Best 174 quotes in «interpretation quotes» category

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    A great number of elements in the characters’ lives, both psychic and factual, are not communicated to us. […] These characters, I believe, enjoy a much greater autonomy than we usually think, and are able to take initiatives unknown both to the writer and the reader. When characters have their own will, their own autonomy, it gives the literary universe a greater internal mobility; it also makes the texts through which we view this world all the more open and incomplete.

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    A great thinker does not necessarily have to discover a master idea but has to rediscover and to affirm a true but forgotten, ignored or misunderstood master idea and interpret it in all the diverse aspects of thought not previously done, in a powerful and consistent way, despite surrounding ignorance and opposition. This criterion we think would include all prophets and their true followers among the Muslim scholars. He is both a great and original thinker who brings new meanings and interpretations to old ideas, thereby providing both continuity and originality to the important intellectual and cultural problems of his time and through it, of mankind. Thus the brilliant interpretations of scholars and sages like al-Ghazali and Mulla Sadra then, and Iqbal and al-Attas now, deserve to be recognized and acknowledged as manifesting certain qualities of greatness and originality.

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    A lot of people live miserably not because their lives are worse than others, but because their repeated negative interpretations of their experiences bring greater pain to their minds than their physical problems.

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    An action made by an unwitting man, shall not define, nor justify a common thought or interpretation.

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    An action made by an unwitting man, shall not define, nor justify a common thought and interpretation.

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    An action made by a unwitting man, shall not define, nor justify a common though and interpretation.

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    A translator, caught in the space between two tongues. Such people tend to come a little bit unglued from the task of trying to convey meaning from one code to the other. The transfer is never safe, the meaning changes in the channel — becomes tinted, adulterated, absurd, stronger.

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    At the heart of the kind of understanding involved in the humanities another dimension of reason is involved, which one can perhaps call contemplative. Take the example of attempting to read, or understand, a poem. There is an element of problem-solving: the meaning of certain words no longer, perhaps, in current use, the detecting of allusions to the literary tradition to which the poem belongs these can sometimes be ‘solved’ and a definitive answer produced. But having done all that, we have not finished: we have only begun —we have, as we might say, cleared the ground for an attempt to read, to understand, the poem. Here something else is involved: not a restless attempt to solve problems, to reach a kind of clarity, but rather an attempt to listen, to engage with the meaning of the poet, to hear what he has to say. We shall not do that if we misunderstand the meaning he attached to his words, or miss his allusion, but we do not necessarily hear the poet if we have simply solved all such problems. What is needed is a sympathetic listening, an engagement with the mind of the poet, and this sort of understanding has no end. There is no definitive solution: understanding is a matter of engagement, and constantly renewed engagement. WHAT is understood is much more elusive in this case than what is understood when we solve a problem. It is not a matter of facts, but a matter of reality: the reality of human life, its engagement with others, its engagement with God.

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    A very single fact could emerge into many versions of truth, depends on the number of eyewitnesses and interpretations.

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    Chances are that most of the people who find visits from Jehovah’s Witnesses annoying are Christians.

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    Everything is determined by your interpretation of what happens. You can change the meaning of what happens through your perception of events or memories.

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    Happiness is the inevitable prize of repeated positive interpretations of one's experiences.

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    Although social relationships may be crippled by acrimonious minefields, manipulative psychological gambits or mysterious undercurrent power games, a number of social tell-tale flickers might help us in finding a lucid interpretation of hazy circumstances. ("Trompe le pied.")

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    Em uma peça de Shakespeare, podemos obter vários graus de significado. Para o público mais simples há a trama; para os mais instruídos, o caráter e o conflito dos personagens; para o mais literário, as palavras e as frases; para os dotados de maior sensibilidade musical, o ritmo, e para os de maior sensibilidade e capacidade de entender, um significado que se revela gradualmente.

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    Every man, it seems, interprets the world in the light of his habits and desires

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    He who, while unacquainted with these writings, nevertheless knows by the natural light that there is a God having the attributes we have recounted, and who also pursues a true way of life, is altogether blessed.

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    History is not so much memory as collective evidence. It is what has happened, what is thought to have happened, what some claim to have happened. The collective past is fact and fabrication--much like our private pasts. There is no received truth, just a tenuous thread of events amid a swirl of dispute and conflicting interpretation. But... the past is real. This is simplistic, but also, for me, awe-inspiring. I am silenced when I think about it: the great ballast of human existence.

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    Huge volumes of data may be compelling at first glance, but without an interpretive structure they are meaningless.

