Best 84908 quotes in «thinking quotes» category

It was a scary decision to let cameras into my life, but if I was going to do it, I just wanted to be really honest and kind of introduce myself as an adult. I think the world met me as a young girl, and they still associate me with who I was when I was 13, they still don't understand how over the last eight years what has happened and who I've become.

It was a very easy way to have a group of friends on a very large campus - a sense of identity. It was a great place to learn how to navigate a variety of personalities, which you kind of have to do in life. You've got the shy woman and you've got the obnoxious woman and you've got the brainiac and you've got the social climber and you've got the introvert and the extrovert, and you're all living together. I think it gave me valuable experience in learning how to live with people that are different than you are. And that's an important lesson. You can bet it comes in very handy in the Senate.

It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it.

It was a weird moment in my life and a weird experience [doing a theater]. It made me think, "Gee, I don't know if I ever want to do this again." And I love theater. I love going. I love the experience of theater. But I am not sure it's for me.

It was complicated. I understood it, mostly, but I had to think a little sideways to do it.

It was a very stupid mistake to think you could deal with heresy by burning heretics. It's the very same mistake that modernist Catholics are making today in reverse. They think you can love heretics by loving heresies.

It was difficult for me to understand that, when you're kind to someone in a big city, a lot of the time, they think that you want something. I didn't understand that, all of a sudden, niceness meant that you were trying to get something out of somebody.

It was a rather extraordinary conversation if you think about it -- both of us speaking in code. But not military code, not Intelligence or Resistance code -- just feminine code.

It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.

It was a woman who drove me to drink. Come to think of it, I never did hang around to thank her for that. 'Hey lady! Do I look all blurry to you? 'Cause you look blurry to me!'

It was being a runner that mattered, not how fast or how far I could run. The joy was in the act of running and in the journey, not in the destination. We have a better chance of seeing where we are when we stop trying to get somewhere else. We can enjoy every moment of movement, as long as where we are is as good as where we'd like to be. That's not to say that you need to be satisfied forever with where you are today. But you need to honor what you've accomplished, rather than thinking of what's left to be done (p. 159).

It was better walk with dignity than ride in shame. A lot of people in Cincinnati are saying, "Rather than have the continual problems of police brutality and economic disparity, I'm willing to make some sacrifices." And I think that they ought to be respected for doing that.

It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'

It was completely fifth garde and completely silly and I loved it, because he wasn't afraid to be silly. It was like kissing him first - I could do whatever I wanted and not have to worry what he'd think of me.

It was gonna be a race [2016] that set a foundation for the Left in the future. But given the math, I didn't think he was gonna make it. And so I started to shift to Hillary [Clinton] and to discussions of the platform and discussions of what to do.

It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.

It was good to launch the economy in the '50s. Japan did this; China did this; even South Korea did this. All the East Asians did this - import substitution. I think all countries followed import substitution in the '50s and in the '60s, but I think by the '70s, countries were getting out of that first phase of the strategy.

It was heartbreaking . . . I think it was disappointing because I had such an identity in being 'Mrs. Parker', and being a wife, and so when that's taken away from you, you [think], 'Who am I?

It was in Australia. I started in Cairns and went up to Cape Tribulation, Port Douglas and then went to Fraser Island. It was there that I thought was quite heavenly. I just decided to go back packing somewhere and that's where I picked. It was just before I got the role in Hot Chick. A friend wanted to me to go to Australia and I was thinking my career is just starting, it's not a good time to leave but she told me that my career would always be there and I was only going to get more immersed in it, and she was right. So it was a good time to go.

It was in the mid-70's, '74 or '75 I started doing leadership conferences for pastors and in '79 I wrote my first book "Think On These Things".

It was Kant who first rejected the Cartesian premise of the mind's self-transparency: the idea that when it comes to knowing our own minds, we just know what we are thinking or feeling, and do not have to learn how to perceive ourselves thinking or feeling.

It was extremely important to show that Wilde's sexuality was not just some intellectual idea. It was real, and it was about the human body. To just have mentioned it and not shown it would have been, I think, peculiar and wrong.

It was foreordained that I should go alone to Umvelos', and in the promptings of my own infallible heart I believed I saw the workings of Omnipotence. Such is our moral arrogance, and yet without such a belief I think that mankind would have ever been content to bide sluggishly at home.

