Best 684 quotes in «london quotes» category

The essential London scenes is a row of low identical houses set around a square.

The first twenty-four hours of a young man's life in London usually settled his eternity in heaven or hell.

The hours stretch out in summer, the evenings go on and on; has he lost track of hours? Where are you, Zachariah? Come home! Rachel stands by the windows again, listening to the thrum in Camden Road and the Gardens behind, everything noisier on long summer afternoons, streets and voices, people speaking louder even face-to-face as if fighting to be heard over the seasonal rush of blood, over the bright light and heightened smells and unusual clamour of days. The city transfigured this year almost overnight and it has not rained in weeks. How the sun shines, how the rain falls, the qualities of light and precipitation, London has a microclimate all its own. London weather has powers of change, change and conjuration.

The I shall have London," - Sebastian Morgenstern

The law is a tedious profession and is relieves the boredom by its own little comedies

The lushery, much like myself, is covered in a layer of grime that succeeds in filling the area with a miserable kind of murkiness, much like the soot that swathes over the city I call home.

The messages must be stuck somewhere in the tube of light underneath the ocean that connects London and New York.

The old London was fading from her memory. She no longer expected to see the shops that had been bombed when she passed familiar streets. In many places the sites were being redeveloped. That’s what seemed real now – the new buildings and the flats above them. As she hit her stride, Mirabelle smiled. It felt good to be in the big city again and on her way.

The officer's question already let me know that in his eyes I was dirt; that is, matter out of place.

There's only one London. That's it. We are what we are.

There is no river in the world to be compared for majesty and the witchery of association, to the Thames; it impresses even the unreading and unimaginative watcher with a solemnity which he cannot account for, as it rolls under his feet and swirls past the buttresses of its many bridges; he may think, as he experiences the unusual effect, that it is the multiplicity of buildings which line its banks, or the crowd of sea-craft which floats upon its surface, or its own extensive spread. In reality he feels, although he cannot explain it, the countless memories which hang for ever like a spiritual fog over its rushing current. ("The Phantom Model")

There’s someone for everyone, here in London, they always say.

The return of the rain, beating out time on London's rooftops and pavements. Early morning Zombies sheltering beneath copies of the Standard whilst others ran screaming for cover in doorways because water from the heavens is holy and melts the undead.

There's this thing you're supposed to be part of in London. But what is it? That's the million-dollar question. Everyone's there because they're searching, aspiring. A very small percentage is actually living the dream. Ill, tired, unhappy, the rent is fucking loads, what is it you're getting? The idea of it, or something.

The sad fact is, there are 7.220.400.641 people on the planet, but right now I haven't got a single one to talk to.

There were whole secret sections that did their work underground then, and sections of the London tube system were used as part of it. There were also plenty of bunkers and tunnels built for use in the event of an invasion.", FADE by Kailin Gow

These friends - and he laid his hand on some of the books - have been good friends to me, and for some years past, ever since I had the idea of going to London, have given me many, many hours of pleasure. Through them I have come to know your great England; and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is.

The wind picked up, shaking the trees below. She had the sense of being in the country. In the country, if a woman could not face her children, or her friends, or her family – if she were covered in shame – she would probably only need to lay herself down in a field and take her leave by merging, first with the grass underneath her, then with the mulch under that. A city child, Natalie Blake had always been naive about country matters. Still, when it came to the city, she was not mistaken. Here nothing less than a break – a sudden and total rupture – would do.

The Thames here had a vastly different character to the wide, muddy tyrant that seethed through London. It was graceful and deft and remarkably light of heart. It skipped over stones and skimmed its banks, water so clear that one could see the reeds swaying deep down on her narrow bed. The river here was a she, he'd decided. For all its sunlit transparency, there were certain spots in which it was suddenly unfathomable.

The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box. Behind the opposite window, retreating Willesden. Number 37. In the 1880s or thereabouts the whole thing went up at once – houses, churches, schools, cemeteries – an optimistic vision of Metroland. Little terraces, faux-Tudor piles. All the mod cons! Indoor toilet, hot water. Well-appointed country living for those tired of the city. Fast-forward. Disappointed city living for those tired of their countries.

The Thames was beautiful, dark, and swift beneath the billion yellow and white lights of the city…

The wiry man scratched his head, looked the two inquisitors up and down and cleared his throat softly. “We must be quick.” He turned to go, pulling his cloak over his head and shuffling through the door into the moonlight. The two inquisitors moved with impossible silence behind, floating across the straw-covered floor like the cats on the walls outside the hut. The cats froze at the disturbance before scurrying noiselessly into the shadows as the three silhouettes crossed the ten yards of grass before the blackness of the forest swallowed them. No fires flickered at this time, when the full moon was highest in the cloudless summer sky, and the three were the only waking souls in the hamlet.

They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping. ("The Phantom Model")

They say that life is just a blank chain, and precious moments are the beads we hang off it to make it beautiful.

They have little in common, save for their geography, and the fact that each has a version of this city straddling this river on this island country, and in each, that city is called London.

This city had been a city for two thousand years, and I could feel that with every step I took. bits of all that time were still here, alive, even if it was just in the form of collective memory.

They were both lost in cities that would not pause even to shrug

This beautiful city is so vast it holds the story of every soul who's ever walked along the banks of the Thames.

This is life, in all its gruesome, lovely, neon-lit glory.

