Best 131 quotes in «escapism quotes» category

Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.

That is what art is at the end of the day: It's an escapism that we all crave.

All we do is work to maximise our consumption privileges and to be able to tell people at parties that we’re a lawyer, an artist or a police officer.

Art helps you connect to the world, not escape from it. That is the difference between art and entertainment.

Bonnie saw ropes hanging loose, poles falling away, tree-tops sinking beneath her. As they rose, the sun rose with them. Its warmth turned the dark skin of the fiery balloon midnight blue. They flew straight up. Above them, the sweet, clear music of the lonely pipe called to them. Then the smooth sky puckered into cloth-of-blue and drew aside. They passed straight through...

Could he continue to maintain his sanity that long? He didn't know. That's why he was devouring two or three books a day - to remove himself every minute that he possibly could from the madness of this life.

Cowell Devlin sighed. Yes, he understood Anna Wetherell at long last, but it was not a happy understanding. Devlin had known many women of poor prospects and limited means, whose only transport out of the miserable cage of their unhappy circumstance was the flight of the fantastic. Such fantasies were invariably magical—angelic patronage, invitations into paradise—and Anna's story, touching though it was, showed the same strain of the impossible. Why, it was painfully clear! The most eligible bachelor of Anna's acquaintance possessed a love so deep and pure that all respective differences between them were rendered immaterial? He was not dead—he was only missing? He was sending her 'messages' that proved the depth of his love—and these were messages that only she could hear? It was a fantasy, Devlin thought. It was a fantasy of the girl's own devising. The boy could only be dead.

Escapism preserves our sanity when the ever-increasing complexity and pace of modern life becomes too much.

Escapist creativity is that which lacks encounter.

Escapism isn't good or bad of itself. What is important is what you are escaping from and where you are escaping to. I write from experience, since in my case I escaped to the idea that books could be really enjoyable, an aspect of reading that teachers had not hitherto suggested.

Every book was a door; every page a new place to hide.

Everyone needs to escape sometimes, and retreating into somebody else's fantasy isn't nearly as satisfying as slipping into your own.

Evet Wilhelm, bazen bir an için kalkıp gitme, bağları koparma cesareti buluyorum kendimde, keşke nereye gideceğimi bilsem! heralde giderdim.

Fiction is just that–fiction. Yes, it is serious business, but it should also be taken for face value. It’s entertainment. It’s escapism. It’s 365 pages of relaxation.

Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different. And while we're on the subject, I'd like to say a few words about escapism. I hear the term bandied about as if it's a bad thing. As if "escapist" fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or for children, is mimetic fiction, mirroring the worst of the world the reader finds herself in. If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real. As JRR Tolkien reminded us, the only people who inveigh against escape are jailers.

Fishing encourages escapism.

Forgive us our fantasies. It’s all we have.

For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as do the ordinary people, but to fulfill it in its true potential - the imagination.

Again and again we try to escape ourselves, but we fail in our efforts, constantly run our heads into the wall because we don't want to recognize that we can't escape ourselves, except in death.

All of a sudden his books, which had hitherto been merely a fond decoration and a means of letting his mind free itself from the grim routines of Broadmoor life, had become his most precious possession. For the time being at least he could set aside his imaginings about the harm that people were trying to inflict on him and his person: It was instead his hundreds of books that now needed to be kept safe, and away from the predators with whom he believed the asylum to be infested. His books, and his work on the words he found in them, were about to become the defining feature of his newly chosen life.

All those other lives. You never did get to lead them.

An escape can become escapism before we even know it. Books are wonderful things, but you can't live in someone else's story. You have to live your own story.

A wave of saudade swept over me as I realized home never existed at all. The concept of home felt far from my reach, and I felt sick with longing.

Because we were stranded together and because I stuttered, we read. there is no refuge so private, no asylum more sane. There is no facility of voices captured elsewhere so entire and so marvellous. My tongue was lumpish and fixed, but in reading, silent reading, there was a release, a flight, a wheeling off into the blue spaces of exclamatory experience, diffuse and improbable, gloriously homeless. All that was solid melted into air, all that was air reshaped, and gained plausibility. (p. 43)

Being a football fan entitles us to a temporary, recurring retreat, a short holiday from real existence. Our lives can be in chaos and nothing seem fixed. Nothing except how we feel on a Saturday at 3pm, when we are elevated into blissful and infuriating distraction. What a privilege that is.

But I reckon that this realm of higher needs, of something more than just forgetting about everyday life, of mere recreation, this realm of needs has been clearly neglected by us.

