Best 432 quotes in «piano quotes» category

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    Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.

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    In the piano, one has the instrument complete before he begins; but in the case of the voice, the instrument has to be developed by study.

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    I only write when I'm angry or sad, so because that's when I just have to write... If I'm having a good time and I'm happy and things are going really well, why would I want to stop what I'm doing to go and write at the piano?

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    I play as many different things - piano, sax and harp parts - as I can at once. Whatever I can fit, whenever I need to.

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    I play any piano with a good tune.

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    I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.

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    I play, like, 12 instruments. Guitar, piano, harmonica, African drums... I'm working on mastering the accordion.

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    I play piano and drums very poorly and French horn and tuba all equally as bad.

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    I play the keyboard, piano - I like making beats.

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    I played, like, a year of piano until I learned the 'Pink Panther' theme. That was my goal. Once I was good enough, I quit. Now my music has to have some rock.

    • piano quotes
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    I play guitar, piano, bass and percussion.

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    I play the piano passionately and inaccurately. Indeed, I worked out the other day that of my seventy-five years; I have spent at least one year sitting on a piano stool.

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    I play the piano. I bought an upright piano that is actually electric, so I can practice my scales with headphones on and not make my neighbours' lives hell!

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    I play only classical music. My pianos are my only big indulgence, but they're a necessity. When I'm playing the piano is literally the only time I can be completely abstract and disconnected from the regular world and yet be connected - to my music.

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    I play piano all the time. I'm always at my piano, playing music.

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    I play piano and trumpet. I studied classical guitar.

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    I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.

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    I prepared five songs, I sang them, and he hired me. I started working about a month later at the piano bar.

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    I really love the piano and I feel very fortunate that I am able to play and travel all over the world as my career.

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    I really don't put it down. I never have. It's just that I analyze it and look at it from a very rational point of view. I don't see it as coming from God and say that at a certain point the Holy Spirit zaps you with a super whammy on the head and you've "gone for tongues" and there is it. Tongues is a process that people build up to. Then, as you start to do something, just as when you practice the scales on the piano, you get better at it.

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    I remember there was a little organ which I'd tap my fingers on all the time. My interest in the instrument was so obvious, one day I got home from school and there was a real piano in my bedroom.

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    I recorded with Hank (Jones) a number of times, usually on dates where Milt was unavailable, and I thought he was the perfect pianist. He had a beautiful touch, knew all the best ways around the chord changes, and swung mightily. And he brought an air of cheerful competence to every date, making us all feel that it would be possible to make some very good music that day.

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    I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.

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    I sat down at the piano and my hands began to browse over the keys. Thensomething happened. I felt as though I could reach out and touch God. I foundmyself playing a melody, one I'd never heard or played before, and words came intomy head - they just seemed to fall into place.

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    I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.

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    I started skiing around the same time as I began playing the piano, at around four, before moving to the violin at five.

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    I started playing piano; I picked up a ukulele, and I loved it and kept playing that. I play a bit of guitar, and some African drums from back in the day.

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    I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons

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    I stay glued to my piano and my work. I don't look up. I write, I produce, I do the next project, I do my job. I don't look up, and I try to be kind. I try to be kind to people. That's what I do.

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    I still play the guitar and piano, but hardly ever in public.

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    I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.

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    I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.

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    I still will sit down at the piano and play when I am wrestling with something emotionally or just want to move into the musical world.

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    I taught myself off records, Memphis Slim, them old piano players, then added to it. Yeah, hard and loud, beat it to pieces.

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    I taught myself to play the piano, because I wanted to play it.

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    It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.

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    I think I'm a very poor piano player.

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    I think it would be better if nobody owned anything, but they didn't starve. Had enough paint and enough pianos and everything else.

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    I think on a stage in front of thousands of people is a wildly invigorating and amazing experience, and it requires a certain skill set; then being in the studio, and being curled up in the fetal position under the piano, that requires another skill set.

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    I thought I knew Elton John, but then it was like, "Woah, Elton's a pimp! He's really amazing." And since Billy and Elton are homies, I'm finally getting it - the two piano boys.

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    I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.

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    I took lessons for about everything you could imagine - gymnastics to karate to flute and piano. My mom always definitely kept me in some kind of class or program, but for guitar, I kinda gave up on then kinda just taught myself. Same thing with piano. I've never been good with following lessons.

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    I took piano lessons when I was 6. I didn't want to go on with it. I don't remember being moved by a piece of music.

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    It [piano lessons] wasn't a priority, but it was an interest and through that I became acquainted with classical music, which was a main interest at the time.

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    I took a year of karate. It was like obligatory... every kid was taking like one year of karate and one year of piano in my town. It was Bruce Lee and Liberace. But I was not a white belt. I graduated. I had a colour belt - but that's all you need to know. It could have been black, it could have been yellow, or it could have been anything in between.

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    It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.

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    I try to imitate on the piano the leaps in space a dancer makes.

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    It's a pity to shoot the pianist when the piano is out of tune.

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    It's like the piano and the cello are being poured into my body, the same way the IV and blood transfusions are. And the memories of my life as it was, and the flashes of it as it might be, are coming so fast and furious. I feel like I can no longer keep up with them but they keep coming and everything is colliding, until I cannot take anymore. Until I cannot be like this a second longer.

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    It was always acting, singing and dancing that I loved. Not the horror of performing on the piano in front of an assembled audience of quiet people. I'd forget the piece just before I went out to do the concerto, the panic was too great . This was not anything that gave me pleasure. This was fulfilling somebody else's dream.