This is the bottom of the shit heap this city. They can keep their Boys From the Blackstuff and Derek Hatton. I'd die in a place like this after growing up in London. I mean, London's shit, but it's home and nothing like Liverpool. This city has to be the arsehole of England. I don't blame Yosser Hughes for nutting everything in sight. I'd have done the same.

To catch the bad guys, you've got to think like a bad guy - and that's why all the best detectives have a dark side...

This was London, in all its filth and glory. Nostalgic for the past, while yearning to cast off the chains of bygone ages and step forward into the bright utopia of the future. Proud of its achievements, yet despising its own flaws. A monster in both size and nature, that would consume the unwary and spit them out again, in forms unrecognizable and undreamt. London, the monster city.

Those who romanticize war often like to think of it, at least in areas of mortal peril, as nothing but “guts and glory.” Those who are inclined to pacifism, by contrast, often think of it as an unbroken sequence of horrors. Actually, however, people in wartime still fall in love, do the laundry, worry about pimples, drink beer, and do most of the same things that they do in times of peace. The patterns of daily life may be mundane, but they are remarkably tenacious. But, while people in wartime still go about their daily routines, the prospect of imminent death can give even quotidian chores a heightened intensity. When the first bombs were dropped on London in autumn of 1940, the population bore adversity better than almost anybody had expected. The danger was mixed with excitement, and the terror had a sort of apocalyptic magnificence.

Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries. It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine. There I saw one I knew, and stopped him crying: 'Stetson! You, who were with me in the ships at Mylae! That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed? Oh keep the Dog far hence, that's friend to men, Or with his nails he'll dig it up again! You! hypocrite lecteur!-mon semblable,-mon frere!

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many.

What an amazing thing is the coming of spring to London. The very pavements seem ready to crack and lift under the denied earth; in the air is a consciousness of life which tells you that if traffic stopped for a fortnight grass would grow again in Piccadilly and corn would spring in pavement cracks where a horse had spilt his 'feed'. And the squares of London, so dingy and black since the first October gale, fill week by week with the rising tide of life, just as the sea, running up the creeks and pushing itself forward inch by inch towards the land, comes at last to each remote rock pool.

We are Henceforth-mongers, trying to make our Henceforth the most enticing. Because the secret of everyone who comes to London - who comes to any big city - is that they came here because they did not feel normal, back at home. The only way they will ever feel normal is if they hijack popular culture with their weirdness... and make the rest of the world suddenly wish to become as weird as them.

We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long.

We took a bus to Victoria, then passed on foot into a vast, desolate region of stucco streets and squares upon which a doom seemed to have fallen. The gloom was cosmic.

Victoria sighed deeply as the clock tower bell chimed midnight. Light snowflakes, almost weightless, began drifting down from the sky. Tiny, white butterflies danced in the wind among the bare trees. The two young people turned their eyes up towards the dark sky. "The fairies are weeping," she whispered. "What?" asked Ted, looking back at her. Victoria turned her grey eyes back at him and smiled. "In the lands of the north they say that when snowflakes fall at midnight, they are the tears of fairies falling on the ground. The fairies are weeping.

We are all works in progress, the authors of our own lives.

What a shocking bad hat!' was the phrase that was next in vogue. No sooner had it become universal, than thousands of idle but sharp eyes were on the watch for the passenger whose hat shewed any signs, however slight, of ancient service. Immediately the cry arose, and, like the war-whoop of the Indians, was repeated by a hundred discordant throats. He was a wise man who, finding himself under these circumstances 'the observed of all observers,' bore his honours meekly. He who shewed symptoms of ill-feeling at the imputations cast upon his hat, only brought upon himself redoubled notice. The mob soon perceive whether a man is irritable, and, if of their own class, they love to make sport of him. When such a man, and with such a hat, passed in those days through a crowded neighbourhood, he might think himself fortunate if his annoyances were confined to the shouts and cries of the populace. The obnoxious hat was often snatched from his head and thrown into the gutter by some practical joker, and then raised, covered with mud, upon the end of a stick, for the admiration of the spectators, who held their sides with laughter, and exclaimed, in the pauses of their mirth, 'Oh, what a shocking bad hat!' 'What a shocking bad hat!' Many a nervous poor man, whose purse could but ill spare the outlay, doubtless purchased a new hat before the time, in order to avoid exposure in this manner.

You boys may be gentlemen," Dusty said. "But I'm about to shoot like a lady. You ready, baby?

When he had first arrived, he had found London huge, odd, fundamentally incomprehensible, with only the Tube map, that elegant multicolored topographical display of underground railway lines and stations, giving it any semblance of order. Gradually he realized that the Tube map was a handy fiction that made life easier but bore no resemblance to the reality of the shape of the city above. It was like belonging to a political party, he thought once, proudly, and then, having tried to explain the resemblance between the Tube map and politics, at a party, to a cluster of bewildered strangers, he had decided in the future to leave political comment to others.

When you come to London, bring a lot of money, I'll get you a date! lololololol

When you're depressed you retreat and you go into a smaller world. This is why Brighton worked well for the story, because it's a smaller world than London.

Where one waits for that peremptory, half-melancholy, half-majestic sound of a ship blowing as she silently glides out black in the night, almost through the pub yard, from the docks basin on her voyage.

Why do you always rescue me?" — "Every Cinderella needs a fairy godmother. But sometimes your fairy godmother needs you right back.

Wiv difficulty 'an injinuity. Jest bein' smart, like.