Best 86 quotes in «animation quotes» category

You've got to be able to make animation for much less... Less is not the studio's way.

Any time you design a character for a Disney picture, especially a fairy tale, it's going to become the definitive design for that character, so you don't want to hack something out. You need to put in the kind of care it warrants if it's going to live in history.

Celui qui te raconte qu'il existe symphonie plus grande que le soufle qui t'anime te ment.

Brenda Chapman She studied character animation at CalArts, and a few years later found herself exactly where she'd always dreamed: working on animated films for Disney in Los Angeles. She soon discovered that she was one of the very few women animators there. "That's when I realized why princesses in their films were so helpless. They had all been created by men." she recalls. She promised herself that she would create a new type of princess: strong, independent, and... "...Brave" she thought. "What a great name for a film!

Having a purpose is one thing, but the quickening is a total animation of passion.

Epikta provides one stop solution for the clients which are looking for Logo Design,web design in Los Angeles and Animations in LA.

Don’t let the daily routine kill your creativity. Remember who you were before you got that job.

I don’t need a medal to tell me I’m a good guy.

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In the midst of the vagaries of life, they provide us a trip to the land of goodness and fairies, of imaginations and possibilities. A childhood that wasn't spent watching cartoons or reading comic strips, no wonder, seems too dull to imagine.

In many ways, the work of a critic is easy.

In Hollywood, the real stars are all in animation. Alvin and the Chipmunks don't throw star fits, don't demand custom-designed Winnebagos, and are a breeze at costume fittings. Cruella DeVille, Gorgo, Rainbow Brite, Gus-Gus, Uncle Scrooge, and the Care Bears are all superstars and they don't have drug problems, marital difficulties, or paternity suits to blacken their images. They don't age, balk at promoting, or sass highly paid directors. Plus, you can market them to death and they never feel exploited. I'd like to do a big-budget snuff film starring every last one of them.

Since the earliest days of the art form, humans have been the most difficult characters to animate. The more realistic the human being, the more difficult the animation becomes. Audiences will accept distortions in the actions of a cartoony character: no one has ever seen a four-foot-tall rabbit walk on its hind legs, so an artist animating Bugs Bunny enjoys considerable freedom. But everyone knows how human beings move, and if those movements are not rendered accurately, viewers won't believe in the characters. Ward Kimball, one of Disney's "Nine Old Men," commented, "As long as we deal in fantasy, we are on safe ground. The eye has no basis for comparison. But the more we try to duplicate nature realistically, the tougher our job becomes. The audience compares what we draw with what it knows to be true. Any false movement is easily detected.

Reflecting on the creation of the songs and vocal performances, Peter [Schneider] speaks with respect and regret: "It's sad that Howard [Ashman] never saw the finished movie of Beauty and the Beast, because it's basically him. It was his conception, it was his idea, it was his songs, it was his emotions, it was his storytelling. Alan [Menken] was a very important partner in this: you can't discount Alan. But it was Howard's vision that made this all happen. And what survives is these characters and these emotions and these songs. They will be around a lot longer than we will. And given the choice, that's what he would have chosen to have survive.

SIMPSONS BLUFFER'S RULE #2 The competent bluffer should always refer to the performers who play The Simpsons as 'the voice talent' never 'actors'. For extra effect, drop their first names... This implies some tacit familiarity and your bluffee will simply melt before your eyes like the witch in The Wizard of Oz

Out of the ugliness of the ironworks lepers will eat, children will be born, their parents will grow old.

To be successful in this field, you need to become a problem solver with good observation skills and a desire to create things. You never stop learning in this field. You face new challenges with every new project, many of which require innovative solutions that you must discover on your own.

The animating fire of life is merely a total devotion to living.

The fairy tale of film—created with the magic of animation—is the modern equivalent of the great parables of the Middle Ages. Creation is the word. Not adaptation. We can translate the ancient fairy tale into its modern equivalent without losing the lovely patina and savor of its once-upon-a-time quality. We have proved that age-old kind of entertainment based on the classic fairy tale recognizes no young, no old.

All new tools are useful to animators, but great animation comes down to great animators.

To infinity…and beyond!

When Walt became all wrapped up in the theme parks and live-action films, we tried to get him interested in animation again," recalls Frank Thomas, one of the Studio's "Nine Old Men." "Walt said, 'If I ever do go back, there are only two subjects I would want to do. One of them is Beauty and the Beast.' For the life of me, I can't remember what the other one was.

While the characters drive the epic story of Robotech, it’s the robotic mecha that capture the imagination.

You can make it if you try. Don't give up or quit the fight. If you believe, you will see, you can do it.

Your mind, your motion and your expression is an animation to marvel and to praise.

All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.

Acting is a plum gig, and then animation is an even more plum gig.

Animation means to invoke life, not to imitate it.

Animation is so much work! I don't know if I have the skills to really hack that. Maybe as storyboard artist or something like that. But you have to go to school to be an animator. I can't just pop behind the animator's table and be like, "Here I am.".

Animation is about creating the illusion of life. And you can't create it if you don't have one.

Animation is a technique, not a genre.

Animation isn't the illusion of life; it is life

Animation is about timing; movement or lack of movement, often in time with music. These are the tools which make it's visual gags work, or not. Again, comics don't have those tools, so you have to find some sort of parallel to create something that suggests a close approximation of the source material, but without the ability to truly replicate it.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

For me, animation is the caricature of life. It's something that we create, from the ground up.

Computers don't create computer animation any more than a pencil creates pencil animation. What creates computer animation is the artist.

Doing animation is great fun. It's like a different world.

Every medium has its own projection, and I find animation is much bigger than normal.

For me, part of the fascination with making animation is you go to a place; it's a complete immersion in someone else's fantasy.

I always liked making things, and then I fell into animation. And then luck comes into it as well.

I absolutely think that hand-drawn animation is valid and I actually hope to do one in the future with a large budget.

I don't dislike the process of animation... I find it daunting, but only as much as I find everything daunting.

I'd had a belly-full of being subservient. I had to find something else to do, and I did. I went to the animation houses. I went to new fields.

I did what we call dry for wet effects, some of the miniatures work and two animation sequences.

I don't even know how computer animation works, honestly, and I don't need to.

I don't like animation. I hate animation, actually.

I don't really know what the average person thinks about animation. I think the average person thinks that it's made by cartoonists - and it used to be. When people think of The Simpsons, they think of Matt Groening. They don't think of whoever the 200 writers are.

If we want to make friends, let's greet people with animation and enthusiasm.

I have a very low tolerance for animation. I'm used to the perfect integrity you get from drawing your own comics. There's something about that that animation always loses.

I like making comics and animation because it takes such a long time. I'm not a runner of the 100 meter. I like marathons. The longer it takes, the better I feel.