Best 1940 quotes in «listening quotes» category

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    I didn't really grow up listening to blues, because I grew up in the Northwest. It wasn't really the center for blues.

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    I didn't really - at least intellectually and creatively - have a particularly compelling experience in college. But during my junior year, they made the TED talks public. So I started listening to them. They were producing one per day, and I was listening to one per day, every day, at the gym.

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    I’d like to be remembered as someone who used their ability as a novelist or as a dramatist to say the things he felt needed to be said about the society while being as entertaining as possible. Because if you don’t entertain, nobody’s listening.

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    I do do a lot of talking, because it saves me listening.

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    I do find that if I go out for a meal I can be listening to a few conversations at once all around me. It can drive my partner bonkers a little bit. But it's about being able to tell a lot of very different stories as well as you can and I do genuinely love what I do.

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    I do love listening to singles casually, but that moment, the thing I'm mining the singles for, is something that makes me dig deeper and find a layered offering that allows for discovery after discovery.

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    I do not want to leave in [U.S.] ... I cannot make that clear enough to immigration authorities who may be listening to this interview. I don't want to leave, so please don't make me.

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    I do not remember joy or sorrow in childhood, but listening for clues.

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    I don't belong to anything, nobody's listening to me and I don't have any levers that control my own life.

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    I don't care who I play to, as long as they enjoy listening to what I play.

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    I don't care what anybody says about Ringo. I cut my rock-n-roll teeth listening to him.

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    I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.

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    I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.

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    I don't have any phobias with any language, and I've grown up listening to Anglo-American rock n roll as well as Welsh-language punk rock and I'm all for sharing languages.

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    I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

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    I don't go around, the way many musicians do, with earbuds in my ear listening to my iPod all day and just sticking my head in the music all the time.

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    I don't have an agenda. I don't have things I want to get to or something. I have like a broad, slim grasp of certain periods and certain shows within that period, an awareness of them, but they demand re-listening. I have a flimsy grasp of all the eras and ideas within each period of what would be a good show to think of.

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    I don't know if everybody does, but I have a really hard time listening to myself on recordings, unless we've spent weeks and weeks and weeks listening and mixing.

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    I don't know what happens when people die Can't seem to grasp it as hard as I try It's like a song I can hear playing right in my ear That I can't sing I can't help listening

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    I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.

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    I don't know that I have a single comedy philosophy. But talking about things that matter to you is a good place to start. Listening is a big part of it, too.

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    I don't know what type of music my son will want. By the time he starts listening to music, really, at like 15, 16, I'll probably have 10 albums out by that time.

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    I don't like going back and listening to myself. It makes me uncomfortable, and I know I can never emulate what I did that night, so why listen to it?

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    I don't like listening to music that isn't real.

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    I don't listen to a ton of music other than putting my show together, just because my lifestyle isn't too conducive to listening to music all the time. I like to watch basketball, and I would rather not listen to music while I'm doing that.

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    I don't mind either one [crowd that is more willing to interact or crowd that's more ready to just watch]. Both of them are forms of listening to what I'm saying so I can't ask for any more than that.

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    I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.

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    I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.

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    I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

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    I don't think anything will change until Americans revolt and get it into their heads that they need to be informed voters instead of just listening to the paid political ads.

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    I don't purchase records. I do enjoy listening to things like Japanese folk music or Indian music.

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    I don't really like listening to the radio so much.

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    I don't see how being married could be any worse than listening to you talk for twenty years, but that still ain't much of a recommendation for it.

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    I don't think anybody is anybody else's moral compass. Maybe listening to my music is not the best idea if you live a very constricted life. Or maybe it is.

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    I don't think you'd call me a traditionalist. But you can say I have an old soul, because I grew up listening to Conway Twitty and Hank Williams.

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    I'd still say that visiting the stores and listening to our folks was one of the most valuable uses of my time as an executive. But really, our best ideas usually do come from the folks in the stores. Period.

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    I enjoy listening to opera at home, occasionally, but I would much rather see it than just listen to it.

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    I enjoy writing rhymes and sitting alone in a room listening to beats. It's pretty amazing.

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    If anything I think we connect to what our parents were listening to when they were our age. I'm listening to a lot of classical and electronic music, like Aphex Twin, non-vocal music.

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    If anybody had a sense of history, it wasn't me, I'll tell you that. I, I was just enjoying life and, and making a living and, and, you know, listening to all this good music. No, there was never in my mind any kind of sense of history, nothing.

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    If animals could talk, the world would lose its best listeners.

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    If a man has enough power, he can speak softly and everyone will listen

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    If a teacher wants to know something why doesn't she look it up herself instead of making we students do it? We benefit ourselves more by listening to her, after all she's the teacher!

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    If I could talk it like Dahoum, you would never be tired of listening to me.

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    I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.

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    I feel that the BBC World Service is not as versatile as it used to be - or perhaps I'm not listening at the right times.

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    If I dare to hear you I will feel you like the sun And grow in your direction.

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    If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.

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    I figured if you want to get to where John Hammond is or Billy Gibbons is or Peter Wolf is, you have to start listening to the same stuff they did, and learn from that, and that's what I did.

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    I feel that people spend as much time skipping songs as they do listening to them in their library.