Best 3399 quotes in «creative quotes» category

  • By Anonym

    I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.

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    I think it's a big part of being a creative person.

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    I think it's a shame that something as creative and vital to the nature of the human species as story-telling is largely controlled by the soulless cretins known as publishers.

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    I think it's a total fallacy for people to say, "You couldn't make those old movies today." I think there's more ways to get a movie made today than ever in the history of the entertainment industry. It's a very exciting time to work in movies, if you're a creative person looking to make a very personal, weird vision.

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    I think it's become much harder because I'm more afraid of every step I take. I'm more aware of its ramifications, I'm more aware of the less creative aspects of music - like the business-side of things for example.

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    I think it's important for us to allow ourselves to be in creative bubble when you really need to finish something. You can always re enter the world after, once you feel like you're done with it.

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    I think it's necessary to keep moving forward. I've always said that nostalgia is death, really for anyone creative.

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    I think it's really important for actors to have another creative outlet, or for anyone, really.

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    I think just having a gift and being able to do something creative and having people like it and enjoy it... I'm in a really, really cool place here. A lot of people try to do this and might get a little bit of success, but we've been lucky. We're going to take that and try and go as far as we can with it and just do the best that we can.

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    I think jazz is a phenomenal creative force, because it's one man, one vote as you're playing, but it's a collective thing, what you're doing. You're listening to all the musicians around you and you're working within that structure.

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    I think math is a hugely creative field, because there are some very well-defined operations that you have to work within. You are, in a sense, straightjacketed by the rules of the mathematics. But within that constrained environment, it's up to you what you do with the symbols.

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    I think loneliness comes with being creative, because you are obsessed with creation. And it is so satisfying that sometimes, I have noticed, I completely neglect my friends and my family, and they fall away.

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    I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

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    I think my role as a musician is much more reactionary than that of the creative personality type who locks himself in a tower and then comes out with Pet Sounds or something. I just respond to stimuli more than anything.

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    I think of myself as something of a connoisseur of procrastination, creative and dogged in my approach to not getting things done.

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    I think some of the most creative work is coming out of television. I felt it's very immediate and I like that. It's really fast. It's got a pace to it, and that's why I think everybody in my field wants to just do good material.

  • By Anonym

    I think that, especially with cable, it's an avenue to be creative. I think why people are drawn more now to cable shows than ever is that they take more risks, they're creatively pushing the envelope. I think that the networks have to answer to a bigger advertising calling, whereas the smaller cables have lower ceilings that they can bump their heads on.

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    I think that I the biggest thing that I need is more creative time. More time to make mistakes.

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    I think that most people have deeply creative sensibilities.

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    I think that might also be part of the life of a creative person - those sort of ups and downs and security and insecurity. It's just part of the lot in life when you're pushing yourself and hoping to always keep growing and expanding. It's emotionally tricky.

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    I think that sometimes almost the bigger tragedy in a weird way is all of the future imagined creative projects that could have happened that didn't. I feel the same way about lots of brilliant people who die young, kind of senselessly especially.

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    I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, I would say.

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    I think that so much of the creative process is a fragmentary one, and then it's about just allowing your intuition to put it together for you. It's funny how you create something and you think you're going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you're just as surprised by it as anybody else.

  • By Anonym

    I think that smoking is a very good thing to do - it's got the association with the Indians; it's a peaceable thing. But like much else that the Indians gave us, we abused the privilege. And so, in my case I must simply stop. I'm too old to smoke. But I do believe that nicotine provides a great creative thrust.

  • By Anonym

    I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.

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    I think that that phrase from the Bible is one of the best definitions of "creative." When you are creative, you are in the world in the sense that you see what it is and know its problems and possibilities. But you are not of the world in the sense that you are not caught up in external things and are coming from your inner resources to create approaches that are yours alone and have potential to change the world.

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    I think that the notion of being creative is the notion that, inwardly, you assume that many things are possible. And that you can try these things and that something will happen.

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    I think that the very earliest influence was a horror of having to work in a bank or an office, a desire for a free and creative life.

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    I think that what I'm interested with is the creative side of music-making, rather than all the travelling.

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    I think that those elements - light and sound - are beyond democratic. They're into the creative part of life.

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    I think the biggest wrestling match-up I have is how to respond to the word "quirky." Or the alternate, "nerdy." Both are essentially benign to the reader, but if you're a writer just sort of involved in your creative process, they seem like very small motivations.

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    I think that when you decide to dedicate yourself to creative endeavors and surround yourself with people who are creative, you very quickly learn how hard it is to survive doing those kinds of things, not to mention make a living at them.

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    I think the important thing about staying creative and staying sharp and original is not to look back too much.

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    I think the financial restraint really pushes me as a director to be more creative with the way I shoot the film.

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    I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

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    I think there are still plenty of free-thinking creative people out there. There always will be.

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    I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.

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    I think there's a certain magic that comes from being creative.

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    I think the rules will change and I think more and more young women are going to decide that having a family and taking care of a home is not a bad choice, but how do we subsidize it - not necessarily European-style socialism. It'll have to be a new more creative, dynamic and local solution.

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    I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.

  • By Anonym

    I think the two sides to me are the same as two sides to anybody. In relation to the link between doing the label and being a DJ, it goes back to the thing of necessity. It's the only way I feel I can do something creative that's going to satisfy me.

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    I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

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    I think to be creative you have to resist taking the easy path.

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    I think we can learn a lot about a person in the very moment that language fails them. In the very moment they they have to be more creative than they would have imagined in order to communicate. It's the very moment that they have to dig deeper than the surface to find words, and at the same time, it's a moment when they want to communicate very badly. They're digging deep and projecting out at the same time.

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    I think what it really is, is that I date creative people. And I think that what intimidates them is not my purse; it's my mind.

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    I think we're heading into the Creative Age. We've passed through the Agricultural and then the Industrial and then the Information Age.

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    I think when I'm cast in things, people take that as part of the package that I would like to have some sort of creative control and they know what I'm capable of, so they let me come on the day with my own ammunition.

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    I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.

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    I think when you start talking about money, it stops the whole creative process for me.

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    I thought, I need to reinvent myself. I want every day of life to be wonderful, fascinating, interesting, creative. And what am I gonna do to make that happen?