Best 2427 quotes in «drama quotes» category

I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.

I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'

I think the possibility of continuing on a comedy is greater than a drama.

I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.

I think there's true drama in the formation of everything that we know and are standing on the shoulders of.

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.

I think the way WWE Studios is going now - they're going away from action, doing more drama, more comedy - it will open a lot of people's eyes. Because a lot of people see big guy, big frame: action superstar. We've proven, especially with 'Legendary,' that that is not always the case.

I think the writers give us different people to work with, different situation scenarios to be in and there's always that fun balance of, you know, trying to keep it light and, you know, light-hearted and put in the comedy while trying to make it into drama.

I think this orchestra's strengths involve drama and voice.

I think Trump has made it really hard for people to read, period. He's made it hard for me anyway. Part of his evil is the way it constantly distracts us, constantly upends our horizon. To leave your computer for three hours now is to miss a year's worth of drama. This is programmatic and common to other autocratic regimes of our times.

I think ultimately what makes the show is not the reality but the drama.

I think what makes people fascinating is conflict, it's drama, it's the human condition. Nobody wants to watch perfection.

I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.

I think when someone who's known for doing drama does a comedy but just tries to be funny, that's a mistake.

I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.

I thought acting was all about natural instinct but I've realised, through working with so many talented actors on 'Wild Swans' and 'Run,' that I can see the training. That's why I am back at drama school.

I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.

It is a very strong rule in drama, and in life, that people remain true to their basic natures. They change, and their change is essential for drama, but typically they only change a little, taking a single step towards integrating a forgotten or rejected quality into their natures.

It is expensive to give plays subtitles, especially for a short run, so most new dramas rarely cross the transcontinental bridge.

It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.

It is possible to move through the drama of our lives without believing so earnestly in the character that we play. That we take ourselves so seriously, that we are so absurdly important in our own minds, is a problem for us. We feel justified in being annoyed with everything. We feel justified in denigrating ourselves or in feeling that we are more clever than other people. Self-importance hurts us, limiting us to the narrow world of our likes and dislikes. We end up bored to death with ourselves and our world. We end up never satisfied.

It is not because I do not love my adopted land - it is the natural feeling of one far from home, who remembers those happy, carefree days when life flowed at full tide, without responsibility, flashing past one like the drama in a fascinating story of adventure and romance.

It is possible to move through the drama of our lives without believing so earnestly in the character that we play.

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.

It is probable that television drama of high caliber and produced by first-rate artists will materially raise the level of dramatic taste of the nation.

It is remarkable how virtuous and generously disposed every one is at a play.

It is said that when you miss someone... then love will come when you meet again... Just like the game of hide and seek, no matter where it hides or even if you can't see it... He must be there waiting somewhere for me...Amid the countless chaos... Just like the sincerest prayers... two people in love will surely meet again.

It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.

It is through hearing stories about wicked stepmothers, lost children, good but misguided kings, wolves that suckle twin boys, youngest sons who receive no inheritance but must make their own way in the world, and eldest sons who waste their inheritance on riotous living and go into exile to live with the swine, that children learn or mislearn both what a child and what a parent is, what the cast of characters may be in the drama into which they have been born and what the ways of the world are.

It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.

It may seem unfashionable to say so, but historians should seize the imagination as well as the intellect. History is, in a sense, a story, a narrative of adventure and of vision, of character and of incident. It is also a portrait of the great general drama of the human spirit.

It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy.

I told my agents that I love Holly Hunter and Frances McDormand and all of these women who are good at doing comedies, as well as dramas.

I told myself, 'All I want is a normal life'. But was that true? I wasn't so sure. Because there was a part of me that enjoyed hating school, and the drama of not going, the potential consequences whatever they were. I was intrigued by the unknown. I was even slightly thrilled that my mother was such a mess. Had I become addicted to crisis? I traced my finger along the windowsill. 'Want something normal, want something normal, want something normal', I told myself.

It not infrequently happens that persons without any other special qualification than the drama of their lives are precipitated into important political positions.

I took a drama class in elementary school, and I just remember having so much fun with it. From there, I just studied, got better as I went along, and continued to grow.

I trained for three years at drama school to be an actor - not a celebrity.

I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.

I try to take B genre movies and treat them as if they're A dramas. Get the cinematographers, get the actors to do an A drama, but it just happens to be about aliens or ghosts or crazy people, or killers, or whatever it is.

I try to give all my characters a sense of humor, so I guess I feel like I have done comedy, but maybe I'm better known for drama.

I try to bring the audience's own drama - tears and laughter they know about - to them.

I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.

It's a good time for me, but it's only recently I've become comfortable in my job. At the start, it's hard having the nerve to call yourself an actor, let alone doing it. I gave myself two years after drama school, and if I didn't make it, then I'd give it up.

It's a thrilling world, and people really like stories about secrets, which is the essence of a spy drama.

It's always nice to have people love the things that you do. But it's a lot of hard work, and people are always passionate, if it's family fare or a drama, it's the same amount of work and people invest everything into that, and when it doesn't come out the way you want it to, of course it's hurtful.

It's cool to see everybody come together and do their own thing, but there's never been any drama. I never saw any on the X-Men set, and I never saw any on the Horror Story set.

It's CNN who really should hold Trump accountable. And because they are trading the short-term fix of increased ratings by focusing on Trump drama - and I'm not saying they shouldn't cover the Russian investigations, of course they should - but the blanket coverage, it's not about news values. It is about ratings. And it comes at a tremendous cost because Trump supporters are fully defended against this. As far as they're concerned, this is a vast conspiracy, it's fake news, it doesn't impact their daily lives, it makes them see Trump as a victim, which he wants to be seen as.

It's easier for me to get comedies made because of my track record. Everybody needs to find their niche. I love dramas, but I understand that I am still just a young man in moviemaking. I know there will be some time to get back to that.

It seems to me conspiracy is at the heart of dozens of TV dramas currently on. Maybe that itself is some kind of conspiracy.

It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.