Best 2427 quotes in «drama quotes» category

I think if you turn down the volume on the good comedy, you should not even know if it's a comedy or not. It should look like a drama.

I think I just have a problem generally in life of wanting more of everything - more emotion, more drama, more glitz.

I think I'll always be linked to comedy. There is something about it that's such a beautiful thing. The world of drama sneers at it because people assume that it's easy but it's not at all; it's incredibly difficult.

I think I love and reverence all arts equally, only putting my own just above the others; because in it I recognize the union and culmination of my own. To me it seems as if when God conceived the world, that was Poetry; He formed it, and that was Sculpture; He colored it, and that was Painting; He peopled it with living beings, and that was the grand, divine, eternal Drama.

I think it is a must for young people and generations yet to come, to understand, to feel, to touch, to almost smell the drama of what happened a few short years ago [the civil rights movement of the 1950s and 1960s]. So maybe, just maybe, we will never ever repeat this unbelievable time in our history. We have to tell it all, and make it plain, and make it clear, so people will never ever forget the distance we have come, and the progress we have yet to make.

I think I really believed my childish thoughts back then. Using the determination of the poor, the childish thought that I can do it if I tried with all my might. But in reality...I never did get to defeat him. No. I couldn't beat him.

I think it's actually a misperception that I am a comedic actress. I do more drama than comedy but very little of it has been seen. When you are in big funny movies and they do well and your little part in it kind of explodes people perceive you as a comedian.

I think it's a real shame so many schools have taken out the hands-on classes. Art, music, auto mechanics, cooking, sewing, these are all things that can turn into jobs. You know, wood shop, steel shop, welding. These are all things that can turn into great careers, get kids interested. Things they can do with other students. Other things for our word thinkers: journalism clubs, drama clubs.

I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.

I think it's very rare that you see girl friendships on television. It's always cattiness and all that drama.

I think it would be exhausting and depressing, to write, to watch and to live, if it was just focused on drama. It's heavy. Also, I think the humor really highlights the pathos and the struggle. You can slam it up against drama, and it makes both shine.

I think it would be really fun to film a drama in a foreign country. If the opportunity presents itself, I want to film a Chinese production.

I think I was about 18 before I decided I wanted to pursue acting. I went to drama school in Western Australia when I was 19.

I think journalism gets measured by the quality of information it presents, not the drama or the pyrotechnics associated with us.

I think many of us live in a rut. Stuck in a groove we can't get out of, whether it's our job, family drama or the little frustrations of everyday life.

I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.

I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.

I think people are tired of the CSI/SVU style of lurid and gory crime dramas. I believe there's a craving for lighter shows featuring detective characters who are fun to watch. I think people would welcome that kind of show.

I think people are gravitating towards these period dramas because I think they're looking for a simpler time.

I think people look great in black. I love that what stands out is the person, especially. Black just conveys a kind of drama, even if it can be quiet drama. It does lend to the wearer a sense of confidence.

I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.

I think since I was in drama school, I wanted to direct in the theatre. When you are an actor, you just have to open your eyes and you start to learn a lot about how to survive on set and what's important and how to tell a story. Directing is really about putting yourself out there, to be slapped in a way. You know that in the kitchen, you're gonna get burned. It's very scary but very exciting as well. If you have something to say, you have nothing to lose and you probably learn from the experience.

I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.

I think sports makes for good drama because it has all the same ingredients as anything worth reading or listening to or watching. Conflict, desire, heartbreak - it's all there.

I think television is a unique form, in terms of storytelling. Having source material for these really dense, complicated, serialized dramas is a great way of world-building.

I think that even in a drama, we all want to smile, and laugh because what a horrible life if we're just like "I'm in a drama." And so I think in everything you're trying to look for the humor, even if it's a dark scene, because most people want to have fun in life, as opposed to have a boring time, a terrible time.

I think that every piece has its challenges. I love going back and forth between one and the other. I'll always pick a comedy over a drama.

I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.

I think that I originally became an actor because I was super, super dramatic. Over the top, all the time. I was the kid that would bump my knee and scream and cry as if I'd been shot in the face. So just automatically, the only outlet for my drama was acting and I loved theater.

I think that it's important for every single person, no matter what they do in life, to participate in the well-being of humanity and the planet. Don't let a year go by knowing you didn't make an effort to do something - no matter how small - outside your own problems and drama.

I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.

I think that period dramas just need zombies.

I think that the difference between The Sopranos and the shows that came before it was that it was really personal. There had been a lot of dramas, a lot of really good ones, a lot of really bad ones, but they were always franchise shows about cops, or doctors, or lawyers. They weren't about the writer himself.

I think that no matter how much you don't like yourself or the drama of your life you can still find some comedy in it.

I think that there is a role for food to be art; and when food is art, it can have drama, it can have spectacle, it can be theatrical. It can be this amazing experience.

I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.

I think that's actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I'm endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don't even realize.

I think that the drama of people rising up demanding their own freedom is one that resonates very deeply with America. I think that President Barack Obama has tried and would like to find a way to relate to the Arab Spring, but I think he also wants to be, rightly, very careful that we don't take it over. It is very important that they own this. He is trying to influence it this way but without, "We're so never going to go to the extreme of Iraq and putting boots on the ground again.

I think the biggest faults that bands tend to have in terms of drama or breaking up is bands don't learn people's personalities. When you spend as much time with people obviously it's going to rub off, and you are going to get to know the way people are. You can make sure day to day people are accommodated to and people feel positive about the experience, then you can stay together as a band, at least that is my opinion.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

I think that you can make a drama and have it be intensely funny, and vice versa.

I think that the dramas that you find in TV are actually a lot more interesting, typically, than what you find in cinema.

I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'

I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.

I think the possibility of continuing on a comedy is greater than a drama.

I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.

I think the way WWE Studios is going now - they're going away from action, doing more drama, more comedy - it will open a lot of people's eyes. Because a lot of people see big guy, big frame: action superstar. We've proven, especially with 'Legendary,' that that is not always the case.

I think there's true drama in the formation of everything that we know and are standing on the shoulders of.