Best 2427 quotes in «drama quotes» category

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    A man who respects his wife, does not sleep with other women. And a woman who respects herself does not allow her husband to get away with it

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    A mistake is the name we give to any action in which we perceive a difference between what we intended and what has occurred. Intention fuels every dramatic action, including the writing of dramatic stories, which involves a series of dramatic actions. In the course of writing, or finding, the story that wants to get itself told, it behooves the writer to liberate the characters by finding the faith and courage necessary for setting aside one’s own conscious needs and expectations. Not to do so promotes ‘mistakes’ - i.e: confusion born of some incoherence in the emotional logic of the story). As the writer abandons his/her intentions - no matter how noble they may seem - only then does that most strange and ineffable quality we so casually refer to as ‘the magic’ have a chance of entering the story, and rendering even the ‘mistakes’ stimulating, daring and provocative.

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    And as her voice carried in the darkness, he wasn’t sure where the borders between her story and his dream were. But he saw no more nightmares; he dreamed of a noble Sky Ghost and his little daughter, which he taught everything she needed to become a better warrior than he was.

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    And do you know why we have not the power to attain this Stoic ideal? It is because we refuse to believe in our power. Nay, of a surety, there is something else which plays a part: it is because we are in love with our vices; we uphold them and prefer to make excuses for them rather than shake them off. We mortals have been endowed with sufficient strength by nature, if only we use this strength, if only we concentrate our powers and rouse them all to help us or at least not to hinder us. The reason is unwillingness, the excuse, inability.

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    And in a way, you could say that my father's end was my beginning...Or more precisely, that the end of his lie coincided with the beginning of my truth

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    And now, it turns out that our mother’s name means benevolence and generosity to people as objects of love! This is both a unique and beautiful name, Charity. “It was one of life’s cruel ironies,” I thought, “that a midwife, or whoever filled in the documents, must have known our mom’s name. I suppose she had a lot of fun naming us Hope and Faith! Or, on the contrary, she sympathized.

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    And now the bride begins to move. Little mechanical doll, clinging to her husband’s arm, climbing into the carriage. Her white silk stocking, her elegant shoe.

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    And sometimes being in love is not enough to make it work.

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    And so the lion fell in love with the lamb. what a stupid lamb. what a sick, masochistic lion.

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    ANGELO From thee, even from thy virtue! What's this, what's this? Is this her fault or mine? The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season. Can it be That modesty may more betray our sense Than woman's lightness? Having waste ground enough, Shall we desire to raze the sanctuary And pitch our evils there? O, fie, fie, fie! What dost thou, or what art thou, Angelo? Dost thou desire her foully for those things That make her good? O, let her brother live! Thieves for their robbery have authority When judges steal themselves. What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue: never could the strumpet, With all her double vigour, art and nature, Once stir my temper; but this virtuous maid Subdues me quite. Even till now, When men were fond, I smiled and wonder'd how. -- Measure for Measure, II, ii

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    Answer the Call to Shine Your Light Right now there may be just few individuals who balance duality in unconditional love, but their unifying perception is very integrative. They live their lives in “Trinity” after they have expanded their understanding of “Duality”. There is no moral value judgment applied in their perceptions. The moral value judgment continually creates an illusion of separation and disconnection. A balanced consciousness, with no dual perception is very integrative and all inclusive. It expands at an enormous speed assisting others to perceive a myriad of different perspectives as different yet equally valid. Those individuals shine their light in the world as a sign of unity, harmony, and emotional balance. They are living witnesses to the reality of love, compassion, ease and joy. By their example others can choose to understand that life can be easy to live in one's preferred way without devaluing others' choices. They are those who lightened up carrying their bright match lit in a darkened room filled with fear and drama.

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    Aricles and I are married. The Greek god Apollo found out and he threatened to discredit and shame me before the other gods unless Aricles refused to fight. To protect my honor and name, he has allowed all of you to insult and attack him, and I will not stand for him to be hurt again. By anyone." Bathymaas

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    Asif Ali maneuvers the gleaming Mercedes down the labyrinthine lanes of Old Kolkata with consummate skill, but his passengers do not notice how smoothly he avoids potholes, cows and beggars, how skilfully he sails through aging yellow lights to get the Bose family to their destination on time. This disappoints Asif only a little. In his six years of chauffeuring the rich and callous, he has realized that, to them, servants are invisible.

