Best 2427 quotes in «drama quotes» category

I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.

I wished I stayed at the movies, where I could have at least had some popcorn with my drama.

I wonder what it means when Americans say I'm an American. In Britain the culture is basically the same from one end of the country to the other. And when I came here and I saw Americans who live, I don't know, in you know, Northwestern California as opposed to Americans who live in Louisiana, as opposed to Americans who live in the Nevada desert. English even is literally a picture that I have in my mind of an oak tree in the field, a single oak in a green field. And also when I think of my Russian roots, it's the landscape that I connect with as more than maybe the poetry or the drama.

I won't ask you if you ever received flowers from a man before. But it was my first, gifting flowers to a woman.

I worked in Bhs, but I was only there for a couple of weeks before I got fired because I needed the Saturday off to go to drama club. I was useless - I was so bored. There was nothing to do, so I'd go and do a circuit of the store, throwing jumpers on the floor, then go and pick them up. It wasn't rock 'n' roll rebellion, it was just to look busy. They tried to teach me how to work the till and I'm useless with numbers, so I was making it all up as I went along. I must have lost them tons of money.

I worked on dramas before, I love sinking my teeth into something dramatic or a period piece, but there's something so fun about doing a comedy. When you go to set and your only job is to make people laugh, there's an unbelievable energy on set.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

I would like to do more dramas when I find a good role that will allow me to politely upset people's expectations of me as a comic actor.

I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.

I would like to get back to making people laugh. Before drama school, I did nothing but comedy.

I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.

I would like to work in both comedy and drama. I'd love to do a really juicy drama that's just really real.

I would love to continue to challenge myself by trying different things. Action, Drama, Comedy... I would be grateful to do any and all of it if someone is kind enough to hire me! I have such a wonderful time on The Originals though, because I get to play Rebekah in so many different periods. I'm a little spoiled.

I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that; I thought it was interesting. A lot of my favorite comedies play out as dramas.

I would love to do comedies and I would love to do dramas. I'm very passionate about art, music, drawing, acting, so I'd like to have the chance to get the larger choice regarding acting.

I wouldn't care if he lost both his legs and was in a wheelchair. But it he's having a hard time...Then I won't see him.

I wouldn't have been able to go to drama school when I was 19. I don't think I was even conscious of life... I was like a zombie. But when I finished uni' I just realized... just go and do it, stop being a knob.

I would probably say I identified more with drama. I'm a really emotional, sensitive person. I'm family-minded and I'm the youngest of four kids. I have nine stepbrothers and sisters. And I love drama. I really do.

I wouldn't say I'm fixated on describing any kind of relationship whether it is a father and a son, or a family. I don't like it when people say that I'm particularly following the same line or that I'm only interested in family dramas. I'm interested in human relationships. The most intimate, the most delicate, and the most intriguing relationships are those within a family.

I wouldn't say in all situations, but a lot of times kids can be the most reasonable people around because they don't have the deal with all the drama that goes along with being an adult.

I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.

I write drama in the English language. If I wasn't working in London I'd be doing something wrong.

I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.

I wrote my first play, Uncommon Women and Others, in the hopes of seeing an all-female curtain call in the basement of the Yale School of Drama. A man in the audience stood up during a post show discussion and announced, “I can't get into this, it's all about girls.” I thought to myself, “Well, I've been getting in to Hamlet and Laurence of Arabia my whole life, so you better start trying.”

I write R-rated action dramas, and every year that goes by, that gets to be a smaller and smaller world you have to work in. You have to think of how to get the studio excited and sell them something.

JACK That is nonsense. If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won't want to know Bunbury. ALGERNON Then your wife will. You don't seem to realize, that in married life three is company and two is none. JACK That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years. ALGERNON Yes; and that the happy English home has proved in half the time.

Jane Austen can in fact get more drama out of morality than most other writers can get from shipwreck, battle, murder, or mayhem.

Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.

Jenny Simpson loses her shoe in the women's fifteen hundred, with a lap and a half to go, destroying her chances to repeat as world champion, and she gives the most gracious interview afterward about how she's had a wonderful career already. Great for Jenny Simpson. Bad for the sport! We need drama!

Jesus will always move away from religious drama and toward the needs of people who are hurting. Jesus will always go out of his way to find and minister to people who others will go out of their way to avoid. I love him for that.

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago.

Just now, at the hotel, I saw one man having an affair. He's not even my husband. He's another woman's husband. Weather or not he has an affair, is none of my business. But what am I feeling so sad. Really.

Just as it's unfair to review a taco stand for not being a four-star restaurant, I also have to be mindful that not every drama on TV is trying to be "The Wire.

Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I've been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I'm usually in some goofy head space. It feels natural to me.

Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.

John Kerry wants to be the hero in his own drama. He likes King Arthur and the Round Table. He likes the young swashbuckling Churchill, and he loved the early antics of Theodore Roosevelt.

Keep your head down, avoid all the distractions of being a writer today—all the shifts in the business, all the drama, all the debating about where publishing is going—and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.

Keys," she repeated, and slowly stepped back. "What do you mean, keys?" "Car keys. As in, give them up. Now." Shane had that look -- hard, and no bullshit. "We don't have time for your drama, Monica. Nobody does.

KISS hammered home the importance of high drama...I decided to design my show with the same goal; I wanted my fans to remember my show for the rest of their lives.

Larry and I, and a bunch of our colleagues, were sitting on great stories that needed to get out to an audience in one way, shape or form. We've both produced comics in the past, and audio dramas seemed like a similarly interesting option, the other side of the coin. As we've continued with the project, the format has become a vital way for us to tell our stories.

Knowing about comedy has helped me with the drama. To see people laugh, it's like there are moments of catharsis in the middle of sadness.

Laugh now, cry later: this is the karma. Hip-hop never died, it's just sick of the drama.

Left to it's own devices, writing is like weather. It has a drama, a form, a force to it that shapes the day. Just as good rain clears the air, a good writing day clears the psyche. There is something very right about simply letting yourself write. And the way to do that is to begin, to begin where you are.

Learn to watch your drama unfold while at the same time knowing you are more than your drama.This is quotes copyright © By Pumpkin Limited

Life is always full of drama and challenges, but you don't have to overreact to any of it if you choose not to.

Let go. Let go of all the stress and drama in your life. It's not worth it, and your body is far too important - too precious - to be bothered by a simple psych-out. You will figure it all out eventually, so why make life more complicated?

... life is a comedy far darker than drama. It just takes time to learn what to smile at.

Life is hard enough, you don't have to embellish the drama!

Life is like an overlong drama through which we sit being nagged by the vague memories of having read the reviews.

Life is like a recycling center, where all the concerns and dramas of humankind get recycled back and forth across the universe. But what you have to offer is your own sensibility, maybe your own sense of humor or insider pathos or meaning. All of us can sing the same song, and there will still be four billion different renditions.