Best 137 quotes in «postmodernism quotes» category

The religionists are the enemies of liberty, and the friends of liberty attack religion; the high-minded and the noble advocate bondage, and the meanest and most servile preach independence; honest and enlightened citizens are opposed to all progress, whilst men without patriotism and without principle put themselves forward as the apostles of civilization and intelligence. Has such been the fate of the centuries which have preceded our own? and has man always inhabited a world like the present, where all things are out of their natural connections, where virtue is without genius, and genius without honor; where the love of order is confounded with a taste for oppression, and the holy rites of freedom with a contempt of law; where the light thrown by conscience on human actions is dim, and where nothing seems to be any longer forbidden or allowed, honorable or shameful, false or true?

There’s a rumor it seems involving the finance minister. He’s supposed to resign any time now,” she said. “Some kind of scandal about a misconstrued comment. He made a comment about the economy that may have been misconstrued. The whole country is analyzing the grammar and syntax of this comment. Or it wasn’t even what he said. It was when he paused. They are trying to construe the meaning of the pause. It could be deeper, even, than grammar. It could be breathing.

The values we rightly associate with the modern age - the "liberty, equality, and fraternity" of the French revolution - are all endangered today not by the dead hand of tradition but by modernity itself, and they can be salvaged only by moving beyond it.

The universities are an absolute wreck right now, because for decades, any graduate student in the humanities who had independent thinking was driven out. There was no way to survive without memorizing all these stupid bromides with this referential bowing to these over-inflated figures like Lacan, Derrida, Foucault, and so on. Basically, it's been a tyranny in the humanities, because the professors who are now my age – who are the baby boomer professors, who made their careers on the back of Foucault and so on – are determined that that survive. So you have a kind of vampirism going on. So I've been getting letters for 25 years since Sexual Personae was released in 1990, from refugees from the graduate schools. It's been a terrible loss. One of my favorite letters was early on: a woman wrote to me, she was painting houses in St. Louis, she said that she had wanted a career as a literature professor and had gone into the graduate program in comparative literature at Berkeley. And finally, she was forced to drop out because, she said, every time she would express enthusiasm for a work they were studying in the seminar, everyone would look at her as if she had in some way created a terrible error of taste. I thought, 'Oh my God', see that's what's been going on – a pretentious style of superiority to the text. [When asked what can change this]: Rebellion! Rebellion by the grad students. This is what I'm trying to foment. We absolutely need someone to stand up and start criticizing authority figures. But no; this generation of young people have been trained throughout middle school and high school and college to be subservient to authority.

This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.

Today, religious fanatics and scientific rejectionists flourish under the protective wing of postmodernism, claiming that theirs is just one more valid viewpoint—a form of mental aikido (using the opponent’s strength against him).

To him, they looked like shadows that his wife had left behind. Size 7 shadows of his wife hung there in long rows, layer upon layer, as if someone had gathered and hung up samples of the infinite possibilities (or at least the theoretically infinite possibilities) implied in the existence of a human being.

The single greatest cultural contribution of postmodernity is that it eliminates the presumption of intellectual neutrality that modernity automatically associated with skeptical rationalism. (...) It shows, not that truth is socially constructed, but that the uniquely human act of bearing witness to the truth is always a moral as well as an intellectual or empirical or noetic act.

The word 'heresy' not only means no longer being wrong; it practically means being clear-headed and courageous. The word 'orthodoxy' not only no longer means being right; it practically means being wrong. All this can mean one thing, and one thing only. It means that people care less for whether they are philosophically right. For obviously a man ought to confess himself crazy before he confesses himself heretical.

This book first arose out of a passage in [Jorge Luis] Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

This is a bright place, filled with frightened people, and fast hard things that hurt and wound. No matter. I swore I would remain by her side forever, and until death divided us.

