Best 2427 quotes in «drama quotes» category

I've been fortunate in that I've been able to have that balance as an actress to be able to do the wild, fun action movies and also be allowed to do the dramas. Hopefully, if I'm able to keep that balance, I'd love to always try to do both.

I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.

I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.

I've been very physical my whole life. I went out hiking and camping for days in the Australian forest, and when I trained at drama school for three years, we did a whole lot on stage-fighting techniques. And I was a dancer from 5 to 18, so I have a memory for choreography.

I've been through many years of psychotherapy, psycho-drama, I've taken risks in my life. I've had trials and tribulations just like every body else. You have to really think about who you are. You can't just go through life and sail threw.

I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.

I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.

I've done my "mind over matter" movies, and I think probably that people aren't really interested in seeing me do that anymore. I think I'm kind of past my prime to do dramatic films. I think it'd become kind of like almost a pathetic cry out to be recognized as a serious drama actor.

I've done a lot of serious roles, but they're, like, independent, so it's harder for them to come out. The big ones have been comedies, but I would love to get a big drama to let people see the other side of me, that I am a serious actress.

I've done comedy, and I've done drama. I've sort of been a journeyman in my career so far.

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.

I've got to be honest, I absolutely don't like designing romances. I think that you get a lot more drama and impact from failed romances, or unrequited relationships that occur in games. I think that creates more player tension.

I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.

I've just made a cancer drama, called 'Now Is Good,' directed by Ol Parker and starring Dakota Fanning. We filmed in Brighton and it's about a girl dying of leukemia, although it's not as depressing as it sounds.

Ive lived this very dramatic life, with high points and terrible low points. Nothing has been ordinary, and I want to have the experience of the last breath. I want a little drama to it.

I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.

I've never gotten hired for drama because I'm a good improviser. I don't think people who write drama scripts want you playing with them as much.

I've never seen myself as a documentary filmmaker. I see myself as a filmmaker, period, and I am interested in drama as well as in documentary.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.

I want to be reborn as a tree; that way I can plant my roots down, never move and can never be separated from the ones I love.

I want to do more drama. Comedy is the path of least resistance for my company. People know we can do them. People know they get a good response. People want to make them. Who am I to push up against that?

I want to do action, romantic comedy, and I love drama.

I want to entertain people, whether it be with a comedy, a drama or a movie. An idea's an idea.

I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.

I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.

I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.

I was always trying to perform, but never with some dream to be on the stage. The stage was wherever I was standing at the time. I was lucky that the department of education in Sydney had a program where you could try out for these ensembles - kind of like extra-curricular sports, but for little drama kids. I got into that system, and it took me right through high school.

I was called Matt Dillon's brother my whole career basically until 'Entourage' broke me free of that and now people call me Johnny Drama instead.

I was coming off of The O.C. and had very little interest in doing another teen drama. And then I got sent theGossip Girl book series, and I was like, 'I might not be ready to leave high school after all.'

I was doing an hour drama on television and a Jackie Chan movie in Toronto, so I was on a plane every three days.

I was excellent at English and Drama. Maths and Science I was terrible at. I didn't have any interest in them. I was happiest at lunchtime, playing with my friends. But I love science now, that's the funny thing. And I'd be so good at geography, as I've been fortunate enough to travel the world.

I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.

I was frequently told at drama school that I was thinking too much.

I was hedging my bets by the time I got to college. I was interested in drama and journalism and psychology.

I was never part of that cliquey girl drama. Most of my friends were guys growing up, so I was never part of that whole toxic energy. It seemed like way too much hassle.

I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.

I wasn't really happy in school and didn't really have anything else going for me; I wasn't really good at anything. Drama was at least something I loved and was really passionate about.

I wasn't good at examinations, but I went to a very good secondary school - Bolton-on-Dearne - with wonderful teachers, who taught me drama and encouraged me in every way.

I was on the cheerleading squad and drama and the choir, but I was friends with everybody. I was not a partier. I was too Type A and crazy about my grades, but I was still there at everything.

I was raised Catholic,I took from that was a sense of theater and drama, and also the idea that there were truths that couldn't actually be uttered directly but really had to be reached through ritual. You come out of those Masses so moved, and you're like, "Why did that happen?" And the truth of it is that it happened through an hour of highly enacted ritual.

I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.

I was really sporty and loved singing. I started off doing musical theater. I left university to go to drama school. So I was a bit of a black sheep.

I was so tired of her getting upset for no reason. The way she would get sulky and make references to the freaking oppressive nature of tragedy or whatever but then never said what was wrong, never have any goddamned reason to be sad. And I just think you ought to have a reason. My girlfriend dumped me, so I'm sad. I got caught smoking, so I'm pissed off. My head hurts, so I'm cranky. She never had a reason, Pudge. I was just so tired of putting up with her drama. And I just let her go. Christ.

I went to drama school with John Schwarz and Mike's his younger brother, so he tends to just hang out, that's it. So we're a pretty tight bunch of guys, they do whatever they do and they're my brothers basically.

I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.

I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.

I went to drama school at NYU for serious acting. So I was doing Chekov and Sam Shepard plays.

I worked in Bhs, but I was only there for a couple of weeks before I got fired because I needed the Saturday off to go to drama club. I was useless - I was so bored. There was nothing to do, so I'd go and do a circuit of the store, throwing jumpers on the floor, then go and pick them up. It wasn't rock 'n' roll rebellion, it was just to look busy. They tried to teach me how to work the till and I'm useless with numbers, so I was making it all up as I went along. I must have lost them tons of money.

I worked on dramas before, I love sinking my teeth into something dramatic or a period piece, but there's something so fun about doing a comedy. When you go to set and your only job is to make people laugh, there's an unbelievable energy on set.

I would like to do more dramas when I find a good role that will allow me to politely upset people's expectations of me as a comic actor.