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    Hypocrisy, Milton wrote, is “the only evil that walks Invisible, except to God alone.” To ensure that “neither Man nor Angel can discern” the evil is, nonetheless, a demanding vocation. Pascal had discussed it a few years earlier while recording “how the casuists reconcile the contrarieties between their opinions and the decisions of the popes, the councils, and the Scripture.” “One of the methods in which we reconcile these contradictions,” his casuist interlocutor explains, “is by the interpretation of some phrase.” Thus, if the Gospel says, “Give alms of your superfluity,” and the task is “to discharge the wealthiest from the obligation of alms-giving,” “the matter is easily put to rights by giving such an interpretation to the word superfluity that it will seldom or never happen that any one is troubled with such an article.” Learned scholars demonstrate that “what men of the world lay up to improve their circumstances, or those of their relatives, cannot be termed superfluity; and accordingly, such a thing as superfluity is seldom to be found among men of the world, not even excepting kings”—nowadays, we call it tax reform. We may, then, adhere faithfully to the preachings of the Gospel that “the rich are bound to give alms of their superfluity,… [though] it will seldom or never happen to be obligatory in practice.” “There you see the utility of interpretations,” he concludes.

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    I grow more and more intrigued by this as I write: how words, even the most carefully chosen, can mean such different things from one person to another, so that others might think about what I write in ways I did not intend at all.

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    Good docents often begin by asking the viewer, “What do you see in this work?” The idea that the expert should be allowed to constrain the interpretation of others rightly offends our sensibilities about museums and art. It ought to offend us just as much when applied to Scripture.

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    If commas are open to interpretation, hyphens are downright Delphic.

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    In my opinion, Fiction is a figment of our imagination & it causes us to dream but Reality taints dreams, and the F.scott Fitzgerald has clearly depicted this in The Great Gatsby.

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    Imagine that a literalist and a moderate have gone to a restaurant for lunch, and the menu promises "fresh lobster" as the speciality of the house. Loving lobster, the literalist simply places his order and waits. The moderate does likewise, but claims to be entirely comfortable with the idea that the lobster might not really be a lobster after all—perhaps it's a goose! And, whatever it is, it need not be "fresh" in any conventional sense—for the moderate understands that the meaning of this term shifts according to context. This would be a very strange attitude to adopt toward lunch, but it is even stranger when considering the most important questions of existence—what to live for, what to die for, and what to kill for. Consequently, the appeal of literalism isn't difficult to see. Human beings reflexively demand it in almost every area of their lives. It seems to me that religious people, to the extent that they're 'certain' that their scripture was written or inspired by the Creator of the universe, demand it too. - pg. 67-68

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    I'm a scientist and I know what constitutes proof. But the reason I call myself by my childhood name is to remind myself that a scientist must also be absolutely like a child. If he sees a thing, he must say that he sees it, whether it was what he thought he was going to see or not. See first, think later, then test. But always see first. Otherwise you will only see what you were expecting. Most scientists forget that.

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    In order to get over the ethical difficulties presented by the naive naturalism of many parts of those Scriptures, in the divine authority of which he firmly believed, Philo borrowed from the Stoics (who had been in like straits in respect of Greek mythology), that great Excalibur which they had forged with infinite pains and skill—the method of allegorical interpretation. This mighty 'two-handed engine at the door' of the theologian is warranted to make a speedy end of any and every moral or intellectual difficulty, by showing that, taken allegorically or, as it is otherwise said, 'poetically' or, 'in a spiritual sense,' the plainest words mean whatever a pious interpreter desires they should mean.

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    In Western culture, virtually everything is understood through the process of storytelling, often to the detriment of reality. When we recount history, we tend to use the life experience of one person — the “journey” of a particular “hero,” in the lingo of the mythologist Joseph Campbell — as a prism for understanding everything else.

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    I read Ivan's messages over and over, thinking about what they meant. I felt ashamed, but why? Why was it more honorable to reread and interpret a novel like Lost Illusions than to reread and interpret some email from Ivan? Was it because Ivan wasn't as good a writer as Balzac? (But I thought Ivan was a good writer.) Was it because Balzac's novels had been read and analyzed by hundreds of professors, so that reading and interpreting Balzac was like participating in a conversation with all these professors, and was therefore a higher and more meaningful activity than reading an email only I could see? But the fact that the email had been written specifically to me, in response to things I had said, made it literally a conversation, in the way that Balzac's novels—written for a general audience, ultimately in order to turn a profit for the printing industry—were not; and so wasn't what I was doing in a way more authentic, and more human?

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    It is human nature to write of that which interests us, of facts that are deemed essential at the time of inscription and that is why history as is documented, is as much an interpretation, as it is a collection of facts.

