Best 9776 quotes in «death quotes» category

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    He put his hands on my arms and squeezed. “Yes. And before the night is through, I’m afraid we’re going to come face to face with it. But I’ll promise you something. You—Eleanor Harper—will get out of this alive and unscathed. I am in this house now and I’m not going anywhere. There’s nothing in heaven or, more precisely, hell that will harm you while I am here. I would lay down my life to protect you.” His eyes twinkled. “Of course, that’s sort of an empty statement, considering.” I managed a smile. “The thought’s nice, anyway.

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    He never talked about his mother--and I had learned never to ask--but I sometimes sensed her absence in his reactions to certain events, as if he knew even then that there existed under everything a universal grief.

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    He pondered his turmoil, wondering which he feared most—losing his father or being alone in the world. Both were inevitable. Neither could be stopped or slowed down. All he could do now was brace for impact.

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    He pressed against Master's greatcoat and rubbed him with his shoulder, which meant that he understood everything and was ready for anything, even to die if need be. Ruslan had not yet had to face death himself, but he had seen men and dogs die. There was nothing more terrible, but if he was with Master, it was another matter: that he could stand.

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    Her death had a powerful impact on me I suppose because it was such an obvious shock, like watching someone for hours through a telescope advance towards you, fist extended with the intention of punching you in the face. Even though I saw it coming it still hurt when it eventually hit me.

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    Her arm was outstretched, as though she were reaching for someone she loved, or maybe to ward off some unspoken danger, or maybe even in regret over something she had done. The girl had certainly made enough mistakes in her too-short lifetime. But she couldn’t have known that they would all come crashing down around her tonight. After all, no one goes to a party expecting to die.

  • By Anonym

    Here at last We shall be free; the Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice To reign is worth ambition though in Hell: Better to reign in Hell, than serve in Heaven.

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    Here he comes like a stealing shadow, like a footprint of death into the rooms, stalking the past with freshcut blood in his hands.

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    Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis.

  • By Anonym

    He ran as fast as he could, but the memories were fast too. He stumbled upon them and fell to the ground. The memories got up and stared into his eyes menacingly, they laughed harder and kept their foot on his neck. He choked and fought to breathe. He tried and failed to scream. They choked him hard until he suffered and died miserably inside.

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    He really had experienced every tiniest increment of time in the four decades since then, and yet here he was surprised to be suddenly old and crippled. Turned out the rope didn't care if you noticed every daisy on the path to the gallows.

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    Here at his own home, inside his own front door, there was nobody who seemed to be taken by surprise at what had happened to Judge McKelva. Laurel seemed to remember that Presbyterians were good at this.

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    Her body accepted my brutal seed and took it to swell within, just as the patient earth accepts a falling fruit into its tender soil to cradle and nourish it to grow. Came a time, just springtime last, our infant child pushed through the fragile barrier of her womb. Her legs branched out, just as the wood branches out from these eternal trees around us; but she was not hardy as they. My wife groaned with blood and ceased to breathe. Aye!, a scornful eve that bred the kind of pain only a god can withstand.

  • By Anonym

    Her death...brought me as nothing else could do to know and end my jealousy of God. It saved her faith from assault.

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    Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.

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    Here, falling in love can be an event, a proclamation without acknowledging that everyone you love could die an awful death, that loving someone is an acceptance of impending loss.

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    Here… our failures are known to every Tom Dick and Harry while our successes fall only on deaf ears. It’s death, hostile civilians, greedy politicians, and more death, and forget about love. You could be here now and across the world in 11 minutes. If you're lucky you’ll be blown to the next world in much less than 11 seconds.

  • By Anonym

    Here’s a fact: Some people want to live more Than others do.

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    Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine? I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty. Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that. The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be? Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?

  • By Anonym

    Here is a minute. It may be my love is dead, but here is a minute to kneel over the grave and pray by it.

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    Here some one thrust these cards into these old hands of mine, swears that I must play them, and no others. And damn me, Ahab, but thou actest right, live in the game, and die in it.

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    Here is the story of how I died. I wish it were a glamorous story; sadly, there was little glamour in my death. The end for everyone is much the same, sad, lonely, and cold. Only, most people don’t wake up again, I did. And I was hungry, so bloody hungry.

  • By Anonym

    He reminded me of one of those adventure seekers on TV. He hadn’t shaved in a few days at least, and his reddish hair was suffering from intense bed head. His Hawaiian shirt and khaki shorts completed the look. I was inclined to ask him if he knew we were all marked for death or if he just thought he was taking a long cruise.

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    Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead.

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    Here's how you think about it: Together you constructed many things throughout your life. Then her body disappeared, but the constructions still remain. Human beings die: That's natural. But to accept her death is to lose all hope.

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    Here's the other thing I think about. It makes little sense to try to control what happens to your remains when you are no longer around to reap the joys or benefits of that control. People who make elaborate requests concerning disposition of their bodies are probably people who have trouble with the concept of not existing. [...] I imagine it is a symptom of the fear, the dread, of being gone, of the refusal to accept that you no longer control, or even participate in, anything that happens on earth. I spoke about this with funeral director Kevin McCabe, who believes that decisions concerning the disposition of a body should be mad by the survivors, not the dead. "It's non of their business what happens to them whey the die," he said to me. While I wouldn't go that far, I do understand what he was getting at: that the survivors shouldn't have to do something they're uncomfortable with or ethically opposed to. Mourning and moving on are hard enough. Why add to the burden? If someone wants to arrange a balloon launch of the deceased's ashes into inner space, that's fine. But if it is burdensome or troubling for any reason, then perhaps they shouldn't have to.

