Best 1689 quotes in «sorrow quotes» category

Of course to one so modern as I am, `Enfant de mon siècle,’ merely to look at the world will be always lovely. I tremble with pleasure when I think that on the very day of my leaving prison both the laburnum and the lilac will be blooming in the gardens, and that I shall see the wind stir into restless beauty the swaying gold of the one, and make the other toss the pale purple of its plumes, so that all the air shall be Arabia for me. Linnaeus fell on his knees and wept for joy when he saw for the first time the long heath of some English upland made yellow with the tawny aromatic brooms of the common furze; and I know that for me, to whom flowers are part of desire, there are tears waiting in the petals of some rose. It has always been so with me from my boyhood. There is not a single colour hidden away in the chalice of a flower, or the curve of a shell, to which, by some subtle sympathy with the very soul of things, my nature does not answer. Like Gautier, I have always been one of those ‘pour qui le monde visible existe.

Often, things are left unsaid. Everyone is guilty of thinking and feeling things... of loving or appreciating others... and of taking for granted that those others will just be there... to continue to share life's journey with... Then when one is gone... so quickly... all those things left unsaid... they matter more, because they were unspoken... Everyone fights their own battles inside themselves... often no one outside them even knows the wars that rage inside even those who they are closest to... I'd like to take the time, here and now, to tell all of you... those close to me, and those who aren't... those who matter so much... and those who have influenced me in even the smallest ways... all of you... that you matter. You are important. You are appreciated. Don't for a moment think otherwise. Don't, for even an instant, think or feel that you are not a wonder... a gift to the world... that makes it a better place to be... or that it would ever, in any way, be anything less than a tragedy for you to leave before your time.

Often we agree to shady but attractive propositions and as a result we have sorrow

oh, how bitter how bitter silent the bewildered sorrow of a texture too thick to be brought out through the eyes.

Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!

Old houses were scaffolding once and workmen whistling.

Om is the presence which steals away. It steals away the ordinary mundane existence of strife, struggle and duality; it steals away anxiety, aggression, fear, grief and sorrow; it steals away the debris of anger, hatred, confusion and ignorance, to fill us with the nectar of joy, immortality and life eternal.

Once, when I was little, I asked her if she’d cried when my father had fallen to his death. At the funeral? I mean, the burial? No, I did not. Because you weren’t sad? Because it was nobody’s business if I was.

Once you have known sorrow, you will appreciate happiness.

One day it may feel as if energy and enthusiasm are quenched, feelings dried up and emotions scorched, love and affection tangled in a harsh and uninviting setting. Nothing seems to grow anymore. No seed. No flowers. No foreseeable hope. No conceivable prospects. Any blossom of expectation seems to have become an illusion and life appears to have come to a standstill. If no seed of loving care is sown in the untilled, abandoned land, no bud can come into flower. Singer Amy Winehouse felt like lying fallow in the ground of a wasteland "with tears dry, dying a hundred times, going back to black" and leaving eventually for a place of ultimate sorrow and heartbreak, for a point of no return. ( “Amour en friche” )

One day I have to wake up and realize that you are gone.

One day of happiness is worth more than a lifetime of sorrow .... Under ordinary circumstances, jealousy is a suspicion to the person who excites it and degrading to the person who indulges it.

One man illumines you with his other sets in you his sorrow.

One learns wisdom from sorrow, but pleasure is one of the fruits of wisdom.

One may drown in sorrows but wears a mask of happiness because the world is not ready to shower Love.

One must have sorrow to truly appreciate joy.

One who wants to taste others sorrow is preparing his own dish

One thing I’ve learned about grief: it’s like a creditor’s bill. You can put off paying, but it eventually falls due, and exacts usurious interest.

One's suffering, one's melancholy is, in itself, really only looked upon as failure or as punishment, as detestable or sinful or socially unacceptable in the eyes of man; but this is not so in the eyes of God: for He is close to the broken-hearted.

[On kneeling down at the Warsaw Ghetto Monument during his 1970 state visit to Poland:] "Es war eine ungewöhnliche Last, die ich auf meinem Weg nach Warschau mitnahm. Nirgends hatte das Volk, hatten die Menschen so gelitten wie in Polen. Die maschinelle Vernichtung der polnischen Judenheit stellte eine Steigerung der Mordlust dar, die niemand für möglich gehalten hatte. [...] Ich hatte nichts geplant, aber Schloß Wilanow, wo ich untergebracht war, in dem Gefühl verlassen, die Besonderheit des Gedenkens am Ghetto-Monument zum Ausdruck bringen zu müssen. Am Abgrund der deutschen Geschichte und unter der Last der Millionen Ermordeten tat ich, was Menschen tun, wenn die Sprache versagt. Ich weiß es auch nach zwanzig Jahren nicht besser als jener Berichterstatter, der festhielt: 'Dann kniet er, der das nicht nötig hat, für alle, die es nötig haben, aber nicht knien – weil sie es nicht wagen oder nicht können oder nicht wagen können.'" ("I took an extraordinary burden to Warsaw. Nowhere else had a people suffered as much as in Poland. The robotic mass annihilation of the Polish Jews had brought human blood lust to a climax which nobody had considered possible. [...] Although I had made no plans, I left my accommodations at Wilanow Castle feeling that I was called upon to mark in some way the special moment of commemoration at the Ghetto Monument. At the abyss of German history and burdened by millions of murdered humans, I acted in the way of those whom language fails. Even twenty years later, I wouldn't know better than the journalist who recorded the moment by saying, 'Then he, who would not need to do this, kneels down in lieu of all those who should, but who do not kneel down – because they do not dare, cannot kneel, or cannot dare to kneel.'") [Note: The quotation used by Brandt is from the article Ein Stück Heimkehr [A Partial Homecoming] (Hermann Schreiber/ Der Spiegel No. 51/1970, Dec. 14, 1970]

Only pain can define the meaning of tears.

