Best 9776 quotes in «death quotes» category

The guardsmen dragged him to the Detour; the mules they had ridden were there. The corpse was buried near here or the buzzards ate it. The authorities were laughing as they left. One could see the laughter in their eyes, the only place where they are allowed to laugh. Because the authorities cannot laugh. It is prohibited; at least they never laugh with their mouths. They're made to denounce, interrogate and capture. Laughing is a weakness. They themselves say, 'Laughter abounds among fools.' An official must not show any weakness before a civilian, otherwise he'll thereby lose precisely his authority. The authorities are short on words; they don't want to lose their strength by speaking to civilians. They act. That's the only way they can defend property, which is sacred. That's why many of them are paid by landowners. How big a bonus they get depends on how well they behave.

The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner's accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals.

The harder you search the more troubled you become.

The grey of a bitter, starved-looking morning. The town like a mortally wounded creature, torn by shells, gashed open by bombs. Dead streets - streets of death - death in streets and their houses; yet people still able to sleep and still sleeping.

The guillotine is the masterpiece of the plastic arts Its click Creates perpetual motion ("The Head")

The heart aches in brokenness as daylight awakens the pain of knowing.

The Harlots cry from Street to Street Shall weave Old Englands winding Sheet The Winners Shout the Losers Curse Dance before dead Englands Hearse

The Heaven of Animals Here they are. The soft eyes open. If they have lived in a wood It is a wood. If they have lived on plains It is grass rolling Under their feet forever. Having no souls, they have come, Anyway, beyond their knowing. Their instincts wholly bloom And they rise. The soft eyes open. To match them, the landscape flowers, Outdoing, desperately Outdoing what is required: The richest wood, The deepest field. For some of these, It could not be the place It is, without blood. These hunt, as they have done, But with claws and teeth grown perfect, More deadly than they can believe. They stalk more silently, And crouch on the limbs of trees, And their descent Upon the bright backs of their prey May take years In a sovereign floating of joy. And those that are hunted Know this as their life, Their reward: to walk Under such trees in full knowledge Of what is in glory above them, And to feel no fear, But acceptance, compliance. Fulfilling themselves without pain At the cycle’s center, They tremble, they walk Under the tree, They fall, they are torn, They rise, they walk again.

The heart of a man is a small thing but it desires great matters. It is not big enough for a dog’s dinner but the whole world is not big enough for it. Man spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. From the lamb he tears its guts and makes his harp resound; from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child.(...)And who will exterminate him who exterminates all others?

The hidden time is an eternity that runs through every moment. It is all-time. The hidden time is a thread, and moments are the beads on the thread.

The huge cop funerals with the uniforms and American flags only pound the reality of the loss in deeper. You see all those cops lined up coming to pay their respects and you feel proud for a moment, but then the pain hits you like a sledgehammer. You ask why, but there is never a good enough reason.

The human animal is a beast that dies and if he's got money he buys and buys and buys and I think the reason he buys everything he can buy is that in the back of his mind he has the crazy hope that one of his purchases will be life everlasting!--Which it never can be....

The human body can be placed under huge stresses before death will result.

The human body is robust. It can gather strength when it's in mortal danger.

The hour of departure has arrived, and we go our separate ways, I to die, and you to live. Which of these two is better only God knows.

The humans create life, and senselessly cause death. For nothing.

The human heart is surely a deep, closed, blood-filled pit. When it opens, all the thirsting, inconsolable shades we have loved run to drink and be revived; they grow continually denser around us, blackening the air. Why do they run to drink the blood of our hearts? Because they realize that no other resurrection exists. (Report to Greco)

The human race will last. Everywhere and forever, for it will never be sane and only insanity is divine. Only the mad destroy themselves and all they have wrought. And only the phoenix lives forever.

The human mind is so limited it can only build an arbitrary heaven — and usually the physical comforts they endow it with are naively the kind that can be perceived as we humans perceive — nothing more. No: perhaps I will awake to find myself burning in hell. I think not. I think I will be snuffed out. Black is sleep; black is a fainting spell; and black is death, with no light, no waking.

The idea that all souls are mortal is the only notion surely terminating love and all its forms.

The inner dimension and the hidden time have already been discovered.

The inmates made jokes about the chair, the way people always make jokes about things that frighten them but can't be gotten away from.

The "inner circle of humanity" recognizes others through frequency, regardless of walk of life or "positioning in the astral". This is an operation run invisibly from Outside the astral. Going Home represents the final shift to one's true spiritual families of light, in all dimensions of harmonics; higher vibrations/love in unity consciousness, above, below and literally "everywhere and everynow".

The intense roller coaster of emotions will gradually lesson over time. But there is no timeframe for the grieving process, and it will not be rushed, no matter how fast you'd like to "get over it." The reality is that there is no getting over it; you can only walk through it.

The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.

The Ivy League is developing a sad history of preventable mercury poisoned employees that has led to death in at least one case.

