Best 4519 quotes in «growing up quotes» category

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    It wasn't until I left that I realised it's not weird to grow up in certain cities and, by the age of 27 or 28, for all of your friends to still be alive. I can think of a lot of kids that I knew in Chicago who were supposed to grow up but didn't.

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    it was possible to grow up in an instant, that you could look down and see the line in the sand dividing your life now from what it used to be.

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    It was so inspiring for me to watch tennis growing up. I thought I was really good playing, until my brother told me I wasn't!

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    It was what God had taught me growing up that helped me overcome my fear and get back on the board. 'Be strong and courageous. Do not be terrified; do not be discouraged, for the LORD your God will be with you wherever you go' (Joshua 1:9).

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    It was very interesting growing up in South Africa then. It was extraordinary. It was multiculturalism before it became an issue.

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    It was there [Dijon], I now understand, that I started to grow up, to study, to make love, to eat and drink, to be me and not what I was expected to be. It was there that I learned it is blessed to receive, as well as that every human being, no matter how base, is worthy of my respect and even my envy because he knows something that I may never be old or wise or kind or tender enough to know.

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    It was the world of Southern, rural, black growing up, of folks sitting on porches day and night, of folks calling your mama, 'cause you walked by and didn't speak, and of the switch waiting when you got home so that you could be taught some manners. It was a world of single black older women schoolteachers, dedicated, tough; they had taught your mama, her sisters, and her friends. They knew your people in ways that you never would and shared their insight, keeping us in touch with generations. It was a world where we had a history.

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    It would be hard to imagine Heaven without children. It wouldn't be Heaven! It would be a pretty boring place without children. What are we going to do, all get to be old people and then stagnate and that's the end of it? Once all those that are already born grow up, the place would really lack life without new generations of children! If there were no children, it would be a dead society.

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    It would be great for everyone to grow up like I grew up, where everyone had a job. It would be nice for everybody. I'm the son of a "legal" immigrant. I think it would be nice for everyone to get back to work. Get rid of homelessness. People could work. I think if people give Donald Trump a chance, he'll do great.

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    It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.

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    I understand why some women/girls/ladies don't want to be women-identified 'cuz it totally complicates your band identity and no one seems to pay much attention to the music or what you're doing. We have chosen to be girl-identified (although Billy isn't a girl!), because we want to encourage other women/girls to play music. When I was growing up, I found it discouraging to have all these women in bands not wanting to address the issue of gender...we're interested in what women are doing.

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    I used to believe, although I don't now, that growing and growing up are analogous, that both are inevitable and uncontrollable processes. Now it seems to me that growing up is governed by the will, that one can choose to become an adult, but only at given moments. These moments come along fairly infrequently -during crises in relationships, for example, or when one has been given the chance to start afresh somewhere- and one can ignore them or seize them.

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    I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.

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    I used to be in love with Sandra Bullock when I was growing up. Sandy B. was my girl. I remember seeing Speed when I was in seventh grade and just thinking, 'That's her.'

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    I used to breakdance, be a b-boy. I love hip-hop from back in the graffiti days, growing up listening to Michael Jackson. Loved it from birth. I know it all, from Afrika Bambaataa, the roots and the beginning. I came up in a good era.

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    I used to have this fantasy when I was growing up where Princess Leia would be in the slave Leia costume and she would be in a vat of Breyer's ice cream. A recurring dream where I would eat my way to her.

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    I used to live in Los Angeles, but I didn't want my kids to grow up in the thick of the obsession with movie-making. There's a lot of sensationalism and superficiality. I wanted to take my kids out of that and raise 'em up elsewhere, and I wanted to stop being preoccupied with whether my star is on the rise or the descent. I can't imagine having a much greater life, and I don't want to be preoccupied with things that don't matter. But of course, ironically, my two oldest daughters have decided that they're going to be actresses.

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    I used to play hockey when I was growing up. Everyone sort of learns how to skate and play hockey at an early age.

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    I used to stand in front of the mirror in my bedroom. I shared a bedroom - like a lot of people in my era, in my neighborhood - with my two brothers and an uncle. And I'd stand there in front of the mirror over the dresser and I would practice: meek young men grow up in libraries, believing it their duty to accept the views of Cicero, Bacon and Baba.

