Best 2427 quotes in «drama quotes» category

When we are young we think our troubles a mighty business - that the world is spread out expressly as a stage for the particular drama of our lives and that we have a right to rant and foam at the mouth if we are crossed. I have done enough of that in my time.

When we gather for worship, whether with a handful in a storefront chapel or with thousands in St. Peter's Square, we perform a drama with different parts-speaking and singing and praying and giving money and baptizing and eating bread and drinking wine-all for the delight of God.

When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot was not the burden, but the unbearable lightness of being.

When you are not honoring the present moment by allowing it to be, you are creating drama.

When you care about other people, it takes the spotlight off your own drama.

When you draw a western correctly, you create such drama, such dilemma that you think you almost don't want to admit who you might have been.

When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.

When you go into extra time, we're talking about drama. But when we reach the penalty shootout, it's a tragedy.

When you lose your simplicity, you lose your drama.

When you make a movie, everyone should leave their own personal problems at home. When they start bringing those to set, filming can be very difficult... You don't need any extra drama. Put the drama into the story, in the characters.

When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

When you're in your early 20s, a lot of characters can be one or two dimensional. You want a role to substantiate the drama, as opposed to actually analyzing the psychology of a human being. That's what drew me to acting, particularly the contradictions in people.

When you're a drama student, I think the most you hope for is to make a living out of acting.

When you're touring, you're working from the moment you wake up to the moment you got to bed. Sometimes you make up fun drama, because it can get a little boring, but that's all light-hearted fun so that's different.

When you're at drama school you spend so much time working on amazing texts and analyzing them, digging into them, and figuring out why it happens, why you are being asked to say what you're saying, and what the words mean. But then when you start working, most of the stuff would just fall apart if you subject it to that kind of scrutiny.

When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.

When your life is working there will be an absence of drama

When you're young you have no worries, no drama, only your imagination. It's the best!

When you see Charlie Chaplin, he stays funny. He doesn't become drama, and so what really seems to endure is comedy.

When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.

When you run into someone that you used to be in love with, all that you have is drama, desperation and not know what to do.

Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.

Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.

Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate Semitic chapbook reenacting the dramas and parable therein.

Where we're telling the story of the history of the ensemblist [in the "Ensemblist Essentials"], using the nine musicals that have won the Pulitzer Prize for Drama as fixed points in time We're going from 1931 to 2016 and using these shows to talk about what the typical show was like for an ensemblist at the time; did this show change anything about that job, while it was changing everything about the way theatre was written and produced and made?

Whether it's a good thing or a bad thing, the higher your profile, the more castable you are in TV dramas.

Whether you get hurt by weapons or feelings, it hurts when you get shot in the heart.

Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.

Whether we like it or not, life has a lot of drama and pain. But God is writing a great story. Are we going to let Him? Are we going to trust Him?

while it is certainly the biographer's business to describe the foibles, passions and idiosyncrasies which make his subject a person, his work will be very meagre if these individual traits are not also seen as part of a universal drama - for each man's life is also the story of Everyman.

While it is unlikely that poetry or art shall eliminate the reality of war in the twenty-first century, it is thrilling to know there remain individuals, and even entire communities, still willing to invest in art and poetry's own uniquely explosive contributions to the great, and small, dramas of human history.

Whoever heard of a midwife as a literary heroine? Yet midwifery is the very stuff of drama. Every child is conceived either in love or lust, is born in pain, followed by joy or sometimes remorse. A midwife is in the thick of it, she sees it all.

Why are you doing this to me? What kind of country did I save in my previous life?

Wine is so much more than a beverage. It's a romance, a story, a drama-all of those things that are basically putting on a show.

Why did John Wilkes Booth do it? In My Thoughts Be Bloody young historian Nora Titone is one of the few to have genuinely explored this question. In doing so, she has crafted a fascinating psychological drama about one of the central events of the Civil War: the assassination of Abraham Lincoln. This book promises to stimulate lively historical debate, and will be a treat for every Civil War buff who always pondered that haunting question, “what made him pull that trigger?” Bravo on a marvelous achievement.

Why is it that English, drama and music teachers are most often recalled as our mentors and inspirations? Maybe because artists are rarely members of the popular crowd.

Why wouldn't I be able to look at you? You're not my woman and I don't even have feelings for you. You really mean nothing to me now.

With a contained environment, there is the promise of friction. And that is where the drama comes from.

Why don't you be together with me? If you can't say it out now, then you just answer by selecting... 1st, if you say YES, we will get married right away 2nd, if you say NO, I will use every possible way to make you say YES and get married right away 3rd, if you say you need time to consider, I will give you one day to think over it and then get married So you just choose, is it YES or NO? No, it's either 1st, 2nd or 3rd. Marry or not marry?

will there ever be a drama more beautiful than that of eating?

Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work.

With a play, you do it and it's gone. Films always date. Television drama always dates. Television comedy, for some reason, seems to go on.

With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.

With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.

With family dramas, it's hard to keep those stories alive.

With a novelist's sense of drama and a historian's understanding of the social forces that shape our lives, Tom Gjelten has captured vividly -- through the chronicle of a powerful family's fortunes -- one of the great political dramas of our time.

With comedy, it's a combination of knowing the comedic beat was good - it made you laugh, it made people on the crew laugh. With drama, you do something deep and if your stuff was really effective, the ultimate result is silence. Silence is not necessarily... that would also be the result if you sucked.

With drama, you need to be laughing, in between takes, 'cause you're going to those recesses of your soul and those dangerous parts. Normally, if you're not an actor or some crazy artist, you don't feel the need to run around in those areas. You keep them separate because it's painful.

With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.

With most people, not describable as artists, all the finer part of their vitality goes into sex. They become third-rate poets during their courtship. All their instincts of drama come out freshly with their wives. The artist is he in whom this emotionality normally absorbed by sex is so strong that it claims a newer and more exclusive field of deployment. Its first creation is the Artist himself, a new sort of person; the creative man.