Best 131 quotes in «escapism quotes» category

...When people lose their way and lack a real purpose for living they often fall back on certain forms of escapism as a form of self-soothing...

[When under stress I thought of] the books I had read [and applied] them to myself. I [imagined I was] one of the characters [and soon found myself] in made-up circumstances which were most agreeable to my inclinations.

You were trying to find a way to get rid of yourself, but you were still left with your mouth.

With even the slightest upset, detachment soon followed. I didn’t lose sleep over men, and I was too restless to be tied down. The grass didn’t even have time to grow around my feet before I was planning my next escape – whether it was to another state or out of someone’s life.

You break through the veil whenever you strap on a sword or chant the ancient verses. You escape when you write a poem or a tale that brings beauty into the world. You are set free whenever you love—even those who believe you’re crazy.

Yes, life is hard,” whispers Erika, “but knowing about other people, other civilisations, other ways of living, other places – that’s your escape route, a magical journey. Once you know about these things, no matter what happens, your mind can create stories to take you anywhere you want to go.

Even though music is something I travel around doing, it is also a very private thing. A sort of escapism.

escapism isn't good or bad in itself. what is important is what you are escaping from and where you are escaping to.

An avowal of poverty is no disgrace to any man; to make no effort to escape it is indeed disgraceful.

Bond was escapism, but not meant to be imitated in real life.

I've loved the escapism of being another person, slipping into another character for a little while

For me books have always been an incredibly solid part of my life, both as escapism and simply as resource.

It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.

All of a sudden his books, which had hitherto been merely a fond decoration and a means of letting his mind free itself from the grim routines of Broadmoor life, had become his most precious possession. For the time being at least he could set aside his imaginings about the harm that people were trying to inflict on him and his person: It was instead his hundreds of books that now needed to be kept safe, and away from the predators with whom he believed the asylum to be infested. His books, and his work on the words he found in them, were about to become the defining feature of his newly chosen life.

Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.

Jimi Hendrix's music was escapism.

That is what art is at the end of the day: It's an escapism that we all crave.

Again and again we try to escape ourselves, but we fail in our efforts, constantly run our heads into the wall because we don't want to recognize that we can't escape ourselves, except in death.

All we do is work to maximise our consumption privileges and to be able to tell people at parties that we’re a lawyer, an artist or a police officer.

All those other lives. You never did get to lead them.

An escape can become escapism before we even know it. Books are wonderful things, but you can't live in someone else's story. You have to live your own story.

Art helps you connect to the world, not escape from it. That is the difference between art and entertainment.

A wave of saudade swept over me as I realized home never existed at all. The concept of home felt far from my reach, and I felt sick with longing.

Being a football fan entitles us to a temporary, recurring retreat, a short holiday from real existence. Our lives can be in chaos and nothing seem fixed. Nothing except how we feel on a Saturday at 3pm, when we are elevated into blissful and infuriating distraction. What a privilege that is.

Because we were stranded together and because I stuttered, we read. there is no refuge so private, no asylum more sane. There is no facility of voices captured elsewhere so entire and so marvellous. My tongue was lumpish and fixed, but in reading, silent reading, there was a release, a flight, a wheeling off into the blue spaces of exclamatory experience, diffuse and improbable, gloriously homeless. All that was solid melted into air, all that was air reshaped, and gained plausibility. (p. 43)

Comfort and security are all well and good, but not at the cost of liberty, love and lustiness. The Bohemian knows that money, property and status have little to do with the content of one’s character, and that professional success and widespread celebration have little to do with talent. Of value to the Bohemian is spiritual integrity and creative freedom. The Bohemian would sooner live in poverty than submit to an undesirable job.

Bonnie saw ropes hanging loose, poles falling away, tree-tops sinking beneath her. As they rose, the sun rose with them. Its warmth turned the dark skin of the fiery balloon midnight blue. They flew straight up. Above them, the sweet, clear music of the lonely pipe called to them. Then the smooth sky puckered into cloth-of-blue and drew aside. They passed straight through...

But I reckon that this realm of higher needs, of something more than just forgetting about everyday life, of mere recreation, this realm of needs has been clearly neglected by us.