This is the postmodern desert inhabited by people who are, in effect, consuming themselves in the form of images and abstractions through which their desires, sense of identity, and memories are replicated and then sold back to them as products

This stance makes no distinction between (1) the pluralistic standpoint of making sure people have equal rights and (2) the act of co-dependently making sure not to hurt anyone’s feelings, however irrational they may be. We need to stop that nonsense. Getting your feelings hurt, quite frankly, is the price of living a in a free society.

TV is an eraser.

We are living in a time when sensitivities are at the surface, often vented with cutting words. Philosophically, you can believe anything so as you do not claim it a better way. Religiously, you can hold to anything, so long as you do not bring Jesus Christ into it. If a spiritual idea is eastern, it is granted critical immunity; if western, it is thoroughly criticized. Thus, a journalist can walk into a church and mock its carryings on, but he or she dare not do the same if the ceremony is from eastern fold. Such is the mood at the end of the twentieth century. A mood can be a dangerous state of mind, because it can crush reason under the weight of feeling. But that is precisely what I believe postmodernism best represents - a mood.

We attend a postmodern meeting, and everyone leaves happy because everyone at the meeting was able to express himself or herself, even if no decisions were made. We give equal awards to our kids so nobody feels left out. Our news media is more concerned with the question, “How did that make you feel?” than any other.

Whatever the issue, there is always something else to be said, another voice to be heard.

We have seen in this book numerous ambiguous texts that can be interpreted in two different ways: as an assertion that is true but relatively banal, or as one that is radical but manifestly false. And we cannot help thinking that, in many cases, these ambiguities are deliberate. Indeed, they offer a great advantage in intellectual battles: the radical interpretation can serve to attract relatively inexperienced listeners or readers; and if the absurdity of this version is exposed, the author can always defend himself by claiming to have been misunderstood, and retreat to the innocuous interpretation.

We're the most aggressively inarticulate generation to come along since, you know, a long time ago!

What was true of an ancient community of Christian believers struggling with a powerful and appealing philosophy is also true for Christians in a postmodern context. Arguments that deconstruct the regimes of truth at work in the late modern culture of global capitalism are indispensable. So also is a deeper understanding of the counterideological force of the biblical tradition. But such arguments are no guarantee that the biblical metanarrative will not be co-opted for ideological purposes of violent exclusion, nor do arguments prove the truth of the gospel. Only the nonideological, embracing, forgiving and shalom-filled life of a dynamic Christian community formed by the story of Jesus will prove the gospel to be true and render the idolatrous alternatives fundamentally implausible.

When the first sunlight at the new house came to inquire about life from that day personal sunlight of this house personal breeze air personal cloudiness took birth everything which is exclusively for this house just as some sunlight enter domesticity to live with some rains Just as local tries to get disconnected from metalanguage just like weakness for personal sunlight once I had observed flax flower creeper to take turn seen Grandma's longing for sunlight even now I remember on our dining table at Darbhanga a shard of sunlight as our tea drinking companion passing sunlight had a different relation with school ending bell just as we have secret correspondence with some shadows Just as some sunlight some shadow are saved in personal kitty just as local tries to get disconnected with metalanguage.

...when there's no plot line there are no digressions.

Women are no longer required to be chaste or modest, to restrict their sphere of activity to the home, or even to realize their properly feminine destiny in maternity. Normative femininity [that is, the rules for being a good woman] is coming more and more to be centered on women’s body—not its duties and obligations or even its capacity to bear children, but its sexuality, more precisely, its presumed heterosexuality and its appearance. . . . The woman who checks her makeup half a dozen times a day to see if her foundation has caked or her mascara has run, who worries that the wind or the rain may spoil her hairdo, who looks frequently to see if her stockings have bagged at the ankle, or who, feeling fat, monitors everything she eats, has become, just as surely as the inmate of Panopticon, a self-policing subject, a self committed to a relentless self-surveillance. This self-surveillance is a form of obedience to patriarchy.

