Best 84908 quotes in «thinking quotes» category

It wasn't until I left that I realised it's not weird to grow up in certain cities and, by the age of 27 or 28, for all of your friends to still be alive. I can think of a lot of kids that I knew in Chicago who were supposed to grow up but didn't.

It wasn't until I saw James Dean that I began to think that maybe I could actually do this. Movies didn't have to be just this fantasy with this impossibly handsome guy.

It was one of those times when you can feel the air in a room. Everything stood still. I can remember the T-shirt I was wearing and the bag I was carrying. I don't think I breathed for 15 minutes. It was a devastating moment. They said they wanted me to experience more things. OK. I began contemplating things. Maybe I should take LSD or become a hooker. I left Juilliard and was just meandering and drifting for a while. Thank God I had support from my family and close friends. Bad times.

It was only in South Africa that I got over this shyness, though I never completely overcame it. It was impossible for me to speak impromptu. I hesitated whenever I had to face strange audiences and avoided making a speech whenever I could. Even today I do not think I could or would even be inclined to keep a meeting of friends engaged in idle talk.

It was outrageous that [Donald Trump] would be advocating [that] women who exercise their constitutional right and have autonomy over their healthcare decisions would be criminals, along with the doctors that served them. He did try to walk it back - I think pretty unconvincingly.

It wasn't good for my nerves, that kind of work - a fireman. I've got high blood pressure. I get upset easily. I don't think that was a proper career alternative for me.

It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.

It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

It was over now, and the meaningless world was tolerable and need not be explained. And never would it be, and how foolish I had ever been to think so.

It was pleasant to me to get a letter from you the other day. Perhaps I should have found it pleasanter if I had been able to decipher it. I don't think that I mastered anything beyond the date (which I knew) and the signature (which I guessed at). There's a singular and a perpetual charm in a letter of yours; it never grows old, it never loses its novelty. Other letters are read and thrown away and forgotten, but yours are kept forever - unread. One of them will last a reasonable man a lifetime.

It was quite unusual to use the recorder as a concert instrument. But my mother, a pianist, actually helped me a lot by assuming that anything done on the piano can easily be done on the recorder! She helped me with technique and was just as critical about my playing as she was with her own. I think that has been one of my fortunes.

It was not until I had graduated from college that I made a professional commitment to it. Frankly, I didn't think it wise. I was my own interior parental force, and it's very difficult to justify a profession as a dancer.

It wasn't my choice to be an open book, but when people found out what my life was like when I was 14 or 15, I didn't deny it. I think the more imperfect you are, the more human you are.

It wasn't through the mind, through thinking, that the miracle that is life on earth or your body were created and are being sustained.

It was one thing to use computers as a tool, quite another to let them do your thinking for you.

It was really hurtful to me. I get so much mail from young girls who say, 'I look up to you, you're not as skinny as everyone else, I think you're beautiful.' So when they say that my body is 'ugly' and 'disgusting,' what does that make those girls feel like?

It was so big, that view. I’ll never remember it properly. How can anyone remember something that big? I don’t think people’s brains are designed for memories like that. They’re designed for things like phone numbers, or the color of someone’s hair. Not hugeness.

It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.

It was the building from the drawing in my brain. And if you don’t think that’s a weird sentence, maybe you should reread it.

It was quite life-affirming, for me, that I felt hat kind of pity for [Margaret Thatcher], because I didn't think I ever would.

It was really bizarre, that Sabzian business. You know I had no interest in being photographed before this incident. But then not just Sabzian—many other people started pretending they were me! One of them actually got married while pretending he was me! My face became publicly recognizable soon after I decided to have a few photographs of me available in public to prevent these sorts of identity thefts. It is really pathetic, if you think of it. Filmmakers and filmmaking is so popular in Iran because all other forms of expression have been denied to people.

It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.

It was right after 9/11 and I decided to walk around the grounds of the Pentagon, because I had never been there. Out of nowhere comes this speeding camouflaged golf cart and this guy starts yelling at me, 'What do you think you're doing!' The guy wrote my name down and began to follow me before I got really scared and took off as fast as I could.

It was right then that I started thinking about Thomas Jefferson on the Declaration of Independence and the part about our right to life, liberty, and the pursuit of happiness. And I remember thinking how did he know to put the pursuit part in there? That maybe happiness is something that we can only pursue and maybe we can actually never have it. No matter what. How did he know that?

It was the hubris of each generation to think this anew, to think that their time was special, that all things would come to an end with them.

