Best 2427 quotes in «drama quotes» category

One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.

One of the great things about drama is that it makes you feel like you're not a crackpot, and that there are other people who think and feel the way you do.

One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.

One of the things that makes any good entertainment, whether it's a play, drama, comedy, television, film, whatever, is that you feel a certain amount of spontaneity.

One person cannot change the world. But you can become the world for someone. A warm, bright, and peaceful world. If everyone can be such a world to one person, one will become ten people, and then a hundred. The world will be full of happy people then.

One thing I'm a big fan of is the theater of the absurd. That's what I come from, that's what I love to do more than anything. What I love about absurdity is the words "comedy" and "drama" get thrown out the window and it's just life, which is absurd.

One was never taught how to begin at drama school. But all it required was one intake of breath.

Only comedies can get you that engaged in a movie, dramas people just sort of sit there and eat their popcorn and nothing really happens, they might cry a little bit, but that's it. Horror movies are talking at the screen, guys are elbowing each other, laughing at each other because they got scared. That's the beauty of a horror movie.

Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.

Only the truth can set us free from the fear, the drama and the conflict of our lives.

[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.

On the Greek stage a drama, or acted story, consisted in reality of three dramas, called together a trilogy, and performed consecutively in the course of one day.

On the meridian of time, there is no injustice: there is only the poetry of motion creating the illusion of truth and drama.

Ooh, it's too ­embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well ­received but that was before she started studying Shakespeare at drama college. Now I feel so ­inept.

Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?

Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.

Opera is the ultimate art form. It has singing and music and drama and dance and emotion and story.

Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.

Oratory, like the drama, abhors lengthiness; like the drama, it must keep doing. It avoids, as frigid, prolonged metaphysical soliloquy. Beauties themselves, if they delay or distract the effect which should be produced on the audience, become blemishes.

Orlando's a really cool guy. They hired him for 'Lord of the Rings' out of drama school. He's very new at this still and doesn't have a lot of experience. So we were in this together and we've tried to help each other out. We felt very equal which was good.

Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.

Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.

Other than hitting the ball...there's nothing else I have ever done or know how to do. How to live on the outside, how to earn a living, how to take of my family, I'm a stupid idiot who doesn't know how to do any of that. Therefore...Please let me play baseball.

Our culture highlights all the trouble, all the drama, all the affairs and all the junk. Do not believe for a minute that any of that reflects reality. That does not have to be your future. The handwriting is not written on the wall.

Our dreams of bringing the whole of human history under the control of the human will are ironically refuted by the fact that no group of idealists can easily move the pattern of history toward the desired goal of peace and justice. The recalcitrant forces in the historical drama have a power and persistence beyond our reckoning.

Packed with fascinating personal perspective and testimony, Michael Takiffs A Complicated Man wholly justifies its title. The book is far more than a kaleidoscopic oral biography of President Bill Clinton. Aspect by aspect, it guides us through the struggles of postmodern America, as the most ambitious baby boomer of his generation seeks to modernize the Democratic Party-and, as in a Greek drama, is fated to be destroyed. Veritably, an all-American saga, with a cast of thousands-favorable and unfavorable.

Our life is managed from behind the scenes: we are actors in dramas that we cannot interpret. Of almost no decisive event can we say: this was our own choosing. We happen upon careers, necessity pushing, blind inclination pulling. If we stop to think we are amazed that we should be what we are.

Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, grieves, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations --all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.

Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.

Penalties are not football. They are not even as television people keep telling us, great drama. They are cheap melodrama.

Particularly for English people, Shakespeare is always at the forefront of both drama and the English language. He's always been there. I can't remember starting school and not learning about him.

People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.

People always tend to chose what is best for them. They pretend to be unselfish, all so that they can feel good about themselves. Even that really is a selfish decision.

People are what are scary...people.

People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown.

People change all the time whether you like it or not.

People don't want drama 365 days a year. I'm a sense of relief; it's my job to take your mind off what's bad for that brief second you're in the room with me, regardless of shape, race, colour or anything. It brings people together, and it makes me feel good about what I'm doing.

People get desperate when they're backed into a corner.

People do tend to fear and despise shamans but turn to them in times of desperation. Such a contradiction is a human characteristic, no? I'm more pulled to the human drama of shamans - their experience in society and identity struggles - than their transcendental power. Their drastic lives enable them to empathize with others and provide solace.

People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them.

People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building.

People love scandal; people love drama. They love stripping away the layers to see what's really in there, and they'll do anything - as well as make it up - to get it.

People love drama, and if you aren't really interested in perpetuating that, it keeps you from exploding on a mainstream stage. I'm totally fine with that.

People who make documentaries have to be faithful to the facts. But when you are making a drama, a fiction based on the life, all you have to be faithful to is the spirit of the facts, which I think I was in every case. As long as you don't violate their spirit, you can play with the facts.

People think stage school is a little star factory but the truth is kids like me learned about being in a team situation and going out to work earlier than a lot of kids did. I don't know anyone from drama school who's now sitting on their arse doing nothing.

People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.

People think drama drives story, but I think the comedy is really the heart and soul.

People, you see... are ruthless and foolish. When they're young, in order to have money and power, they give up everything like health and youth. And when they get sick, become old, and have all the money and power... in order to find their health and youth again, they spend all of the wealth they've wasted so much energy and time to accumulate.

Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life. Only a drama will do and while the fireworks last the sky is a different colour.