Worship, then, needs to be characterized by hospitality; it needs to be inviting. But at the same time, it should be inviting seekers into the church and its unique story and language. Worship should be an occasion of cross-cultural hospitality. Consider an analogy: when I travel to France, I hope to be made to feel welcome. However, I don't expect my French hosts to become Americans in order to make me feel at home. I don't expect them to start speaking English, ordering pizza, talking about the New York Yankees, and so on. Indeed, if I wanted that, I would have just stayed home! Instead, what I'm hoping for is to be welcomed into their unique French culture; that's why I've come to France in the first place. And I know that this will take some work on my part. I'm expecting things to be different; indeed, I'm looking for just this difference. So also, I think, with hospitable worship: seekers are looking for something our culture can't provide. Many don't want a religious version of what they can already get at the mall. And this is especially true of postmodern or Gen X seekers: they are looking for elements of transcendence and challenge that MTV could never give them. Rather than an MTVized version of the gospel, they are searching for the mysterious practices of the ancient gospel.

Women's liberation is one thing, but the permeation of anti-male sentiment in post-modern popular culture - from our mocking sitcom plots to degrading commercial story lines - stands testament to the ignorance of society. Fair or not, as the lead gender that never requested such a role, the historical male reputation is quite balanced. For all of their perceived wrongs, over centuries they've moved entire civilizations forward, nurtured the human quest for discovery and industry, and led humankind from inconvenient darkness to convenient modernity. Navigating the chessboard that is human existence is quite a feat, yet one rarely acknowledged in modern academia or media. And yet for those monumental achievements, I love and admire the balanced creation that is man for all his strengths and weaknesses, his gifts and his curses. I would venture to say that most wise women do.

Postmodernism - and is that term used much any more? - is simply a reiteration of the sophistic or the rhetorical worldview.

You’re chicken, she told herself, snapping her seat belt. This is America, you live in it, you let it happen. Let it unfurl.

Can postmodernism hold the perpetrators of genocide accountable?

Postmodernism surely requires an even greater grasp of symbolism, as it's increasingly an art of gesture alone.

[We] saw products as garbage even when they sat gleaming on store shelves, yet unbought. We didn't say, What kind of casserole will that make? We said, What kind of garbage will that make?

In the contexts of religion and politics, words are not regarded as standing, rather inadequately, for things and events; on the contrary things and events are regarded as particular illustrations of words.

Postmodernism is silly and joyless at the same time.

Postmodernism does not facilitate better art. It rationalizes inferior art by wrapping it in words - a suit of armor with nobody inside.

All discourses and disciplines proceed from commitments and beliefs that are ultimately religious in nature. No scientific discourse (whether natural science or social science) simply discloses to us the facts of reality to which theology must submit; rather, every discourse is, in some sense, religious. The playing field has been leveled. Theology is most persistently postmodern when it rejects a lingering correlational false humility and instead speaks unapologetically from the the primacy of Christian revelation and the church's confessional language.

A depressão é a expressão patológica do fracasso do homem pós-moderno em ser ele mesmo.

Some ways of naming a generation are fruitful and some are not. Postmodernism is not. It doesn't really say anything.

24. (fr) Psychologists use the term "socialization” to designate the process by which children are trained to think and act as society demands. A person is said to be well socialized if he believes in and obeys the moral code of his society and fits in well as a functioning part of that society. It may seem senseless to say that many leftists are over-socialized, since the leftist is perceived as a rebel. Nevertheless, the position can be defended. 25. (fr) The moral code of our society is so demanding that no one can think, feel and act in a completely moral way. For example, we are not supposed to hate anyone, yet almost everyone hates somebody at some time or other, whether he admits it to himself or not. Some people are so highly socialized that the attempt to think, feel and act morally imposes a severe burden on them. In order to avoid feelings of guilt, they continually have to deceive themselves about their own motives and find moral explanations for feelings and actions that in reality have a nonmoral origin. We use the term "oversocialized” to describe such people. 26. (fr) Oversocialization can lead to low self-esteem, a sense of powerlessness, defeatism, guilt, etc. One of the most important means by which our society socializes children is by making them feel ashamed of behavior or speech that is contrary to society’s expectations.

