Best 48 quotes of Shepard Fairey on MyQuotes

A lot of people felt defeated and hopeless by Trump's election. But I feel his election should energize people to resist apathy, ignorance, sexism, xenophobia, and racism.

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.

Art is not always meant to be decorative or soothing, in fact, it can create uncomfortable conversations and stimulate uncomfortable emotions.

Art making comes from the human desire to share something that is universal in one sense, but unique to your sensibility in another. I think that, wherever you are in the world, that impulse exists within human beings.

Art shows and the institutions end up being the couriers for culture for the next generation and are an important component as well. It may seem ironic from one perspective, but I think if you look at my overall strategy, it's actually not out of step.

As a street artist, I'm used to sharing my stuff with the public. It's a communal experience. I've learned not to be so precious, but rather to enjoy the process.

Creating is about sharing ideas, sharing aesthetics, sharing what you believe in with other people.

Every spoof gives more power to the original.

Free speech is important whether you like what's being said or not. The reason why it's so important is that the entire spectrum of ideas needs to be heard so that the best ones are embraced and rise to the top. If you're a liberal and don't like conservative speech and you try to stifle that conservative speech, you need to be prepared for your own progressive speech to be stifled when the power shifts out of your favor.

I don't agree with most forms of censorship, and I especially don't agree with the idea that one needs to be from the same cultural, ethnic, or religious background as the subjects they portray in order to be qualified to portray those subjects. I believe that compassion and empathy should cross all of those category barriers, and the conversations art creates can be inflammatory initially, but I think are most often constructive and healing in the long run.

I do think that copyrights and intellectual property are important - it's important to be able to keep people from making verbatim copies of a particular creation that could somehow hurt the creator. If I spend time conceiving and making a piece of art and somebody else sees that it has market value and replicates it in order to steal part of my market, then that's not cool.

If being original means having to throw paint in front of a jet turbine to hit a canvas 50 ft away then lets not be original.

If the idea that my safety can only be enhanced by putting other people's privacy and safety in danger, then I don't want to be more safe.

I hate to say Americans are ignorant and lazy, but a lot of them are ignorant and lazy. It's just like what I was talking about with Rebel Music and art. When you live in a place that has a lot of good things that make life easier, it's easier to take them for granted. But what frustrates me to no end are people who want to blame Obama or blame anything that is something that if they were actually doing anything as simple as voting, it might not be as bad as it is.

I love the classic trucker jacket as an icon of rock 'n' roll and rebellion.

I might be botching this quote but I agree with the idea that a measure of society is not how it treats its most powerful but how it treats its most vulnerable, including the poor and incarcerated and - I would add to that - the people whose ideas are not currently in favor.

I'm mischievous. The idea of taking risks and having real-world consequences energizes me.

I said, ok, I'll pay the licensing fee it. And [the AP] said, no, we want to claim damages. I said damages? Because of my poster the Mannie Garcia picture is now worth more than it ever would have been.

I think "punk" should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.

I think that the influence of people with power and money to distort democracy and have their interests served before the rest of the population is the biggest problem. That is caused by two things: campaign finance and the way that's structured, and by the Citizen's United supreme court decision. So those two things are keeping democracy from working right.

I think that what led largely to Trump's election was the manifestation of the too-common mindset that facts don't matter; in other words, "manifest destiny" - the truth will not penetrate the barriers of our ideology if the truth doesn't sit well with our predispositions.

I think the biggest thing that people fear when it comes to art becoming a business is those authentic, pure aspirations of art being compromised.

I think the freedom to express one's views is more important than intellectual property.

I think the idea of freedom or liberty is really misused for political reasons, but it's something that resonates with people to the core. People want to be masters of their own destinies, but at the same time, I think they do so selectively. Sometimes they want to be told exactly what to do so they don't have to think for themselves - as long as they can still exercise their free will.

I think the Internet has definitely made it easier for people to have stuff seen, but it's also encouraged a level of ADD, where you see so much that if it doesn't make an impact on you immediately, you don't look at it.

I try to find a balance between positivity and negativity, celebration and critique in my work; I think there is room for both.

I've met Obama a few times, and I think Obama's a quality human being, but I think that he finds himself in a position where your actions are largely dictated by things out of your control. I'm not giving him a pass for not being more courageous, but I do think the entire system needs an overhaul and taking money out of politics would be a really good first step.

I've never had an original thought in my lifeand there's tons of people on the internet happy to tell me just that.

I've never really considered myself just a street artist. I consider myself a populist.

I want to be proud of this country [the USA], but when aspects of our policy don't align with my ethics, I want to protest them and try to change them. Being complicit because it's the home team is nationalism, not patriotism.

I wear some of my stuff, but usually the less in-your-face designs. I get a little self conscious, there is a fine line between pride and ego.

MY INSPIRATION FOR THIS LIMITED EDITION DESIGN WAS BASED ON THE LEGACY OF HENNESSY AS A BRAND. TO ME, HENNESSY HAS ALWAYS BEEN ABOUT QUALITY, AUTHENTICITY, TRADITION, AND ELEGANCE.

Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought he'd support. I've met Obama a few times, and I think Obama's a quality human being, but I think that he finds himself in a position where your actions are largely dictated by things out of your control. I'm not giving him a pass for not being more courageous, but I do think the entire system needs an overhaul and taking money out of politics would be a really good first step.

Public art is ephemeral by nature. Google 's new project not only catalogs an artist's work but archives it and allows people to see the art long after it has disappeared.

Skateboarding has always been and continues to be creative and rebellious. Art and design are an extremely important part of skateboard culture, even if it's not recognized by the more elitist or pretentious members of the art world. Skateboarding itself requires creative adaptation to the streets and obstacles. My background as a skateboarder helped me to be a better street artist because I was already conditioned to look at the terrain opportunistically.

The great thing about the Internet is, it has made it easier for people who are clever and resourceful to promote themselves.

The Internet hasn't had a chance to really get to where people look at it with the proper level of scrutiny. There's so much bullshit on the Internet. It doesn't get filtered out because it's such a new medium.

The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.

The problem with copyright enforcement is that when the parameters aren't incredibly well defined, it means big corporations, who have deeper pockets and better lawyers, can bully people.

There are too many bad policy choices to go into that are being pushed by the Trump Administration, but the relaxation of environmental regulations and corporate and banking regulations alone are enough to keep me busy and should be a big concern for every citizen who isn't a billionaire and likes to breathe air.

There's always a lot that's making me angry, but it won't tie into the election. I mean nothing against Hilary Clinton. I agree with Hilary on most issues, but campaign finance structure makes me very angry, because it means that politicians are going to have to raise a huge amount of money, which narrows the field dramatically.

There's good and bad in every arena. It's funny, some people, the reason they're in the underground is because they're lazy and don't make things happen for themselves.

The sticker has no meaning, but exists only to cause people to react, to contemplate and search for meaning.

The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.

The way I make art, the way a lot of people make art, is as an extension of language and communication, where references are incredibly important.

The world has lost a great musician who will always be an inspiration to me and those at OBEY GIANT.

What excites me is that, when things are tough, people become resourceful, and now with the Internet, social networking and the ability for people who in the past had been relatively powerless, they have tools to be able to spread ideas and organize. The urgency is there and the tools are there and I think that the possibility for really, really powerful results is there. I think it's all brewing, it's all bubbling up right now.

When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.