Best 432 quotes in «piano quotes» category

If the King loves music, it is well with the land.

If this word "music" is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.

I grew up in Baltimore, Maryland, and my relationship with the piano has been going on for about 38 years.

I gave up lots of things I love doing: writing, and business, and playing the piano and so on.

I got obsessed with classical music, I got obsessed with Chopin, with playing the piano.

I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.

I grew up sitting beside my grandmother playing the piano and singing.

I grew up, I was going I want to be Jerry Lee Lewis. Only I can't play piano and sing that good.

I have looked to the Steinway piano since I was three, not only as my ideal choice of an instrument. But, as a responsive and ever reliable friend.

I have always adored Mahler, and Mahler was a major influence on the music of the Beatles. John and me used to sit and do the Kindertotenlieder and Wunderhorn for hours, we'd take turns singing and playing the piano. We thought Mahler was gear.

I have always studied my parts with the orchestral score and not with the piano reduction.

I have a very modern way of thinking; the chef is there to lead the team and not just to sit behind the piano.

I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.

I insist on a Steinway for my recordings, my concerts and my home. It is the only piano I want to hear my music played on.

I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.

I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too.

I have these big piano-playing hands. I feel like I should be picking potatoes.

I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.

I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.

I liked school and was a bit of an all-rounder academically, I struggled with music. I can't hold a note when singing and abandoned any notion of a career in music after barely scraping a pass in grade 2 piano.

I like the poem on the page and not at the podium. I like to address the poem in peace and quiet, not on the edge of a folding chair with a full bladder. I can't stand hearing a poem that I can't see. I did a reading at Wayne State, and it ended with the comedy such occasions deserve. I'd seated myself on a piano bench, and discovered upon attempting to arise at the end that the varnish had softened and I was stuck fast. The hinge was to the front, under my knees, so that as I tried to get up, I merely opened the lid.

I like music that is really pure and honest. For me, acoustic music, like a piece played on the piano, is very personal.

I like to listen to a lot of classical music when I'm painting, the most simplistic stuff I can find. I like simple piano.

I like to play the piano with lyrics as if it was a piece of love letter.

I like to play the ukulele, but I'm not, like, awesome at it. I mostly play the piano and the guitar.

I like the powerful story, the excellent performances the beautiful cinematography and the vision of the "The Piano".

I'm able to sometimes express things even more articulately on the piano than I am with singing.

I love working on a typewriter - the rhythm, the sound; it's like playing the piano, which I do, too.

I'm a guitarist by background. That's what I used to do for sessions when I was younger and that sort of thing. We have several pianos in the house and I tend to just sit and fiddle around.

I'm not very good at playing piano, so I usually hit chords with my right hand. And those chords came, and I was just singing a little bit.

I'm an interpreter of stories. When I perform it's like sitting down at my piano and telling fairy stories.

I'm glad I went through the training because I've met such great mentors and lifelong friends/collaborators along the way. Also, any training (acting, movement, dance, piano, singing, etc) allowed me to hone my skills and find an inner space of self-generating creativity.

I'm blessed with a good pair of ears. That's how I fooled my piano teacher. I'd watch his fingers and I'd listen to it, and I just kind of basically learned it by myself.

I mean, give me a guitar, give me a piano, give me a broom and string, I wouldn't get bored anywhere.

I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.

I'm really getting better at guitar. I'm not trapped behind a piano. You can get out and move with a guitar and still direct the band.

I never really trained to be a musician, but I've been playing guitar since I was around, like, 13 years old. For me, the guitar has always been the instrument that I've played. I play a little piano. I taught myself everything by ear. I don't read music at all, which has not really been a hindrance.

In Canada pianos needed water. You opened up the back and left a full glass of water, and a month later the glass would be empty. Her father had told her about the dwarfs who drank only at pianos, never in bars.

I never set fire to a piano. I'd like to have got away with it, though. I pushed a couple of them in the river. They wasn't any good.

In a way, there's nothing wrong with playing the piano, but it's not a huge trauma if you don't.

In college I had a weekend gig at a restaurant, a solo thing that was the best practice I could have ever had. That's where I learned to coordinate my singing and my piano playing.

I never had any social life, just played the piano and studied, studied, studied.

I never had much interest in the piano until I realized that every time I played, a girl would appear on the piano bench to my left and another to my right.

I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.

Instead of the metaphor of scales in balance, I prefer the idea of a jazz quartet: you're trying to make music that feels and sounds good, and sometimes you only hear the trumpet or just the bass and piano. Sometimes all four are playing at the same time, but perhaps at different volume.

I play as many different things - piano, sax and harp parts - as I can at once. Whatever I can fit, whenever I need to.

I play, like, 12 instruments. Guitar, piano, harmonica, African drums... I'm working on mastering the accordion.

I play piano and drums very poorly and French horn and tuba all equally as bad.

I play the keyboard, piano - I like making beats.