Best 84908 quotes in «thinking quotes» category

I had a girls' writing retreat at my condo and a bunch of other female writers came down. Me and two other writers got there before everyone and they pitched this idea to me. At first I wasn't sure what direction it was going in, but then once they kind of explained to me what they were thinking, we wrote it.

I guess what I'd like to say is that people in Sierra Leone are human beings, just like Americans. They want to send their kids to school; they want to live in peace; they want to have their basic rights of life just like everyone else. I think we all owe an obligation to support people who want to do that.

I guess with the way that I've conducted myself I'm in the logical spot and I'm fine with that. Even my limited interactions with success have left me confused and bummed out, so I don't think the two can co-exist.

I guess you could say Alexander the Great was a man who completely transported me and moved me and inspired me because of his idealism, and I'd go back to the Greeks, and I always liked Homer and all the philosophers and their way of thinking and their concept of honor. I think their concept of honor does apply to the modern age, and certain people that walk around are pre-Christian.

I had absolutely no idea of how I was supposed to play. I never learned music! I was just thinking: "if anyone can do it, I can do it too.

I had actually been going to Hawaii for quite a while before I ever picked up the uke. I think with anything new you're going to get more enjoyment out of it if it comes to you quickly, and the uke facilitates that.

I had a good understating about press: that it's the actor's responsibility to publicize his or her films, that the press can be fun, that it's not about hyping yourself into stardom or trying to sell yourself as a hot ticket. I think a lot of young actors now are getting caught up in that.

I had a great deal of independence from the president and the White House during the entirety of my five years. And I'm not sure exactly what that is, but our friend, Walter Dellinger, has a theory about it, and I think he's probably right. And the theory starts with the fact that I worked in the White House for a year and a half before coming over to the position of SG. And because of that, when I was nominated, there was some chatter out there that, "Oh. They're putting a political hack in. This has never happened before.

I had a guy at the Groucho bar clawing at my arm nearly in tears saying that until he saw The Departed he thought Americans were the ones on TV. I didn't know you had accents. I didn't know you had a class system. I didn't know you were like us. To which the answer is, probably only where I grew up, but while we're at it don't watch television and think it's the United States of America.

I had a great deal of arrogance and a great deal of bravado, but I think the bravado was brought on by a huge insecurity.

I had a great time being a salesman because of the pitches that I gave when I was selling shoes. However, I don't think I'm as well versed in shoes as I am in comedy. Being a salesman was all about being a people person, and I enjoy being around people. I also love talking to people - which is why I think I did so well.

I had a holiday job in a kitchen, but I think well draw a polite veil over that. There was nothing joyous or creative about it. And none of this helped my studies.

I had a great childhood. I think writers are always better off when they have more twisted childhoods, but I didn't.

I had a lot of bad jobs but the one big internship I had is I interned for 'SNL' when I was 21 years old and that was the joke. You intern there and you think man, I'm going to be with the writers and the great comedians. Then you're getting everybody sandwiches and then the doors close and then all the great creatives are doing the work.

I had a lot of fantasies about being an architect when I was young, and I think I still do. On a visceral level, I'm very intellectually and emotionally attracted to acknowledging how space functions in our lives, both in terms of pleasure and in terms of control, and in terms of all those factors that form a life. I'm also very anxious and maybe repulsed by how superficial that whole dialogue can become.

I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.

I had a lot of nerves for a long time about career-oriented things, and I've slowly sort of let myself relax into it a bit. Part of me thinks that's maybe the effect of being on two hit shows. I like to think that maybe it's more: You do the things you do, and you do the best you can, and that's all you can hope for, and don't worry too much if it's not it.

I had a million-dollar arm, but I wasn't thinking enough about how to be a pitcher.

I had a mom and a pop who kept telling me that I was wonderful at a very early age. So when someone said to me, "Oh, you're stuck up. Who do you think you are?" I'd say, "I know who I am, and I don't mind being stuck up".

I had a long conversation with the imam, the Grand Imam of the Al-Azhar University, and I know how they think... They seek peace, encounter.

I had a long writing history behind me before I got into anything in film. It comprehended science fiction, it comprehended historical, it comprehended, you know, just about everything that you can think of.

