Best 1364 quotes in «dancing quotes» category

I just can’t wait to get out of Sweet Valley,' Jessica explained. 'I feel like I’ve been dancing with the same ten cute guys my whole life.

I knew you by your step. It’s a dancing step, a joyful step.

I’ll never forget the magic of our Saturday nights. Special moments carved in my mind by you the sculptor of my love. Let’s dance the night away. Who needs music, when your heart already sings to me.

I love dancing. I have always loved to dance. It’s the way the human spirit gets aroused.

I loved you, I did. I believe I even sold myself a bit: on your love, my lust, your hair and just the way we stood there. How the air smelled of you, the way your shirt was cursed with blues. The way we danced by the ocean in front your mini-garden. The white fence, your loveliness and the heavenly kisses. It’ll always be the sheets, lying beside, holding your arm and kissing your hair in a loving stride.

I love pleasure of reading, writing and dancing.

I love you,' cooed Fake Amy. 'You dance so much better than the Doctor.' 'Silly.' Real Amy nudged her in the ribs. 'Hippos dance better than the Doctor.

I'm not ashamed of heroic ambitions. If man and woman can only dance upon this earth for a few countable turns of the sun... let each of us be an Artemis, Odysseus, or Zeus... Aphrodite to the extent of the will of each one.

I'm not keen on riot. Unless they involve dancing, but I believe those are usually referred to as parties.

Instead of falling, I am dancing with the wind.

In the at least three-thousand-year-old struggle between Pentheus and Dionysus— between popes and dancing peasants, between Puritans and carnival-goers, between missionaries and the practitioners of indigenous ecstatic danced religions — Pentheus and his allies seem to have finally prevailed. Not only has the possibility of collective joy been largely marginalized to the storefront churches of the poor and the darkened clubs frequented by the young, but the very source of this joy—other people, including strangers—no longer holds much appeal.

I really knew nothing about the dancing habits of the Scottish. But I wanted to help. "I could teach them Indian folk dances," I offered, scrounging my mind for school dances in gaudy garments. "Well, I'm not sure that they would be complex enough for competitions," she said. Pursing her lips, she blushed a dark, deep red. I knew I had said something wrong, but it took me a few days to understand the reason for Miss Manson's disapproval and discomfort. She blushed a beetroot red because I had unwittingly questioned the core belief of the school: British was Better.

I put on the earphones of my portable CD player and listen to Non-Stop Trance Adventure. As I dance, I begin to feel warm and turn off the heat. I wonder why I'm such a difficult person and I look up at the heater and think of my stubbornness. Tears stream down my face, but I keep on dancing.

I rock in his arms under the stars and the blanket of night air, unwilling or unable to tear myself away.

I should have danced more when I had no fear of falling.

I strike the ground with the soles of my feet and life rises up my legs, spreads up my skeleton, takes possession of me, drives away distress and sweetens my memory. The world trembles.

It does not matter how sweet you can sing a song of love. You must know how to dance along with it. You can't dance "salsa dance" on a "reggae song".

I swung my hips around like I unscrewed at the waist.

I think, therefore I am? No, I simply am. I am. I am. I am. I will still be if I didn't think. In fact, it is only then that I would step into a different dimension of consciousness. Yes, I will still be if I didn't think. I will still be if I stopped breathing. I will still be because you still are. My words are written and you are receiving them. We are dancing. We are making love. And when you stop reading them, they will still be because nothing ever truly ceases to exist. There is not a thing that is not. Every thought, energy, and vibration is recycled. I am and I will continue to be because I manifest as the universe, therefore I will continue to manifest as the universe.

It is a strange and wonderful and somewhat embarrassing feeling to hold someone in your arms who is trying to detach you from the earth and you aren't good enough to follow her.

It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind;-- but when a beginning is made-- when the felicities of rapid motion have once been, though slightly, felt-- it must be a very heavy set that does not ask for more.

It's about that applause I want to speak to you. I want you to remember that when you've done a little dance or a song or sketch, the applause which you get is not only because you yourself have done your best, but because each of those men is seeing in you someone he loves at home, and because of you is able to forget for a little while the unhappiness of not being in his home, and in some cases the great tragedy of not knowing what has happened to the children in his family.

It's better to dance like a fool, than to stand around like an idiot.

It's like they've forgotten everything important, isn't it? I mean, forgotten things like cats and dancing exist.

It takes two to tango, and if you dance too long, implosion is inevitable.

I turned myself into an artist because then my life would be about creating meaning out of ugliness and that would be my life, and it was noble. It was the beginning of a journey, the creating of the world every single day and I was not bored. I was ecstasy and creation and nothingness turned into melodies and I was dancing with the spirits.

