Best 8906 quotes in «different quotes» category

I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.

I'm used to being crazy and "rock-n-rolly", which is a little different than this world. For me, it was a chance to stretch a little bit.

I'm used to something where you have to create an entire world, and I do like that process. I like getting the audience to believe that outside of the frame of your television set, there's a whole real world that exists, that is different from your day-to-day reality.

I'm used to working with neglect and misunderstanding, so this has been really challenging. It's a different psychic realm. The Lion did not land easily here.

I'm trying to show I'm a trained actress - I can transform myself into different characters. I'm not just an ingenue.

I'm trying to suggest a kind of Middle Earth, in Tolkien terms. It's a contiguous world; it's like ours but different.

I'm very accepting with my age. It's like notches on your belt: experience, wisdom, and a different kind of beauty. There comes a day when you've become comfortable in your skin.

I'm very happy with this new record. It's dealing with different aspects of love-it's me making a statement about people doing something with their lives. It is about caring for others.

I'm very lucky to have worked in the '70s. It's a different industry and distribution is in a state of flux. It's all different platforms, they're doing this video-on-demand thing and also playing the film theatrically. It's funny to me: In the States it's an arthouse movie.

I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.

I'm very interested in structure, how multiple stories are assembled in different ways; that is what memory does as well.

I'm very open to all different genres because I'm a very open-minded girl.

I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.

I'm very open to fresh talent, and I love the underdog, people who have been counted out, because they come in with a different type of hunger. I'm all for the underdog, so I'd like to talk to anybody who shows up with that sort of thirst.

I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.

I'm very interested in religion and different religions, and I know quite a lot about it. I love gospel music, and I love going to churches, but the one drawback is that I don't actually believe in God. And it is quite a handicap, you know.

I'm very moved and very excited. And it just seems to me here are houses and trees and streets that feel so different from New York. I feel very attached to London; I love it.

I'm very sad to be compared with Warhol and The Factory, because I have no drugs, you know. We have no drug culture in Japan! Maybe it's because our attitude toward labor is totally different.

I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.

I'm way different than I was last year. You learn something new every year. I learned a whole lot from last season and a whole lot from this season. I'm still learning.

I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.

I myself have 12 hats and each one represents a different personality. Why just be yourself.

In 1977, I climbed a fairly difficult mountain for the first time, which was Mount McKinley, in Alaska. I climbed the so-called 'American Direct Route,' which was a route straight up to the top. I really enjoyed it. Through such experiences, I learned that mountaineering wasn't just about height. I found that different routes have different charms.

In 1978, '79, if you were unemployed, you didn't have an phone, you didn't have a big-screen TV, you didn't have air-conditioned house, and you weren't guaranteed to be eating three meals a day. You had welfare, you had unemployment, but you didn't have the kind of government support system/safety nets that exist today. So that's a difference. But today the economic circumstances really no different.

In 1989, I started the National Association of Business Women. We incorporated microfinance and different job training for women. We did a survey, with USAID, that found women lacked training, credit and information.

In acting, you get to explore such an artistic side with different characters to research and learn and explore different things inside yourself and I do that anyway, so I might as well be doing something that I already do, as in a second nature to me, on film.

In a community where public services have failed to keep abreast of private consumption things are very different. Here, in an atmosphere of private opulence and public squalor, the private goods have full sway.

In acting there's two different things: You're either pitching in a scene, or you're catching.

In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.

In 2009, I didn't like that Yamaha signed such a young and competitive teammate [Jorge Lorenzo]. But now everything is different. We are more mature. Everyone knows his role and position. Things are clear.

In a comedy, after the day is done, you can figure out ways of how to make it even funnier for the next day. In dramas, it's very different - the mindset that you're in.

In a different time, in a different place, it is always some other side of our common human nature that has been developing itself. The actual truth is the sum of all these.

In advertising, not to be different is virtual suicide.

In a general sense, to convert any short story, novel, play, or opera into a movie, you have to re-rig it. Even though they're all narratives over time, they're very different forms.

In advertising, not to be different is virtually suicidal.

In a foreign country people don't expect you to be just like them, but in Los Angeles, which is infiltrating the world, they don't consider that you might be different because they don't recognize any values except their own. And soon there may not be any others.

In a lifetime there are only a few people you can work with... where you can trust each other and push each other in different directions.

In all kinds of ways there are different freedoms that effect our lives and you can assess what our lives are like by looking at the various freedoms that we have.

In a magazine, one can get - from cover to cover - 15 to 20 different ideas about life and how to live it.

In a medical sense I'm a prophet. But I'm not unique. I mean there are many prophets in many different vocations. I happen to be one of them, without sounding too egotistical I am a pioneer. I am doing pioneering stuff in neurosurgery. There is stuff that I'm doing that no-one else is doing.

In an oppressive society the truth-telling nature of literature is of a different order, and sometimes valued more highly than other elements in a work of art.

In an amusement park, you can go on a roller coaster that carries you up and down, or you can go on another kind of ride that whirls you around in a circle. Similarly, there are different sorts of entertaining experiences in the theater.

In an organic environment, every place is unique, and the different places also cooperate, with no parts left over, to create a global whole - a whole which can be identified by everyone who is part of it.

IN April 1882 my father died; and I was at once whirled out of my land of dreams into a very different sphere.

In any given instance, behavior can be predicted best by considering both self-efficacy and outcome beliefs . . . different patterns of self-efficacy and outcome beliefs are likely to produce different psychological effects

In 'A Royal Affair' I had to learn to act like a queen and learned Danish. It's so much different to act in another language. It's the nuances in the words.

In asking forgiveness of women for our mythologizing of their bodies, for being unreal about them, we can only appeal to their own sexuality, which is different but not basically different, perhaps, from our own. For women, too, there seems to be that tangle of supplication and possessiveness, that descent toward infantile undifferentiation, that omnipotent helplessness, that merger with the cosmic mother-warmth, that flushed pulse-quickened leap into overestimation, projection, general mix-up.

In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up.

In a society that has very high concentration of capital in a narrow sector of the population, that's going to influence everything in different ways.

In Britain, eponymous lifestyle branding as we know it started in the late 1960s, with two fascinating families - the Conrans and the Ashleys - who in increasingly brilliant settings and catalogues sold rather different visions of what the new ideal upper-middle-y life looked like.