Best 5862 quotes in «dark quotes» category

I've seen comedians make people laugh by being either really dark and sad and touching, or really strange and bizarre and creepy. You can take the format and do whatever you want with it, and that seemed interesting to me.

I've suffered from pretty dark depressing times, and it's probably - not probably - it is the reason why I chose to lead a healthy lifestyle.

I've traveled all over the country. Look at the East Coast. They just can't hardly believe how far along we are and in their world it feels like they're still behind. They're on the dark side of the moon.

I've worked with a lot of great glamorous girls in movies and the theater. And I'll admit, I've often thought it would be wonderful to be a femme fatale. But then I'd always come back to thinking that if they only had what I've had - a family, real love, an anchor - they would have been so much happier during all the hours when the marquees and the floodlights are dark.

I've worked with some incredibly difficult directors but my understanding is that a lot of the best people are driven from a place of being extremely challenging and dark within their way

I wake up very early in the morning. I like to start in the dark, and I never work at night, because my brain is evaporated by 4 p.m.

I wake and feel the fell of dark, not day. What hours, O what black hours we have spent This night!

I walk so fast, I talk so fast, I could turn the light off and be in bed before the room's dark.

I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything.

I wanted to make a massive work so as soon as Nick Mitzevich invited me I said yes straight away and began to make the work. The island was made in direct response. I used the diagnostic tool of Rorschach blots - something designed to extract and evaluate the dark and unconscious elements of our personality.

I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.

I wanted to lie hour after hour on a couch, pouring out the dark, secret places of my heart--do this feeling that over my shoulder sat humanity and wisdom and generosity, a munificent heart--do this until that incredibly lovely day when the great man would say to me, his voice grave and dramatic with discovery: "This is you, Exley. Rise and go back into the world a whole man.

I wanted to touch on how we look on each other. Good hair, light skin, you must be smart; if you're black, you're dark-skinned, you're ugly. That really happens. This is something that started with slavery, when they divided the house, and it's still a part of today's society and things that we battle with.

I wanted to work with somebody who seemed like he came from the same place that I did, which is that total immersion and learning about the world around, from this very gritty, dark side, and had access to that.

I wanted you to watch, so I stomped around the room to wake you before I got in the shower. Didn't you wonder why the light was on? It wasn't for me, I can see in the dark. And then I kept the water cold so the glass wouldn't fog.

I want to be in fifth grade again. Now, that is a deep dark secret, almost as big as the other one. Fifth grade was easy -- old enough to play outside without Mom, too young to go off the block. The perfect leash length.

I want to leave something behind when I go; some small legacy of truth, some word that will shine in a dark place.

I want to see thirst In the syllables, Tough fire In the sound; Feel through the dark For the scream.

I want to teach men the sense of their existence, which is the Superman, the lightning out of the dark cloud man.

I want to take you to a place of pure magic... It's the place athletes call the "zone". Buddhists call "satori" and ravers call "trance". I call it the Silver Desert. It's a place of pure light that holds the dark within it. It's a place of pure rhythm.

I want very much to be back in the caul, on my back in the dark forever.

I want you to be with me in the dark. To hold me. To keep loving me. To help me when I get scared. To come right to the edge and see what's there.

I was a big Guns N' Roses fan when I was seven. My friend who lived across the street had long dark curly hair and I had long blonde hair, so I'd dress up as Axl and she'd be Slash, and we'd rock out in front of the mirror singing 'Patience.'

I was a bit of a coward when I was small. I was terribly frightened of the dark.

I was a coward. I used to be haunted by the fear of thieves, ghosts and serpents. I did not dare to stir out of doors at night. Darkness was a terror to me. It was almost impossible for me to sleep in the dark, as I would imagine ghosts coming from one direction, thieves from another and serpents from a third. I could not therefore bear to sleep without a light in the room.

I was a complete tomboy. I loved wandering out in storms or walking on the beaches in the dark. It was a very free upbringing, and I'm grateful to my parents for that.

I was alive, they were not. Go Me. (Touch the Dark)

I was broken in body, soul, and spirit. My natural elasticity was crushed, my intellect languished, the disposition to read departed, the cheerful spark that lingered about my eye died; the dark night of slavery closed in upon me; and behold a man transformed into a brute!

I was a late bloomer. I was a kinda shy little kid, definitely a child of the dark side. I wanted to play guitar and be in a rock band.

I was born and raised on a Carolina sea island and I carried the sunshine of the low-country, inked in dark gold, on my back and shoulders.

I was being called to surrender the very citadel of my self. I was completely in the dark. I did not really know what repentance was or what I was required to repent of. It was indeed the turning point of my life.

I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.

I was having such a hard time when I made Sylvia. I gave everything I had for that role. It's one or two or three things I'm most proud of in terms of my work. But it was very dark.

Iwas a sculptor.Butthat'sreallydrawinga drawing you fall over in the dark, a three-dimensional drawing.

I was excited about The Dark Knight until Heath Ledger gave away the ending, Batman always wins.

I was doing community theater, and I was always interested in acting, but I was also interested in sports. I was interested in a lot of things. I was a pretty normal guy. I wasn't like a guy who grew up in a dark theater watching movies.

[I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

I was horrified of the dark. I realized that the only way I could get over that fear was by scaring other people, so I became obsessed with ghost stories, drawing monsters, watching monster movies, sneaking into horror movies, and it's just been the love of my life forever.

I was in a very dark place for a long time. It's just so hard to have normalcy.

I was in a very deep, dark slump, and I needed to find a way to get myself out of it. I had to force myself back out into life, back out into experiencing things.

I was in too much haste, and now have no time left. I traded all the sunlight and the cities and the distant lands for a handful of power, for a shadow, for the dark.

I was listening to a lot of Norwegian black metal and death metal. There's a great history to Norwegian black metal. That music is very dark and violent, but it's also beautiful.

I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could portray a character who was so ambiguous and multi-faceted. Ben is equally dark and innocent; potentially violent and yet at the same time kind of a boy. He got all that across and still makes audiences root for the guy even though they might be kind of disturbed by that fact.

I was one of those dark, quiet kids that wrote poetry.

I was kind of a dark kid. I loved Halloween, and I loved vampires and the black and white old monster movies.

I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.

I was lucky enough to be a "type." Sort of a bad-guy type at the time, because I was tall and I had dark eyes. A lot of times, you don't have to be good; you just have to be the right type.

I wasn't allowed to watch MTV before school, but somehow I managed to, when I was five or six and Fiona Apple's video for "Criminal" came on. She was so odd and dark, and I immediately felt some kind of connection with her. She was also the first person I admired for their looks.

I was scared of the dark. Ohhhh, I'd do anything not to have to sleep on my own. I'd get in bed and cover myself with dolls and teddy bears.

I was six years old when my parents told me that there was a small, dark jewel inside my skull, learning to be me.