Best 2427 quotes in «drama quotes» category

In the world of physics we watch a shadowgraph performance of the drama of familiar life. The shadow of my elbow rests on the shadow table as the shadow ink flows over the shadow paper. It is all symbolic, and as a symbol the physicist leaves it. ... The frank realisation that physical science is concerned with a world of shadows is one of the most significant of recent advances.

In this filthy despicable world someone suddenly reached out and held on to me. My life in my darkest moment, at the moment of all moments. The one person that reached out to me, was you Yoon Jae In

I only do children's films now! I think when you go to LA some people feel you've defected a little bit and that's not really the case. Ideally, I would love to work here and to work in America. That's in an ideal world. In fact, I came back to Britain recently to do an ITV1 drama that will be out in April for a couple of months! But I'm flying back to LA to do a pilot season. So, to work in both places is great.

I once heard a woman laugh at that most tragic moment in all drama, the off-stage shot in "The Wild Duck," and I afterward had her killed, so there will be no more of that out of her.

I once worked with Emma Thompsons mother, Phyllida Law. I worked with her on a BBC drama, and she was hilarious. I loved her so much, and she was great to work with.

I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.

I originally wanted to be a pop star. I wanted to be Kylie Minogue. My dad thought that was a very silly ambition and introduced me to drama classes. Once I became fixated on that, there was no stopping me.

I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator... You've got a documentary, I've got a voice. Animated films. Big films, small films.

I prefer drama; I think character-driven drama is my favorite kind of stuff to go watch, and I like being challenged by that kind of stuff in that way.

I probably shouldn't do a straight drama. I'd probably ruin it. I don't know. But, I'd love the opportunity to try. I'm sure that every kind of filmmaker feels that they can do other genres of film and want to, and I feel the same way.

I realized that I spent more time thinking about my problem clients than my great clients. I had to stop feeding the drama of the problem clients-and other problems in my life.

I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.

I really like people who can do both drama and comedy and not some like middle of the road do both drama and comedy. I'm not talking about some guy who does these bland dramedies all the time. I'm talking about people that have done heavy drama and who have done heavy comedy.

I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.

I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.

I really like the "two is better than three" line. People ask me is this drama or comedy? I just think the more colors you have to a film the better. The more genres, the more people will like it. I like relating to the whole general speaking public. The script itself is 99 pages but the novel it is based on is 600. I had to leave a lot of stuff out of the script. I had a limitation of what I could present on the big screen.

I really feel like the first day I went to drama school and I went up on stage, that I found my vocation. It's kind of a cliched thing to say but I really feel like it was what I was meant to do.

I really fell into drama school - I had a lot of lot of luck. I didn't take criticism very well while I was there; in fact, I took it personally. With every note I got, I felt like they were telling me I was a bad person.

I received an OBE from the Queen, which probably doesn't mean anything in America but is quite nice in England - the Order of the British Empire for services to drama.

[I remember going] to a hotel gym at six o'clock in the morning, and the television was on, and it's some drama in which two men have clearly kidnapped a woman. They're interrogating her, and they put a plastic bag over her head. They're suffocating her, and I'm thinking, It's six o'clock in the morning! Why does anybody need to see this? How can I find the off switch?

I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.

I remembered a mantra that one of my teachers used to tell me at drama school, that every thought will pass across your face. Even if you're thinking about Shreddies the camera will read it.

I said the first thing that came into my head unfortunately. "Save the drama for your mama " I told her just like an eleven-year-old.

Isla [Fisher] is so pretty we were trying to decide who the hell should play against her that would intimidate her, and one day I said, "You know...this was before Superman had come out, Superman v. Batman: The Court Room Drama I like to call it.

I seek the real stuff of life. Profound drama.

I simply can't understand the stereotyping women as film makers who make soppy family dramas. Look at Katherine Bigelow: she has directed Point Break and Strange Days. I hate labels of any kind. Just because you are a woman you can't do this or that? Twenty years ago women entering the work force was enough of a shock. People just like the predictable; they feel safe with it. You know, it's such a bore

I start by mulling a question and before I know it, a whole drama is unfolding in my head. Often, an idea sticks before I know what I'm going to do with it.

I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.

I started on television, and on sitcoms, and loved them, but then they sort of seemed to be going through sort of an ice age, and they started dying off one by one, and I recognized that, and my representatives recognized that, and we said 'Well, let's look at dramas and other things like that.'

I started doing drama after school, and it just developed into something that I did and I enjoyed very much.

I started off dancing and playing sports, and I joined the drama stuff, the theatre stuff in middle school because my friends were involved, and it was kind of the cool thing to do.

I started performing at school and drama classes when I was 7.

I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.

I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.

Is that why you hate me?" I ask. "Partly," She admits. "Jealousy is certainly involved. I also think you're a little hard to swallow. With your tacky romantic drama and your defender-of-the-helpless act. Only it isn't an act, which makes you more unbearable. Please feel free to take this personally.

It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.

I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.

I suppose I walk that line between comedy and cruelty because I think one illuminates the other. We're all cruel, aren't we? We are all extreme in one way or another at times and that's what drama, since the Greeks, has dealt with. I hope the overall view isn't just that though, or I've failed in my writing. There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies.

I teach people that no matter what the situation is, no matter how chaotic, no matter how much drama is around you, you can heal by your presence if you just stay within your center.

It doesn't matter to me. I'm just worried. It's the first time I've see Teach like that. He said he had two regrets...Once, 20 years ago. And once when you hurt your wrist. He said he didn't ever want to regret again. I wonder what that means.

I tend to think in dramatic terms. In life, there may be an actual drama, but it would be the fictionalized, imagined drama that engaged me.

I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he's made of sugar.

It gives me vertigo to watch TV dramas.

I think airports are places of huge human drama. The more I see of it, the more I am convinced that Heathrow is a secret city, with its own history, folklore and mythology. But what has surprised me is the love the people who work there feel for the place. Everyone seems to think they are plugged into something majestic.

I think a lot of people who go to drama school have this ease with the text and they all have five monologues that they know by heart, and I never had that. I've done Chekov and I've done Moliere and I've done classic stuff

It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.

I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.

I think American drama is at its best when it takes the domestic and makes it epic, like a Greek tragedy in the front room.

I think 'Breaking Bad' is brilliant. Good drama in the U.S. is also so funny and blurs the line between light and dark.

I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.