Best 86 quotes in «animation quotes» category

Celui qui te raconte qu'il existe symphonie plus grande que le soufle qui t'anime te ment.

Don’t let the daily routine kill your creativity. Remember who you were before you got that job.

In many ways, the work of a critic is easy.

Epikta provides one stop solution for the clients which are looking for Logo Design,web design in Los Angeles and Animations in LA.

Having a purpose is one thing, but the quickening is a total animation of passion.

How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and

I don’t need a medal to tell me I’m a good guy.

In Hollywood, the real stars are all in animation. Alvin and the Chipmunks don't throw star fits, don't demand custom-designed Winnebagos, and are a breeze at costume fittings. Cruella DeVille, Gorgo, Rainbow Brite, Gus-Gus, Uncle Scrooge, and the Care Bears are all superstars and they don't have drug problems, marital difficulties, or paternity suits to blacken their images. They don't age, balk at promoting, or sass highly paid directors. Plus, you can market them to death and they never feel exploited. I'd like to do a big-budget snuff film starring every last one of them.

In the midst of the vagaries of life, they provide us a trip to the land of goodness and fairies, of imaginations and possibilities. A childhood that wasn't spent watching cartoons or reading comic strips, no wonder, seems too dull to imagine.

Out of the ugliness of the ironworks lepers will eat, children will be born, their parents will grow old.

SIMPSONS BLUFFER'S RULE #2 The competent bluffer should always refer to the performers who play The Simpsons as 'the voice talent' never 'actors'. For extra effect, drop their first names... This implies some tacit familiarity and your bluffee will simply melt before your eyes like the witch in The Wizard of Oz

Since the earliest days of the art form, humans have been the most difficult characters to animate. The more realistic the human being, the more difficult the animation becomes. Audiences will accept distortions in the actions of a cartoony character: no one has ever seen a four-foot-tall rabbit walk on its hind legs, so an artist animating Bugs Bunny enjoys considerable freedom. But everyone knows how human beings move, and if those movements are not rendered accurately, viewers won't believe in the characters. Ward Kimball, one of Disney's "Nine Old Men," commented, "As long as we deal in fantasy, we are on safe ground. The eye has no basis for comparison. But the more we try to duplicate nature realistically, the tougher our job becomes. The audience compares what we draw with what it knows to be true. Any false movement is easily detected.

The animating fire of life is merely a total devotion to living.

To be successful in this field, you need to become a problem solver with good observation skills and a desire to create things. You never stop learning in this field. You face new challenges with every new project, many of which require innovative solutions that you must discover on your own.

The fairy tale of film—created with the magic of animation—is the modern equivalent of the great parables of the Middle Ages. Creation is the word. Not adaptation. We can translate the ancient fairy tale into its modern equivalent without losing the lovely patina and savor of its once-upon-a-time quality. We have proved that age-old kind of entertainment based on the classic fairy tale recognizes no young, no old.

Reflecting on the creation of the songs and vocal performances, Peter [Schneider] speaks with respect and regret: "It's sad that Howard [Ashman] never saw the finished movie of Beauty and the Beast, because it's basically him. It was his conception, it was his idea, it was his songs, it was his emotions, it was his storytelling. Alan [Menken] was a very important partner in this: you can't discount Alan. But it was Howard's vision that made this all happen. And what survives is these characters and these emotions and these songs. They will be around a lot longer than we will. And given the choice, that's what he would have chosen to have survive.

To infinity…and beyond!

While the characters drive the epic story of Robotech, it’s the robotic mecha that capture the imagination.

You can make it if you try. Don't give up or quit the fight. If you believe, you will see, you can do it.

Your mind, your motion and your expression is an animation to marvel and to praise.

Acting is a plum gig, and then animation is an even more plum gig.

When Walt became all wrapped up in the theme parks and live-action films, we tried to get him interested in animation again," recalls Frank Thomas, one of the Studio's "Nine Old Men." "Walt said, 'If I ever do go back, there are only two subjects I would want to do. One of them is Beauty and the Beast.' For the life of me, I can't remember what the other one was.

Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".

All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.

Animation means to invoke life, not to imitate it.

Animation is about creating the illusion of life. And you can't create it if you don't have one.

Animation is about timing; movement or lack of movement, often in time with music. These are the tools which make it's visual gags work, or not. Again, comics don't have those tools, so you have to find some sort of parallel to create something that suggests a close approximation of the source material, but without the ability to truly replicate it.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

Computers don't create computer animation any more than a pencil creates pencil animation. What creates computer animation is the artist.

All new tools are useful to animators, but great animation comes down to great animators.

Animation is a technique, not a genre.

Animation isn't the illusion of life; it is life

Doing animation is great fun. It's like a different world.

Every medium has its own projection, and I find animation is much bigger than normal.

For me, animation is the caricature of life. It's something that we create, from the ground up.

I absolutely think that hand-drawn animation is valid and I actually hope to do one in the future with a large budget.

For me, part of the fascination with making animation is you go to a place; it's a complete immersion in someone else's fantasy.

I did what we call dry for wet effects, some of the miniatures work and two animation sequences.

I'd had a belly-full of being subservient. I had to find something else to do, and I did. I went to the animation houses. I went to new fields.

I don't even know how computer animation works, honestly, and I don't need to.

I don't really know what the average person thinks about animation. I think the average person thinks that it's made by cartoonists - and it used to be. When people think of The Simpsons, they think of Matt Groening. They don't think of whoever the 200 writers are.

I always liked making things, and then I fell into animation. And then luck comes into it as well.

I don't dislike the process of animation... I find it daunting, but only as much as I find everything daunting.

If we want to make friends, let's greet people with animation and enthusiasm.

I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.

I don't like animation. I hate animation, actually.

I have a very low tolerance for animation. I'm used to the perfect integrity you get from drawing your own comics. There's something about that that animation always loses.

I love doing live action movies, but there's a great job in doing animation, especially one with music.

I love doing animation - mainly because you get to over-act. They're always saying "more," "louder," "bigger," "huger" and you just turn it lose. Plus, doing animation voiceovers, I have learned so much, and it's always good in your career to discover something you didn't know, and to learn to do things differently. So it's a fascinating experience.

I like making comics and animation because it takes such a long time. I'm not a runner of the 100 meter. I like marathons. The longer it takes, the better I feel.