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    Ar fi putut să scrie despre unii adolescenți, ființe ce suferă mai mult decât oricine pe această lume neîndurătoare și care ar trebuie să se bucure de mai multe drepturi decât toți oamenii, descriind în același timp drama și sensul suferințelor lor, dacă, într-adevăr, acestea ar avea vreun sens.

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    Art--music, painting, sculpture, dance, drama--opens doors to our soul, exposing our lives to whom or what we allow to enter.

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    A siege is always a hospital - a hospital where mad thoughts abound and where mad things are done; where, under the stimulus of an unnatural excitement, new beings are evolved, beings who, while having the outward shape of their former selves, and, indeed, most of the old outward characteristics, are yet reborn in some subtle way and are no longer the same. ... The salt of life! Is it true, or is it merely a mistake, such as life-loving man naturally makes? For it can be nothing but the salt of death which has lain for a brief instant on the tongue of every soldier - a revolting salt which the soldier refuses to swallow and only is compelled to with strange cries and demon-like mutterings. Sometimes, poor mortal, all his struggles and his oaths are in vain. The dread salt is forced down his throat and he dies. The very fortunate have only an acrid taste which defines analysis left them. Of these more fortunate there are, however, many classes. Some, because they are neurotic or have some hereditary taint, the existence of which they have never suspected, in the end succumb; others do not entirely succumb but carry traces to their graves; yet others do not appear to mind at all. It is a very subtle poison, which may lie hidden in the blood for many months and years. I believe it is a terrible thing. ... And yet even this nobody understands or cares to speak of... Englishmen are proud, and want to know if you were inside the British Legation, their Legation, and when they have heard yes or no their interest ceases. They little know what the Legation stood for. The Americans march up to the Tartar Wall, talk about "Uncle Sam's boys," and exclaim that it requires no guessing to tell who saved the Legations. The French are the same, so are the Germans, so even the Italians. Only the Japanese and the Russians say nothing. ... I am, therefore, tired of it all, inexpressibly tired. I wish to escape from my hospital, to go away to some clean land where they understand so little of such things that their indifference will in the end, perhaps, convince me and make me forget. Yet can one ever forget?

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    Ask not what your Joe Montaperto can do for you, but rather what YOU can do for your Joe Montaperto.

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    A sharp pain in her chest became more intoxicating with each breath she took. There it was. The reason she had forced herself to keep her distance from love. Why she had given up on trusting someone not to hurt her. Because a broken heart, no matter how figurative, was an unbearable pain to endure. And sometimes, no matter how much you want to be with someone, there’s never a guarantee that they want you back.

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    As I stared into those crystalline eyes, I knew I had finally found what I was looking for, but it came with a price. Damien was everything I hated and it wasn't until that moment that I realized how lost I really was. My soul was drawn to his very aura, but the ache within my heart was the undeniable reminder that it could never be a reality. My pride and stubbornness had forever wrecked what Damien and I could have had. I was but a galaxy within a black hole, something so majestic and extraordinary, and it was irrevocably lost to me.

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    A smart girl," Pin said. "She will get there. She doesn't like being the queen of drama." Six years ago, Pin had come over from one of our Taiwanese partners. She still had a little idiom hiccup now and then. "Well, when is she going to toughen up? I know how important the tuition program is to her, how expensive vet school is. But how will she even get through if she can't handle a dead animal or two?" "Yes, but better she begin with compassion. Not everyone has it

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    As we looking into the history of writing, some fascinating facts immediately emerge that may surprise us a little. We normally consider poetry and drama to be more accomplished and refined than straight-in prose storytelling. Yet about three thousand years before the advent of the modern novel, the most common and most preferred literary forms were poetry and drama. Poetry was first, and drama followed close on its heels. It seems almost that if ancients such as Homer and Aeschylus had something to say, they diligently sought the finest (and most difficult) literary forms with which to say it. It appears that if they had something worth saying, they believed it worth saying well and with great care.

