Best 432 quotes in «piano quotes» category

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    Pay attention to the gap - the gap between two thoughts, the brief, silent space between words in a conversation, between the notes of a piano or flute, or the gap between the in-breath and the out-breath. When you pay attention to those gaps, awareness of 'something' becomes - just awareness. The formless dimension of pure conciousness arises from within you and replaces identification with form.

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    Pianos tend to get better as they age, the more you play them. They grow into their sound.

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    Played percussively, the piano is a bore. If I go to a concert and someone plays like that I have two choices: go home or go to sleep. The goal is to make the piano sing, sing, sing.

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    Piano is very elegant. I also think it's a very truthful instrument.

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    Quoting Demosthenes, 'For what each man wishes, that he also believes to be true.' I would rather make money playing a piano in a whorehouse than arguing that no cost is incurred when employees are paid in stock options instead of cash. I am not kidding.

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    Second edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.

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    rain began to beat at the narrow lattice windows in the stop-and-start manner of an untalented child practicing scales at the piano.

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    Renzo Piano and Richard Rogers's Centre Georges Pompidou of 1971-1977 - the true prototype of the modern museum as popular architectural spectacle - wound up costing so much more than planned that the French government solved the shortfall by cutting support for several regional museums.

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    Rugby players are either piano shifters or piano movers. Fortunately, I am one of those who can play a tune.

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    Since I was three I've been playing the piano. I've been onstage.

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    Sometimes I can only groan, and suffer, and pour out my despair at the piano.

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    Slap some keys on her and we'll have a piano.

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    Smart girls know how to play tennis, piano, and dumb.

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    So I always liked to sing, and apparently when I was about four or five I also started to be attracted to pianos and musical instruments. Whenever we went to a friend's house, I vaguely recall climbing up on the piano, plunking on it, and trying to figure it out. So my parents figured I was interested and asked me if I wanted to take piano lessons. I said sure.

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    Some days I feel like a piano: kind of short, always in black & white, always expected to produce music.

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    Since I was three I've been playing the piano. I've been onstage. My mother is an Evangelist and I used to play the piano at her revival meetings.

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    Solving problems is a practical art, like swimming, or skiing, or playing the piano: you can learn it only by imitation and practice.

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    Sometimes it's nice to try different instruments because they have a different sound to offer and therefore your approach changes a little bit. But, I always come back to the piano.

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    Sometimes not talking is effortless, and other times it’s more exhausting than lifting pianos.

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    So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.

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    Steinway is the finest piano ever made. Its tone is magnificent and its well-balanced action superb.

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    So yeah, I play the piano for most of the show, but I like rock and roll

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    Steinway grand pianos are the best in the world.

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    Steinway is the only piano on which the pianist can do everything he wants. And everything he dreams.

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    Teach the student first, the music second and the piano third.

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    Taste and smell are often the beggars among our five senses - they leave no written language and therefore no standards other than wholly personal ones. Tasting a superlative Moselle wine can be an aesthetic experience no less genuine than hearing a Mozart piano concerto or seeing for the first time an original Breughel painting.

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    Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.

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    The important thing is to feel your music, really feel it and believe it.

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    The camera was waiting for me by predestination and I took to it as a musician takes to the piano or a painter to canvas. I found that I was master of the elements, that I could work miracles.

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    The city is built To music, therefore never built at all, And therefore built forever.

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    The elephant smoked too much.(explaining why the keys of his piano were so yellow)

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    The most influential time in my life musically was definitely those piano lessons.

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    [Thelonious] Monk is a subject in itself. I mean, most piano players in most big bands sit down and they play with the band, you know. But Monk would just sit there like this. And all of a sudden there'd be a pause from all the trumpets and everything and Monk would go 'plink!' like that. And everybody would go 'Yeah!

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    The melody that the loved one played upon the piano of your life will never be played quite that way again, but we must not close the keyboard and allow the instrument to gather dust. We must seek out other artists of the spirit, new friends who gradually will help us to find the road to life again, who will walk the road with us.

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    The piano and the singing are two equal things to me - maybe not inseparable but very connected. You can say they are like two equal voices.

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    The music is within your heart, your soul, your spirit, and this is all I did when I sat at piano. I just go within.

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    Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.

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    The opportunity to use a computer is great when it is used as one component, or when someone is working on his or her own sounds and approaches. I think it actually has the same restrictions as using the piano or any other instrument in [a traditional] way.

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    The pedal is the soul of the piano.

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    The piano by its black and white keys always attracted me, my father showed me how to use... and slowly I got into playing.

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    The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.

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    The piano's world encompasses glass-nerved virtuos and stomping barrel-housers in fedoras; it is a world of pasture and storm, of perfumed smoke, of liquid mathematics.

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    The piano is a bit of a monster because it is this center of Western music and so much has been done with it and it is a fixed pitch instrument. It is a bit like trying to paint because there is the weight of all that has been done before.

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    The piano is like an orchestra - I'm very fortunate that I chose it as my instrument.

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    'The Piano' is a romantic drama that really made me want to see New Zealand. When I finally did it was every bit as jaw dropping as it looked in the film. It's so virgin and green, it's like God said 'lets try again' and he got it right this time!

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    The piano is not firewood -- yet.

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    The piano bar is the gateway to the halls of masturbation.

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    The Piano ended up on television. Everything ends up there anyway.

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    The piano is really the featured instrument of a 10-piece chamber orchestra. The construction is the harmonic language.

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    The piano may do for love-sick girls who lace themselves to skeletons, and lunch on chalk, pickles and slate pencils, but give me the banjo.