Certain parts of me became a little bit forgotten, a little bit numb, a little bit dead, and it was nice to have some dead places in me for a little while, to lose a little bit of my broken mind.

Could he continue to maintain his sanity that long? He didn't know. That's why he was devouring two or three books a day - to remove himself every minute that he possibly could from the madness of this life.

Cowell Devlin sighed. Yes, he understood Anna Wetherell at long last, but it was not a happy understanding. Devlin had known many women of poor prospects and limited means, whose only transport out of the miserable cage of their unhappy circumstance was the flight of the fantastic. Such fantasies were invariably magical—angelic patronage, invitations into paradise—and Anna's story, touching though it was, showed the same strain of the impossible. Why, it was painfully clear! The most eligible bachelor of Anna's acquaintance possessed a love so deep and pure that all respective differences between them were rendered immaterial? He was not dead—he was only missing? He was sending her 'messages' that proved the depth of his love—and these were messages that only she could hear? It was a fantasy, Devlin thought. It was a fantasy of the girl's own devising. The boy could only be dead.

Escapism isn't good or bad of itself. What is important is what you are escaping from and where you are escaping to. I write from experience, since in my case I escaped to the idea that books could be really enjoyable, an aspect of reading that teachers had not hitherto suggested.

Don’t judge me for escaping the stresses and cruelty of the world differently than you do.

Dr. Manning said he'd thought at first it might be sleeping sickness, or even narcolepsy, whatever that was, but - no, Pete was healthy enough physically. Manoel growled that the boy was bone-lazy, spending his time fishing and reading. Reading! No good could come of such things. 'In a way you're right, Manoel,' Dr. Manning said hesitantly. 'It's natural for a boy to day-dream now and then, but I think Pedro does it too much. I've let him use my library whenever he wanted, but it seems... h'm... it seems he reads the wrong things. Fairy tales are very charming, but they don't help a boy to cope with real life.' 'Com certeza,' Manoel agreed. 'You mean he has crazy ideas in the head.' 'Oh, they're rather nice ideas,' Dr. Manning said. 'But they're only fairy tales, and they're beginning to seem true to Pete. You see, Manoel, there are really two worlds, the real one, and the one you make up inside your mind. Sometimes a boy - or even a man - gets to like his dream world so much he just forgets about the real one and lives in the one he's made up.' 'I know,' Manoel said. 'I have seen some who do that. It is a bad thing.' 'It would be bad for Pete. He's a very sensitive boy. If you live too much in dreams, you can't face real life squarely.' ("Before I Wake...")

Escapism preserves our sanity when the ever-increasing complexity and pace of modern life becomes too much.

Escapist creativity is that which lacks encounter.

Everyone needs to escape sometimes, and retreating into somebody else's fantasy isn't nearly as satisfying as slipping into your own.

Every book was a door; every page a new place to hide.

Fishing encourages escapism.

Evet Wilhelm, bazen bir an için kalkıp gitme, bağları koparma cesareti buluyorum kendimde, keşke nereye gideceğimi bilsem! heralde giderdim.

Fiction is just that–fiction. Yes, it is serious business, but it should also be taken for face value. It’s entertainment. It’s escapism. It’s 365 pages of relaxation.

Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different. And while we're on the subject, I'd like to say a few words about escapism. I hear the term bandied about as if it's a bad thing. As if "escapist" fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or for children, is mimetic fiction, mirroring the worst of the world the reader finds herself in. If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real. As JRR Tolkien reminded us, the only people who inveigh against escape are jailers.

Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")

Forgive us our fantasies. It’s all we have.

For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as do the ordinary people, but to fulfill it in its true potential - the imagination.

If we were all minimalists instead of conspicuous consumers, there would be less demand on the world’s resources and we’d have a smaller, less berserk economy. We’d be less likely to harm the only planet we’ll ever have, and the super-rich would have fewer ways to exploit us.

He's an escapist. He wants to cultivate his interior garden.

He turns toward the voice. It is as though the darkness itself has spoken. But when he looks closer he can make her out - the very pale blonde hair first, gleaming in what little light there is, then the shimmering stuff of her dress.

I fantasize about making reality better.

His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in.