Best 926 quotes in «musical quotes» category

I'll do a musical. An ass-kickin' musical!

I love everything. I don't see myself doing a really serious drama in the next five to ten years. I don't feel mature enough for that yet. But I'd like to make a pure action movie one day or maybe I can do a comedy again. I do like everything. But I don't feel ready for a musical or something like that. That's not my thing yet.

I loved 'White Christmas' for the music aspect. I was into musical theater.

I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.

I love musical theatre because I love doing a live performance eight times a week.

I love music. I'd love to go on Broadway and do a musical there. I just like to kind of go with whatever's inspiring at the moment, and kind of follow that as far as I can.

I love musical festivals Pukkelpop, Lowlands, and Glastonbury. But Roskilde is great - it's one of the things Danes try to be proud of. Actually, I usually try to set up a clothing pop-up shop at the festival every year.

I love musical theatre and my dream is to do Once On This Island.

I love music, singing, and playing piano (though I'm not very good). And I adore musical theater.

I love the American musical for the simplicity of emotion that gets expressed.

I love the musical form of books. It's a different way of doing things, it's very beautiful. You're able to sing things instead of saying them. So what the heck - why not do them?

I love the intimacy of making movies. The focus is deeper and much more intense than musical theatre.

I love to act, so the only way I could act was through community theatre and they would just do musicals. My musical upbringing was show-tunes and it sucks and I have been trying to get away from it ever since.

I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.

I'm always looking for poetry's place in the prose. For that moment, let's say, that arrests time, or that sentence in which the musical matrix or trope, the sounds of the words arranged in a way that heightens perception, a tunefulness that more clearly defines and transfers the feeling I'm after to the reader.

I'm always looking for a kind of new musical entity to sort of move into a motion picture venue

I'm always making music. I'm constantly making little musical recordings on my phone or on a little voice recorder I carry with me so I can remember these little pieces of music that eventually becomes songs.

I march to a different drummer, whose location, identity, and musical training haven't yet been established.

I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.

I'm asthmatic. I was a lot bigger back then, and I still get winded on stage today. But I've learned how to pace it now. I have musical breaks in there.

I'm a storyteller, and there's some genres I like. I don't think I'm ever going to do science fiction, but I want to do a musical one day. I want to tell stories, I don't really try to get boxed in by a specific genre.

I mean, I sing. But I don't think I'm a good enough singer to do any kind of musical.

I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.

I'm constantly discovering things. Like Bobby Bland. Right now I suppose I'm into the Eighties, which turned out to be a great musical period.

I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.

I met a lot of amazing people whose lives were changed (for the better) by the power of music. Music gave them strength to get out of abusive relationships or to just pick up a musical instrument and learn to play.

I met Prince William at a musical festival and he let me know he was a fan of my music. But the invitation to sing at his wedding reception came completely out of the blue. The fact that Kate and William knew the words to my songs was very touching.

I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.

I'm hoping to do a Broadway musical on the life of Rasputin. He's someone I can definitely identify with.

I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.

I'm hoping to do more with my music. I did the stage musical 'Spring Awakening' recently and it reignited the love I have for singing.

Imitate, assimilate, and innovate.

I'm learning to play piano. And also the musical saw.

I'm not in "Bend and Snap." But, I will say that when I first heard they were making Legally Blonde into a musical, I thought, Well, of course, there's going to be a bend and snap number, because it's just, I think, one of the most natural moments in the movie to expand into a musical number.

I'm not denying that in the world there's been some tremendous musical happenings, like DJ Shadow or whatever, that kind of thing. But when it goes into the weird thing where you get a remix done by a certain person because they need a brand name, that's when it becomes really discouraging.

I'm not into music - the only music I like is musical theater, but I have every Ween album.

I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.

I'm personally more struck by visual things more than musical.

I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.

I'm not saying every musical theater actor can do film or television, but a lot of them can. A lot of them are brilliant actors who absolutely don't need to sing to prove their ability and don't get the opportunity.

I'm not shutting doors on myself, in any way, within theater, musical theater, TV and film.

I'm very eclectic in what I like and what I listen to. But my favorite musical ever is "The Sound of Music." That was actually one that inspired me to sing.

I'm trying to bring a new generation into the musical theater and to create a new audience.

I'm very happy with the things I do. Maybe I'm just lucky I like to do so many things. I don't remember any musical job that I did only for the money. Even when I worked as a music supervisor on cruise ships I did it for romantic reasons. When I work for TV it's because I want to.

I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.

I needed another basis for musical structure. This I found in sound's duration parameter, sound's only parameter which is present even when no sound is intended.

I'm working on my life story. I'm not decided if it's going to be a musical or a movie with music in it.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.

I never learned to verbalize an abstract musical concept. No thank you. The whole point of being a serious musician is to avoid verbalization whenever you can.