[The] Japanese were a people in a profound, inverse, reverse, or if I preferred it, even perverse sense, more in love with death than living.

The Jetavana Temple bells ring the passing of all things. Twinned sala trees, white in full flower, declare the great man's certain fall. The arrogant do not long endure: They are like a dream one night in spring. The bold and brave perish in the end: They are as dust before the wind.

The joy and power of portraiture is that it freezes us in time. Before the portrait, we were younger. After it has been created we will age or we will rot. Even Marc Quinn's chilled nightmare self-protraits in liquid silicone and blood can only preserve a specific moment in time: they cannot age and die as Quinn does and will. Ask the question, Who are we? and the portraits give us answers of a sort. We came from here, the old ones say. These were our kings and queens, our wise ones and our fools. We walk into the BP exhibition hall and they tell us who we are today: a confluence of artistic styles and approaches, of people we could pass in the streets. We look like this, naked and clothed, they tell us. We are here, in this image, because a painter had something to say. Because we are all interesting. Because we cannot gaze into a mirror without being changed. Because we do not know who we are, but sometimes there is a light caught in someone's eyes, that comes close to giving us the tiniest hint of an answer.

The Kalambo River and Waterfall exemplify life and afterlife: From birth at its source, the river twists and turns to overcome hurdles on its way to enhance the life of others before falling off the edge in death to flow quietly into Lake Tanganyika, while it's mist rises to heaven, freed from the burden of the body of water that held it.

The key difference between gods and men in the manner of their dying was that men possessed only two deep obligations: to the earth, from which came their flesh, and to the stars, from which came their soul. Neither earth nor stars were particularly concerned about the return on their investment. Humans were very good at adding order to the earth, and enlivening the world of the stars with ideas and myth. When a human being died, nobody had a vested interest in keeping her around.

The keys to death unlock the doors to life.

The kindest and most meaningful thing anyone ever said to me is: Your mother would be proud of you. ... The strange and painful truth is that I'm a better person because I lost my mom young. When you say you excperienced my writing as sacred, what you are touching is the divine place within me that is my mother. Sugar is the temple I build in my obliterated place. I'd give it all back in a snap, but the fact is, my grief taught me things. ... It required me to suffer. It compelled me to reach.

The kindest thing you can do for the dead... is to weave their names into art.

The Kikuyu, when left to themselves, do not bury their dead, but leave them above ground for the hyenas and vultures to deal with. The custom had always appealed to me, I thought that it would be pleasant thing to be laid out to the sun and the stars, and to be so promptly, neatly, and openly picked and cleansed; to be made one with Nature and become a common component of a landscape.

The kindness sent from one compassionate soul to another during the time of loss of one held so dear allows the sorrow-filled heart to open wide, filling the space of emptiness that grief may have created with a renewed sense of peace, compassion, and love.

The Kingdom of God does not come by Observation. It is hidden in the inner dimension.

The killer of life is not death but disenchantment' - in Shagbark, Story in Book of Dark Wisdom, The Magazine of Dark Fiction

The kind of death you should mourn over is the one that happen when you abort your potentials prematurely! Life without purpose is a tragedy!

The kiss. Oh, the kiss. What a perfect, unnerving, luscious kiss. He made me feel unhinged . . . like he could take me apart and put me back together again and again.

The knife will only hurt for a moment. Then your choice will be made, and it will all be over.

The land is never truly dead. It can always come back. Or what is the meaning of the cycle of seasons and years?" She wiped her tears away and looked at him. His expression in the darkness was much too sad for a moment such as this. She wished she knew a way to dispel that sorrow, and not only for tonight. He said, "That is mostly true, I suppose. Or true for the largest things. Smaller things can die. People, dreams, a home.

The last hour waiting patiently on a tray for her somewhere in the future. The spoon slipping quietly into the beautiful soup.

The leaves of the trees will stroke your cheeks, The wind will blow through your chest and cleanse your soul, The magical sounds of the earth, animals and the elements will hug your ears, The positive vibrations of the earth will fall asleep next to your heart and the breathtaking beauty of the earth will ease your mind. If you allow it, the earth, in itself, will heal you.

The language of roses shifts under our feet. It blows in and out like the wind. It carries the fragrance of the flower and then it is gone...It is how we learn to speak about something that is disappearing as we say its name.

The last step before death is the moment of its demise. The emptiness or the new life. But the last step is also a point of reference itself. The last step can last as short or as long as its creator defines it. The last step could be before death itself. It could be the middle of death. It could be the last goodbye or the last look before eyelids drop to a close like curtains.

The land is thirsty. People are thirsty. But only blood will bring back the rain.

The land, that thou see now to have root, shall thou see wasted suddenly.

The leaves that remain are only a very small part of the tea. The tea that goes into me is a much bigger part of the tea. It is the richest part. We are the same; our essence has gone into our children, our friends, and the entire universe. We have to find ourselves in those directions and not in the spent tea leaves.

The life is cruel death to me without you.