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    I used to work at this store called Music Plus in San Clemente, California, when I was growing up, and then they became Blockbuster Music, and, like, you had to get a haircut to work there, and at the time I had some pretty long hair. So after that policy was imposed, I knew that was going to be my last summer working there.

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    I've always been athletic. Growing up in Puerto Rico, and being in the countryside, I was always running around. I also played volleyball, basketball, and I ran track. I was always very conscious of my body.

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    I've always been an outsider kid. But I had always wanted to be in a group - growing up, I loved bands like the Cranberries and K's Choice.

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    I've always been a strong family advocate. I had a wonderful family growing up

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    I've always been lucky enough to just play tennis, so I never actually had a job when I was growing up.

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    I've always been the goofy kid. Growing up, I always enjoyed the comedic aspect of relating to women. Even on camera, it was always the funny take on it.

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    I've always been drawn to and fascinated by physical and psychological change. If I'm able to make pictures of children that are so real, as you follow the children over the years in any given book, and in subsequent books they get older and older and grow up, perhaps there might be something cautionary in that visual example. Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.

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    I've always been terrified about not having money. I've been a big saver and a big earner. When I've been out of work, I've always found another job. I never wanted to get into debt, because money was very tight when I was growing up. I never felt deprived, but I couldn't have the things I wanted.

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    I've always been interested in space and the idea of exploration in that area since I was a child growing up through the '60s.

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    Ive always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.

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    I've always dreamed of growing up to be Amy Poehler.

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    I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.

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    I've always had to prove myself to people growing up. I had to show them that I could do this and I could do that and paying no mind to what the critics said.

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    I've always just loved drawing and loved cartoons. Growing up, I loved Disney films, I loved The Simpsons, and I was a big fan of the comic strip Calvin & Hobbes and the way that they would have weird fantasy and then down-to-earth funny character comedy.

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    I've always liked trees. And then, growing up, I took an interest in ecology, hedges being destroyed, the landscape being turned into prairies.

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    I've always said that growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.

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    I've always said that I expected to grow up and get married like any nice southern girl, but the fact is you don't get married in the abstract. You find someone that you'd like to be married to.

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    I've always thrown myself into different kinds of experiences, sometimes into really bad things. But, you grow up. You become more of a woman and you know yourself. I think knowing yourself is a wonderful thing especially when you're in your 40s and you're kind of in your skin. Life is not so confusing anymore.

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    I've always wanted to write a book relating my experiences growing up as a deaf child in Chicago. Contrary to what people might think, it wasn't all about hearing aids and speech classes or frustrations.

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    I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list.

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    I've always told myself that I'm going to be something. Growing up, if somebody told me I was going to be a rapper, I would have been like, "Really? That's cool." I wouldn't have been like, "No, I'm not." But it happened. I didn't expect anything and don't expect anything but to be great.

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    I've been very lucky to have a family who has welcomed me and not been hung up on anything racial, almost overlooking the fact that there was a racial difference. But I can honestly say I do feel like I missed out on some lessons of what the African-American experience is like growing up.

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    I've been a brand ambassador for Nigeria since I was age 11. Growing up in the U.K., I've had to defend Nigeria. and when I was 40, I finally woke up and decided to do something, and that's how the talk show came about.

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    I've been very blessed. My parents always told me I could be anything I wanted. When you grow up in a household like that, you learn to believe in yourself.

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    I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.

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    I've been trying to grow up some myself, in my heart, and it's happening quick and I feel good about it, and I want that to come out in the music.

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    I've definitely been in relationships with friends where I wanted to do something different than I know a friend has. It's that complicated balance between wanting to do what you know is right for you and not wanting to hurt someone's feelings. I think that's a part of growing up.

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    I've done a lot of growing up since the age of 16 and I really wanted that to be reflected in my music

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    I've done karate quite a lot growing up so I did do a kind of quite long karate scene.

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    I've found that in now having experienced what it's like to make records and just through growing up in general that you should be expressive about what's affecting you instead of trying to sing about a subject just for the sake of other people getting something from it.

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    I've got a twin sister who's an artist and growing up I was always "the loud one." She's not actually quiet at all, but I would rather fill a gap with chatter and she would just let a gap be. So there was no inclination to actually perform.