Best 84908 quotes in «thinking quotes» category

You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.

You have to listen to the movie while you're making it. I think that's important.

You have to live your life according to what comforts you, not what the rest of your family thinks you ought to be doing.

You have to make an effort to be in an unprotected environment because everyone thinks you're a completely incapable idiot who couldn't possibly brush his teeth without an assistant. You have to make an effort in order to be able to actually experience the country that you're in.

You have to make sure that you find projects that are not too similar and roles that are not too similar, so the challenges are new and you still learn things. I still think I can become a much better actor.

You have to react to what's around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.

You have to remember everything you've created. But then comes a moment when it's all automatic pilot, where it all comes together and you don't have to think about it any more.

You have to stop thinking about Billystorm in that way, right now! You have a different destiny, one that involves the future of the whole Clan. And it is a path that you must walk alone.

You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks

You have to resist falling in love with the money they [producers] want to give you. You have to really resist that, and you have to just think about the work and whether it's a movie that you would want to see.

You have to live in a state of thinking your painting is good, or you couldn't do it.

You have to look at your own thought forms. Are you sitting around and thinking a lot of negative thoughts? These injure the subtle body. When you hate, when you are angry, you bring that energy through you.

You have to love yourself before you can love anyone. I think that’s very, very important, no matter how old you are or what you’re doing. You have to be able to love yourself because that’s when things fall into place.

You have to make an effort to always look at the good side, always think about the good things. Then you've got nothing to be afraid of. If something bad comes up, you do more thinking at that point.

You have to really think about what kind of guy the character is and decide on a style that works, that complements my physicality and that's going to be believable, but also be compelling for the audience and for the camera.

You have to think about one shot. One shot is what it's all about. A deer's gotta be taken with one shot.

You have to think an awful lot about your motivations or people's behavioral intentions or what their body language can indicate or what's really going on or what makes people sometimes do, sometimes, the irrational things they do.

You have to think back to the '90s. The computer was this terrible-looking thing that was trying to compete with the television. And it was this idea of email and chat rooms and this kind of stuff that first people - got people there.

You have to think like a businessman or a businesswoman, and I can't wait to continue to grow, as an actress, but to also continue to grow as a brand and show people that I have so much more to offer.

You have to think of each stage of the movie and how it progresses, get into the state of mind of the character, and then match the camera to that, and keep making it tighter and tighter and crazier and crazier so people don't get bored. You know you cannot do a similar shot that you did at the beginning of the movie at the end.

You have to think outside the box.

You have to think there's a reason for everything. When a door closes another door opens.

You have to watch out with my plays. They're like yeast. You think they're one thing, then all of a sudden subtext gets to working.

You have to suspend thinking in narratives. The moment you are conscious of yourself the gap opens up. And in this gap, stories are generated.

You have to take away the idea that something you do is right or wrong. I don't think there's a right or a wrong; I think there's an "it works" or "it doesn't work" for the whole. And that's why you need a director you trust, so you can just keep throwing out suggestions.

You have to think hard with a tattoo. 'What will I love for the rest of my life?'

You have to think you're the greatest thing since sliced bread, but you have to know that you're not.

You have to work and think about how we can make this world a better place for all. This is what I'd really like to ask our young leaders. We will try as leaders of today to minimise the problems which we will hand over to you. But it is to you. You have to take ownership and leadership of tomorrow. For that to be possible, you have to strengthen your capacity and widen your vision as a global citizen.

You hear that liberalism lacks an idea of the common good, but I think that's a mistake.

You hear the word 'cancer,' it scares you. You think of death.

You human beings think that yoga is in some way going to make everything you want to happen, work out. You are going to be able to avoid what you don't want. That is not yoga. That is desire and aversion.

You have to think about whether that Mercedes-Benz you have is actually worth how much it costs to you.

You have to think about yourself and think about where you are and if you're happy. If you feel good and you feel happy, then that's the path you should be on.

You have to think like a designer. You have to establish the trend four seasons before it becomes popular.

You have to think outside the box. The world is changing every day, the music industry is so different but I think the more creative you are the better.

You have to think with the heart.

You have to understand your own psychology. You have to understand that human beings weren't really designed to invest. We have all these emotions that are appropriate responses if you're being chased by a tiger, but they're terrible responses if you've got a 30-year time horizon to think about investment or when you're trying to manage investment over 30 years.

You have twenty-one days to shoot a whole movie and sometimes you go into that thinking ugh, this could potentially be really, really difficult and it turns out to be the most incredible experience.

You hear about how many fourth quarter comebacks that a guy has and I think it means a guy screwed up in the first three quarters.

You hear about quality time a lot but I really think that quantity time with a person is really what strengthens a relationship. That's when you really get to know somebody. You get to know their strengths and their weaknesses and that brings you closer. That's what 'Time Is Love' is all about.

You have to think about how you're going to present yourself and want people, wanna show your stuff and who you are

You have to think about your image and how you want people to view you. And if it becomes too much, people will get kind of tired of you.

You have to think before speaking. That's a quality I'm continuously evolving. For some reason, it seems like I'm bumping my head into the wall a little bit too many times.

You have to think, when I was growing up Internet was a thing but no one had it. We didn't have it at the house, so music was not accessible at your fingertips. Whatever you had in your CD player was what you had, and a CD was $15.99 and if you weren't 18 years old, it couldn't have any cuss words on it. Now it is so accessible.

you have to understand. i wasn't just thinking of me. i was thinking of her, too.

You have trust in what you think. If you splinter yourself and try to please everyone, you can't.

You have two choices: You can come down from the mountain and spend the rest of your days thinking it was so beautiful there, or you can create a vision, look upward, see the next mountain, and start the climb all over again.

You hear about things happening to people - they slip in the bathtub, fall down the stairs, step off the curb in London because they think that the cars come the other way - and they die. You feel you want to die making an effort at something; you don't want to die in some unnecessary way.

You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.

You initially become funny as a kid because you're looking for attention and love. Psychologists think that's all to do with mother abandonment. I think John Cleese has his depressions, and Terry Gilliam's the same. All of us together make one completely insane person.