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    At least it was love we were showing initially, and not hatred and violence like you did in the end.

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    At first, like a lot of trauma survivors, I was impatient and wanted immediate results. Once I caught myself in this behavior, I realized that it takes consistent commitment to heal patterns. After three or four months, I noticed a huge positive shift within myself. I felt a new level of happiness and contentment that I hadn't even known existed. I finally understood how my old trauma patterns had attracted drama in my present life. once I saw this dynamic, I made a conscious decision to "Drama Detox," and the patterns faded away.

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    At times it is so enjoyable to mire your neighbor into the filth you already got stuck in long ago!

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    A veces necesitamos nuestro dolor. Lo necesitamos para considerarlo nuestro.

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    - Ay! Thornton o' Marlborough Mill, as we call him. - He is one of the masters you are striving with, is he not? what sort of master is he? - Did yo' ever see a bulldog? Set a bulldog on hindlegs, and dress him up in coat and breeches, and yo'n just getten John Thornton.

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    Because otherwise you would have to let them in, let them change your life, and it’s scary and unpredictable and unsafe – at least, that’s what we all think.

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    Because every decision impacts everything that follows. Especially the wrong ones.

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    Because you can't be as in love as we were and not have it invade your bone marrow. Our kind of love can go into remission, but it's always waiting to return. Like the world's sweetest cancer.

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    Because you know that's all I needs, all I wants, is for you to try to run, to turn your back on me and run. I know you aint going to. Because all you got to beat is me. I got to beat old Carothers. Get your pistol." "No," the other said. "Go home. Get out of here. Tonight I will come to your house-----" "After this?" Lucas said. "Me and you, in the same country, breathing the same air even? No matter what you could say, what you could even prove so I would have to believe it, after this? Get your pistol.

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    Becky was a weed.  Nobody ever wanted them taking over the bigger, prettier plants.  People went to all extremes to make them go away.  They sprayed poison, pulled until the roots gave way. They felt only like their garden was complete when every tendril was extirpated.  This was how she felt from birth.

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    Because some girls don't just fall down; some fall from grace.

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    Blake smiled while greeting him and turned to introduce me to his friend from Camp Lejeune. Blake made the formal introductions while I studied the two distinguished men. I liked the way they both carried themselves in a dignified manner with confidence, but not too much that they seemed arrogant. I was fascinated by them. Sleek. Forget eye candy. These two are like eye caffeine. I feel energized just looking at them.

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    Behind every drama is a good story...behind every tear is the person who wrote it.

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    Belize: Hell or heaven? [Roy indicates "Heaven" through a glance] Belize: Like San Francisco. Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit. Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens. Roy Cohn: Isaiah. Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths. Roy Cohn: And a dragon atop a golden horde. Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there. Roy Cohn: And Heaven? Belize: That was Heaven, Roy.

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    Besides, men aren’t worth your time anyway, Letti. If we women spent as much time on ourselves as we do fretting over men, we’d be invincible! Work on yourself because at the end of the day, you’re the only person you can trust.

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    better not bring up a lion inside your city, But if you must, then humour all his moods.

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    Breaking the circle” My eyes darken when I see my new lover. Fresh prey. My body doesn’t really react in a sexual way. It’s the devil inside me that celebrates next conquest. We exchange meaningless sweet words. His hungry gaze penetrates my breasts and ass. Another drink and laughter. And then another one. Sometimes I get very drunk or high. And then I don’t feel him between my legs. I don’t see his sweating face. I don’t hear his moans and questions if I came. I can’t stay sober when I cheat on you. I’m such a coward that I can’t even face this inner monster. It consumes me, it takes away my dignity. It makes me do horrible things. It hurts you, the only one who ever loved me. Who knows what I really am. No. It’s not the monster. It’s me. I am the whore. I dig my nails into your soft flesh until it bleeds. I am the one pushing you away, feasting on your kindness. I blame those hard punches of my past for my infidelity. Those cruel hands. Those hateful words. I try not to, I really do. I try to be a better person. But how can I if I am just nobody? You know why I leave. Yet you stay. You’re there when I’m back. With your sorrow and cry and resentment and wrath. Why? If I’m broken because of my pain what’s your excuse? Why do you keep letting me treat you like a stray dog? Don’t you have any respect for yourself? What the fuck is wrong with you? And just when I think I have my own slave for life you break the circle. You shut the door with a grimace of relief. You can’t look at me anymore. See, you’re finally free! My inner innocent girl is happy for you. But the monster inside kicks and laughs at me. I’m left alone. I dress up and go hunting.

