Best 2427 quotes in «drama quotes» category

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

To see your drama clearly is to be liberated from it.

To say that it is without pace, point, focus, interest, drama, wit or originality is to say simply that it does not happen to be my cup of tea.

To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?

To the scientists of the Renaissance, your critic was really your ally, helping you advance upon reality. Critics in science are not like drama critics, determining flops and successes. Criticism to scientists is just another means of finding out whether they're wrong, like running another experiment to see if it confirms or refutes a theory. Along with the advocacy principle of the courtroom, It is one of the best ways human beings have evolved to get closer to the truth.

To those who help me, I repay them with grace. But to those who don't, I repay them with exactly what I've received. That's my motto. Only then the world will be balanced.

To try something longer, I entered a half-hour radio drama contest with the national public broadcaster, CBC. To my surprise, I won. And that opened doors in film and television, because that broadcaster was looking to cultivate new Canadian talent, especially women who could write.

To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.

To watch THE WAITING ROOM is to wish it would never end. This is human drama at its most intense and universal. The rare film that can change the way you think and see the world.

Tragedy turns into comedy when you watch your own drama and realizing it as a mind-created fiction designed to create you a sense of identity.

"Transparent" is a drama slash comedy series that could, in theory, make the Emmy nominations next year in either of those categories - it's that good.

True drama can be conceived only as resulting from the collective impulse of all the arts to communicate in the most immediate way with a collective public... Thus especially the art of tone, developed with such singular diversity in instrumental music, will realize in the collective artwork its richest potential -- will indeed incite the pantomimic art of dancing in turn to wholly new discoveries and inspire the breath of poetry no less to an undreamed-of fullness. For in its isolation music has formed itself an organ capable of the most immeasurable expression - the orchestra.

Trump, no matter what anybody thinks of him, is interesting. And Trump, no matter what anybody thinks of him, is funny. Trump, no matter what anybody thinks of him, is different. Trump, no matter what anybody thinks of him, is drama. Trump, no matter what anybody thinks of him, is unpredictable. All of that means, you can't miss it.

Truth in drama is elusive. You never quite find it, but the search for it is compulsive.

Turning someone away who wants to come near you, just because of your pride is also a form of mistake.

Twenty years after we had left so fierce and proud, we were all right back where we had started, yoked to each other and the same old drama.

Turn your melodrama into a mellow drama.This is quotes copyright © By Pumpkin Limited

Two generations ago only a few unfortunate children ever saw anyone hit over the head with a brick, shot, rammed by a car, blown up, immolated, raped or tortured. Now all children, along with their elders, see such images every day of their lives and are expected to enjoy them. ... The seven-year-old who hides his eyes in the family cops-and-robbers drama is desensitized four years later to a point where he crunches potato chips through the latest video nasty.

Unless you're Jack Lemmon or Cary Grant, there are few guys who can do comedy and drama.

UNICEF is doing amazing things here. They're helping these groups of kids to be mine aware, and using drama and workshops to teach children in all of the schools in the area to be aware of mines and what to do if they find one, and if somebody's hurt, not to rush in - all of the essential things that kids need to know.

Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.

. . . until the curtain was rung down on the last act of the drama (and it might have no last act!) he wished the intellectual cripples and the moral hunchbacks not to be jeered at; perhaps they might turn out to be the heroes of the play.

Until there was you, I wandered aimlessly. For a long time, like a little child, I will cry in anticipation of you.

War is the supreme drama of a completely mechanized society.

Visions of one powerful scene after another parade across his inner screen, each exploding with drama and meaning

Viewed as drama, World War I is somewhat disappointing.

Viewed as a drama, the war is somewhat disappointing.

We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.

We are in constant danger of being not actors in the drama of our lives but reactors, to go where the world takes us, to drift with whatever current happens to be running the strongest.

We are free when we are not the slave of our impulses, but rather their master. Taking inward distance, we thus become the authors of our own dramas rather than characters in them.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

We cannot get from anyone else the things we need to fill the endless terrible need, not to be dissolved, not to sink back into sand, heat, broom, air, thinnest air. And so we revolve around each other and our dreams collide. Look out the window in any weather. We are part of all that glamour, drama, change, and should not be ashamed.

We did a lot of that in drama school: intellectualising and maybe justifying your position. 'I am a thinking actor and I have thought this through' - well, just do it. I much prefer the doing aspect.

We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama...The best way I can describe it is Pelican Brief meets Time to Kill.

We have a tendency to make assumptions about everything! The problem with making assumptions is that we believe they are truth. We could swear they are real. We make assumptions about what others are doing or thinking-we take it personally-then we blame them and react by sending emotional poison in our word. That is why whenever we make assumptions, we're asking for problems. We make assumptions, we misunderstand, we take it personally, and we end up creating a whole big drama for nothing.

We had an ancient Russian acting coach at my drama school who said the worst offense you could commit was to let your subtext show. That is the point of acting, is to be saying one thing and not be allowed by society or your predicament to show what you're really feeling. In a way, I think that's why the therapy generation has killed script writing, because all you ever get is people going, "Hi, I'm feeling really angry right now.

We make movies about remarkable people like President Mohamed Nasheed of the Maldives in "The Island President" and Al Gore in the film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that's a natural drama. And that's primarily where we work - character-based films that we hope will bring issues to life through their stories.

We have to understand (this is another key piece) that there are some individuals who still need that drama, that experience of violence.

We know that the wildest and most moving dramas are played not in the theatre but in the hearts of ordinary men and women.

We live between two worlds; we soar in the atmosphere; we creep upon the soil; we have the aspirations of creators and the propensities of quadrupeds. There can be but one explanation of this fact. We are passing from the animal into a higher form, and the drama of this planet is in its second act.

Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.

Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.

Weirdly, when I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.

Well, honestly, I'm not a massive fan of courtroom dramas.

We need new art. Old art cannot do that. It can do lots of other things, and of course humanity hasn't changed that much in the last thousand or two thousand years.So that the old Greek dramas are still at the very heart, core, of human experience, but still we need new stuff.

We need to breathe, come back to our hearts, and connect into more of a stable place within ourselves, not allowing that drama to affect us, and through this process we transcend that drama experience.

We read too much Shakespeare at school, and view our parliamentary politics as dynastic drama, in which an impatient crown prince frets at his long subordination and begins to scheme for the throne he knows he merits, was promised and has earned.

We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.