Best 2427 quotes in «drama quotes» category

"Transparent" is a drama slash comedy series that could, in theory, make the Emmy nominations next year in either of those categories - it's that good.

True drama can be conceived only as resulting from the collective impulse of all the arts to communicate in the most immediate way with a collective public... Thus especially the art of tone, developed with such singular diversity in instrumental music, will realize in the collective artwork its richest potential -- will indeed incite the pantomimic art of dancing in turn to wholly new discoveries and inspire the breath of poetry no less to an undreamed-of fullness. For in its isolation music has formed itself an organ capable of the most immeasurable expression - the orchestra.

Trump, no matter what anybody thinks of him, is interesting. And Trump, no matter what anybody thinks of him, is funny. Trump, no matter what anybody thinks of him, is different. Trump, no matter what anybody thinks of him, is drama. Trump, no matter what anybody thinks of him, is unpredictable. All of that means, you can't miss it.

Truth in drama is elusive. You never quite find it, but the search for it is compulsive.

Turning someone away who wants to come near you, just because of your pride is also a form of mistake.

Twenty years after we had left so fierce and proud, we were all right back where we had started, yoked to each other and the same old drama.

Turn your melodrama into a mellow drama.This is quotes copyright © By Pumpkin Limited

Two generations ago only a few unfortunate children ever saw anyone hit over the head with a brick, shot, rammed by a car, blown up, immolated, raped or tortured. Now all children, along with their elders, see such images every day of their lives and are expected to enjoy them. ... The seven-year-old who hides his eyes in the family cops-and-robbers drama is desensitized four years later to a point where he crunches potato chips through the latest video nasty.

UNICEF is doing amazing things here. They're helping these groups of kids to be mine aware, and using drama and workshops to teach children in all of the schools in the area to be aware of mines and what to do if they find one, and if somebody's hurt, not to rush in - all of the essential things that kids need to know.

Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.

Unless you're Jack Lemmon or Cary Grant, there are few guys who can do comedy and drama.

. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.

Until there was you, I wandered aimlessly. For a long time, like a little child, I will cry in anticipation of you.

Viewed as drama, World War I is somewhat disappointing.

Viewed as a drama, the war is somewhat disappointing.

Visions of one powerful scene after another parade across his inner screen, each exploding with drama and meaning

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.

We are in constant danger of being not actors in the drama of our lives but reactors, to go where the world takes us, to drift with whatever current happens to be running the strongest.

War is the supreme drama of a completely mechanized society.

We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.

We are free when we are not the slave of our impulses, but rather their master. Taking inward distance, we thus become the authors of our own dramas rather than characters in them.

We had an ancient Russian acting coach at my drama school who said the worst offense you could commit was to let your subtext show. That is the point of acting, is to be saying one thing and not be allowed by society or your predicament to show what you're really feeling. In a way, I think that's why the therapy generation has killed script writing, because all you ever get is people going, "Hi, I'm feeling really angry right now.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama...The best way I can describe it is Pelican Brief meets Time to Kill.

We cannot get from anyone else the things we need to fill the endless terrible need, not to be dissolved, not to sink back into sand, heat, broom, air, thinnest air. And so we revolve around each other and our dreams collide. Look out the window in any weather. We are part of all that glamour, drama, change, and should not be ashamed.

We did a lot of that in drama school: intellectualising and maybe justifying your position. 'I am a thinking actor and I have thought this through' - well, just do it. I much prefer the doing aspect.

We have a tendency to make assumptions about everything! The problem with making assumptions is that we believe they are truth. We could swear they are real. We make assumptions about what others are doing or thinking-we take it personally-then we blame them and react by sending emotional poison in our word. That is why whenever we make assumptions, we're asking for problems. We make assumptions, we misunderstand, we take it personally, and we end up creating a whole big drama for nothing.

We have to understand (this is another key piece) that there are some individuals who still need that drama, that experience of violence.

We live between two worlds; we soar in the atmosphere; we creep upon the soil; we have the aspirations of creators and the propensities of quadrupeds. There can be but one explanation of this fact. We are passing from the animal into a higher form, and the drama of this planet is in its second act.

We know that the wildest and most moving dramas are played not in the theatre but in the hearts of ordinary men and women.

Weirdly, when I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.

Well, honestly, I'm not a massive fan of courtroom dramas.

Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.

We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.

Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.

We make movies about remarkable people like President Mohamed Nasheed of the Maldives in "The Island President" and Al Gore in the film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that's a natural drama. And that's primarily where we work - character-based films that we hope will bring issues to life through their stories.

We need to breathe, come back to our hearts, and connect into more of a stable place within ourselves, not allowing that drama to affect us, and through this process we transcend that drama experience.

Westward the course of empire takes its way; The four first acts already past, A fifth shall close the drama with the day: Time's noblest offspring is the last.

We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.

We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

We still have to wait. The situation will repeat, we will get tired, but as long as we don't let go of each other's hand, then one day they will recognize that we are one.

Westerns aren't about the gunfight, even though it has to be there at one point. It's not what they're about, at least the good ones. It's about the drama. It's about the resourcefulness of men and women.

We usually forget that apart from making a living on this earth, human beings live in societies and these societies have cultures. It is only through having cultures that mankind on this earth has an ordered and meaningful life. Music and drama are two of the many important manifestation of a culture. They are important because they represent the expressions emanating from the power of human artistic creativity

We've had a day of great drama and of humour too. The rumour mill is now taking over

We read too much Shakespeare at school, and view our parliamentary politics as dynastic drama, in which an impatient crown prince frets at his long subordination and begins to scheme for the throne he knows he merits, was promised and has earned.

We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.

We respond to a drama to that extent to which it corresponds to our dream life.

We've seen each other fight like heck, and seen each other absolutely humiliated...and we've ever held hands....but we still don't know each others names.

We watch movies about all sorts of things that we don't know anything about, but we do get caught up in the human drama.