Only tears can understand the joy of sorrow.

On the seventh day of the Seventh-month, in the Palace of Long Life, We told each other secretly in the quiet midnight world That we wished to fly in heaven, two birds with the wings of one, And to grow together on the earth, two branches of one tree." Earth endures, heaven endures; some time both shall end, While this unending sorrow goes on and on for ever.

Only the soul knows its sorrow.

Other people's sorrows and joys have a way of reminding us of our own; we partly empathize with them because we ask ourselves: What about me? What does that say about my life, my pains, my anguish?

O, the sorrow of us all, to wander the earth in a shell. And looking to the heavens, we lay to rest in hell. The suffering of the innocent in the midst of Jacob’s well. How the miles fled between us, and that distance is still great. Though on the same shore we now sit, in temporal quietude to wait. The moon is our bright witness; it will lead us to the gate.

Our greed for joy is the sole reason for our sorrows

Our dream of life will end as dreams do end, abruptly and completely, when the sun rises, when the light comes. And we will think, all that fear and all that grief were about nothing. But that cannon be true. I can't believe we will forget our sorrows altogether. That would mean forgetting that we had lived, humanly speaking. Sorrow seems to me to be a great part of the substance of human life.

Pain will come with time, but time will heal the pain.

Pain in the wilderness is an investment in pleasure in the Promised Land.

Pains are not to be relieved Sorrows are not to fade away a slight change in the vision may bring a new experience

Parables, yes. We here are to lead life with woe. Tasting bitter. the Tai Chi instructor

Parler de lui au présent c'était le ranger du côté des vivants. Et s'il était vivant, alors je n'étais pas tout à fait morte.

Pain and sorrow make up a person's character, not just the happiness and laughter.

Pain writes the words, sorrow wields the pen, tears wet the paper, and the story mends the heart.

Past tears are present strength.

Pebbles that bring you joy are better than diamonds that bring you sorrow.

People referred to the symbolism of the empty Cross more than once on its journey. It would seem obviously to point to our faith in Jesus’ resurrection. It’s not quite so simple though. The Cross is bare, but in and of itself the empty Cross does not point directly to the Resurrection. It says only that the body of Jesus was removed from the Cross. If a crucifix is a symbol of Good Friday, then it is the image of the empty tomb that speaks more directly of Easter and resurrection. The empty Cross is a symbol of Holy Saturday. It’s an indicator of the reality of Jesus’ death, of His sharing in our mortal coil. At the same time, the empty Cross is an implicit sign of impending resurrection, and it tells us that the Cross is not only a symbol of hatred, violence and inhumanity: it says that the Cross is about something more. The empty Cross also tells us not to jump too quickly to resurrection, as if the Resurrection were a trump card that somehow absolves us from suffering. The Resurrection is not a divine ‘get-out-of-jail free’ card that immunises people from pain, suffering or death. To jump too quickly to the Resurrection runs the risk of trivialising people’s pain and seemingly mapping out a way through suffering that reduces the reality of having to live in pain and endure it at times. For people grieving, introducing the message of the Resurrection too quickly cheapens or nullifies their sense of loss. The empty Cross reminds us that we cannot avoid suffering and death. At the same time, the empty Cross tells us that, because of Jesus’ death, the meaning of pain, suffering and our own death has changed, that these are not all-crushing or definitive. The empty Cross says that the way through to resurrection must always break in from without as something new, that it cannot be taken hold of in advance of suffering or seized as a panacea to pain. In other words, the empty Cross is a sign of hope. It tells us that the new life of God surprises us, comes at a moment we cannot expect, and reminds us that experiences of pain, grief and dying are suffused with the presence of Christ, the One Who was crucified and is now risen.

People who go through life smiling miss out on the dignity of sorrow

Perhaps Hurston saw in her mother, Lucy, a version of Persephone, who is so missed when she's gone that the world literally starts to die. This type of grief, as Toni Morrison writes in Sula, has no top and no bottom, "just circles and circles of sorrow.

Perhaps this 'dead' feeling was also brought on by an intensification of her old secret sorrow. Perhaps one day this sorrow might end. But she did not think it would end or see how it could end.

People maybe smiling but look to the eyes because they can’t hide the sorrow, pain, and heartache they're trying to hide behind their smile.

Perhaps the sorrow was not, after all, emanating from the attic, but from her.

Remember me when faded illumination transcends my name- Remarks are heard with beating silence and I am born on tranquil starlight-

Poetry empowers the simplest of lives to confront the most extreme sorrows with courage, and motivates the mightiest of offices to humbly heed lessons in compassion.

Precious Lord, take my hand Lead me on, let me stand I am tired, I am weak, I am worn Through the storm, through the night Lead me on through the light Take my hand, precious Lord And lead me home When my way grows dreary Precious Lord, lead me near When my life is almost gone At the river I will stand Guide my feet, hold my hand Take my hand, precious Lord And lead me home

Prosperity, pleasure and success, may be rough of grain and common in fibre, but sorrow is the most sensitive of all created things

Raistlin opened his eyes, looking at her without recognition. And in them, she saw deep, undying sorrow--the look of one who has been permitted to enter a realm of deadly, perilous beauty, and who now finds himself, once more, cast down into the grey, rain-swept world.

Remember: God's grief at the unspeakable things we do to one another is beyond measuring, but so is His mercy. It might seem a terrible thing to say to people who've lost and suffered so much at the hands of hatred and violence. But true courage is not to hate our enemy, any more than to fight and kill him. To love him, to love in the teeth of his hate—that is real bravery. That ought to earn people m-m-medals.

Sad birds still sing happy songs.