It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me.

It was right to overthrow Saddam Hussein. It was the regime itself that was a threat. I think in hindsight, what I would have done is turn authority back over to Iraqis much more quickly and say: "Your country, you figure out how to run it.

It was so ridiculous. We were just sitting there, thinking about how ridiculous it was because we literally had stray hairs on us. The camera couldn't pick up all the details, but we had some crazy things. We had huge slabs of fat on us and bits of nails and hair. It was disgusting. But, there's also the beautiful parts of it.

It was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of woman's life is that.

It was the joy of your life to know Clark Gable. He was everything good you could think of. He had delicious humor, he had great compassion, he was always a fine old teddy bear. In no way was he conscious of his good looks, as were most other men in pictures at that time. Clark was very unactorly.

It was really fun [on set of the Pineapple Express]. I mean, how could I not have fun? It was exactly what you think it would be.

It was really just the name that inspired me: Rainsboro. It's located near Rocky Fork State Park. I have probably driven through that little place a thousand times, but, in that weird way my mind works sometimes, one particular evening it just hit me the right way, I guess. Created a mood more than anything else. And then I started thinking about a woman and her young son who end up there.

It was scary. But it was so liberating. I thought, This is not predetermined - I get to choose. There are some days where I have to choose five times in a day. I had to make a choice when you called and the phone rang, whether I'm going to show up and be me, or whether I'm going to say what I think I'm supposed to say and get off the phone.

It was so much easier to blame it on Them. It was bleakly depressing to think that They were Us. If it was Them, then nothing was anyone's fault. If it was us, what did that make Me? After all, I'm one of Us. I must be. I've certainly never thought of myself as one of Them. No one ever thinks of themselves as one of Them. We're always one of Us. It's Them that do the bad things.

It was very tough with Madonna at the beginning of the meeting because I was very embarrassed. But I'm a strong woman who knows what I want and what I'm doing, and I think that when you have very clear ideas in your life, you can have conversations with everyone.

It were not best that we should all think alike.

It was thinking negative thoughts or thinking positive thoughts, leaving the house prepared or leaving the house unprepared that made the difference.

It was tricky [to write about Israelis], because everyone has an opinion about the Arab - Israeli conflict, and when I first started writing these stories, I was working for an Arab - Israeli human rights group. It was during the Second Intifada. It was this totally violent and intense time, and I think there's a part of me where I don't know how to write about that situation without getting my politics out of my messages, and that's something that was important for me not to do in this book.

It was very natural that people just think of me as a comic actor.

It was the lowest point of my life. I just kept thinking, 'What have I done to deserve this?' I didn't see the point in living.

It was the maxim, I think, of Alphonsus of Aragon, that dead counsellors are safest. The grave puts an end to flattery and artifice, and the information we receive from books is pure from interest, fear, and ambition. Dead counsellors are likewise most instructive, because they are heard with patience and with reverence.

It was the year they fell into devastating love. Neither one could do anything except think about the other, dream about the other, and wait for letters with the same impatience they felt when they answered them.

It will be difficult to return to racing this weekend after Marco's terrible accident in Sepang but I think it is the best thing we can do to honour him,” says World Champ Casey Stoner. We know we all play a risky game and, even if compared to the past the safety of our sport is much better, unfortunately these kind of events still occur. We will go out there this weekend and try to put on a good show for all the fans and especially in memory of Marco.

It was very exciting to see Alan Sugar, so I think I've peaked with excitement for the evening, because I'm a massive Apprentice fan.

It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.

It will be a shock to men when they realize that thoughts that were fast enough for today are not fast enough for tomorrow. But thinking tomorrow's thoughts today is one kind of future life.

It will be good for us in the long run, and I mean there are, you know, six and a half billion people in this world. And it's great for 300 million to keep enjoying more and more property, but I think it's terrific if, you know, the remainder do.

It was too difficult. People weren't prepared to put in the hours on the donkey work - you know, dates and facts and so on. I think in retrospect my generation will be seen as a turning point. From now on there'll be a net loss of knowledge in Europe. The difference between a peasant community in fourteenth-century Iran and modern London, though, is that if with their meager resources the villagers occasionally slipped backward, it was not for lack of trying. But with us, here in England, it was a positive choice. We chose to know less.

It would be a nice way to finish my career by remembering that I batted cleanup in the game in which my team won the World Series. But I now am convinced that I can still help, and if the right situation presented itself, I would have to think seriously about it.