Best 2427 quotes in «drama quotes» category

Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.

Nature in her whole drama never drew such a part; she has sometimes made a fool, but a coxcomb is always of a man's own making.

Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms.

Negative people need drama like oxygen. Stay positive, it'll take their breath away.

Neurologists say that our brains are programmed much more for stories than for abstract ideas. Tales with a little drama are remembered far longer than any slide crammed with analytics.

Nobody's really paying that much attention to your massive personal dramas.

No drama, however great, is entirely independent of the stage on which it is given.

No matter how intently one studies the hundred little dramas of the woods and meadows, one can never learn all the salient facts about any one of them.

No matter how old I get, the race remains one of life's most rewarding experiences. My times become slower and slower, but the experience of the race is unchanged: each race a drama, each race a challenge, each race stretching me in one way or another, and each race telling me more about myself and others.

No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama.

No matter where you are or who you're with, don't forget to smile. A smile makes the world go round. It becomes your strength and confidence in this world. Because that's the secret to true beauty.

No one goes to BrooklynVegan to read about content, they just go for drama. It's a tabloid, the scum of indie.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

Norman is a very up-close, personal, character drama and I'd like to do something more zoomed out, a little more pastoral, some sweeping epic. I'd like to try something different.

Not having gone to drama school, I always feel like a bit of a fraud, but so far it looks as though I've not been found out.

National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.

Not infrequently, Southern food now unlocks the rusty gates of race and class, age and sex. On such occasions, a place at the table is like a ringside seat at the historical and ongoing drama of life in the region.

Novels often have leisurely openings; a TV drama needs an arresting opening.

Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.

Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed

Now of course like, you know fancy go to the opera and see drama and they regard them as high culture. And these, are really people for the most part who get uptighter. The idea that people you know might take their clothes off and dance in the street.

Now I'd like someone to tell me there is no drama in real life!

Now that I've established myself in a drama, I'm plugging away, trying to get the attention of people who do the independent movies and the features.

Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.

Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.

Occasionally people would come to me. I was sitting with a woman one day and she was telling me her story and I was in a state of listening, a state of bliss as I was listening to the drama of her story, and suddenly she stopped talking and said, "Oh, you are doing healing.

Of course, ministers look upon theaters as rival attractions, and most of their hatred is born of business views. They think people ought to be driven to church by having all other places closed. In my judgment the theater has done good, while the church has done harm. The drama never has insisted upon burning anybody. Persecution is not born of the stage.

Often our bad moments are self-propelled ... And the drama is almost exclusively within our heads and hearts.

Of the people who cook on television, I have admired people like Jacques Pepin, Julia Child, Mario Batali, Jamie Oliver and a few others because they are free of drama, display good taste and masterful technique, and use clear exposition to bring you up to speed.

On a radio drama I'd like to feel that I had just as much chance of playing Mr Darcy as anyone else because I can sound like him, yet many radio producers find it very difficult to extend their imaginations to employing anyone who's non white.

Oh, I love period dramas, especially period dramas starring Colin Firth. I'm like Bridget Jones if she were actually fat." "Oh... Colin Firth. He should only do period dramas. And period dramas should only star Colin Firth. (One-star upgrade for Colin Firth. Two stars for Colin Firth in a waistcoat.) "Keep typing his name, even his name is handsome.

Olivier said that drama is an affair of the heart, or it's nothing, and he was right.

Once, a French journalist told me that all my films are the same. I said, 'Excuse me? I work hard to make them different.' What she meant was that in my films there is a character that faces insurmountable odds, and they overcome them. But I thought that might be true, but you need certain factors for drama, and you need to overcome them.

Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.

Once I started taking drama classes, I asked myself why I had ever wasted so much time on a football team.

One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set it. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.

One line on the arm, one line on the heart. The bastards who stood by my side with two lines. They'll be the hardest farewells I'll have to make in my life and they're the luckiest fortune I've met in my lifetime.

One of the difficulties of being a writer must be that you create drama that you can't live out. That's one of the wonderful things about acting.

One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.

One of the great things about drama is that it makes you feel like you're not a crackpot, and that there are other people who think and feel the way you do.

One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.

One of the things that makes any good entertainment, whether it's a play, drama, comedy, television, film, whatever, is that you feel a certain amount of spontaneity.

One person cannot change the world. But you can become the world for someone. A warm, bright, and peaceful world. If everyone can be such a world to one person, one will become ten people, and then a hundred. The world will be full of happy people then.

One thing I'm a big fan of is the theater of the absurd. That's what I come from, that's what I love to do more than anything. What I love about absurdity is the words "comedy" and "drama" get thrown out the window and it's just life, which is absurd.

One was never taught how to begin at drama school. But all it required was one intake of breath.

Only comedies can get you that engaged in a movie, dramas people just sort of sit there and eat their popcorn and nothing really happens, they might cry a little bit, but that's it. Horror movies are talking at the screen, guys are elbowing each other, laughing at each other because they got scared. That's the beauty of a horror movie.

Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.

Only the truth can set us free from the fear, the drama and the conflict of our lives.

[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.