Best 18 quotes in «underground quotes» category

He must have pressed the wrong button, or several of them, for when the door fretted open he found himself deep underground, with no heart to try again. The corridor was dark, the air heavy with must, the rooms on both sides quiet yet stirring, as though numb people within were digging themselves out.

And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole.

How shall a society remember its miners underground while it cannot even remember its homeless above ground?

How quiet it is,' Danny said, digging in his knapsack for the canteen full of water he had brought. 'You don’t realize how scary it is, having a whole mountain on top of you, until you’re in the dark as I was in that tunnel, or when you begin hearing the silence.' 'I didn’t know you could hear silence,' said Irene. 'Then just listen.' They sat still, and Danny added, 'Put out the flashlights for a minute.' In the dark, they understood what he meant. All the familiar noises of the upper world were gone: the wind, the rustle of branches or leaves, the chirping of birds, the sounds of automobiles and doors slamming, and people laughing. There was nothing but the faint tinkle of droplets of water, each drop like a distant musical chime, and each one pursued by tiny echoes. Then, after such a note had sounded there would be a long and empty quiet in which they could hear their own breathing and the steady beating of their hearts. They found themselves straining their eyes to see something, anything — the slightest sign of light, but they could not even tell the difference between opening their eyes and shutting them. Irene burst out suddenly, 'Put on the lights!' Danny let out his breath with a whoosh. They all snapped on their lamps, and as the welcome light flooded the chamber, he said, 'It’s — it’s like being buried alive.' 'Don’t let’s try that experiment again,' Irene said, with a shiver. 'I just hope we get out of here before our flashlights give out.

I'm what the botanists call a hybrid," he said the first time Cora heard him speak, "A mixture of two different families. In flowers, such a concoction pleases the eye. When that amalgamation takes its shape in flesh and blood, some take great offence. In this room we recognize it for what it is - a new beauty come into the world, and it is in bloom all around us.

I had an overwhelming sense of the lonliness of this city - a trillion souls in their bedrooms, high in the cliffs of windows. I thought of what was underneath it all - I thought of the electricty cables, steam, water, fire, subway trains and lava in the city's guts, the subterranean rumbling of trains and earthquakes. I thought of the dead souls from the war, concreted over.

In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life." When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.

The iron horse still rumbled through the tunnel when she woke. Lumbly's words returned to her: "If you want to see what this nation is all about, you have to ride the rails. Look outside as you speed through, and you'll find the true face of America." It was a joke, then, from the start. There was only darkness outside the windows on her journeys, and only ever would be darkness.

The Noah figure in this version of the story is named Xisouthros (instead of Zisudra). A god visits him in a dream, warns him that humanity is about to be destroyed in a terrible deluge, and orders him to build a huge boat of the usual dimensions in the usual way. So far this is all very familiar, but then comes a feature not found in the other versions of the tradition. The god tells Xisouthros that he is to gather up a collection of precious tablets inscribed with sacred wisdom and to bury these in a safe place deep underground in 'Sippar, the City of the Sun'. These tablets contained 'all the knowledge that humans had been given by the gods' and Xisouthros was to preserve them so that those men and women who survived the flood would be able to 'relearn all that the gods had previously taught them'.

There were whole secret sections that did their work underground then, and sections of the London tube system were used as part of it. There were also plenty of bunkers and tunnels built for use in the event of an invasion.", FADE by Kailin Gow

They feared Me because I feared Nothing.

Tramway is more close to human soul than the subway because it touches to the passengers’ souls with a sweet sunshine!

Underground, mí corazón spoke to everyone danced with me/alone/

Sometimes in the darkness you can see more clearly.

There is the title of one book In Underground One Can Meet Only Rats. And I'd re-phrase, In Cosmos One Can Meet Only Mutants, besides, rats are mutants too there, in cosmos, therefore, I'd rather walk on the ground.

To fall in love twice, with the same person, you need to grow another heart. That's all I do in my secret underground laboratory at night...

We can’t tell if ever night falls asleep Our slumber veils many secrets: deep The moonlit visage of this city life Shines through the blade from a glistening knife From the poem "City Night

When he had first arrived, he had found London huge, odd, fundamentally incomprehensible, with only the Tube map, that elegant multicolored topographical display of underground railway lines and stations, giving it any semblance of order. Gradually he realized that the Tube map was a handy fiction that made life easier but bore no resemblance to the reality of the shape of the city above. It was like belonging to a political party, he thought once, proudly, and then, having tried to explain the resemblance between the Tube map and politics, at a party, to a cluster of bewildered strangers, he had decided in the future to leave political comment to others.