Best 432 quotes in «piano quotes» category

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    I started skiing around the same time as I began playing the piano, at around four, before moving to the violin at five.

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    I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.

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    I started playing piano; I picked up a ukulele, and I loved it and kept playing that. I play a bit of guitar, and some African drums from back in the day.

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    I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons

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    I stay glued to my piano and my work. I don't look up. I write, I produce, I do the next project, I do my job. I don't look up, and I try to be kind. I try to be kind to people. That's what I do.

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    I still play the guitar and piano, but hardly ever in public.

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    I still will sit down at the piano and play when I am wrestling with something emotionally or just want to move into the musical world.

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    I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.

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    I taught myself to play the piano, because I wanted to play it.

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    I taught myself off records, Memphis Slim, them old piano players, then added to it. Yeah, hard and loud, beat it to pieces.

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    I think I'm a very poor piano player.

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    I think on a stage in front of thousands of people is a wildly invigorating and amazing experience, and it requires a certain skill set; then being in the studio, and being curled up in the fetal position under the piano, that requires another skill set.

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    I think it would be better if nobody owned anything, but they didn't starve. Had enough paint and enough pianos and everything else.

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    I took a year of karate. It was like obligatory... every kid was taking like one year of karate and one year of piano in my town. It was Bruce Lee and Liberace. But I was not a white belt. I graduated. I had a colour belt - but that's all you need to know. It could have been black, it could have been yellow, or it could have been anything in between.

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    It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.

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    I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.

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    I took piano lessons when I was 6. I didn't want to go on with it. I don't remember being moved by a piece of music.

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    It [piano lessons] wasn't a priority, but it was an interest and through that I became acquainted with classical music, which was a main interest at the time.

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    I thought I knew Elton John, but then it was like, "Woah, Elton's a pimp! He's really amazing." And since Billy and Elton are homies, I'm finally getting it - the two piano boys.

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    I took lessons for about everything you could imagine - gymnastics to karate to flute and piano. My mom always definitely kept me in some kind of class or program, but for guitar, I kinda gave up on then kinda just taught myself. Same thing with piano. I've never been good with following lessons.

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    I try to imitate on the piano the leaps in space a dancer makes.

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    It's a pity to shoot the pianist when the piano is out of tune.

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    It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.

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    It's like the piano and the cello are being poured into my body, the same way the IV and blood transfusions are. And the memories of my life as it was, and the flashes of it as it might be, are coming so fast and furious. I feel like I can no longer keep up with them but they keep coming and everything is colliding, until I cannot take anymore. Until I cannot be like this a second longer.

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    It won't be long before we'll be writing together again. I just hope they have a decent piano up there.

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    It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.

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    It was always acting, singing and dancing that I loved. Not the horror of performing on the piano in front of an assembled audience of quiet people. I'd forget the piece just before I went out to do the concerto, the panic was too great . This was not anything that gave me pleasure. This was fulfilling somebody else's dream.

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    It was quite impossible to describe. Here is what it looked like. It looked like a piano sounds shortly after being dropped down a well. It tasted yellow, and it felt Paisley. It smelled like the total eclipse of the moon.

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    It was quite unusual to use the recorder as a concert instrument. But my mother, a pianist, actually helped me a lot by assuming that anything done on the piano can easily be done on the recorder! She helped me with technique and was just as critical about my playing as she was with her own. I think that has been one of my fortunes.

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    I used to play pianos in bars. You know in hotels, you'd see guys playing piano with a snifter? That was me, with a painted-on mustache. I was about 15.

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    I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

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    I used to play the piano, I was pretty decent, so that was the only thing I could hold onto in terms of coming up with melodies; but at the time I [still] just couldn't, so my early beats were really sample-based.

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    I've never really been interested in doing a solo piano tour.

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    I've been playing piano my whole life, but I'd never tried to understand how compositions are made, really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand.

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    I've had to be a man since I was 12 or 13. I had a job. And I was playing the piano for people twice my age. Handling responsibility is what makes a man a man.

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    I've never felt anything that moves me as much as my piano. I'm an emotional player. I don't really like people. I prefer my piano to people. It's totally reliable and it's alive. I can hear what it's saying.

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    I've been working on something, just some jazz, relaxed stuff. It will be standard, just piano and voice. It started out as a fun project for me though, I'm still not sure about releasing it.

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    I've never really not played the piano. I've played it since I was six or seven and it's something I've always done - I don't think I could ever really play anything else, I would be a bit out of it without a piano.

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    I've speculated about what my life might have been like as a musician, but I'm afraid I came to the conclusion that I probably would've either been teaching piano or maybe gotten to play at Nordstrom's department store.

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    I wake up in the morning, walk downstairs, and just bang on the piano and write about what's going on in the world around me.

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    I wanted to try to write songs on the piano to get a different flavor.

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    I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.

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    I want to make music. That means I prefer the Steinway piano.

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    I wasn't even a theater kid in high school. I studied classical piano, and I ran track.

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    I was a strange, loud little kid who could sit at the piano and kill a Beethoven piece.

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    I was a piano player before I was a poet.

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    I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.

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    I was never encouraged to do it and I played the accordion, which I hated. I wish I had taken piano because I definitely would have written more songs of my own, but I didn't.

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    I was really interested in piano and sort of discovered that I was a writer when I was about 13 and started writing. And it was my secret thing and my passion.

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    I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.