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    It is necessary, first of all, to find a correct logical starting point, one which can lead us to a natural and sound interpretation of the empirical facts.

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    I urge not that we assume that love will provide a reliable foundation for knowledge but that we nonetheless keep the requirements of love of neighbor foremost in our interpretations of Scripture. We should consider, for example, love to be a necessary criterion (a minimum) when defending an interpretation of Scripture even if it cannot be a sufficient criterion that will guarantee ethical interpretation.

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    Man's inhumanity to man will continue as long as man loves God more than he loves his fellow man. The love of God means wasted love. 'For God and Country' means a divided allegiance—a 50 per cent patriot. The most abused word in the language of man is the word 'God.' The reason for this is that it is subject to so much abuse. There is no other word in the human language that is as meaningless and incapable of explanation as is the word 'God.' It is the beginning and end of nothing. It is the Alpha and Omega of Ignorance. It has as many meanings as there are minds. And as each person has an opinion of what the word God ought to mean, it is a word without premise, without foundation, and without substance. It is without validity. It is all things to all people, and is as meaningless as it is indefinable. It is the most dangerous in the hands of the unscrupulous, and is the joker that trumps the ace. It is the poisoned word that has paralyzed the brain of man. 'The fear of the Lord' is not the beginning of wisdom; on the contrary, it has made man a groveling slave; it has made raving lunatics of those who have attempted to interpret what God 'is' and what is supposed to be our 'duty' to God. It has made man prostitute the most precious things of life—it has made him sacrifice wife, and child, and home. 'In the name of God' means in the name of nothing—it has caused man to be a wastrel with the precious elixir of life, because there is no God.

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    Men and women may speak the same language, but we interpret words differently.

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    Nothing is inanimate; what is the rest is our interpretation.

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    Opportunities can become obstacles, same way obstacles can become opportunities; it all depends on how they are being interpreted by the mind of a person.

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    Or, to put it another way, presuppositional apologetics--such as that developed by Francis Schaeffer, but also by Cornelius Van Til and, to a degree, Herman Dooeyeweerd--rejects classical apologetics precisely because presuppositionalism recognizes the truth of Derrida's claim that everything is interpretation (though I am admittedly radicalizing their intuitions).

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    Reading, seeing, and hearing happen way more often than understanding.

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    Some people say they don’t believe in God, but they believe in an energy that moves through all living things. Others say they do believe in God, and they claim God is an energy moving through all living things. Some people believe in a holy book, and their faith gives them the same feeling of certainty that sustains people of other faiths as well as non-believers. Over this, we start wars.

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    Surely you do not think that criticism is like the answer to a sum. The richer the work of art the more diverse are the true interpretations. There is not one answer only, but many answers. I pity that book on which critics are agreed. It must be a very obvious and shallow production.

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    Honey, when you say we can't communicate... what exactly do you mean?

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    Is it logical that two people can disagree and both can be right? It's not logical: it's psychological. And it's very real. You see the young lady; I see the old woman. We're both looking at the same picture, and both of us are right. We see the same black lines, the same white spaces. But we interpret them differently because we've been conditioned to interpret them differently. And unless we value the differences in our perceptions, unless we value each other and give credence to the possibility that we're both right. . .we will never be able to transcend the limits of that conditioning. . .I value you. I value your perception. I want to understand.

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    Is not a critic," asks Professor Stoll, "... a judge, who does not explore his own consciousness, but determines the author's meaning or intention, as if the poem were a will, a contract, or the constitution?

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    I suspect, in fact, that a good deal of the value of an interpretation is -- that it should be my own interpretation.

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    It is often said that great works of art are “inexhaustible”—capable, as Stanley Olson put it, of “endless interpretation. But Lubin, the Charlotte C. Weber Professor of Art at Wake Forest University, demonstrates in painful if inadvertently hilarious detail that this does not mean that works of art are immune from - that they are not in fact often subject to—wild and perverse misinterpretation.

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    I want to say more, but don't know what the words are supposed to be. I feel such a tenderness for these vulnerable night-time conversations, the way words take a different shape in the air when there's no light in the room.

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    No task is more important than for the Church to take the Bible out of the hands of individual Christians in North America.

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    Nothing is right or wrong. It's all an interpretation of which lens we are looking through.

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    Social and cultural history is often comprised of whatever diaries and letters remain and that is down to chance and wide open to interpretation.

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    Some dreams tell us what we wish to believe. Some dreams tell us what we fear. Some dreams are of what we know though we may not know we know it. The rarest dream is the dream that tells us what we have not known.

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    The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form.