I twirl away, then back to him, staying on my toes, my hips always lightly rotating. He reacts clumsily at first, but soon the awkwardness fades away and he begins matching my movements, reflecting them in reverse. We dance like this, wrist to wrist, twirl and turn, step for step, for several more minutes. He holds my gaze, our eyes connecting at every turn, anticipating one another’s movements. His pulse is so strong against my wrist that it echoes through me, almost like a heartbeat of my own. My skin warms; my breath catches in my throat. I know how closely I dance along the line of destruction, but I cannot pull myself away. He is intoxicating, his force of life an addiction I cannot refuse. I have not felt this alive in centuries, not since you, Habiba, when you taught me the dance of Fahradan. Ours was a dance of giddy laughter, a dance of friends, sisters, a dance of life and youth and hope. But this dance is different. It is not I but he who entices, reversing the ancient roles of the dance. And I resist because I must, because if I don’t, because if I give in to the all-too-human desires racing through me—then it is Aladdin who will pay the terrible price. “Stop.” I drop my wrists and step away, and he does the same, still caught up in mirroring me. Except that he is breathing heavily, his chest rising and falling with exertion, his eyes filled with a strange, wondrous, curious look as he stares at me. He moves closer, his eyes fixed on mine, and despite myself I cannot look away. Aladdin raises a tentative hand to my cheek. Immobile with both dread and longing, I can only stare up at him, flushing with warmth when he gently runs his hand down the side of my face. I shut my eyes, leaning into his touch just slightly, my stomach leaping. Longing. Wishing.

I used to move gracefully. I used to know the word grace to the center of my bones. Now I seek it every day and fall short, inevitably, every day. I lost grace.

Mister Geoffrey, my experiment shows that the dynamo and the bulb are both working properly," I said. "So why won't the radio play?" "I don't know," he said. "Try connecting them here." He was pointing toward a socket on the radio labeled "AC," and when I shoved the wires inside, the radio came to life. We shouted with excitement. As I pedaled the bicycle, I could hear the great Billy Kaunda playing his happy music on Radio Two, and that made Geoffrey start to dance. "Keep pedaling," he said. "That's it, just keep pedaling." "Hey, I want to dance, too." "You'll have to wait your turn." Without realizing it, I'd just discovered the difference between alternating and direct current. Of course, I wouldn't know what this meant until much later. After a few minutes of pedaling this upside-down bike by hand, my arm grew tired and the radio slowly died. So I began thinking, "What can do the pedaling for us so Geoffrey and I can dance?

Music is the soul food.

Music does not need language of words for it has movements of dance to do its translation.

My lips are fierce with passion. My heart spins fiery beats. A rhythm lives within my fingers and dances in my feet.

Now I don’t know how many people like to drive a Beetle at that kind of speed (on purpose) but I know I’d rather go down Brickmaker’s Kloof on a bicycle with no brakes! Driving any car at that speed in anything other than an expensive German luxury car on a long, straight autobahn is enough of a risk (let alone the risk of hitting anything) – but if you try that with a Beetle and add a light crosswind, factor in some rubber peeling off your tire, and you’ll more than likely find yourself dancing alone in a dark corner without any music.

Now of all the bonds between homosexual friends, none was greater than that between friends who danced together. The friend you danced with, when you had no lover, was the most important person in your life; and for people who went without lovers for years, that was all they had.

Oh, thank you, I thought, feeling an overwhelming sense of relief. Dancing was stressful—but murderous demigods, those I could deal with.

One should never go dancing with a broken foot, but one should with a broken heart.

One should dance while one still can.

Only when I'm dancing can I feel this free.

On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.

Our body is a sacred temple A place to connect with people. As we aren't staying any younger We might as well keep it stronger.

Our movements flow, a little awkwardly at first, but then we move together – the drum beat beckoning quicker steps, more passionate turns, closer touches, and glances traded as our eyes meet mid-dance. I wonder if Selena is watching but in this moment, it really doesn’t matter. I can’t recall having such an intriguing dance partner who has won me over so fast, and who I find myself wanting to touch even more. I barely know his name and I sense I should get to know him better first. In fact, I’m certain I want to.

Pat, it's not sexual – it's modern dance.

People don't care about perfection when they want to be entertained.

People whose dancing have brought joy to our hearts are born once in a century. We had MJ.

Plato forbids children wine till eighteen years of age, and to get drunk till forty; but, after forty, gives them leave to please themselves, and to mix a little liberally in their feasts the influence of Dionysos, that good deity who restores to younger men their gaiety and to old men their youth...fit to inspire old men with mettle to divert themselves in dancing and music; things of great use, and that they dare not attempt when sober.

Please don't sing and dance," I whisper, but it's too late. He's snapping his fingers and doing this sexy groove to the music. It should look really stupid - and it kind of does - but with his tight abs and his tattoos and piercings, it's really just...precious.

plucking sense from a liar’s tongue is rather like dancing on fire to embrace scarring.

Put down your glass, it is time to dance. If you want to get drunk all you need is to drink love. Put down your pipe and do away with these childish toys. If you want to get high all you need is to breathe love. Now, can I have this dance?

“Would you like to?” he says. His voice is hardly audible above the wind—so low it’s barely a whisper. “Would I like to what?” My heart is roaring, rushing in my ears, and though there are still several inches between his hand and mine, there’s a zipping, humming energy that connects us, and from the heat flooding my body you would think we were pressed together, palm to palm, face to face. “Dance,” he says, at the same time closing those last few inches and finding my hand and pulling me closer, and at that second the song hits a high note and I confuse the two impressions, of his hand and the soaring, the lifting of the music. We dance.

Quigley (to Duane): My business is not your business, whether you ask after it in Tainish or interpretive dance.