Best 2427 quotes in «drama quotes» category

Everything we are is anchored in our childhoods. The drama comes in how we deal with it. Are we slaves to our past, or can we rise above it? This is the stuff of great stories.

Every third person in the world is a drama queen. And crying 'victim,' especially when you're not really a victim in any real way, feels good. It feels good to cry victim if you're not one.

Every time I left for the battlefield I promised this to myself; I must live to see you again. In order to protect you, I promised myself that I must win.

Every time I see you with sunbae, I always feel unhappy. This time the same thing happened. Why is it not me but another woman? This is not the first, but the second time. I'm always like this. Just like a fool.

Every time I see you, I feel like I'm waiting for the other shoe to fall. I feel uncomfortable every time I see you, and every time we talk, my throat tickles.

Every time we focus on someone else's darkness, we are blocking our own view of the light. We think the person we are involved with has attacked us or has withheld love from us, when they really haven't. We focus on their guilt instead of their innocence. Frequently people are just being themselves and we start projecting our own childhood dramas onto them, pushing away the very love we want so much.

Every weekend the drama department would have parties. The 20 hot girls on campus? All of them were in the drama dept. So we'd have somebody standing guard at the door to keep all the computer science guys out. We had to guard our women at all times.

Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description.

Experience means conflict, our natures being what they are, and conflict means drama.

Fake is not a word I like to use because there's nothing fake about what I do.  It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake.  Fake would be if I was just about to take a body slam, and my stuntman did it.  Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber.  I'll tell the world that it's a show, but I hate the word fake.  It's such an unfair term to us.

Family seems so rich and complicated to me. There's meant to be this unfailing biological loyalty and yet at the same time it's this theatre for various kinds of cruelty. I know it doesn't always work out that way, but the worst possible behaviour is sort of allowed for. It looks to me like an endlessly rich container for really terrible drama, but also pretty grand love. It accommodates such a variety of feeling in such a natural way, and it feels so relatable, and yet it's such a funny construct, socially, the family.

Fashion is a little help in the life of a person. But very little. After all, if you have a serious drama, who cares about the clothes?

Father, One day, a woman walked into my life. I hurt her deeply with the harshest words possible. I pushed her away as much as I could. But, she still came back to me. She is so much like me; I look at myself often when I look at her. She has the physical wounds that I have. The tears that fill my brain are flowing through her heart as well. I gave her those wounds. I made her cry. I should not have met her. I should not have allowed her to come into the life of a guy like me. Father, I'm regretting it. This is the first time... that I have ever regretted anything in my life.

Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.

First I went to C.W. Post and I was a psychology and theater major and then I transferred to NYU's Tisch School of the Arts as a drama major.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song "Mama Says".

For all the drama we all have with our families and all the tension and hostility, I couldn't have done this without my family. Being the people that they are - they're crazy - made it possible for me to be crazy and to live a lifestyle of my own design.

For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.

For corporations to be bedfellows with the arts is good business for both. The architecture that houses a company is a more visible statement than the president's in the annual report. Ditto interiors, particularly of offices and sometimes, dramatically, in plants. For solvent businesses, support of community cultural undertakings in music, drama, dance creates great goodwill. Also, the existence of such activities is often important to the executives and their families that companies want to keep or attract to keep.

Forgiveness depends on the person. If he's saying sorry to make himself comfortable, then don't forgive him. If he's asking for forgiveness sincerely, then it's okay to forgive him. If you don't know what's on that person's mind... It's easy. Watch carefully how that person has lived up to now, and how he's living right now.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.

For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.

For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.

Filming this drama made me realise how noble the nursing profession really is -- from the selfless dedication to the care and love for patients. Let me take this opportunity to pay tribute to all the great nurses out there!

For people who don't know or didn't know that I started off as a singer, singing requires a certain level of drama, in itself. Honestly, it really prepared me to do this, and I've been really blessed to be able to transition into the acting world very smoothly.

For sheer drama, few accounts of slavery match Solomon Northup's tale of abduction from freedom and forcible enslavement.

France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.

For me pressure is bird flu. I'm serious. I'm feeling a lot of pressure with the problem in Scotland. It's not fun and I'm more scared of it than football. Football is nothing compared with life. For me bird flu is the drama of the last few days. I'll have to buy a mask.

Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.

Free will is something that people struggle with so much, but it's very simple to me. Carl Jung said at the same moment you're a protagonist in your own life making choices, you also are the spear carrier, or the extra, in a much larger drama. You've got to live with these two opposite ideas at the same time.

For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.

Friendship takes place between those who have an affinity for one another, and is a perfectly natural and inevitable result. No professions nor advances will avail.... It is a drama in which the parties have no part to act.

From Bard, to Bard, the frigid Caution crept, Till Declamation roar'd, while Passion slept.

From now on, don't do this, even for me. We don't have an employer-employee relationship right now. I'm a person and you're a person. Why does it have to be so one-sided? Why do only women...Why only you, Yoo Kyeong, have to do things like that? 'So, I'll try to look good, in any way that I can.' Let go of such thoughts. When you're on TV, you look wonderful, full of confident. You shine.

From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.

From there I did a one year theatre acting course in Fife, and then three years of drama school in London.

From time to time there is a move to do a little less in the way of period dramas, but people rebel. Audiences say we want them. There is a big hunger for them. I don't think it's sentimentality or nostalgia, it's often that they are simply the best stories.

Gaining people's trust might be harder than gaining all creation. But, what is harder than gaining people's trust is having to abandon them.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

Generally speaking, that's good drama - the marriage plot or the tragedy - but the reality of women's lives is that most of us don't get what we wanted, and most of us find ways to have really interesting lives anyway.

Give form to the passing World. Freeways are a drama.

God is waiting for the response of our freedom. Our own choice, our own creativity, is essential to the drama, and this makes the world a drama fraught with real peril.

God makes no mistakes. In all our trials and dramas there are lessons. Life is not a playground but a classroom. Our journey through life provides the course work and the tests needed for our education and development.

Getting older is not nice for anyone, not for men, not for women, and even more difficult for people who depend on their physical appearance. But it's not a drama. I know some people who are much more stressed than I am. And also, I live in Europe; I think it would be much more difficult if I lived in America.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

Great drama is all about conflict, and what's a better conflict than Republican-Democrat?

Great drama is the souvenir of the adventure of a master among the pieces of his own soul.

Great drama, like the energy implicit in every atom, is eternally around and within us, but liberated only by coincidence, ceremony, creativity, periods reaching completion, pressures reaching the bursting point, and the simple but painful cultivation of awareness.

Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree. "You have no sense of drama or symbolism, do you?" he asked. "Huh?" replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.

Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.