Best 1364 quotes in «dancing quotes» category

I have a bad feeling about this,” she said. “We’ll fake it. And if push comes to shove, we can just sing Goober Peas and waltz around.” “Rebecca might not find that very funny.” “Rebecca is a Northerner. You can tell because there aren’t any cheese straws on the snack table.

I have drunk the night and swallowed the stars. I am dancing with abandon and singing with rapture. There is not a thing I do not love. There is not a person I have not forgiven. I feel a universe of love. I feel a universe of light. Tonight, I am with old friends and we are returning home. The moon is our witness.

I just can’t wait to get out of Sweet Valley,' Jessica explained. 'I feel like I’ve been dancing with the same ten cute guys my whole life.

I knew you by your step. It’s a dancing step, a joyful step.

I’ll never forget the magic of our Saturday nights. Special moments carved in my mind by you the sculptor of my love. Let’s dance the night away. Who needs music, when your heart already sings to me.

I love dancing. I have always loved to dance. It’s the way the human spirit gets aroused.

I love you,' cooed Fake Amy. 'You dance so much better than the Doctor.' 'Silly.' Real Amy nudged her in the ribs. 'Hippos dance better than the Doctor.

I loved you, I did. I believe I even sold myself a bit: on your love, my lust, your hair and just the way we stood there. How the air smelled of you, the way your shirt was cursed with blues. The way we danced by the ocean in front your mini-garden. The white fence, your loveliness and the heavenly kisses. It’ll always be the sheets, lying beside, holding your arm and kissing your hair in a loving stride.

I love pleasure of reading, writing and dancing.

I'm white and I don't dance, but that doesn't mean I have all the answers.

I'm not ashamed of heroic ambitions. If man and woman can only dance upon this earth for a few countable turns of the sun... let each of us be an Artemis, Odysseus, or Zeus... Aphrodite to the extent of the will of each one.

I'm not keen on riot. Unless they involve dancing, but I believe those are usually referred to as parties.

In the at least three-thousand-year-old struggle between Pentheus and Dionysus— between popes and dancing peasants, between Puritans and carnival-goers, between missionaries and the practitioners of indigenous ecstatic danced religions — Pentheus and his allies seem to have finally prevailed. Not only has the possibility of collective joy been largely marginalized to the storefront churches of the poor and the darkened clubs frequented by the young, but the very source of this joy—other people, including strangers—no longer holds much appeal.

Instead of falling, I am dancing with the wind.

I put on the earphones of my portable CD player and listen to Non-Stop Trance Adventure. As I dance, I begin to feel warm and turn off the heat. I wonder why I'm such a difficult person and I look up at the heater and think of my stubbornness. Tears stream down my face, but I keep on dancing.

I should have danced more when I had no fear of falling.

I really knew nothing about the dancing habits of the Scottish. But I wanted to help. "I could teach them Indian folk dances," I offered, scrounging my mind for school dances in gaudy garments. "Well, I'm not sure that they would be complex enough for competitions," she said. Pursing her lips, she blushed a dark, deep red. I knew I had said something wrong, but it took me a few days to understand the reason for Miss Manson's disapproval and discomfort. She blushed a beetroot red because I had unwittingly questioned the core belief of the school: British was Better.

I rock in his arms under the stars and the blanket of night air, unwilling or unable to tear myself away.

I strike the ground with the soles of my feet and life rises up my legs, spreads up my skeleton, takes possession of me, drives away distress and sweetens my memory. The world trembles.

I turned myself into an artist because then my life would be about creating meaning out of ugliness and that would be my life, and it was noble. It was the beginning of a journey, the creating of the world every single day and I was not bored. I was ecstasy and creation and nothingness turned into melodies and I was dancing with the spirits.

I swung my hips around like I unscrewed at the waist.

It does not matter how sweet you can sing a song of love. You must know how to dance along with it. You can't dance "salsa dance" on a "reggae song".

It is a strange and wonderful and somewhat embarrassing feeling to hold someone in your arms who is trying to detach you from the earth and you aren't good enough to follow her.

It's about that applause I want to speak to you. I want you to remember that when you've done a little dance or a song or sketch, the applause which you get is not only because you yourself have done your best, but because each of those men is seeing in you someone he loves at home, and because of you is able to forget for a little while the unhappiness of not being in his home, and in some cases the great tragedy of not knowing what has happened to the children in his family.

It's like they've forgotten everything important, isn't it? I mean, forgotten things like cats and dancing exist.

I think, therefore I am? No, I simply am. I am. I am. I am. I will still be if I didn't think. In fact, it is only then that I would step into a different dimension of consciousness. Yes, I will still be if I didn't think. I will still be if I stopped breathing. I will still be because you still are. My words are written and you are receiving them. We are dancing. We are making love. And when you stop reading them, they will still be because nothing ever truly ceases to exist. There is not a thing that is not. Every thought, energy, and vibration is recycled. I am and I will continue to be because I manifest as the universe, therefore I will continue to manifest as the universe.

It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind;-- but when a beginning is made-- when the felicities of rapid motion have once been, though slightly, felt-- it must be a very heavy set that does not ask for more.

It's better to dance like a fool, than to stand around like an idiot.

It takes two to tango, and if you dance too long, implosion is inevitable.