As thoroughly as mankind has killed God, the reader has despatched the author.

An attempt to wrest from God the prerogatives of absolute freedom and infinity leads to the inversion of Pentecost and what is in effect a new Babel. 'Postmodernism' represents that Babel perfectly, because when each speaks a language unrelated to that of the other - when language is not the basis of the communication that shapes our being - the only outcome can be fragmentation. In that sense, postmodernism is modernity come home to roost.

And guess what he finds. Nothing. And I mean that literally. Not a de Brogliesque absence of presence but a Tertullian presence of absence.

And I wasn’t playing a role – I was trying to be myself. But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles...

Andrei Yanuaryevich (one longs to blurt out, “Jaguaryevich”) Vyshinsky, availing himself of the most flexible dialectics (of a sort nowadays not permitted either Soviet citizens or electronic calculators, since to them yes is yes and no is no), pointed out in a report which became famous in certain circles that it is never possible for mortal men to establish absolute truth, but relative truth only. He then proceeded to a further step, which jurists of the last two thousand years had not been willing to take: that the truth established by interrogation and trial could not be absolute, but only, so to speak, relative. Therefore, when we sign a sentence ordering someone to be shot we can never be absolutely certain, but only approximately, in view of certain hypotheses, and in a certain sense, that we are punishing a guilty person. Thence arose the most practical conclusion: that it was useless to seek absolute evidence-for evidence is always relative-or unchallengeable witnesses-for they can say different things at different times. The proofs of guilt were relative, approximate, and the interrogator could find them, even when there was no evidence and no witness, without leaving his office, “basing his conclusions not only on his own intellect but also on his Party sensitivity, his moral forces” (in other words, the superiority of someone who has slept well, has been well fed, and has not been beaten up) “and on his character” (i.e., his willingness to apply cruelty!)… In only one respect did Vyshinsky fail to be consistent and retreat from dialectical logic: for some reason, the executioner’s bullet which he allowed was not relative but absolute…

Bakit humantong dito ang aking kabaliwan? Akala ko'y sa nobela lang nagaganap ang mga eksenang tulad nito. Heto ako ngayon, hubad, nakakalat sa sahig, sa ibabaw ng mesang sulatan, nakasabit sa shelf. Hindi ko alam kung paano pinalayas ng gutom na halik ang aking blusa. Kung paano ako binalatan, ngayong nakatanghod ang lukot na kumpol ng pantalong maong at hinahanap ko kung saan na nga ba gumulong ang aking panty. Walang kumibot ng pagtutol sa aking malay, ni minsan. Ayaw ko munang magisip. Parang pagharap sa makinilyang altar. Nais kong maging sagrado ang daloy ng panahon, walang interapsiyon, walang sagwil.

Change. Change. Change. Change … change. Change. Chaaange. When you say words a lot they don't mean anything. Or maybe they don't mean anything anyway, and we just think they do.

[Both high art and industrially produced consumer art] bear the stigmata of capitalism, both contain elements of change. Both are torn halves of an integral freedom, to which, however, they do not add up.

Charles Jencks is the most notable landscape and garden designer to carry forward the 3500 BCE-1800CE landscape and garden design agenda.

And why not—whatever despair we may feel concerning resurrection and reassemblage—find comic relief in the human determination to assert wholeness in the face of inevitable decay and fragmentation?

But these are sad times, the 'prentices wanting to be masters, and every little tradesman wanting to be a Senator, and every dirty little urchin thinking he can give impudence to his betters!

By exclaiming that “there are no absolute truths” the postmodern stance is also claiming that the statement it just made is an absolute truth—trying to have it both ways, rejecting absolutism with absolutism.

Deconstruction for its own sake is destruction. Unless the intent in taking the watch apart is to learn and improve, the end result is a pile of junk.