Best 2427 quotes in «drama quotes» category

There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.

There’s something kind of rewarding about playing the hurricane. My job is to create drama and chaos and there’s a lot of fun to be had doing that.

There's so much I want to do. I love emotions, I love drama, I love comedy and I also want to take action up to another level, I love comics.

There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.

There's very few directors I think in this industry that would pitch to a studio that they wanted to do a multi-layered almost at times existential high action, high drama surreal film that's sort of locked in his mind. And then have an opportunity to do that.

There was a lot of drama in school because, well, people have problems at home and they take it out on their friends in school. Trying to impress people, they became bullies. I hated it because I know what it's like to be picked on, and I never liked not fitting in, especially moving around so much as a kid because I was an Army brat. My dad was in the Army.

There was an era when people would turn on their radio and hear a radio drama. Now, you could be as scared by that as seeing it filmed. In those days, people used to sit by the fire and imagine what they were hearing. Everything is its own art form.

There was a stately drama writ By the hand that peopled the earth and air, And set the stars in the infinite, And made night gorgeous and morning fair; And all that had sense to reason knew That bloody drama must be gone through. Some sat and watched how the action veered-- Waited, profited, trembled, cheered-- We saw not clearly nor understood, But yielding ourselves to the masterhand, Each in his part as best he could, We played it through as the author planned.

There was never yet an uninteresting life. Such a thing is an impossibility. Inside of the dullest exterior there is a drama, a comedy, and a tragedy.

The road to hell is paved with reasonable religion with a non-anxious god. Most days, I'm pretty happy driving down that road. But I keep running into this Crazy Fellow along the way. At every stop light, he jumps up and down to get my attention. He pounds on my window asking me where the heck I think I'm going. He stands on the front bumper, shouting at me to turn around. When all else fails, he throws himself in front of the car. He's such a drama queen.

The rise of the dramas in the thirteenth century, and the rise of the great novels in a later period, together with their frank glorification of love and the joys of life, may be called the Third Renaissance.

The Romans have provided a lot of writers with a model for various interstellar empires, of course, and no wonder. The Roman Empire is a really good example of a large empire that, in one form or another, functioned for quite a long time over a very large area. And over all that time, there was all sorts of exciting drama - civil wars and assassinations and revolts and bits breaking off and being forced back in ... But I didn't want my future - however fanciful it was - to be entirely European. The Radchaai aren't meant to be Romans in Space.

The Rosary is the book of the blind, where souls see and there enact the greatest drama of love the world has ever known; it is the book of the simple, which initiates them into mysteries and knowledge more satisfying than the education of other men.

The Room is a drama that is also a comedy that is also an existential cry for help that is finally a testament to human endurance.

The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge.

The scariest thing about screening a comedy ... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.

The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.

These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.

The show business has all phases and grades of dignity, from the exhibition of a monkey to the exposition of that highest art in music or the drama which secures for the gifted artists a world-wide fame princes well might envy.

The sixty-minute drama form has become very rich.

The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.

The stage on which we play our little dramas of life and love has for most of us but one setting.

The student of Liberty must constantly endeavor to disassociate his imagination from sanguinary dramas of assassination and revolt.

The story [for the western genre] is everything. Whether it's a book or a screenplay, the story drives everything. And if you just go out and try to make one by putting on boots and jumping on a horse and riding off... If you don't have the material, the characters and the things to overcome and conflicts that give life to drama, you don't have it.

The study of foodways - the intersection of food and culture - addresses a central issue in the humanities: how we connect the great dramas of history with the lives of ordinary people.

The Steinway piano - with its beauty and power - is the perfect medium for expressing the performer's art, drama and poetry.

The study of social progress is to-day not less needed in literature than is the analysis of the human heart. We live in an age of universal investigation, and of exploration of the sources of all movements. France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man. These embrace the whole of life. But it is the province of religion, of philosophy, of pure poetry only, to go beyond life, beyond time, into eternity.

The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.

The theme of Death is to Poetry what Mistaken Identity is to Drama.

The symbolic personage who focuses upon himself a social drama and the martyr may well be born during these days preceding the new moon. They are the incorporation of the need of their collectivity for a new birth of spirit. They call down the creative spirit; they summon forth the future-even if it be through their own death

The thing about drugs is that it [dealing] gives people an income to deal with, and it also gives people a compelling drama in their lives that they used to get from the office and the factory, and they're no longer there. What happens if you have everything in the hands of the state, particularly in the line of an authoritarian state, they just give people drugs to keep them doped up, to keep them passive.

The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.

The thing I always say to any writer that I'm working with is: Just make sure that in any argument, EVERYONE is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.

The true confessors have been aware that not only is life mostly failure, but that in one's failure or pettiness or wrongness exists the living drama of the self.

The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.

The Tudors was ground-breaking in the sense that it did ruffle the feathers of classical historians and alter the way people did period drama at the time.

The truth was that I'd been spending years running away from myself. I hid myself in drama, silliness, stupidity, banality. So afraid to grow up. So afraid to involve myself in relationships where I might be expected to give the same love I got - instead of sixth-grade shenanigans. I bored myself with all the when I grow up nonsense, but I was worried it would never happen even as I longed for it.

The universal social pressure upon women to be all alike, and do all the same things, and to be content with identical restrictions, has resulted not only in terrible suffering in the lives of exceptional women, but also in the loss of unmeasured feminine values in special gifts. The Drama of the Woman of Genius has too often been a tragedy of misshapen and perverted power.

The White Queen in many ways it is representative of the sort of drama that I'm talking about. The books by Philippa Gregory were best sellers and they specifically told the story of history from the point of view of women.

The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.

The whole drama of the world is such tragedy that I am weary of the spectacle.

The weird thing about drama school is that you train for three years for one thing and then more often than not, it's something that you haven't trained for that you end up doing.

The western is the simplest form of drama - a gun, death.

The world has never before had as much drama as today. Radio, films, television and video inundate us with drama. But while these forms can engage or even enrage the audience, in none of them can the viewer’s response alter the artistic event itselfThat is why theatre is signing its own death warrant when it tries to play too safe. On the other hand, that is also the reason why, although its future often seems bleak, theatre will continue to live and to provoke.

They put me in the drama class, and that's the path I've taken.

The young today cannot follow narrative but they are alert to drama. They cannot bear description but they love landscape and action.

They're really competitive at drama in Texas.

The wounds I carry, she carries them too. The unshed tears in my head flow through her heart too .

They're done by guys who have talked a good game and then have scrambled together the simulacrum of a drama, so actors are habituated to sometimes having to save a picture on the floor because it's usually part of their job, but they'd rather have a writer doing his job, so that they can do theirs. But I like nothing better than working with actors.

They say that art comes from the soul. The more drama in an artist's life, the more he can draw on for his art. Van Gogh and Picasso had troubled souls, but poor Steve Kaufman has been shot once, stabbed 3 times - all by women. That is a lot of drama for great art.