Best 926 quotes in «musical quotes» category

Bought the Vegematic and Pocket Fisherman, too, illuminated illustrated history of Life, and Boxcar Willie.

Britney Spears has shoulders like a man.

Bruce Katz is a spectacular talent! He's a brilliant composer and arranger who uses uncommon and unique musical intelligence to redefine jazz and blues far beyond the pale of the accepted definitions of keyboard competence. Whether on piano or organ, when you hear Bruce Katz you know it's him, unmistakably and uniquely.

Broadway has changed tremendously from the early days when the shows were referred to as musical comedies. Musical Theater is now a more expanded art form. Back then, singer/actors were not the norm. From the 60's to now, it is necessary to do it all to be a consummate Broadway performer.

But anyone who's done a musical knows; whether you're dancing or not, physically it's the most difficult thing you can do.

But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.

But I mean, again, Zappa's far more musical than the Bonzos ever were.

But it is equally necessary to consider the implications for a society if there are fewer and fewer young people making music because we are economising on music schools or musical education in schools.

But I wish they would make a musical of some kind. I miss musicals so much. You don't see them anymore.

But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.

But the stuff that I do is more like all the comic roles like in The Merry Widow and Die Fledermaus and I just did this Offenbach operetta at the LA Opera. I love it. I just love it. For me, it's like a great mesh of musical theatre and my classical oboe background to be standing on these huge stages with a full orchestra and all the opulence. I'm a complete sucker for the over-the-topness.

CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression.

Change is growth. For me it has been a very spiritual and musical rebirth.

Compose in the sequence of the musical phrase, not in sequence of a metronome.

Composers and musicians have always starved and, as this is a sentimental country, we think the tradition should be continued.

Commercial record has never interested me. It's amazing I was in a band like The Police that had such phenomenal commercial success. Part of what made The Police what it was was that we didn't all come in with obvious mainstream musical tastes. We were a rock band and somehow we had to make rock music, but it was informed by a lot of things outside of the mainstream for sure.

Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.

Composers are in some ways the last frontier of musician that gets a paycheck for their musical services.

Critics can't even make music by rubbing their back legs together.

CSPS is a breath of musical fresh air. With a whale sized hooks and neck wrenching riffs you’ll have more than you need to fall head first into this band’s fanbase. Take a listen and see what all the fuss is about. I’m sure that if the bone tight rhythm section doesn’t lock you in, the finely spun lyric and melody will surely ensnare even the pickiest of musical palette.

Dates and periods are of interest only to the student of musical history.

Dave Rocha is a mature and eminently musical improviser. His sumptuous tone and cafefully chosen notes embody real musical thought. His performance of 'Dear Old Stockholm' at Chez Hanny evoked favorable comparisons to Miles Davis' classic recording.

Different musical instruments provide for different music.

Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is. As a composer I make my music through Deep Listening

Detroit's a great music town. If your interaction with it was mainly musical, I'm sure you have a good opinion of the place.

Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.

Downloadable music is the biggest musical phenomenon since the Beatles, and the music industry is slow to come to grips with that.

Don't play the notes. Play the meaning of the notes.

Do you know anything about silent films?" "Sure," I said. "The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn't until the 1920s that sound became truly incorporated into films, eventually making silent ones obsolete in cinema.

Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.

Duke Ellington is my choice for many reasons. Nobody has written so many great pieces of music, which are everlasting, and he has made them available to the world through his orchestrations of his work in a unique way. Lastly, he was himself a fine pianist. He covers the entire musical spectrum with his genius.

Essentially a joke is creating an idea, whether sonic or visual, whether it's something musical or a traditional joke.

Education in music is most sovereign because more than anything else rhythm and harmony find their way to the innermost soul and take strongest hold upon it

Education is more than Pisa. Particularly musical education. We also need education and training for more than reasons of usefulness and marketability.

Each day for me is a musical note that I use to compose the symphony of my life.

Editing is fun for me. That's where you make things happen. Filming a movie, I just try to set things up and see where it goes. Editing is a puzzle. I often don't even know what I'm trying to say. I'm just trying to make myself laugh. That's it. It's musical, or something.

English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.

Even if you can't sing well, sing. Sing to yourself. Sing in the privacy of your home. But sing.

Even if you're improvising, the fact that beforehand you know certain things will work helps you make those improvisations successful. It really helps to have a certain amount of knowledge about musical structure.

Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

Everybody is different. Some comedy is more musical like Steven Wright. His is a pillar of comedy to me. He invented a whole form and all his jokes are poems. So it's different. I wanted to do it like George Carlin. Now I do it like me.

Everybody ought to listen to Benny [Carter]. He's a whole musical education.

Eventually we want to do a puppet musical with turntables in the orchestra pit.

Everybody was on the same page. Nobody has really gone out there on a different musical journey. When we got back together again, we all wanted to do the same kind of music.

Every part of every song can have a totally different musical sound, because otherwise if I wanted to go from a verse of one song to the chorus of another, I'd have to go: "Uh, okay, press that pedal and then... press that pedal, and then press that pedal off.

Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you're instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do.

Everyone will recognize that each sound carries with it a tangle of sensations, already well-known and exhausted, which predispose the listener to boredom, in spite of the efforts of all musical innovators.

Every disease is a musical problem. Its cure a musical solution. The more rapid and complete the solution, the greater the musical talent of the doctor.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.