I had always been scrupulously careful to avoid the smallest suggestion of infant indoctrination, which I think is ultimately responsible for much of the evil in the world. Others, less close to her, showed no such scruples, which upset me, as I very much wanted her, as I want all children, to make up her own mind freely when she became old enough to do so. I would encourage her to think, without telling her what to think.

I had an allowance, but I had to do things around the house to earn it. I think I always wanted my own money.

I had a happy, dramafree youth, growing up in an upper-middle-class neighborhood in Dallas, Texas. The only thing that was slightly unusual compared to most of my friends was that I was an only child... I don't think that's why my parents gave me a dummy, at least they've never copped to it.

I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me

I had a horrible life habit that I had to change. And I think it's very true, the later we make decisions in life that are important, the harder it is to manage those decisions.

I had all these desperate feelings. I kept thinking, How will I ever play football again if I can't even get out of this bed? I was an invalid. Football had given me everything: identity, money, confidence, friendships. I wondered what kind of man I would be without it.

I had always assumed that the right way to do it was to these engineers, put them in offices by themselves with doors that they could close so they could think deep thoughts. This is a terrible idea.

I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.

I had an indie pop phase, I had just about every phase you could think of.

I had a library of maybe 1,000 books in my room in Buenos Aires. I did have the sense that everything there was organised in the right way. You'll probably think I needed serious psychiatric treatment, but there were times when I would not buy a book because I knew it wouldn't fit one of the categories into which I had divided the library.

I had a list of about 35 restaurants, 25 of which were fast-food joints all around Los Angeles and I didn't get a quarter through the list. It just became me thinking about going to these places and wanting to enjoy the food and food just not being enjoyable anymore.

I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.

I had an idea to write something set back around the Civil War era, but I was just way too ignorant to think I could start it any time soon.

I had a party to raise money, spent 15 grand on the party alone. People ate, drank and left. I thought all these bigwig ballplayers would give; you know I had all the big players come. Nothing, I lost money on that party. I think maybe someone put like $400 in the pot or something. I was like come on, throw me a bone!

I had a professor one time... He said, 'Class, you will forget almost everything I will teach you in here, so please remember this: that God spoke to Balaam through his ass, and He has been speaking through asses ever since. So, if God should choose to speak through you, you need not think too highly of yourself. And, if on meeting someone, right away you recognize what they are, listen to them anyway'.

I had a really good time with Martha Stewart, who also is somebody I really admire a lot. I've learned a lot from her and I think all of America has, about attention to detail and using fresh ingredients and making things beautiful and special.

I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

I had a TV set and a typewriter and that made me think a computer should be laid out like a typewriter with a video screen.

I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.

I had a pretty regular childhood, with a rad mum who taught me to love reading and thinking and laughing, and (as far as I was concerned) a regular dad who drove trucks for a living and did radio interviews on weekends and got stopped in the street a lot when we went out.

I had a really regular progression--and this is really pleasant, I think--because I had small parts in TV movies, then bigger parts in TV movies, and then small parts in films. And I think this allows you to get...experience of the set and to get familiar with [the process]. And as I had a really slow progression, I think it really helped me to stay lucid and not get carried away.

I had a reputation of being somewhat moderate, partly, I think, because I wasn't a 'bomb thrower' like some of my conservative colleagues, and partly because I got along with people all across the political spectrum.

I had a very pleasant evening, however, though you will probably find out that there was no particular reason for it; but I do not think it worthwhile to wait for enjoyment until there is some real opportunity for it.

I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.

I had a really bad blushing problem when I was younger. The first time I ever performed was in an English class. I had an essay that I was supposed to write, and, instead of writing an essay, I wrote a song. So, I was playing this song in class, and I literally turned the color of this sweater that I was wearing, completely red. I think it was that feeling of challenging everything in me, my introverted personality. Like, "This is what you have to do. It doesn't matter if you do it wrong, you just have to do it.

I had a really generic upbringing, I think, when it comes to viewing movies as a kid. I didn't really know what was out there or what was being tried. I was, like, 'E.T.' and 'Indiana Jones.' Those were the only things I knew existed.

I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, "well if I'm going to fight against this, I should learn how to direct".

I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.

I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.