Best 529 quotes in «radio quotes» category

I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.

I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.

I really enjoy doing theater, but doing theater in Seattle is like dropping a brick in a bottomless well. It's gratifying, but it's almost like doing radio. It's ephemeral.

I really suggest listening to talk radio. I mean, if you just listen to what the talk hosts are saying, they sound like they are lunatics.

I remember attaching a wire clothing hanger to the antenna of my radio in my bedroom, so I could get the frequency and get that station and listen to the top 10 every night.

Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.

I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.

I started doing radio pieces with no clear, preconceived idea, except that I have a tendency to be theatrical.

I still tune in to the radio and listen to pop music and enjoy it as much as I ever have.

I suppose I shouldn't go around admitting I speak untruths on the radio.

It comes down to a question of attention: it's difficult to use the Net distractedly, unlike the television or the radio.

I suppose the reason I chose electrical engineering was because I had always been interested in electricity, involving myself in such projects as building radios from the time I was a child.

I think everyone's voice is unique. Although sometimes when you listen to the radio, it makes you wonder.

I think radio plays are my favourite medium, as they make the listener work and create and contribute in a way that TV and film can never do, and they have an immediacy that written prose often lacks.

I think, it's so difficult to create a buzz anywhere, whether it be online, the streets, radio, anywhere, that if you are able to create a buzz somewhere, it definitely means something.

I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.

I think stuff on the radio is mostly good, but it's just not what I'm into. I'm not into rap metal.

It's a privilege to present 'Late Night Live'. No radio program, anywhere on Earth, casts a wider net.

I think there's good music out there. I just think that radio stations don't play it.

It [ "Not For Long"] was the biggest song that I've had, and I actually heard it on the radio multiple times.

It's (baseball) on the radio and in the newspapers every day, the only game you can follow on that basis. From whatever arm's length you choose, it's always there.

It's easier to list Hollywood and TV people who don't have a radio show now, take less time to do that than to list those who do.

It's extremely damaging to a fair trial to have people reaching judgment about the case in the newspapers and on the radio before the facts are heard in a case.

It's probably no coincidence with the internet and social media and the word being able to spread beyond the radio, where fans can go and talk and congregate and trade stories and a band could communicate news very quickly and in a worldwide basis. I'm sure that's helped in bringing in this case us to more of the forefront of peoples attention.

It's like you can't even go on the radio anymore and condemn a whole subset of people to hell without getting some blowback.

It's not only progressives who listen to progressive radio.

It's really hard in this day and age, with radio and MTV being so consolidated, to get new music out there. I think we've become a really legitimate, viable avenue for getting new music out there.

It's not that we don't want to be all over the radio. I'd love to have a hit single. However, I also want to be in the business a long time and longevity is something that we all wanted. In order to have that, you have to be true to what you do and to each other.

I used to enjoy the anonymity of being a literary figure and occasionally a public radio figure.

It was amazing to me that, all of a sudden, I was hearing my music on the radio and coming out of cars.

It was one of those moments that would have had dramatic music if my life were a movie, but instead I got a radio jingle for some kind of submarine sandwich place blaring over the store's ambient stereo. The movie of my life must be really low-budget.

I turn on the radio now and I don't have anything against a lot of sequenced and programmed and electronic music, a lot of it is dope and it's the future. It's what popular music has evolved to.

I use every opportunity, whether on my radio show or on television, to break stereotypes.

I've never come into anything successful before. I've always been hired by horrible radio stations with horrendous reputations and nothing to lose.

I've been doing Nixon pretty much my whole professional life. I was in this comedy group called the Credibility Gap in Los Angeles when he was president. I was doing Nixon on the radio, and when we did live shows I physicalized him - if that's a word - for the first time. And then I did a Nixon sketch on a very short-lived NBC show called Sunday Best.

I've never, like some people are, been embarrassed to be in radio.

I've always been about honesty, whether on the radio, whether I did a movie, whether I wrote a book. As long as you're honest, you don't lose your edge.

I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.

I've had so many people tell me that they are shocked that AM radio still even exists with all the different listening options.

I wanted to be a radio announcer.

I wanted to be Stan Laurel, then I wanted to be Fred Astaire and then Captain Kangaroo. I actually started out as a radio announcer when I was 17 and never left the business so that's literally 70 years.

I was asked on a radio interview what my mission is, and I immediately blurted out, "God realization." God realization is the place where in your heart you take your thoughts and ask yourself, "Are they in harmony with the source I originated from?

I was asked on a radio interview what my mission is, and I immediately blurted out, "God realization.

I was at a speaking engagement for MIT... and I said, 'The Professor has all sorts of degrees, including one from this very institution [MIT]! And that's why I can make a radio out of a coconut, and not fix a hole in a boat!'

I was never ambitious. I just wanted to have quiet, calm, listen to public radio and say, hello, how are you? Sit down, rest. But I had an early partner named Fred Freeman, a wonderful writer who I met at Northwestern. And I thought we were doing very well with "Jack Paar," and he said, no, we got to go to Hollywood. We got to write sitcom. It's the coming thing.

I wasn't wattching television when I was a youngster; there was the radio.

I was recently interviewed for radio in relation to the "Thanksgiving" show [2001] at the Saatchi gallery that I was part of. The interviewer said that people in London were very disturbed that I showed a picture of myself battered ("Nan One Month after Being Battered", 1984) and they thought that I set it up. I was accused of deliberately putting on a wig for that particular picture.

I was on my way to the gym. It was incredible. I was screamin at cars, 'That's me on the radio!

I watch a lot of baseball on the radio.

Magic in cinema is a bit like ventriloquism on the radio.