Best 2427 quotes in «drama quotes» category

Many things happen in life. There are joyous days and times of suffering. Sometimes unpleasant things occur. But that's what makes life so interesting. The dramas we encounter are part and parcel of being human. If we experienced no change or drama in our lives, if nothing unexpected ever happened, we would merely be like automatons, our lives unbearably monotonous and dull. Therefore, please develop a strong self so that you can enact the drama of your life with confidence and poise in the face of whatever vicissitudes you may encounter.

Marriage, at first, may seem like it will last forever. But surprisingly, a lot of the times, it shatters easily. Like porcelain.

Marriage is such hard work. And it's full of rage and real human drama.

Mascara is my daily essential. I pile it on top and bottom lashes during the day. If I'm going out, I'll add the individual Eylure lashes at the outer corners for more drama.

Matt Bomer and I went to Carnegie Mellon for drama together.

Maybe what life needs is a good soundtrack, especially during the long stretches when nothing interesting is being said. A soundtrack might dignify things a bit, ennobling us with the proper drama and tension and pathos.

McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.

Meanwhile music pounded / across hearts opening every valve to the desperate drama of being / a self in a song.

Meditation doesn't lead you to silence; meditation only creates the situation in which the silence happens. And this should be the criterion - that whenever silence happens laughter will come into your life. A vital celebration will happen all around. You will not become sad, you will not become depressed, you will not escape from the world. You will be here in this world, but taking the whole thing as a game, enjoying the whole thing as a beautiful game, a big drama, no longer serious about it. Seriousness is a disease.

Men and women are sacrificed to the idols of profit and consumption: it is the 'culture of waste.' If a computer breaks it is a tragedy, but poverty, the needs and dramas of so many people end up being considered normal. ... When the stock market drops 10 points in some cities, it constitutes a tragedy. Someone who dies is not news, but lowering income by 10 points is a tragedy! In this way people are thrown aside as if they were trash.

...men and women are sacrificed to the idols of profit and consumption: it is the "culture of waste." If you break a computer it is a tragedy, but poverty, the needs, the dramas of so many people end up becoming the norm.

Men of wit, learning and virtue might strike out every offensive or unbecoming passage from plays.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.

Mistakes are very seldom permanent, most of them can be fixed with less difficulty and drama than one imagines, and there's nothing shameful about them. There is, however, something sad and limiting about the fear of making them.

Mom...In my next life I have to be your son again. Then, I will definitely be a kind-hearted son that you love I love you, mom. I love you, mom. There has never been a moment that thoughts of you left my mind. Mom. That you gave birth to me. Thank you.

Money is a living thing.

Money is that thing that you work so hard to save but gets spent so easily.

More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.

More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.

Moshe Sluhovsky's fascinating study links spirit possession, exorcism, and mystical practice in early modern Europe. Women and men, healers and priestly exorcisers are caught up in a new quest for truth and introspection as they try to figure out whether these dramas of body and soul come from the devil or God. A stunning feat of scholarship and interpretation.

Most of my training at graduate school was geared towards drama, so I feel good about it, and I can do it, but it requires a lot more work from me. I feel like with drama... well, with all acting, really, you need to honor the truth of the situation.

Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.

Most of the time, my favorite drama has comedy in it as well. I think most good dramas have comedy in there. And all of the dramatic actors I look up to are also very funny.

Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life.

Movies take a lot of time to make, so when I sign onto a project, I ask, do I want to dedicate a lot of time to this world? And more so, I look at what I need for me. Do I want to make a comedy? Do I want to make a drama? What do I need? Am I in the right headspace to do this role? And then politics come into consideration, too.

Movies are immortal art - the first new art since Greek drama.

Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.

MPU was a great platform for emotional drama and Australian stories.

Music needs the juxtaposition of opposites to achieve its drama, so harshness and dissonance are simply part of the material a musician can use to create a musical work. All one thing is a bore - all dissonance, or all fatuous consonance. George Winston and Guns and Roses are two sides of the same worthless coin in my esthetic world.

Music is such an important element in creating the drama that a runway show needs in order to be memorable and to make the clothes come to life.

My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.

My curse on plays That have to be set up in fifty ways, On the day's war with every knave and dolt, Theater business, management of men.

My biggest accomplishment was playing "Lark" on the daytime drama Port Charles because it was the most regular acting job I have had, and I had to step in and fill someone else's shoes.

My concept of drama requires obstacles, and there's no obstacles in comfort.

My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.

My dream is to do something like the female Bourne, and do something in that world. To mix that high level of drama with the covert operation, conspiracy theory spy world fascinates me and it's so interesting. It's fun to do it.

My husband and I don't want Hollywood drama. I go to the market and do the dishes. I'm not treated differently because I work on TV.

My father died prematurely at the age of 52 when I was 24, and it is a recurring regret that he never lived to see me succeed beyond university and drama.

My father went to college for drama in Pittsburgh, and so did my mother, and then my mother was a steadily working New York theater actress. They kind of quit when I was born. They did that for, like, 10 years before they had kids and then I was born and they were not into that lifestyle for kids.

My favorite play in drama school was 'The Bacchae.' It's about a king who literally gets eaten alive by all the women in the play in a kind of orgy - it's related to the word 'bacchanal' - and I loved that idea of animalistic chaos and following our own desires.

My first paid role was my first job out of drama school, which was Just William. It was a BBC TV show. I played Ethel.

My fondness for extended monologue might have been encouraged by two decades of writing stage and radio dramas.

My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.

My father was a good preacher and had a little bit of drama.

My first singing role was as Susanna in a school production in a shortened form of Mozart's The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.

My old drama coach used to say, 'Don't just do something, stand there.' Gary Cooper wasn't afraid to do nothing.

My mom pushed me to take drama class.

My mother studied English and drama at the University of Pennsylvania, where my father studied architecture. She was a great influence in all sorts of ways, a wicked wit.

My mythic version of America is very much about parents and children, and in my experience, the suburban setting is where that particular drama plays out. Which isn't to say that there aren't parents and children in cities or on farms. I just don't know them.

My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.