Best 2427 quotes in «drama quotes» category

It seems to me conspiracy is at the heart of dozens of TV dramas currently on. Maybe that itself is some kind of conspiracy.

It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.

It's funny but when young people say to me "what can I study to be a force for change, should I study law or biology or business?" My answer is music, drama, journalism, communications.

It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.

It's funny: All my friends back home are always wondering why every television show I'm on is a drama, but all the comedy pilots I did died a slow and painful death.

It's great extremes which leads to great drama and great comedy.

It's fun watching people get jealous over imitation bags thinking it's real.

It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.

It's great when you can bait and switch people - and I don't mean that in a negative way, I mean that in truth. If we were advertising this movie as a very serious indictment about the hunt for war criminals, and it's a very dark drama, it would probably get great reviews, but people would stay away from it because no one wants to be lectured.

It's hard to overestimate the teenage appetite for high drama.

It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.

It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.

It's not some big event that creates the drama, it's the little things of everyday life that bring about that drama.

It's really hard to find just a simple character-driven drama, outside of a genre, that was available to direct, except for on TV.

It's strange, the lack of emotion, the absence of drama in reality. When things happen in real life, extraordinary things, there's no music, there's no dah-dah-daaahhs. There's no close-ups. No dramatic camera angles. Nothing happens. Nothing stops, the rest of the world goes on.

It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.

It's the same kind of preparation you do for something like this you do for anything. It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

It's usually very, very hard for me to pick up a script that was written and try and see myself as a part of that, especially when you're used to performing all your own material. It's OK with drama, I like being handed great material but I think with comedy it's far more personal and probably a lot harder for me to find a fit.

It wasn't until I got involved in Doctor Who that I started doing dramas on television.

It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.

...it was the arts, those noble expressions of the human spirit that are communicated through literature, dance, song, film, drama, painting and sculpture, among the many other such creative means, that helped articulate the sufferings of [these] people that were heard around the globe.

It wasn't like, 'I'ma lose weight and start doing dramas.' I wanted to be healthier, and that was the impetus for wanting to lose weight - it's just about being healthy and feeling good.

It wasn't my tennis that made me lose, it was a lot of different things going on, high drama, high emotion.

I've always been kind of a strategic thinking person - I love sports for instance, but my interest in sports is 'cause I love watching strategy in action or playing it. I'm not into the drama so much, of the physical action. I'm interested in the coach and how he's strategizing.

It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever.

I've always enjoyed family movies anyway. And I grew up loving actors who could hop around and play in something very family friendly, big, playful - and then go and do drama and comedy as well.

I used to dance a lot when I was younger. And I didn't want to stop doing it. I auditioned for drama school and then, luckily, I got my first job. There was never really a particular moment, more like moments of "I love this," or scripts that you read, or films that you watch, or plays that you see, that make you want to keep doing it.

I've always been in school plays and performing monologues and taking drama. Now I'm in acting clas-ses. I do it the real way. I want to be a working actor. I would love that. I just like being on a series and having a script, and I want that to be my nine-to-five.

I've always felt that acting is acting at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.

I've always loved drama. This is a blessing because I can show a little bit of what I can do, and hopefully more, in the future.

I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.

I've always got into stunts; even at drama school, I was falling down trap doors, and swinging in on ropes.

I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.

I've always loved movies but everyone loves movies, so I never conceived of the fact that I could actually be in them. In high school I had some friends in the drama department, but they were just doing plays, and I was like, "Eh, I don't really think that that's me." So I just played sports. Then, a bunch of years later, I'm acting.

I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.

I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.

I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.

I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.

I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.

I've been fortunate in that I've been able to have that balance as an actress to be able to do the wild, fun action movies and also be allowed to do the dramas. Hopefully, if I'm able to keep that balance, I'd love to always try to do both.

I've been through many years of psychotherapy, psycho-drama, I've taken risks in my life. I've had trials and tribulations just like every body else. You have to really think about who you are. You can't just go through life and sail threw.

I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.

I've been very physical my whole life. I went out hiking and camping for days in the Australian forest, and when I trained at drama school for three years, we did a whole lot on stage-fighting techniques. And I was a dancer from 5 to 18, so I have a memory for choreography.

I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.

I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.

I've done comedy, and I've done drama. I've sort of been a journeyman in my career so far.

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.

I've done my "mind over matter" movies, and I think probably that people aren't really interested in seeing me do that anymore. I think I'm kind of past my prime to do dramatic films. I think it'd become kind of like almost a pathetic cry out to be recognized as a serious drama actor.

I've done a lot of serious roles, but they're, like, independent, so it's harder for them to come out. The big ones have been comedies, but I would love to get a big drama to let people see the other side of me, that I am a serious actress.

I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.