Best 2427 quotes in «drama quotes» category

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    Actors--a stage kiss is only meant to last ten seconds. Any longer and it is considered abuse, dear.

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    Adolescence feeds on drama, it is most happy when living in extremis, and Ferguson was no less vulnerable to the lure of high emotion and extravagant unreason than any other boy his age ...

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    Adults are always like that, They only see what they want to see, As such, I am disapointed in them, but... That's convenient for me. - Fujisawa Ayana

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    After all, the only thing harder than allowing yourself to care is pretending that you don't.

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    After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.

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    Aggressiveness, complaints, pressures, drama and polemics can wipe out a favor or a promise and stain a generous deed.

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    Ah, yes. That. The sin of being happy or excited. According to my father, we must guard carefully against such things. According to my father, these emotions are the equivalent of dancing on out fifth-floor window ledge. Clearly inviting a nasty fall.

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    Ah, you big Nancy, there’s nothing to be afraid of. Seen it many times before. They come and go, boy, never change. It’s the same type from the very beginning. Nothing’s changed except the clothes and technology.

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    Alannah?” He held her limp body waiting for a response. “Don’t do this.” He put his hand over the other cut whispering his words and healing it as well. “Alannah?” His voice begged, as he held her face in his hand Still no response. He looked at the ground she had laid on realizing that she had lost a lot of blood. Then from the corner of his eye he saw the rise and fall of her chest and let out a breath he hadn’t realized he was holding. She still lives.

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    Al final, tu único amigo eres tú mismo porque los demás, llegado el momento, te dejarán todos en la estancada. Al final, todos estamos solos.

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    All drama is about lies. All drama is about something that’s hidden. A drama starts because a situation becomes imbalanced by a lie. The lie may be something we tell each other or something we think about ourselves, but the lie imbalances a situation. If you’re cheating on your wife the repression of that puts things out of balance; or if you’re someone you think you’re not, and you think you should be further ahead in your job, that neurotic vision takes over your life and you’re plagued by it until you’re cleansed. At the end of a play the lie is revealed. The better the play the more surprising and inevitable the lie is. Aristotle told us this

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    All'inizio era lividi. Poi graffi. Mi calmano un momento. Righe rosse precise, a volte lettere a comporre parole, bellissime parole a comporre frasi, prese da dove. Graffi, segni delle lacrime che di segni non ne lasciano mai. All'inizio erano graffi, portavano via piccole porzioni di pelle e sporcizia. Andavano facilmente via. Con l’unghia. Poi un giorno ricordo com'era bello lasciarsi medicare. Com'era facile sentirsi consolata, una goccia di disinfettante per bambini, verde che non brucia. A lacerare e lacerarsi ci vuole un attimo.

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    And as her voice carried in the darkness, he wasn’t sure where the borders between her story and his dream were. But he saw no more nightmares; he dreamed of a noble Sky Ghost and his little daughter, which he taught everything she needed to become a better warrior than he was.

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    All problems, though appearing outside of you, must be resolved within YOU.

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    A mistake is the name we give to any action in which we perceive a difference between what we intended and what has occurred. Intention fuels every dramatic action, including the writing of dramatic stories, which involves a series of dramatic actions. In the course of writing, or finding, the story that wants to get itself told, it behooves the writer to liberate the characters by finding the faith and courage necessary for setting aside one’s own conscious needs and expectations. Not to do so promotes ‘mistakes’ - i.e: confusion born of some incoherence in the emotional logic of the story). As the writer abandons his/her intentions - no matter how noble they may seem - only then does that most strange and ineffable quality we so casually refer to as ‘the magic’ have a chance of entering the story, and rendering even the ‘mistakes’ stimulating, daring and provocative.

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    All I knew was that I couldn't have him right now. It was impossible. Could I have him in a year? Two years? Five years? Ten years? I didn't know. All I knew was that although the universe was pushing us together, it was also pushing us apart.

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    All our life we had been dreaming to get through every little hole into this beautiful and unfamiliar world where parents and children love each other not for something but in spite of everything, to plunge into this fairy world entirely, settle down and live there. So why didn’t I feel happy when it happened for real?

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    All the girls stared at me with hatred in their eyes. It was a big drama that had to be acted out. But deep down, nobody really cared. The other girls didn't care about Jennifer. Jennifer didn't care about me. I didn't care about anything. Everyone was so full of crap.

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    A man who respects his wife, does not sleep with other women. And a woman who respects herself does not allow her husband to get away with it

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    And do you know why we have not the power to attain this Stoic ideal? It is because we refuse to believe in our power. Nay, of a surety, there is something else which plays a part: it is because we are in love with our vices; we uphold them and prefer to make excuses for them rather than shake them off. We mortals have been endowed with sufficient strength by nature, if only we use this strength, if only we concentrate our powers and rouse them all to help us or at least not to hinder us. The reason is unwillingness, the excuse, inability.

