Best 5862 quotes in «dark quotes» category

  • By Anonym

    I think good art does come from a dark place.

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    I think I appear very innocent and soft, but I'm actually very dark and edgy. It's a weird dichotomy.

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    I think, honestly, that a lot of people think I'm sad and dark all the time, because of the music I have made. But there's a huge part of my personality that's really energetic, outgoing and goofy.

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    I think I connect to people who could be written off as wild or dark, or who are just full of fire and looking for a place to put that fire. It's an important lesson to learn, and it's something I did learn: you live on behalf of others and you're happier and you have purpose. And you have a great excuse to have all that fire.

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    I think I could turn and live with the animals, they are so placid and self contained; I stand and look at them long and long. They do not sweat and whine about their condition; They do not lie awake in the dark and weep for their sins; They do not make me sick discussing their duty to God; Not one is dissatisfied-not one is demented with the mania of owning things; Not one kneels to another, nor his kind that lived thousands of years ago; Not one is responsible or industrious over the whole earth.

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    I think I have a dark view of the world. I have to make everything funny, otherwise it all seems so sad.

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    I think I had a tendency to get stuck inside my head and go to some very dark places in my mind, and get stuck there. I couldn't see a way to get out.

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    I think I have a pattern of nice and lovely and then dark and twisted.

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    I think I might be one of the only people in America, or at least the only person I know, who saw both 'The Dark Knight' and 'Mamma Mia!' on their shared opening weekend.

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    I think I'm determined. And I think if you're determined, you're right. Your behavior is exactly the same when you're stubborn, except then you're wrong. And so, there's times when I'm wrong, and I'd say, "Well, you were the dark side of determined." But I think determination, you know, it's like have an idea, think about the idea, the risks involved. What does it take to get from here to there? And then once you make the choice, you just keep going.

  • By Anonym

    I think in the modern world we really need to have movie theaters or places we can go in and rejuvenate ourselves. I think we'll have less problems with our souls and our health. I do that in my life, and I feel healthy and happy. I need those hours in the darkness where I used to spend time as a kid, sitting in a little closet in the darkness, listening to AM radio, having glowing paint that I illuminated, just sitting there, dreaming about anything, not being disturbed for an hour or two, just alone in the dark. I'm still that little boy in my brain.

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    I think I still have a great sense of adventure and trust, and am surprisingly idealistic given all the horrible things I've seen since I was 25. I think how I have changed is that I have a much deeper understanding of the dark forces in the world, of power.

  • By Anonym

    I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.

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    I think it's almost an indulgence to focus on the dark side of things. And as you get older, you want to focus on the positive.

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    I think it's [concern about global warming] mainly just like little kids locking themselves in dark closets to see how much they can scare each other and themselves.

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    I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.

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    I think it's necessary when you're dealing with a dark show that has explosion and violence to have defined moments of lightness and humor, even romance. It's important, and it deepens the character, of course.

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    I think it’s time to open the books on questions that have remained in the dark on the question of government investigations of UFOs. It’s time to find out what the truth really is that’s out there. We ought to do it because it’s right. We ought to do it because the American people, quite frankly, can handle the truth. And we ought to do it because it’s the law.

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    I think it's time we recognized the Dark Ages are over. Galileo and Copernicus have been proven right. The world is in fact round; the Earth does revolve around the sun. I believe God gave us intellect to differentiate between imprisoning dogma and sound ethical science, which is what we must do here today.

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    I think I've got a lot of dark lines in this record [Wild Things] that I've hidden quite nicely among the nice things.

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    I think it takes an introspective person to want to go into the theater and see the dark side of themselves.

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    I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.

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    I think nighttime is dark so you can imagine your fears with less distraction.

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    I think my sense of humor is really dark and super twisted and stuff like that. It's like, "Is this a funny joke for real? Or am I just rich?" See? That was funny.

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    I think my first love is film. There's something about the span of it and the completion of the experience. You sit down for two hours, in the dark, and you go somewhere else, and then you come back, having completed a journey.

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    I think my soul never was in such an agony before. I felt no restraint, for the treasures of divine grace were opened to me. I wrestled for absent friends, for the ingathering of souls, for multitudes of poor souls, and for many that I thought were the children of God, in many distant places. I was in such an agony, for half an hour before sunset, till near dark, that I was all over wet with sweat: but yet is seemed to me that I had wasted away the day, and had done nothing. Oh!, my dear Savior did sweat blood for poor souls!

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    I think of people as members of an audience. But an audience acts independently of every individual. It's an organism on its own. I focus on that living hydra in the dark.

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    I think of the flower in the bud: huddled, compressed, dark. Yet somehow it feels the night, knows moon from sun. It waits...waits.

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    I think one of my favourite films is 'Dark Victory' with Bette Davis. Why? She was so wonderful in that film. And maybe I just want a good cry once in a while without having to go through a divorce.

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    I think of you often. Especially in the evenings, when I am on the balcony and it’s too dark to write or to do anything but wait for the stars. A time I love. One feels half disembodied, sitting like a shadow at the door of one’s being while the dark tide rises. Then comes the moon, marvellously serene, and small stars, very merry for some reason of their own. It is so easy to forget, in a worldly life, to attend to these miracles.

  • By Anonym

    I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark.

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    I think that crowdfunding has become such a powerful tool to tell stories that might not find financing otherwise - like a dark comedy about infidelity, for example!

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    I think some of the most interesting stuff was seeing how the Dark Web works and seeing how easy it is for hackers to break into your computer or your bank account or your private information.

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    I think that even in a drama, we all want to smile, and laugh because what a horrible life if we're just like "I'm in a drama." And so I think in everything you're trying to look for the humor, even if it's a dark scene, because most people want to have fun in life, as opposed to have a boring time, a terrible time.

  • By Anonym

    I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.

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    I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.

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    I think that's the real horror story for me, how little you can ever really know about your own motivations. How in the dark we all are about the concerns and the contents of our minds.

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    I think that the dark side of MFA programs is that they're generating more poets than the culture can absorb and there are more people writing poetry than possibly read it or can certainly earn a living around it.

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    I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.

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    I think that that's part of how people have responded to The Tiger Rising. It's what I call my dark child. It's gotten sandwiched in between two overachieving, tap-dance-performing kids - Winn-Dixie and Despereaux.

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    I think that the world is really in very dark ages. In America this could have never been showed, we are even more lost over there than in Europe. We are very lost!

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    I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.

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    I think the healthy way to live is to make friends with the beast inside oneself, and that means not the beast but the shadow. The dark side of one's nature. Have fun with it and you know, is to accept everything about ourselves.

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    I think the best way to listen to my music is through recording. I would love to be one of those artists where you can go into a coffee shop and watch people pass by and then my music is in their ears. Not necessarily a sensory deprivation thing, but that's cool too. Unfortunately in order to focus on nobody else, you would probably have to go into a dark room and just sit there and listen to it.

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    I think the Enlightenment is leading us into a dark hole, really.

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    I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

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    I think there are families that are very kind and supportive of people's ability to change. People who come from such families may go through life without dipping into the dark night.

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    I think there's a misconception of my wanting to do dark stuff.

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    I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture.

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    I think there's a perception of me that I'm the dark lord of all that is scary and gory, but that's completely false. I love musicals. My house is very bright and lit. It's not what people would really expect from a Saw director, but I think that's what allows me to do the things that I do.