Best 4519 quotes in «growing up quotes» category

I'm not talking about Russia in my music. I've never been to Russia. I'm not talking about Africa, Switzerland, China. I'm talking about me being American and growing up in a crazy world and helping to reflect all different sides of life.

I'm not sure what I want to do when I grow up, or if I'm sure I ever want to grow up. I'm sure there are people that wish I would, but you know, my mom will get over it.

I'm not trying to be like what I thought an NBA player is supposed to be growing up.

I'm not very close to my parents. My stepfather (in my opinion) was very emotionally abusive when I was growing up and there were a lot of other issues I don't feel comfortable talking about publicly. I spent a lot of time in therapy dealing with these issues though, and I feel i'm finally starting to move past them.

I'm not trying to snowboard for other people anymore. That just kind of comes with age and growing up. That's helped me a lot. Some of that started right after the last Olympics (in Vancouver).

I'm old enough to remember when there were no black quarterbacks - there were no blacks on TV. I hope my son or daughter doesn't have to be as fixated on race as I am, because he or she will grow up in freer times.

I'm pretty happy with who I am. I like myself and what I'm doing. I don't need to be the world's greatest director or the most famous -- or the richest. I don't need to make a whole lot of great films. I can do my job and I can do it pretty well. This is the realization I've come to, later in life. It's called growing up.

Im pretty shy when I go home because I was pretty shy growing up, and I think I go back to that person.

I'm quite comfortable looking at myself in movies, probably because I've been doing it for so long, since I was a kid. So I sort of watched myself grow up and go through adolescence, like, basically on camera.

I'm quite happy to leave it still feeling that way, leave it before it starts feeling like a job. ... I have such fond memories of watching 'Doctor Who' when I was a kid and growing up, that if I've left anybody anywhere with memories as fond, then I feel like I've done my job.

I'm really enjoying growing up. I feel like so much of my life was in an existential crisis when I was young, and I don't feel as bogged down by that anymore.

I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.

I'm really a singer, so I love songs and I love singing. I like rap music, but I didn't grow up freestyling.

I'm really sorry for people growing up right now, because they have some cockeyed idea that they can get by with their eyes closed; the cane they're tapping is money, and that won't take them in the right direction.

I'm so patriotic, I think every British kid should have a chance to grow up to be our head of state.

I'm sorry, Alabama fans. I'm from New York and didn't watch football growing up.

I'm sorry to keep focusing on the New Yorker, but everybody who was growing up when Calvin [Trillin] and I were growing up wanted to be published in the New Yorker.

I'm still really close with everyone at home and their parents - and their brothers and sisters. I was so, so, so lucky to grow up as part of a community and I don't take that for granted. I try very hard to stay part of it.

I'm sure that growing up in the Midwest played a role in my chronic escapism. In fact, before I lived in France, I lived in Japan, England, and Bulgaria. I was determined to experience other places and cultures, particularly because I had the perception that I'd been cut off from these experiences as a child.

I'm terrified of growing up. Once you become an adult, how to you step back from that? It's something that wakes me up at night.

I must confess my distaste for any proposal to use public funds for the support of selected, and thereby, privileged, industrialists, the more particularly if this is to be based on bureaucratic views of what is good and what is bad by way of industrial development, but I have been studying the report referred to with some interest.

I'm used to being around kids. Even when I was growing up in London, I had an older sister, I had a younger sister that I used to look after from time to time.

I'm very close to my parents and we built a sailboat together when I was growing up. We're partners.

I'm very comfortable as a singer. In fact, I think it's more - I identified my self-esteem, my self more in those ways when I was growing up. I really - it was kind of my calling card as a kid.

I'm very lucky that I have people styling my hair and teaching me how to work with it, but it wasn't always like that. Growing up, I had extremely wavy and thick hair and that can be very overwhelming - you end up with the same ponytail every day.

I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.

I'm waiting for my kids to grow up and get into the Offspring and look at me like I'm a total candy-ass.

I'm watching my own daughter grow up. I see this overt sexual culture coming at her like a Mack truck. She's in seventh grade.

I'm working on a novel about a girl who grows up in the circus and her relationship with her father, who grew up in Hungary when it was under Soviet control and left during the 1956 revolution. It is told from both of their perspectives, and has been a joy (and very frustrating) to research and write. Needless to say, I am very excited about my next project!

I'm very sensitive. Because my mum was my primary emotional caregiver growing up, I found myself being pinned into dresses, darting her dresses, choosing her high heels for the evening or what to wear. I'm very much a mommy's boy.

I'm way too old to change sports now. Sportsmen start so young - some of the ski jumpers we were talking to, they were jumping those giant ramps at nine years old. It's definitely something they've dedicated their entire lives to, and that's why they're so good at it. I started racing when I was 11, so there are a lot of similarities there. They grow up as a kid, find something they are passionate about, and they continue to work at it to try to be the best they can be.

I'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.

In a democracy, every little wrong idea may grow up to become national policy.

In an effort to eliminate the possibility of any rival growing up, some monopolists would sacrifice democracy itself.

In a house without a genuine kitchen, one of the delights of growing up is lost.

In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.

In all my work, I try to tell great stories that people want to go to the movie theater to watch, or want to turn on, and are compelled to watch it, over and over and over again, and will make a mark when they grow up.

Inasmuch as every family is a part of a state, and these relationships are the parts of a family, and the virtue of the part must have regard to the virtue of the whole, women and children must be trained by education with an eye to the constitution, if the virtues of either of them are supposed to make any difference in the virtues of the state. And they must make a difference: for the children grow up to be citizens, and half the free persons in a state are women.

In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.

In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up.

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.

In Baltimore, kids grow up very quickly. You're placed in a lot of situations that a child shouldn't be in and a lot of Baltimore kids lose innocence very soon.

In college I wrote for the university newspaper, and I had several short stories published in small press. I think it's just been a natural progression of where to go with the imagination and not have to grow up.

In Canada you grow up - we're next to the United States. We're watching whatever you're watching. We're following your news. It's obvious that we are inundated with American cultural information and political information. Whereas the opposite is not true.

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.

I never considered acting while growing up. I just knew I didn't want to go into the saloon business: I wanted to get away from Kenosha. And once I left, never, ever did it cross my mind to go back. I went to college and thought I'd study law.

I needed to grow up and do things all adults do. It was time to stop having everything spoon fed to me. It was about being independent.

I never felt like I belonged in Minnesota when I was growing up there. That's why I was out the door as soon as I turned 18.

I never felt cool growing up. I was a bit of an outsider, but I discovered theatre very early on, which got me through.

I need to stop carving out four-hour chunks to do random things and go home and watch my children grow up.