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    And now, it turns out that our mother’s name means benevolence and generosity to people as objects of love! This is both a unique and beautiful name, Charity. “It was one of life’s cruel ironies,” I thought, “that a midwife, or whoever filled in the documents, must have known our mom’s name. I suppose she had a lot of fun naming us Hope and Faith! Or, on the contrary, she sympathized.

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    And so the lion fell in love with the lamb. what a stupid lamb. what a sick, masochistic lion.

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    And in a way, you could say that my father's end was my beginning...Or more precisely, that the end of his lie coincided with the beginning of my truth

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    And now the bride begins to move. Little mechanical doll, clinging to her husband’s arm, climbing into the carriage. Her white silk stocking, her elegant shoe.

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    And sometimes being in love is not enough to make it work.

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    ANGELO From thee, even from thy virtue! What's this, what's this? Is this her fault or mine? The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season. Can it be That modesty may more betray our sense Than woman's lightness? Having waste ground enough, Shall we desire to raze the sanctuary And pitch our evils there? O, fie, fie, fie! What dost thou, or what art thou, Angelo? Dost thou desire her foully for those things That make her good? O, let her brother live! Thieves for their robbery have authority When judges steal themselves. What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue: never could the strumpet, With all her double vigour, art and nature, Once stir my temper; but this virtuous maid Subdues me quite. Even till now, When men were fond, I smiled and wonder'd how. -- Measure for Measure, II, ii

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    Aricles and I are married. The Greek god Apollo found out and he threatened to discredit and shame me before the other gods unless Aricles refused to fight. To protect my honor and name, he has allowed all of you to insult and attack him, and I will not stand for him to be hurt again. By anyone." Bathymaas

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    Answer the Call to Shine Your Light Right now there may be just few individuals who balance duality in unconditional love, but their unifying perception is very integrative. They live their lives in “Trinity” after they have expanded their understanding of “Duality”. There is no moral value judgment applied in their perceptions. The moral value judgment continually creates an illusion of separation and disconnection. A balanced consciousness, with no dual perception is very integrative and all inclusive. It expands at an enormous speed assisting others to perceive a myriad of different perspectives as different yet equally valid. Those individuals shine their light in the world as a sign of unity, harmony, and emotional balance. They are living witnesses to the reality of love, compassion, ease and joy. By their example others can choose to understand that life can be easy to live in one's preferred way without devaluing others' choices. They are those who lightened up carrying their bright match lit in a darkened room filled with fear and drama.

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    Ar fi putut să scrie despre unii adolescenți, ființe ce suferă mai mult decât oricine pe această lume neîndurătoare și care ar trebuie să se bucure de mai multe drepturi decât toți oamenii, descriind în același timp drama și sensul suferințelor lor, dacă, într-adevăr, acestea ar avea vreun sens.

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    Art--music, painting, sculpture, dance, drama--opens doors to our soul, exposing our lives to whom or what we allow to enter.

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    A siege is always a hospital - a hospital where mad thoughts abound and where mad things are done; where, under the stimulus of an unnatural excitement, new beings are evolved, beings who, while having the outward shape of their former selves, and, indeed, most of the old outward characteristics, are yet reborn in some subtle way and are no longer the same. ... The salt of life! Is it true, or is it merely a mistake, such as life-loving man naturally makes? For it can be nothing but the salt of death which has lain for a brief instant on the tongue of every soldier - a revolting salt which the soldier refuses to swallow and only is compelled to with strange cries and demon-like mutterings. Sometimes, poor mortal, all his struggles and his oaths are in vain. The dread salt is forced down his throat and he dies. The very fortunate have only an acrid taste which defines analysis left them. Of these more fortunate there are, however, many classes. Some, because they are neurotic or have some hereditary taint, the existence of which they have never suspected, in the end succumb; others do not entirely succumb but carry traces to their graves; yet others do not appear to mind at all. It is a very subtle poison, which may lie hidden in the blood for many months and years. I believe it is a terrible thing. ... And yet even this nobody understands or cares to speak of... Englishmen are proud, and want to know if you were inside the British Legation, their Legation, and when they have heard yes or no their interest ceases. They little know what the Legation stood for. The Americans march up to the Tartar Wall, talk about "Uncle Sam's boys," and exclaim that it requires no guessing to tell who saved the Legations. The French are the same, so are the Germans, so even the Italians. Only the Japanese and the Russians say nothing. ... I am, therefore, tired of it all, inexpressibly tired. I wish to escape from my hospital, to go away to some clean land where they understand so little of such things that their indifference will in the end, perhaps, convince me and make me forget. Yet can one ever forget?

