Best 1364 quotes in «dancing quotes» category

What would he imagine next? Little hairy beasties tap-dancing on his sofa, or other fey creatures sneaking up on him in the shower?’ (Syn)

When ABBA broke up, I assumed our music would fall into oblivion so in the early 90's with BJRN AGAIN becoming popular and when U2 invited Benny and I on stage to sing Dancing Queen, I just assumed we were being sent up. But now I see they were paying tribute to us

When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?

when dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art.

When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.

When I did 'Dancing With the Stars,' everyone in Hollywood was saying I had too much muscle.

When I first saw tap dancing, I immediately got it: the righteousness of being able to make so much noise with your feet!

When I feel the joy of receiving a gift my heart nudges me to join creation's ballet, the airy dance of giving and receiving, and getting and giving again.

When I first joined 'Dancing with the Stars,' I did not want to do it. It's not what I like, it's not what I believe in... the judges are fake, this is fake, that is fake... there is not a lot of reality.

When I first moved to L.A., I didn't have a lot of money to join a gym or take classes, so I improvised. My sister and I went to the library and looked over their DVD collection and discovered Neena and Veena, these Egyptian twins who have a whole series of belly dancing routines. We did them all.

When I first started out, I was really attracted to having my own sense of style because I started swing dancing, lindy hop, and jitterbug.

When I got a record deal I said, 'I'm only wearing jeans. I'm not wearing frilly dresses.' Dancing around in sequins is just not who I am. I wanted to be heard, not seen.

When I'm dancing with any woman, I immediately get rid of intimacy barriers. I just give her a big hug and crack on.

When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.

When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.

When I was 12 years old, someone took me to see Martha Graham. It was nothing like what I thought of as serious dancing and even then I knew I was having a great experience. It was as if somebody was moving through space like no one ever did before.

When I want to feel sexy, I like to dance-even if I'm at home by myself in my knee-high socks sliding there like 'Risky Business'… my sisters and I, if one of us starts, we're all there in front of the mirror, dancing, and it's just obnoxious. I feel sexy when I do that.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

When I was five I was touring, singing and dancing. Always gone, always out of school.

When I was first on 'Dancing With The Stars,' people were really shocked and surprised.

When I was young, and addicted to reading, I had heard about dancing on the points of metaphysical needles; but, by mixing in the world, I found the points of political needles finer and sharper than the metaphysical ones.

When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven.

When I was probably 5 or 6, my mother put me into an acting, singing, and dancing class.

When one bell is rung, by the sound of that one bell other bells will also vibrate. So it is with the dancing of the soul...it produces its reaction, and that again, will make other souls dance.

When my woman kisses me I start dancing like James Brown. Ow! I Feel Good!

When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.

When people start dancing, they dance like they don't know they are doing it.

When she goes about her kitchen duties, chopping, carving, mixing, whisking, she moves with the grace and precision of a ballet dancer, her fingers plying the food with the dexterity of a croupier.

When someone is dancing madly in a blissful state, in ecstasy after meditation, he is creating vibrations around him. They may penetrate into anyone. They can become infectious; they do become infectious. This ecstasy can go to others also; this ecstasy can be felt. Others hearts will be touched by it. And if you can create ripples around you, vibrations, you have served the world, and there is no other way to serve it - you have served the divine, and there is no other way to serve it.

When the baby is older take the diapers off, my girl is gonna do the Slop.

When you dance, things just go away, things don't seem so bad.

When we're dancing it almost feels the same, I've got to stop myself from whispering your name.

When we were shooting in Shreveport, me and a couple of friends went down to Lafayette, because they had a big Zydeco music festival down there. We spent two days dancing to Zydeco music, eating fried alligator... It was one of the craziest festivals I've ever been to in my life, but I loved it.

When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again.

When the music and dance create with accord...their magic captivates both the heart and the mind.

When we did Top of the Pops for the third time, we decided to do it as a television program here called Come Dancing, which is not as rude as it sounds.

When you are on stage you are having an affair with three thousand people.

When you have a Dancing partner, there's always gonna be a moment where the girl's gonna cry, Ginger didn't do that. But, most every other girl I've worked with have cried because they said "aah, I can't do it" and I have to go "Yes, you can, Shut up!" and they do do it.

Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.

When you're dancing the mystical dance of the molecules, you're not the one who's leading.

Where there is no heart there is no art.

Where words leave off, gesture begins. Don't we speak of a person being speechless with rage, dancing with impatience, setting his teeth? The final motions of the soul are speechless, animal, grotesque, or of an incomparable beauty.

When you take dancing lessons, you learn steps and you learn steps and you learn steps. It can go on for a long time. And then one day, you just learn to dance, and it is so different.

Where do you wanna belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me." -Hardy Cateses & Liberty Jones

Wherever there are four walls, consciousness of direction is far keener.

Wherever a dancer stands is holy ground.

Whether I was dancing around the house with headphones on or on stage with the Spice Girls... I learned firsthand that dancing was the key to shedding off the pounds and keeping them off.

While others were out partying, I was training. While they were out dancing at the clubs, I was training... and training... and training.

Wiggle like a stick, wobble like a duck, that's what you do when you do the Hucklebuck.

Who can keep us from recreating our life as we would like it to be-as it could, and should be? No one but ourselves can keep us from being artists, rather than marching forward like mere consumers, corporate robots, sheep. No one but ourselves can keep us from dancing with life instead of goose-stepping. In every moment recognizing our own creative imagination, the living picture we paint on the canvas of our lives. Everything is imagination. And imagination is freedom, but it can also be conditioning, bondage.