Best 5862 quotes in «dark quotes» category

I don't know that there are haunted houses. I know that there are dark staircases and haunted people.

I don't know video games.The last video game I played, apart from Dance Dance Revolution at Jeremy's house, which I was very good at - Scarlett [Johansson] and I will always have "Billie Jean" - was Super Mario Kart on the Super Nintendo. I'm from the Dark Ages.

I don’t know. Just pick one.” “Well, there’s a lot of choice. I mean, you got your flavored, your ridged, your pre-lubed, your thin, your super-ultra-thin, your super-ultra-thin-pre-lubed, your…Huh.” “Huh what?” “Would you look at this?” he asked, examining a small box. “It says it glows in the dark.

I don't know when I'm writing dark. I don't know when I'm writing funny or even heartbreaking. I'm always just trying to write it true.

I don't mind telling a dark side.

I don’t love you as if you were the salt-rose, topaz or arrow of carnations that propagate fire: I love you as certain dark things are loved, secretly, between the shadow and the soul.

I don't meet many people that are evil. I meet human beings who are flawed, who are mentally ill and have enormous problems, but I don't think I've ever met someone who was a totally dark energy that had no humanity or sense of love or affection for anything in their life. That's very rare.

I don't mean to cast a dark shadow on all your hopes and dreams, except of course I do, because that is who I am. I'm a dream ruiner.

I don't necessarily look for dark themes; they just seem to appear.

I don't recommend shadow travel if you're scared of: a) The dark b) Cold shivers up your spine c) Strange noises d) Going so fast you feel like your face is peeling off In other words, I thought it was awesome.

I don't remember a voice On a dark, lonesome road When I started this journey so long ago I was only just trying to outrun the noise There was never a question of having a choice

I don't see the point of doing an interview unless you're going to share the things you learn in life and the mistakes you make. So to admit that I'm extremely human and have done some dark things I don't think makes me unusual or unusually dark. I think it actually is the right thing to do, and I'd like to think it's the nice thing to do.

I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.

I don't think I came out of anybody. I think I developed out of the influences I described in My Dark Places. American history, L.A. of the 1950s. I'm comfortable with that.

I don't think it's ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.

I don't personally see my work as being dark. What interests me is a balance between light and dark.

I don't think that you can dispose of the constructive and inventive things that America is doing - and say, "Oh we aren't doing anything anymore and we are living off of what the poor Chinese do." It is more complicated than that. There is the example of Detroit which was once a very prosperous and diverse city. And look what happened when it just specialized on automobiles. Look at Manchester when it specialized in those dark satanic mills, when it specialized in textiles. It was supposed to be the city of the future.

I don't think the film is going to work for everybody, period. It wasn't meant to be done for everybody. I didn't four quadrant this movie, like Hollywood did. I knew it was a very specific audience that was there. We're also taking a shot in the dark.

I don't really know what 'a dark place' means. I have windows in my house, and I'm generally an upbeat person! A lot of people throw that word at me because I wear a lot of black and leather.

I don't try and be dark, but there are obviously darker emotions that I want to capture sometimes.

I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.

I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.

I don't want to talk about negative, dark things. The only thing I've got against stuff like Marilyn Manson is, they make unbelievable videos and unbelievable images.

I don't want to go on being a root in the dark, vacillating, stretched out, shivering with sleep, downward, in the soaked guts of the earth, absorbing and thinking, eating each day.

I do stand up sometimes out of anger. Sometimes the greatest stuff comes from a dark place.

I'd read somewhere that nine out of ten adults in Alaska had a drinking problem. I could believe it. Snow, ice, sleet, wind, the dark night of the soul: what else were you supposed to do?

I'd rather walk in the dark with Jesus than to dance in the light on my own

I'd say people are victims of circumstances and they're limited to the opportunities that they see. Even though there might be more opportunities, you might not see them. You might just think, "I don't have any options." You usually go to the dark side, in that situation.

I dreamed you were standing in this dark place and you touched these dead flowers and they lit up like they were electric or something. Electric lilies. Lighting up the Valley.

I eased back on my elbows, tilting my head back to look up at the sky, which was pinkish, streaked with red. This was the time we knew best, that stretch of day going from dusk to dark. It seemed like we were always waiting for nighttime here. I could feel the trampoline easing up and down, moved by our own breathing, bringing us in small increments up and back from the sky as the colors faded, slowly, and the stars began to show themselves.

I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.

If an American, because his skin is dark, cannot eat lunch in a restaurant open to the public, if he cannot send his children to the best public school available, if he cannot vote for the public officials who represent him, if, in short, he cannot enjoy the full and free life which all of us want, then who among us would be content to have the color of his skin changed and stand in his place? Who among us would then be content with the counsels of patience and delay?

I don't want dead paint, so I test many of my works by studying them in a dark room at twilight or even after dark to check the luminosity. If the darker forms still have resonance and luminosity, I know the painting's working.

I dreamed of you. I dreamed you were wandering in the dark, and so was I. We found each other. We found each other in the dark.

I'd seen another shade of him, and if it had been light where we were now, he'd have seen the same of me. So I was grateful, as I had been so often in my life, for the dark.

I even worry about reflective flea collars. Oh, sure, drivers can see them glow in the dark, but so can the fleas.

I'd say, [writing memoir] not so much a model, but maybe to provide an insight, here or there, to help somebody come to terms with the dark corners of their own soul, to come to terms with the undecided, their own sense of self, and maybe help develop a capacity to love - to love wisdom, love justice.

If a union is to take place between opposites like spirit and matter, conscious and unconscious, bright and dark, and so on, it will happen in a third thing, which represents not a compromise but something new.

I fear oblivion. I fear it like the proverbial blind man who's afraid of the dark.

If any man can convince me and bring home to me that I do not think or act aright, gladly will I change; for I search after truth, by which man never yet was harmed. But he is harmed who abideth on still in his deception and ignorance.

I feel funny about owning art. I don't really want to say: "Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.

I feel like, as a people, we're sort of stumbling in the dark right now.

If any personal description of me is thought desirable, it may be said, I am, in height, six feet, four inches, nearly; lean in flesh, weighing on an average one hundred and eighty pounds; dark complexion, with coarse black hair, and grey eyes -- no other marks or brands recollected.

I feel like there's a lot of beauty in the darkness of 'Narrow Stairs,' but that's not really a place I'm ready to go to for a while. I'm interested in taking a different approach and having the next record be different in tone - I'm just not interested in making another dark, dark album.

I feel like there's different kinds of evil and there's different kinds of villains, and as much as I would like to be dark and playing with knives... it's not me and it's not my look.

I feel like my job is to give hope. The world is in a dark place and we are living in somewhat of a nightmare. So I want to make films to give hope.

I feel most colored when I am thrown against a sharp white background........Beside the waters of the Hudson" I feel my race. Among the thousand white persons, I am a dark rock surged upon, and overswept, but through it all, I remain myself. When covered by the waters, I am; and the ebb but reveals me again." How It Feels to Be Colored Me

I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me.

I feel that humor, just like Fred Astaire dance numbers or these lightweight musicals, gives you a little oasis. You are in this horrible world and for an hour and a half you duck into a dark room and it's air-conditioned and the sun is not blinding you and you leave the terror of the universe behind and you are completely transported into an escapist situation. The women are beautiful, the men are witty and heroic, nobody has terrible problems and this is a delightful escapist thing, and you leave the theater refreshed.

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.