Best 2427 quotes in «drama quotes» category

Penalties are not football. They are not even as television people keep telling us, great drama. They are cheap melodrama.

People always tend to chose what is best for them. They pretend to be unselfish, all so that they can feel good about themselves. Even that really is a selfish decision.

People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.

People are what are scary...people.

People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them.

People change all the time whether you like it or not.

People don't want drama 365 days a year. I'm a sense of relief; it's my job to take your mind off what's bad for that brief second you're in the room with me, regardless of shape, race, colour or anything. It brings people together, and it makes me feel good about what I'm doing.

People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building.

People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown.

People get desperate when they're backed into a corner.

People do tend to fear and despise shamans but turn to them in times of desperation. Such a contradiction is a human characteristic, no? I'm more pulled to the human drama of shamans - their experience in society and identity struggles - than their transcendental power. Their drastic lives enable them to empathize with others and provide solace.

People love drama, and if you aren't really interested in perpetuating that, it keeps you from exploding on a mainstream stage. I'm totally fine with that.

People love scandal; people love drama. They love stripping away the layers to see what's really in there, and they'll do anything - as well as make it up - to get it.

People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.

People think drama drives story, but I think the comedy is really the heart and soul.

People think stage school is a little star factory but the truth is kids like me learned about being in a team situation and going out to work earlier than a lot of kids did. I don't know anyone from drama school who's now sitting on their arse doing nothing.

People, you see... are ruthless and foolish. When they're young, in order to have money and power, they give up everything like health and youth. And when they get sick, become old, and have all the money and power... in order to find their health and youth again, they spend all of the wealth they've wasted so much energy and time to accumulate.

People who make documentaries have to be faithful to the facts. But when you are making a drama, a fiction based on the life, all you have to be faithful to is the spirit of the facts, which I think I was in every case. As long as you don't violate their spirit, you can play with the facts.

Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life. Only a drama will do and while the fireworks last the sky is a different colour.

Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.

Police thrillers are so widely read and police dramas so commonplace on television that many people think they have a good understanding of what a cop's world is like. But in truth that world is seldom revealed with anything approaching verisimilitude. We get it with The Wagon.

Probably. It's a weird thing with accents.When I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.

Philosophers are all caught up in their philosophies. That's their house of cards. Religious leaders are caught up in their religious movements to the point where they forget about freedom. Everybody's got their drama going.

Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.

Practically all writers and artists are aware of their destiny and see themselves as actors in a fateful drama. With me, nothing is momentous: obscure youth, glorious old age, fateful coincidences - nothing really matters. I have written a number of good sentences. I have kept free of delusions. I know I am going to die soon.

Pregnancy humbles husbands. After an initial rush of male pride they quickly recognise the minor role that nature had assigned them in the drama of reproduction.

Prom has all the elements of a popular story. It reeks of all-Americanness, tension, drama. It has romance. Pretty dresses. Dancing. Limos. High school. Coming of age.

[Princess Margaret] was loud, an extrovert, an exhibitionist, loved fashion, loved color, loved music, loved drama, loved the theater, wanted to be a ballerina or actress, was always the little one putting on the school plays, and [princess] Elizabeth reluctantly did it and got stage fright.

Revolution is a drama of passion. We did not win the people over by appealing to reason but by developing hope, trust, fraternity.

Religion enabled society to organise itself to debate goodness, just as Greek drama had once done.

Remaining calm no matter what's going on around you is an incredible challenge, but it will liberate your psychic sense and will probably add a few years to your life as well-after all, getting worked up about things only makes them worse. Life is always full of drama and challenges, but you don't have to overreact to any of it if you choose not to.

Remember that you are an actor in a drama of such sort as the Author chooses: if short, then in a short one; if long, then in a long one. If it be His pleasure that you should enact a poor man, or a cripple, or a ruler, or a private citizen, see that you act it well. For this is your business, to act well the given part. But to choose it belongs to Another.

Revenge is just a really good drive for drama and good action.

Right now, if you're interested in being a dramatic actor, they're not making that many just regular dramas. Movies have to have some other thing going on.

Real life is messy, and drama is a shaped version of real life.

Religion is rarely mentioned in current prime-time dramas or sitcoms that supposedly reflect the way we live now.

Romcoms are challenging, but I'm hungry for drama.

Romantic dramas? I love The Notebook. Titanic was great. Classic.

Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?

Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.

Ruin, weariness, death, perpetually death, stand grimly to confront the other presence of Elizabethan drama which is life: life compact of frigates, fir trees and ivory, of dolphins and the juice of July flowers, of the milk of unicorns and panthers’ breath, of ropes of pearl, brains of peacocks and Cretan wine.

Say a miracle happened and you could pull stars from the sky. Even if that happened there's no way I would give up a game for you.

Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.

Science is the only news. When you scan a news portal or magazine, all the human interest stuff is the same old he-said-she-said, the politics and economics the same cyclical dramas, the fashions a pathetic illusion of newness; even the technology is predictable if you know the science behind it. Human nature doesn't change much; science does, and the change accrues, altering the world irreversibly

She is sloppy, careless, and have many flaws here and there, but she is so honest and innocent like she's still a kid.

Secrets can remind us of the countless human dramas, of frailty and heroism playing out silently in the lives of people all around us.

Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men.

Shakespeare's plays often turn on the idea of fate, as much drama does. What makes them so tragic is the gap between what his characters might like to accomplish and what fate provides them.

She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity.

She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.