Certain parts of me became a little bit forgotten, a little bit numb, a little bit dead, and it was nice to have some dead places in me for a little while, to lose a little bit of my broken mind.

Comfort and security are all well and good, but not at the cost of liberty, love and lustiness. The Bohemian knows that money, property and status have little to do with the content of one’s character, and that professional success and widespread celebration have little to do with talent. Of value to the Bohemian is spiritual integrity and creative freedom. The Bohemian would sooner live in poverty than submit to an undesirable job.

Don’t judge me for escaping the stresses and cruelty of the world differently than you do.

Dr. Manning said he'd thought at first it might be sleeping sickness, or even narcolepsy, whatever that was, but - no, Pete was healthy enough physically. Manoel growled that the boy was bone-lazy, spending his time fishing and reading. Reading! No good could come of such things. 'In a way you're right, Manoel,' Dr. Manning said hesitantly. 'It's natural for a boy to day-dream now and then, but I think Pedro does it too much. I've let him use my library whenever he wanted, but it seems... h'm... it seems he reads the wrong things. Fairy tales are very charming, but they don't help a boy to cope with real life.' 'Com certeza,' Manoel agreed. 'You mean he has crazy ideas in the head.' 'Oh, they're rather nice ideas,' Dr. Manning said. 'But they're only fairy tales, and they're beginning to seem true to Pete. You see, Manoel, there are really two worlds, the real one, and the one you make up inside your mind. Sometimes a boy - or even a man - gets to like his dream world so much he just forgets about the real one and lives in the one he's made up.' 'I know,' Manoel said. 'I have seen some who do that. It is a bad thing.' 'It would be bad for Pete. He's a very sensitive boy. If you live too much in dreams, you can't face real life squarely.' ("Before I Wake...")

Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")

He turns toward the voice. It is as though the darkness itself has spoken. But when he looks closer he can make her out - the very pale blonde hair first, gleaming in what little light there is, then the shimmering stuff of her dress.

He's an escapist. He wants to cultivate his interior garden.

His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in.

I had drunk myself to oblivion, Stepped from the room into a dreamless slumber, My consciousness had parted ways, Taking a well-earned vacation.

How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time...

I can breathe easier now that the appointments are behind me. I missed them all, through deliberate negligence, Having waited for the urge to go, which I knew wouldn’t come. I’m free, and against organized, clothed society. I’m naked and plunge into the water of my imagination.

If we were all minimalists instead of conspicuous consumers, there would be less demand on the world’s resources and we’d have a smaller, less berserk economy. We’d be less likely to harm the only planet we’ll ever have, and the super-rich would have fewer ways to exploit us.

If you have burning desire to be free (as I have) you must first find this freedom within you. And to be free in this manner, you have to be comfortable with who and what you are.

I had always thought it was her way of blinding herself to the messiness of the way we lived. Now I realised it was easier for her mind to go out through the air far above the clouds than to acknowledge the ugliness right before her eyes.

I fantasize about making reality better.

If fiction and fantasy books are escapism, then let an author write them so as to better equip the reader to face reality by the end.

I had always thought it was her way of blinding herself to the messiness of the way we lived. Now I realised it was easier for her mind to go out through the air far above the clouds then to acknowledge the ugliness right before her eyes.

I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misinterpret things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it! - Don't turn the light on!

I instantly dragged my fingers across a shelf of book spines, in love with each one already. Books were a safe place, a world apart from my own. No matter what had happened that day, that year, there was always a story in which someone overcame their darkest hour. I wasn't alone.

I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books.

I loved books, even as I loved the similar way opium had of transporting a mind elsewhere

I loved the idea that looking at a painting or listening to a concerto could make you somehow "transcend" the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger.

I love stories that suck you in, that you can't stop reading because you are quite simply there.

I mentioned early in this book the kind of rereading distinctive of a fan--the Tolkien addict, say, or the devotee of Jane Austen or Trollope or the Harry Potter books. The return to such books is often motivated by a desire to dwell for a time in a self-contained fictional universe, with its own boundaries and its own rules. (It is a moot question whether Austen and Trollope's first readers were drawn to their novels for these reasons, but their readers today often are.) Such rereading is not purely a matter of escapism, even though that is one reason for its attraction: we should note that it's not what readers are escaping from but that they are escaping into that counts most. Most of us do not find fictional worlds appealing because we find our own lives despicable, though censorious people often make that assumption. Auden once wrote that "there must always be ... escape-art, for man needs escape as he needs food and deep sleep." The sleeper does not disdain consciousness.