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    Believe in Yourself Why must we see something to believe in its existence?The wind itself cannot be seen by man, but all have felt it's gentle touch and watched the mighty trees bow as it swept past. We cannot see love yet its nurturing warmth is the essence of our being and sorrow can touch our very soul. For remorse is like a ripple on the ocean, once given it remains only in the heart of the receiver. Yet all of these cannot be seen only felt. Why then do you doubt your self-worth? For though it cannot cast a reflection in the mirror you have only to look in the eyes of those you love to See it clearly. Prologue To Kiss a King To Kiss a King Copyright © 2017 by Julie Brookshier and Robin Woods All rights reserved. Except for use in a review, the reproduction or use of this work in whole or in part in any form is forbidden without written permission of one or more of the authors. This is a fictional work. Names, characters, places, and events are merely the product of the authors' imaginations or used fictitiously, purely for entertainment purposes. Any resemblance to actual persons, living, dead, or undead or any business establishments, events or places past, present, or future, is entirely coincidental.

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    Bloody battle and homecoming embrace, lightning-studded skies and Arcadian pastures, riddles, mirrors, smoke, illusion, the love of a woman, the wrath of the gods. Life is drama, a tragedy and comedy both, and we the actors. A trite observation, one decidedly inspired by some other man's muses. Yet for all the horrors and triumphs of the stage, I have found that the arts of Dionysus offer little to compare with the struggles and achievements, the lives and deaths of real men, or at least of men of thought and action, men who renounce the apathy and ignorance of those who pas through life as if they were mere temporary visitors, gawking occasionally but for the most part simply following the meaty desires of their bellies and loins.

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    [bookcover:Lessons Learned|13578440] Another shot, and for some reason, I’m the only one who can’t move. Who can’t scream. Who can’t do anything but watch as the young man’s body slumps over his tray. Finally, I find my voice and scream his name.

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    But all good things must come to an end—and I hear the greatest things tend to end quicker than they started.

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    But family connections are weird. Even if your relatives aren't good to you, they're still your blood. You can't lose that connection completely. And believe me, I've got a few relatives on my dad's side I'd love to lose.

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    But more importantly, know I love you more than I can say with simple words. Poets have attempted for centuries to find the perfect combination, and I don’t imagine I shall have more luck than they.

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    But nothing was said about chicken farming anymore. Once, long after it was too late for farming, he might catch her crying and pet her a bit. 'What's the matter, little baby? You got a fever? You want to take the night off?' She might murmur something about candling eggs, but he wouldn't be able to understand what she meant. And after a while she cried on without knowing what she meant either, as a girl cries over a bad dream long after the dream is forgotten. In time the tears dried. She could no longer cry over anything. All the tears had been shed, all the laughs had been had; all the long spent. Leaving nothing to do but to sit stupefied, night after night, under lights made soft beside music with a beat, to rise automatically when someone wearing pants pointed a finger and said 'that one there.

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    But then, I knew so little about my mother over the last decade of her life. I had been too wrapped up in my own drama.

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    But that's the funny thing about love. Sometimes love can be deceiving. And sometimes, in the worst cases, love isn't love at all.

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    But that's the tricky thing about love. If you aren't the type to walk away, and you aren't the kind of person who moves on quickly, you subsequently become the one who stays.

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    Creatures, Malorie thinks. What a cheap word.

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    But what the measured prose of psychiatrists and the carefully calculated statistics of social scientists rarely capture is the experience of inner struggle. These "significant changes" do not occur automatically. In fact, they must often fight against our resistance. In this sense, midlife is a drama more worthy of a playwright than a scholar. We are characters in the play, caught at the opening of the second act, and we do not know what will happen next.