Best 2427 quotes in «drama quotes» category

I don't like comfort zones. Having never had any drama training, I don't really have a technique, so I'm continually learning new things. I like being frightened, and always having to start from scratch.

I don't like showing the technique. I don't like people who say, "Here, I'm going to act, but first I have to bounce off this wall." If you have to bounce off the wall, do it by yourself. Don't feature the technique. My old drama coach used to say, "Don't just do something, stand there." Gary Cooper wasn't afraid to do nothing.

I don't like the idea of drama schools. They only perpetuate the myth that everyone can do what I do

I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.

I don't look at the world through a prism of sarcasm. Anything I do, I take things face on. I tell you how I feel, and what you hear on the air is what I'm feeling. I'm not going to try to fake it, create synthetic drama. I'm just going to be myself.

I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.

I don't remember a drama on TV that had shown a couple could be married but still love each other very much, spend every day as if they were still on their honeymoon, be sensuous, and have fun together.

I don't smoke, drink alcohol well, or play games. But I watch dramas. It is hard to quit.

I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.

I don't think it's good when entertainment tries to proselytize and I don't think people ultimately want someone showing up in their living room and just hectoring at them all day long. But if you can create a space where people are caught up in something - whether it's a drama, a comedy, a romantic comedy, or science fiction - that's when people give over their minds and allow their emotions to flow.

I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

I don't think RADA wanted me, actually. When I was at Oxford I had a boyfriend at Central [School of Speech and Drama] and it looked like the most fantastic life, but I think not going makes you more free. Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.

I don't think my acting was ever bad; I always knew that I could do it. But when you go to audition for a drama, they're very serious in the room, and I was used to being kind of goofy and having small talk.

I don't think of myself as a critic or teacher either, but simply - and at the obvious risk of disingenuousness - as someone who teaches, writes drama criticism (and other things) and feels that the American compulsion to take your identity from your profession, with its corollary of only one trade to a practitioner, may be a convenience to society but is burdensome and constricting to yourself.

I don't think rap really fits in to 'American Idol' in the sense that I believe rap is an art form in itself more akin to poetry, more akin to drama, if you will.

I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.

I don't understand why people think it's harder to do drama than it is to do comedy.

I don't want no drama in my life, even though we have a little bit, but no more letting people control you. That's drama, because then you become something that you're not.

I don't want the money. I don't want the drama. I just want to do my show. I want to have fun again.

I don't want to compare myself to him - I don't want people to see me as this great genius - but when I see Charlie Chaplin's movies there is a combination of drama, naivety and social meaning that I can see in myself, at a different level.

I don't want to hear any drama [about me]. I don't want any negativity. I don't want to hear what's on the blog. I don't care what others say about me.

I don't want to worry anymore thinking about the future. Mi Rae... 'Mi' meaning not yet. 'Rae' meaning coming. Why should I decide on the present, thinking about the future that's not here yet? I won't do that anymore.

I don't want to sound like too much of a drama queen! But I'm not going to tell you, 'Oh, it's just so much fun.' It's work [working on film].

I don't want to write without a sense of drama, without passion, or without both eyes open to the world around me.

I do think opportunity breeds bravery. It's such a competitive profession, no one owes you anything, talent in itself is not enough. I went to drama school with so many great actors who are not doing it anymore and it's circumstantial.

I dreamt of becoming a ballet dancer. I studied with the Royal Academy of London for 11 years, and that did not pan out, but my love for being on stage was born there. And then, I actually went to drama school in Paris, France. That's where it first started.

I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.

I ended up working on "Chicago Hope" and other things, but always with the idea that, eventually, I would want to take what I'd learned in character drama and try to apply that to the genre that I love, which is science fiction and "The Twilight Zone" type mysteries.

I enjoy doing drama, and I enjoy doing comedy equally. They're both amazing to me, and it's such an honor to be recognized for both genres, and to have the opportunity to work on shows of such great caliber in both genres. So, you know, it's easy to do both.

I enjoy doing drama, and I enjoy doing comedy equally.

I enjoy both comedy and drama, and have had memorable experiences in both film and T.V.

If centralism is ultimately to prevail; if our entire system of free Institutions as established by our common ancestors is to be subverted, and an Empire is to be established in their stead; if that is to be the last scene of the great tragic drama now being enacted: then, be assured, that we of the South will be acquitted, not only in our own consciences, but in the judgment of mankind, of all responsibility for so terrible a catastrophe, and from all guilt of so great a crime against humanity.

I failed to get into drama school, and my best friend told me I should do stand-up instead. I was always doing gags and voices, so he booked a gig for me without telling me. I only had four days to write it. I did a seven-minute set; the first four minutes were terrible, but the last two were amazing.

If a single one of these gentlemen is correct, if a believer of any type is right, the essential truth for man, the real drama of life, in comparison with which the secular story of the race, is a puppet-show and the unfolding of the universe is a triviality, is the dialogue of the immortal soul and the eternal God. Yet it seems that there is nothing in the world so hard to discover as this. The theory refutes itself.

I feel Britannia High is aimed at an older audience than High School Musical. Britannia High is more of a serious drama, with the music and dance on top.

I feel like a lot of my past career was going to film school, making a lot of different kinds of movies. I made a bunch of comedies, I made one drama and I made a couple musicals.

I feel I'm able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won't have to live through it, I guess.

I feel like with comedy, the crazy things that happen are never serious you know? Like, rubble being poured onto you in drama would be something that's absolutely terrible, but in a comedy it's absolutely terrible but so funny.

I feel like there's a lot of drama in weather. It's something that's done really often in live action, so I figure, why not translate that to animation?

I feel that the real drama of life is never center stage, it's always in the wings. It's never with the spotlight on, it's usually something that you don't expect at all.

If I had a child, I wouldn't let them go to drama school. At times, I was really unhappy there.

If everyone spent as much time o happiness as they did on drama and anger, they'd shine a lot brighter!

I feel very blessed in my career to have been able to bounce back and forth between different things, television and film, comedies and some dramas, but I am, um, as long as the script inspires me and there good people, that's it. I'm in.

I felt, "Oh, film is a great art because I can pull in music and visual imagery, and it has its literary aspects and drama." Film was a sort of Wagnerian synthesis of the arts, as opposed to opera, which Wagner had thought would be. That's another art form that has seen its best days.

If I have a last wish, I want to remember you. In an aimless life, to not even have those memories would be hell.

If I have to made a Daredevil movie, I will take a completely different direction. My vision of the character is much more a drama. There will be a 1st part in the child hood of Matt Murdock and the universe of Hell kitchen. Something in the universe of the first Rocky Balboa.

If I'm winning, I have to act like I'm not bored. If it's A tough match, I have to act like I'm having A good time. I'm a drama queen.

I find it hard to act unprofessionally because I can't do drama at school, it's hard for me to do drama out of school, I don't have time any more. I dance as well. I don't have time to work and dance and still have a good social life. I miss that security but I'm hoping that this is a good time for me. I'm trying to do as much as possible to get myself out there and hopefully it will work out.

I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.

If one drops dead in the street, friends and loved ones are shocked, stricken, but a long lingering death loses all nobility and drama, while relatives and friends await the inevitable end in a succession of weary anti-climaxes.