Best 926 quotes in «musical quotes» category

If you remove tone from music, you have something, but what? I find it difficult to call it music.

If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.

If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!

I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.

I got signed with the songwriting deal when I was sixteen and they were really great - my publishers, who to this day are still my publishers and are like my musical family, my second family - they took me in and taught me what a good song is.

I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.

I got started as an actress doing musical theater, and I always loved 'Grease' and 'West Side Story,' and all those kind of movies.

I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.

I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.

I grew up hardcore. I learned to be more responsible - and fiscally responsible - you know, I just wanna be a kid again! Do a musical, have tons of time or something.

I grew up in a musical family, but nobody was a professional musician.

I grew up in a very musical family, my father was a musician and a big band leader and made records.

I grew up in musical theatre and love to perform on stage.

I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.

I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.

I grew up listening to my grandfather's stories of our musical past. He would often talk about the orchestras that played at concerts and the musicians who played on Sunday evenings on street corners. By the time I grew up in the '80s, all of this was a thing of the past. I lived vicariously through his stories and often wondered what it would have felt like to have been part of his generation.

I had been wanting to do a musical for a really long time. I wanted people in New York to know that I can sing.

I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.

I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

I had the radio on, I was driving. Trees flew by, me and Del were singing, Little Runaway, I was flying.

I have a pretty wide range of musical tastes.

I have absolutely no musical talent of my own!

I have always had severe problems with Austrians. ... Musical, churchy, uptight... nice legs... hypocritical... authoritarian... always insist their dustbins are very clean.

I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.

I had trouble fitting in, in a musical sense. A lot of drummers get sidetracked by the instrument. It can engulf you.

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

I have always been intrigued with singing and I actually started my career in musical comedies.

I have been singing as long as I can remember. I used to be in choir; I used to do musical theater. I'd prefer not to sing my own songs, but there you have it.

I have been exposed to most musical genres and have learned how to tackle them effectively.

I have heard Ori Kam on several occasions over the last few years and have always been deeply impressed with his playing. He possesses a rare combination of musical talent, technical facility, intelligence, and charisma, and he is undoubtedly one of the most extraordinary young artists I have heard in recent years.

I have ideas for songs all the time, but musical ideas, like melodies, really come out when I'm in nature.

I just want to try everything. I want to see how good I can be, the best I can be at what I'm doing. I want to do everything. You know? I want to be in a musical. I want to do everything. I want to try and sing.

I just always wanted to be an actor. I don't remember ever not wanting to be an actor. I did a lot of musical theater when I was younger, and I really hope to get back there someday.

I have to be very original and have a strong musical voice. I don't want to be a copycat of anybody.

I initially told people I wanted to be a dancer and ultimately a "Rockette." I didn't really know what a musical theatre performer was other than the Shirley Temple type.

I just know so many people who have six or seven foreign languages and have read everything and have musical training and they are still dorks

I kind of go for the MGM version of every musical style.

I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.

I like to say that I had a really good musical education because it was inclusive of all styles of music and I like it like that.

I know, it's weird that I've never done a musical. I turned down two of them. 'The Lion King' and 'The Producers.' I turned two of the biggest Broadway musicals down, am I a mess?

I know that there's a lot of room to maneuver in those kind of ghostly musical spheres.

I liked the opera very much. Everything but the music.

I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more.

I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.

I like bringing poetry's focus on figurative language and compression into the essay. Of course, the musical properties of language, the cadence of the sentence, are really important to me in prose.

I like to think of myself as a pure rebel; A radical thinker on a musical level.

I like to work with artists who are as wide in their musical taste as I am.

I listen to 50 Cent, Jay-Z, Stereophonics, Arctic Monkeys; also the musical Oliver - I can sing every tune.

I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.

I'll do a musical. An ass-kickin' musical!