Best 1940 quotes in «listening quotes» category

I try to forget about the expectation that's out there and the audience listening for the next thing so that I'm not trying to please them. I've spent a huge amount of time not communicating with those folks and denying that they exist.

I try to listen attentively to musical sounds around me. You can think of the sounds of daily life as being musical. So I try to absorb the intricacies of the sounds as I would if I were listening to a piece of music. I try to see the beauty in everything.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.

It's a big part of my life, listening to music and watching TV.

I try when I'm writing to fill my head and my ears with all sorts of stuff and then let it settle and filter through. At a certain point it seems like fruitless activity because you're taking a lot of time and not seeming to get anything. And then, slowly, you realize you've actually digested elements and that your thinking is being freed up and the way you build up compositions is changed as a result of what you've been listening to.

It's about listening first, then selling.

It's a fact of life that how you dress affects how you are perceived and whether your contribution to a meeting is registered as worth listening to.

It's all about the music. For me, that's truly what I live for. Just music constantly. Always listening to, writing, or playing music. That's definitely me.

It's a major part of world history that men are trying to kill each other. It's just one slaughter after the other. We talk about it, but no one's really listening.

It's amazing what we lose in life by listening to fear, instead of listening to God.

It's becoming clear that the world is listening, so now we're trying to get new groups of people talking.

It seems at times I should be a composer of sounds, not only of rhythms and colors. Walking under the trees, I felt as if the color made sound.

It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through.

It's going to take about a year or two for the transfer to be completed. We have a certification program so professionals can teach deep listening.

It's incredibly easy as a director to be egotistical. Of course, it is because you have 200 people on set every day listening to your every word and whatever you say goes, and that can be slightly corrupting. And actually, to be a good director, you have to take ego out of it, because hopefully what you've done is surrounded yourself with brilliant people. Let them be brilliant and you just shepherd that and marshal that and hopefully guide it however you can, but definitely not to the extent that you're overbearing.

It's insane that there are actually people listening to my music all over the world, which is amazing.

It's irrelevant to me if other people know who I am. I'm just, I'm really happy. It calms me down, too. If you're on top of an oilrig, fighting with politicians, or whatever - you need a bit of wisdom to realize that you're not always right, or that you're not always being reasonable, or you're not always listening.

It's just like music when you reckon it up. It's like, listening to Pavement, it's just the Fall in 1985, isn't it? They haven't got an original idea in their heads.

It’s not fair. People claim to know you through the things you’ve done, and not by sitting down and listening to you speak for yourself.

It's not like I listened to music and then stopped. I still don't have a real appreciation for music because I didn't really start listening to it until my 20s.

It's probably listening to country music that got me to start playing a lot cleaner, not as distorted.

It's so important to have your own relationship with the Lord. That is the number one thing I would say. Be sure that you are getting to a place where God is your best friend. He wants that relationship with you. He wants you to be in love with Him like that. It takes time. It takes discipline to spend time in His word and spend time listening to stuff that's going to pour life into you and not just thinking about your appearance or things that a lot of music tries to tell you to do. Be careful of that. Be careful of what you're filling your spirit with.

It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.

It's really fun doing scenes with people when there's no written dialogue because you're really listening to each other, you're playing off each other, because that's all you have as a guide.

It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment; it sets a specific mood.

It was fascinating listening to this wonderful biologist, Sarah Allen Miller, speak of her relationship to these beings for 20 years.

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.

It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting on myself, and listening to long tones.

I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.

It wasn't until after private lessons and learning bass lines that I even noticed bass in the music I was listening to at that age. My ears were blown wide open.

It was Silver's voice, and before I had heard a dozen words, I would not have shown myself for all the world. I lay there, trembling and listening, in the extreme of fear and curiostiy, for, in those dozen words, I understood that the lives of all the honest men aboard depended on me alone.

I usually enter the studio with a mix of songs that I've been listening to that are relevant to the sound I want to achieve.

It was psychological trick called empathic listening. You say what the person is feeling so they feel understood.

I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!

I used to love 'The Lion, The Witch and the Wardrobe,' and I can still remember listening to them before I would fall asleep. I can remember the first ten minutes of the book perfectly, but whether I knew the rest of it was slightly more dicey.

I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.

Ive always been a daydreamer. When the other kids were playing, I was listening to the roar at Yankee Stadium - I was always attracted to the roar of the crowd.

I've always listened to jazz or folk or blues. I was always listening to the prophets. I don't really go for...I don't know how to say anything about the singles scene without slamming people.

I've always seen myself as the person listening to alternative music and all that - generic indie person. I always tried to be the least pretty I could be.

I've always written poetry but I didn't realise it was a therapy for me until I was maybe 15. That's when my singing started to come together as well because I was listening to so much jazz. What I love I will always embrace.

I've been listening to a lot of Hollies stuff lately, and it's beginning to sound pretty good to me.

I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.

I've been listening to a lot of John Coltrane. I don't know if that would or wouldn't surprise anybody. I go through different phases - sometimes I want to listen to music that's just pummeling.

I've been listening to quite a lot of classical music like Erik Satie, and quite a lot of blues.

I've been a Michael Jackson fan ever since I can remember listening to music. I love his music.

I've been evolving in my stunt career Stunts have always had their place, and I have to measure them now. I've done things where, if I make a mistake, I could die. You really need to look at each thing. That usually is a mechanical failure. So, I have gone from doing everything, to listening and saying, "Maybe I shouldn't do this.

I’ve been listening to how the Roman Empire fell and all I can say is, it didn’t fall nearly fast enough!”-Iggy

I've been told the weirdest things: 'Yeah, I love taking a bath to your music!' or 'I gave birth to my daughter while listening to your music.'

I've got a lot of things that are probably obvious, not much outside the box right now. But, I have been listening to a lot of classical music lately for some reason. I used to do that a lot when I was doing cabinet making in New England. I've sort of returned to that for some reason. That might be surprising to people.

I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.