  • By Anonym

    ***HERE IS A SMALL FACT*** You are going to die.

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    He remembered that in the art books he had leafed through at Leader's, many paintings depicted death. A severed head on a platter. A battle, and the ground strewn with bodies. Swords and spears and fire; and nails being pounded into the tender flesh of a man's hands. Painters had preserved such pain through beauty.

  • By Anonym

    Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. ... We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox. ... But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. ... What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

  • By Anonym

    Her flyter en Aare, her Tilger og Vrag, Her Tofter saa mange som Steene paa Tag, Her Kropper og Legemer døde.

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    Here’s what's breaking into my imagination and whatever is in there; that you are not afraid you’ve seen, is yours to take.

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    Here the children have a custom. After the celebration of evil they take those vacant heads that shone once with such anguish and glee and throw them over the bridge, watching the smash, orange, as they hit below, We were standing underneath when you told it. People do that with themselves when they are finished, light scooped out. He landed here, you said, marking it with your foot. You wouldn't do it that way, empty, you wouldn't wait, you would jump with the light still in you.

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    Here they go cruising for a fortnight up in parts where everyone is dead of radiation, and all that they can catch is measles!

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    Here too was the terrifying fixed curve of the infinite, the creeping curve of logic which at least must become the final signpost at the edge of nothing. After that - the deluge. The great white light of annihilation. The bright flash of death... ("Mr. Arcularis")

  • By Anonym

    Her favourite song was 'God Has Blotted Them Out,' which was meant to be about sins, but really was about anyone who had ever annoyed her, which was everyone. She just didn't like anyone and she just didn't like life. Life was a burden to be carried as far as the grave and then dumped. Life was a Vale of Tears. Life was a pre-death experience.

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    Her kiss could kill us, and my consent signed our death certificates, selfishly and without control. (Eric)

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    Her head rolled but a little way from her body, and I could see her lips still moving in silent prayer for a few moments while the blood pumped outward from the body and from the head. I was stuck firm in my place by the horror of it, jarred loose only by the clattering of Nan Zouche and Alice as they ran up the stairs with linen. I quickly leaned down and picked up her head, eyes still open and aware as the linen slipped from them, as they looked at me. I willed the bile back down my throat and forced myself to look into those eyes with love for the few moments before awareness dimmed from them. Within seconds, she slipped away. I took the head into the smallest and finest of linens and carefully wrapped it, her blood running thickly between my fingers, under my nails, and staining my forearms as I sought to save her from any indignity.

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    Her mother had once told her that one could run away from home, from husband, from children, from trouble, but it was impossible to run away from oneself. "You always have to take yourself with you," she said. And now, bending towards her mother, Hope wondered if in death you were finally able to run away from yourself. This might be death's gift. She knew that the thought wasn't terribly profound, but she was moved by the notion of completion and of escape.

  • By Anonym

    Heroes who shed their blood and lost their lives! You are now lying in the heart of every freedom lover & patriotic person. Therefore rest in peace. And Matshona, yes we will to die rather than kill for our beliefs, we will choose to be a martyr rather than being a murderer. Those martyrs who suffered persecution or death for fighting against captivity, monarchy, indifference, mockery, coldness, insolence, contempt and oppression, we respect you! And those who are overshadowed and ignored but once showed exceptional leadership and heroism, your death will be commemorated.

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    Her strategy for honoring the dead had always been to take action - solve the mystery, punish the criminal. But what did you do when there was no one to punish? When there were no answers to find? How do you assimilate that kind of loss without losing your mind?

  • By Anonym

    He rose up and looked down at her. "If I'd known you were out there, I would've begun searching for you thousands of years ago." Her smile was soft and glorious. "That was the perfect response." "It's the truth.

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    Her voice was small and distant, like she’d already left the room.

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    Her words didn’t have the acrid smell of death.

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    He sat by the fast water, enjoying its speed, its splendid indifference, and its rippling sound, silently observing and wading birds with their shrill curl of beak and voice. He drank deeply of life so that he knew the taste of it here, knew the vibrant wealth of its dominion, knew exactly what he was taking from the man who would die on this ground.

  • By Anonym

    He saw at least a dozen people still in their seats. Their clothes were torn or blown or burned from their bodies, “completely naked in front, missing limbs, missing faces, some breathing, some moaning, and others just deader than a door nail.

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    He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

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    He sensed the presence of death, he sensed the presence of undying love: something broke open inside him, and he thought of the invisible woman, incorporeal and passionate, as one might think of distant music.

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    He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to.

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    He saw either death or the approach of it everywhere. But his undertaking now occupied him all the more. He had to live his life to the end, until death came. Darkness covered everything for him; but precisely because of this darkness he felt that his undertaking was the only guiding thread in this darkness, and he seized it and held on to it with all his remaining strength.

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    He spiked the dirt, twisted out the deformed rose, tossed it aside. His palms sweated. 'Sorry,' Persephone suggested. 'Pardon?' She murmured, 'You should say sorry when you kill something.' It took him a moment to realize she meant the rose. 'It was dying anyway.' 'Dying and dead are different words.' Shamed, Adam muttered an apology....