Best 926 quotes in «musical quotes» category

The great familiar musical works are always greeted by the audiences as ever welcome and beloved friends.

The great Initiates in the spirit world have vast and imposing plans for the musical future. What is this plan? It is to use music as an occult medium through which to develop altered states of consciousness, psychic abilities, and contact with the spirit world. Music in the future is to be used to bring people into yet closer touch with the devils; they will be enabled to partake of the beneficial influence of these beings while attending concerts at which by the appropriate type of sound they have been invoked.

Theirs [the Beatles] is a happy, cocky, belligerently resourceless brand of harmonic primitivism... In the Liverpudlian repertoire, the indulged amateurishness of the musical material, though closely rivaled by the indifference of the performing style, is actually surpassed only by the ineptitude of the studio production method. (Strawberry Fields suggests a chance encounter at a mountain wedding between Claudio Monteverdi and a jug band.)

The harmonica is the world's best-selling musical instrument. You're welcome.

The harmony of the universe knows only one musical form - the legato; while the symphony of number knows only its opposite - the staccato. All attempts to reconcile this discrepancy are based on the hope that an accelerated staccato may appear to our senses as a legato.

The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural... Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.

The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.

The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.

The main reason for the break was a combination of travel and going back to university, which drew me into theatre more than music. I did stuff on acoustic guitar when I was traveling, filed it away and made notes, without it being musical notation. Just taped the odd thing, did a sketch, stuck it on a cassette. I thought at some point, I'll go back to it. Some of it I did use in '84-'85 when I started working in the Free Theatre in Christchurch. So it might seem like I had given up after the Pin Group, but I just went into a different avenue.

The Lounge Lizards were relating with a tradition and it was like I was playing within a musical context. The guitar playing stood out as being different in some way. That was a real education for me.

The Latin musical tradition is very rich and gives the singer a lot of freedom to explore a range of

The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.

The more people who come from musical backgrounds and go into promotion, production, songwriting, A&R, plus get their business head together, the better. They'll not only understand the business aspect, they'll also have a true passion and ear for how quality is represented musically. Plus consumers will always have a hunger for R&B music.

The most consistent musical experience I had growing up was church music.

The musical theater is a glorious and distinctly American innovation in the history of theater.

The musical stuff I'd go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

The musical heritage of Yorkshire is deep and wide.

The musical mystery is: How do you marry tuned percussion and voice? On a metaphorical level, everything that's really important - like the clouds, the sky and the earth - is a giant mystery.

The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.

The musical instuments may be western but my voice never wavers away from my own ragas. it is good to make experiments and I do a lot of them but my thoughts always round the centre and that centre is the tradition of my elders and it is classical music...

The musical is the one area of the theater that can give you the biggest buzz of all.

The musical performances do more than enrich the movie; they complete it.

The online musical universe has become Balkanized, with many sites focusing on minute niches. That works well for reaching very specific demographics, which is wonderful for advertising, but it flies in the face of the common wisdom that people's tastes have become more diverse as music of any description has become a mouse-click away.

The many sounds of Memphis shaped my early musical career and continue to be an inspiration to this day.

[The original Sister Act] is running all over the world now, on-stage as a musical. It lives!

The majority of people mistakenly feel like they don't need a live musical experience.

The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music....The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating.

The pieces that have survived, the ones that we all love, were not all popular in their time. Just look at Beethoven's late string quartets. The music that the musical community selects, however, is usually the very best.

The pianoforte is the most important of all musical instruments; its invention was to music what the invention of printing was to poetry.

The position of the planetary bodies at the moment of birth is a musical score done in planetary symbols of the heavenly harmonics and dissonances as these are played into the life of the incarnating ego.

The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.

The pull between sound and syntax creates a kind of musical tension in the language that interests me.

There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.

There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.

There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.

There are performances in which the people who have the best muscle skills and musical history may be on the stage, but it's not  -  like a Dead show is not like a usual sit-down performance; the audience does participate.

There are so many millions of records out there, you should always be playing old and new together. This way, people can respect what the early elders of certain musical tastes have given to what we are now, and where we're going in the future. I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.

There are so many parts of music that it's actually a pleasure for me to work with an orchestra, or a jazz band, or a choir, and use every element that the musical tool box can offer. The world of music I love so much, and I can change the costume depending on the part, and I'm actually in the film.

There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.

There are two kinds of success. One is musical or artistic and the other is commercial.

The record is definitely a musical journey. It's kind of all over the place, which I like.

There are millions and billions of atoms of memory of all kinds of musical themes in me.

There are more bad musicians than there is bad music.

There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.

There is a kinship between music and painting - with the same words used to describe both, as when a musical composition is said to have color and a painting to have rhythm.

There is a sort of convergence starting to happen between the computer and musical instruments, but it's still quite a long way off.

There is an assumption that if you're young and pretty, you will get all these opportunities that are way beyond your musical foundation.

There has been studies looking at like musical talent and it shows that there is actually a really large genetic component involved.

There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.

There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.