It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.

It was important to me that people know that you can make plays and raise children at the same time - for other mothers, for other parents, for other women considering having children and who want to be working and thinking and contemplating and making things while they're raising children.

It was in the nineties. [Bill] Clinton was president. And Clinton was making, you know, the usual Democrat move on guns after some of event, and Wayne LaPierre said, "I think the president's comfortable with a certain level of violence.

It was, I remembered thinking, the most difficult walk anyone ever had to make. In every way, a walk to remember.

It was just such a complete shock to turn on the news one day and see someone that you know, someone you have passed in the halls of your high school. It got me thinking, 'Well, what are some novels that are about female sexual psychopaths? I really didn't have many references for that, and I felt like that was a void in transgressive literature that I wanted to fill.'

It was hysterical going to work. I would just walk in and think, 'What in hell? Am I here? What's going on? I'm going to wake up in a minute. I'm in a dream.'

It was ironic, but when you scratched the surface, most successful men were working for one thing only--to retire--and the sooner the better. Whereas women were the complete opposite. She had never heard a woman say she was working so she could retire to a desert island or to live on a boat. It was probably, she thought, because most women didn't think they deserved to do nothing.

It was easy and fun [filming in Hail, Caesar!], and I think it's easy to be intimidated by the Coen brothers, because they're quiet. They don't heap praise, especially upon themselves. It's not like they're walking around thinking they're the greatest thing on Earth.

It was easy not to think of my future; I didn't have one.

It was great and I had fun that day even though I was so sort of pleased when it was over to get through it. I didn't realize at the time that usually they screen test a number of actresses for the part, but they only tested me. So I think they knew then they wanted me to do it, and I wish they told me because I wouldn't have been so nervous. That was quite funny.

It was great fun, to learn anew. You think you know enough, but you don't. You must open up; let it in. be receptive, admit what you don't know, which few are willing to do. Start from square one. Again!

It was hard to trust someone enough to let them all the way in when I didn't think they deserved to be there. -Cora

It was in the '80s, so I guess big hair and high bangs. And I had so many gummy bracelets! While we were doing 'Full House,' we were like, 'You know, in 10 years, we're going to look back on this and think this is horrible.' But everyone looked like that!

It was in the spring that Josephine and I had first loved each other, or, at least, had first come into the full knowledge that we loved. I think that we must have loved each other all our lives, and that each succeeding spring was a word in the revelation of that love, not to be understood until, in the fullness of time, the whole sentence was written out in that most beautiful of all beautiful springs.

It was just one of those things," I said, "You know, that just happen. You don't think or plan. You just do it.

It was like she was thinking, How far can I go with this? How much more can I fit in my life without losing control?

It was natural to see the struggle for dignity for black people in America as a sister struggle of the Jewish struggle. So growing up, it was always a part of my breakfast cereal to think of myself as someone who was part of a larger struggle.

It was like when we went to Mexico City [Olympics in 1968] it was sun and shining and bright. When we came home it was chaotic and storms everywhere. I think the most devastating thing was to make the adjustment as to why so many individuals that you grew up with in the sport thought it necessary to turn their backs and walk away from you.

It was my father who could do no wrong. So I didn't think of it as, oh, look, my father's a violent man.

It was near curfew time, and I was dropping him off for the night. He shook his head. "Rose, I don't know if you're crazy or not, but I'm actually starting to think you might be the best guardian- or soon-to-be guardian- out there." "Did you just give me a serious compliment?" I asked. He turned his back on me and headed inside his dorm. "Good night.

It was never clear that it wouldn't just stop (the WWW). Any time during that exponential growth, it could have stalled. I think we were never very confident until 1993.

It was never just about painting everything white, I set out to create comfortable spaces - visually comfortable spaces. My mind always feels a little scrambled, so being in simple rooms helps me to think straight.

It was like being in the eye of a hurricane. You'd wake up in a concert and think, Wow, how did I get here?

It was my dream for years... to train. Dominic [Cooper] went and he's doing alright. But some people don't go and do brilliantly. Although I think there are things I missed from not having trained. I think I'd be more confident on stage had I gone because I think it means you're equipped with better vocal training and things like that.

It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.