Best 2427 quotes in «drama quotes» category

I love playing a dad. It's hard to find family dramas that are genuinely funny.

I love romantic films and love drama. Any film that has romance or romantic element is my comfort.

I love shooting with real things in the real world. I think it gives a level of drama, performance, and everything seems to rise to the occasion.

I love romantic comedies, or romantic dramas - basically anything with love in it.

I love seeing the Oscar films and epic dramas. But I'd rather watch a romantic comedy than any other kind of movie. There's something about movies like these that make you feel so good and happy and that you want to live in that world -- to be that girl and be part of the fairy tale. I have always believed in fairy tales.

I love soap operas - the stories, the plots! And I love the game shows and the courtroom dramas and the detectives - Jessica Fletcher, 'Columbo,' 'Perry Mason,' 'L.A. Law.' Any sense of guilt appeals to me in a television program - a sense of guilt, or a sense of making a lot of money.

I love the Broadway audiences, who relish live drama and don't hesitate to display their enthusiasm.

I love you so much that it feels like the universe will explode, for as long as it takes for the oceans to dry up, so much that I don't care if my soul burns to ashes.

I'm a bit of a fraud, really, as I didn't study acting at a drama school.

I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.

I made reference continuously to the killings, the death, the life taken by all of these narcotrafficking gangs and human smugglers. I spoke of this problem as one of the wounds that Mexico suffers. It's a great pain that I'm taking, because this nation [Mexicans] doesn't deserve a drama like this one.

I'm afraid, as true as love is, it is tested by circumstance and sometimes you don't make the best choices. As much as the fans claim [that] all they want is just want people sitting around and having a nice time together, trust me, you would not be watching the show if there wasn't conflict, if there wasn't drama, if there wasn't jeopardy. And it's not just physical jeopardy, it's romantic jeopardy as well.

I'm a good example of someone who can come to Hollywood and keep their feet on the ground with all the rock stars, all the drama that goes with being here. It's still important to pump your own gas and to be able to vacuum.

Imagine a pantomime directed by Quentin Tarantino, where villains are booed, heroes are blood-stained, the body-count is high, the entertainment pulsating, the language filthy and the audience screamed behind you'' as tackles hurtled in like boulders crashing down a mountain-side. Such was the epic drama that gripped the Emirates yesterday. A derby crammed with sound, fury and significance ended with everyone grasping for breath, with Arsenal regaining the high ground of the Premier League... This was the Premier League at its raw, mistake-filled, mesmerising best. Utterly compelling.

I'm a huge fan of Michael Hirst, and I'm a huge fan of historical drama.

I'm a great admirer, fan and consumer of television. I love serial drama. I have been a major fan of HBO's series for many years.

I maintain, against the enemies of the stage, that patterns of piety, decently represented, may second the precepts.

I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.

I'm always trying to look for how I can find human stories that aren't just dramas.

I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.

I'm a natural born show off. I love performing, and at school we had a really good music scene and an even better drama scene. When I got to university, I played in bands and did sketch stuff and it was always about coming up with material, which is why I never really practised and have no chops!! When I left uni, I carried on playing and trying out at stand-up.

I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.

I'm a total one-hour drama addict. I think when you're a comedian, you tend towards dramas because that's the less stressful thing to watch.

I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.

I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.

I may be a princess, but I'm definitely not a drama queen.

I'm definitely a fan of sort of dramas, independent sort of social dramas where you play really challenging roles. Every actor wants to play those dark roles and it's definitely true for me and I'd love to kind of challenge myself in any way possible.

I'm a warrior, I went into jail for the drama. I'm the story of the terrorist cell of Osama

I mean, he was something that happened to me, you know? But before he was this minor figure in the drama of my life he was - you know, the central figure in the drama of his own life.

I'm from Mt. Clemens, Michigan. It's right outside Detroit. The suburbs. I was always very heavily involved in theater back then. I was always in drama club or forensics. Anything that you could do that had some performing, I was doing it.

I'm into parlor dramas. I'm into theatre. I'm trained for the stage. I trained to do Chekhov and Shakespeare, I was trained for the stage.

I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.

I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.

I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.

I'm happy to try any genre, from drama to comedy and anything in between. Although, to be fair, for most of my career, I've been at the mercy of what people are willing to put me in.

I'm here to challenge myself and to see whether I can shape-shift in an environment that's actually quite daunting, but which I think would be nice to shine a light into. The destination of any interesting drama is that you shine a light into a place that not many people know about.

I'm interested in ordinary experience, and regardless of the precise definition of ordinary, and I've found that in so-called ordinary experience, there is as much comedy, tragedy, sadness, as there is in great drama. And I don't invent it, I recognize it.

I'm just looking to make good movies and looking to be as good as I can be in them and that's about it. But I feel much more comfortable doing a comedy, but the fact that I got to try a few dramas, I feel I've tested myself a little bit.

I'm not a comedian. I can play off of people, but I'm not that guy. I don't want people being like, 'Yeah, he should have stuck with drama.' It would not be my choice to have critics mumbling that.

I'm not a drama person, but when you can make a movie in song form in three-and-a-half minutes, it's surreal.

I'm not naturally a gifted dancer, and I don't enjoy it. I didn't go to any of those classes in drama school 'cause I was like, "I'm not going to dance. I don't need to learn to dance." I regret that.

I'm not a plumber who accidentally blew up or a math professor who accidentally backed into notoriety. I have a master's from Yale drama, and I auditioned for this. So obviously I want to be in the limelight in some capacity, or I want to be in entertainment in some capacity.

I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.

I'm not consciously avoiding doing a lot of period drama, but I don't really seek it out either.

I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.

I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities.

I'm not sure that I want my life to consist of Hollywood franchises, to be honest. There are other types of work that I'm interested in, like theater and just more serious drama and I just don't know.

I'm not interested in parts where they are looking for a good-looking guy. I want to be a weird little sidekick in a crazy comedy and then play like a dark drama or a thriller.

I moved to New York to go to Julliard Drama School. Didn't sing a single note of music.

I'm on my feet, pacing around the room, punching a fist into my palm, which I stop doing when I realise how drama queen it feels.