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    A sharp pain in her chest became more intoxicating with each breath she took. There it was. The reason she had forced herself to keep her distance from love. Why she had given up on trusting someone not to hurt her. Because a broken heart, no matter how figurative, was an unbearable pain to endure. And sometimes, no matter how much you want to be with someone, there’s never a guarantee that they want you back.

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    Ask not what your Joe Montaperto can do for you, but rather what YOU can do for your Joe Montaperto.

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    Asif Ali maneuvers the gleaming Mercedes down the labyrinthine lanes of Old Kolkata with consummate skill, but his passengers do not notice how smoothly he avoids potholes, cows and beggars, how skilfully he sails through aging yellow lights to get the Bose family to their destination on time. This disappoints Asif only a little. In his six years of chauffeuring the rich and callous, he has realized that, to them, servants are invisible.

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    As I stared into those crystalline eyes, I knew I had finally found what I was looking for, but it came with a price. Damien was everything I hated and it wasn't until that moment that I realized how lost I really was. My soul was drawn to his very aura, but the ache within my heart was the undeniable reminder that it could never be a reality. My pride and stubbornness had forever wrecked what Damien and I could have had. I was but a galaxy within a black hole, something so majestic and extraordinary, and it was irrevocably lost to me.

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    A smart girl," Pin said. "She will get there. She doesn't like being the queen of drama." Six years ago, Pin had come over from one of our Taiwanese partners. She still had a little idiom hiccup now and then. "Well, when is she going to toughen up? I know how important the tuition program is to her, how expensive vet school is. But how will she even get through if she can't handle a dead animal or two?" "Yes, but better she begin with compassion. Not everyone has it

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    As we looking into the history of writing, some fascinating facts immediately emerge that may surprise us a little. We normally consider poetry and drama to be more accomplished and refined than straight-in prose storytelling. Yet about three thousand years before the advent of the modern novel, the most common and most preferred literary forms were poetry and drama. Poetry was first, and drama followed close on its heels. It seems almost that if ancients such as Homer and Aeschylus had something to say, they diligently sought the finest (and most difficult) literary forms with which to say it. It appears that if they had something worth saying, they believed it worth saying well and with great care.

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    At least it was love we were showing initially, and not hatred and violence like you did in the end.

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    At first, like a lot of trauma survivors, I was impatient and wanted immediate results. Once I caught myself in this behavior, I realized that it takes consistent commitment to heal patterns. After three or four months, I noticed a huge positive shift within myself. I felt a new level of happiness and contentment that I hadn't even known existed. I finally understood how my old trauma patterns had attracted drama in my present life. once I saw this dynamic, I made a conscious decision to "Drama Detox," and the patterns faded away.

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    At times it is so enjoyable to mire your neighbor into the filth you already got stuck in long ago!

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    - Ay! Thornton o' Marlborough Mill, as we call him. - He is one of the masters you are striving with, is he not? what sort of master is he? - Did yo' ever see a bulldog? Set a bulldog on hindlegs, and dress him up in coat and breeches, and yo'n just getten John Thornton.

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    A veces necesitamos nuestro dolor. Lo necesitamos para considerarlo nuestro.

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    Because every decision impacts everything that follows. Especially the wrong ones.

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    Because otherwise you would have to let them in, let them change your life, and it’s scary and unpredictable and unsafe – at least, that’s what we all think.

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    Because some girls don't just fall down; some fall from grace.

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    Becky was a weed.  Nobody ever wanted them taking over the bigger, prettier plants.  People went to all extremes to make them go away.  They sprayed poison, pulled until the roots gave way. They felt only like their garden was complete when every tendril was extirpated.  This was how she felt from birth.

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    Because you can't be as in love as we were and not have it invade your bone marrow. Our kind of love can go into remission, but it's always waiting to return. Like the world's sweetest cancer.

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    Because you know that's all I needs, all I wants, is for you to try to run, to turn your back on me and run. I know you aint going to. Because all you got to beat is me. I got to beat old Carothers. Get your pistol." "No," the other said. "Go home. Get out of here. Tonight I will come to your house-----" "After this?" Lucas said. "Me and you, in the same country, breathing the same air even? No matter what you could say, what you could even prove so I would have to believe it, after this? Get your pistol.

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    Belize: Hell or heaven? [Roy indicates "Heaven" through a glance] Belize: Like San Francisco. Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit. Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens. Roy Cohn: Isaiah. Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths. Roy Cohn: And a dragon atop a golden horde. Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there. Roy Cohn: And Heaven? Belize: That was Heaven, Roy.

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    Behind every drama is a good story...behind every tear is the person who wrote it.