I twirl away, then back to him, staying on my toes, my hips always lightly rotating. He reacts clumsily at first, but soon the awkwardness fades away and he begins matching my movements, reflecting them in reverse. We dance like this, wrist to wrist, twirl and turn, step for step, for several more minutes. He holds my gaze, our eyes connecting at every turn, anticipating one another’s movements. His pulse is so strong against my wrist that it echoes through me, almost like a heartbeat of my own. My skin warms; my breath catches in my throat. I know how closely I dance along the line of destruction, but I cannot pull myself away. He is intoxicating, his force of life an addiction I cannot refuse. I have not felt this alive in centuries, not since you, Habiba, when you taught me the dance of Fahradan. Ours was a dance of giddy laughter, a dance of friends, sisters, a dance of life and youth and hope. But this dance is different. It is not I but he who entices, reversing the ancient roles of the dance. And I resist because I must, because if I don’t, because if I give in to the all-too-human desires racing through me—then it is Aladdin who will pay the terrible price. “Stop.” I drop my wrists and step away, and he does the same, still caught up in mirroring me. Except that he is breathing heavily, his chest rising and falling with exertion, his eyes filled with a strange, wondrous, curious look as he stares at me. He moves closer, his eyes fixed on mine, and despite myself I cannot look away. Aladdin raises a tentative hand to my cheek. Immobile with both dread and longing, I can only stare up at him, flushing with warmth when he gently runs his hand down the side of my face. I shut my eyes, leaning into his touch just slightly, my stomach leaping. Longing. Wishing.

I used to move gracefully. I used to know the word grace to the center of my bones. Now I seek it every day and fall short, inevitably, every day. I lost grace.

I was watching while you're dancing away, our love got fractured in the echo and sway. How come everybody wants to be your friend? You know that it still hurts me just to say it.

I want your scent to intoxicate my passions to the point where lust is merely a word, dancing upon our flames of desire...

I watched them dancing and masquerading with somebody else's wings

Lupita thought that people who didn’t dance were selfish and lonely.

I will not stop singing the Muses who set me dancing.

More wine for me, pour me some more!" "You smart girl, I knew you're a smart girl, just teasing...” Faces turn red, the dark earth blood is rising. They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air. "Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!" The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!" “Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires... "Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been... Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")

Mister Geoffrey, my experiment shows that the dynamo and the bulb are both working properly," I said. "So why won't the radio play?" "I don't know," he said. "Try connecting them here." He was pointing toward a socket on the radio labeled "AC," and when I shoved the wires inside, the radio came to life. We shouted with excitement. As I pedaled the bicycle, I could hear the great Billy Kaunda playing his happy music on Radio Two, and that made Geoffrey start to dance. "Keep pedaling," he said. "That's it, just keep pedaling." "Hey, I want to dance, too." "You'll have to wait your turn." Without realizing it, I'd just discovered the difference between alternating and direct current. Of course, I wouldn't know what this meant until much later. After a few minutes of pedaling this upside-down bike by hand, my arm grew tired and the radio slowly died. So I began thinking, "What can do the pedaling for us so Geoffrey and I can dance?

Modern party-dance is simply writhing to suggestive music. It is ridiculous, silly to watch and excruciatingly embarrassing to perform. It is ridiculous, and yet absolutely everyone does it, so that it is the person who does not want to do the ridiculous thing who feels out of place and uncomfortable and self-conscious . . . in a word, ridiculous. Right out of Kafka: the person who does not want to do the ridiculous thing is the person who is ridiculous. [...] Modern party-dance is an evil thing.

M. and I ground against each other as if we were ill-fitting jigsaw pieces determined to jam together, even though one showed sidewalk, the other sky.

Moving my body ignites my bliss. I say yes to movement!

Music makes my soul happy.

Music is the soul food.

Music does not need language of words for it has movements of dance to do its translation.

Music was not so very different from mathematics. It was all just patterns and sequences. The only difference was that they hung in the air instead of on a piece of paper. Dancing was a grand equation. One side was sound, the other movement. The dancer's job was to make them equal.

Near the end of his life he went into a tirade about people who had been "disloyal" to him, triggered by the most recent defection.

My feet were keeping in time with the music, but my heart was pounding out a different rhythm altogether.

My lips are fierce with passion. My heart spins fiery beats. A rhythm lives within my fingers and dances in my feet.

Nature [provides] with the excitement of the dance in the interest of the reproduction of the species.

Not wanting to be seen, I shrunk back into the shadows, when I heard a friendly voice ask, “Sind sie allein Fraulein? Warum tanzen sie nicht.” I couldn’t believe that I was being asked by this handsome German Naval Officer if I was alone and why I wasn’t dancing. When I tried to explain, he interjected by saying, “I too am alone. Would you dance with me?” I was so overwhelmed that I couldn’t resist his offer to dance. Stepping out onto the dance floor I could see Richard on the other side of the room looking in my direction. I really couldn’t resist being a little naughty as I feigned flirtatious girlish laughter, while whirling in the arms of this gallant, dapper, and oh-so-handsome Naval Officer. Captain Dönitz concluded our dance in typical German fashion, by clicking his heels and kissing my hand. Later that evening Richard reluctantly apologized for his behavior. I could understand that he had been totally engrossed with his duties and decided to forgive the incident and move on. That evening quite a number of the cadets had also asked me for a dance. I felt flattered but decided that I would be loyal to Richard. Later in Germany, Richard loved to tell this story to friends and family or anyone else that would listen.