of the character.

Older people exude bundles of sexuality. Older men and women tend not run around like cats and dogs in heat.

Sometimes you like the personal adventure implicit in the making of a film, and sometimes you like your part in a film, and sometimes you like the final result.

Success as a woman has changed me. That's what I feel is the first thing. When I feel like a successful woman as a rounded human being, then it feeds my work in a broader way so it becomes more interesting.

The people who have given me shit, I say, like my mother, what did she say?- she said, ‘Go to hell, and don’t come back.’ However, however, however, my mother was not entirely me.

There is an eternal humanity that crosses through all people, and it's more interesting often when it's about struggle - not people with champagne glasses.

There's something about being with a group of people who become like family that must be needed in society.

The thing about anything in life is you have to get ready for it. Study, learn and in terms of acting, there's a lot to learn. The bigger culture you have in life, the better actor you'll be. You'll have more to pull on.

The thing about anything in life is you have to get ready for it. Study, learn.

This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.

To be used in a part without depth is a frustrating feeling, when you know you have something to give.

We all lose our looks eventually, better develop your character and interest in life.

What comes first in a relationship is lust - then more lust.

When you share work, and you have the opportunity of seeing people you like doing what they do best, and you also interchange socially with them, it's very addictive.

Working with Candy Bergen was really wonderful.