Best 3399 quotes in «creative quotes» category

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    No writing is a waste of time – no creative work where the feelings, the imagination, the intelligence must work. With every sentence you write, you have learned something. It has done you good.

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    Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.

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    Now that I'm in the position I'm in now, I like to take all my creative ideas and put 'em on the Internet for my fans to interact with. Give 'em something to do.

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    Now the bigots have to get creative. Good luck coming up with slurs for Chechens. Go back where you came from, Ushanka head.

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    Now that copyrights can be just about a century long, the inability to know what is protected and what is not protected becomes a huge and obvious burden on the creative process.

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    Now that I'm staring down the barrel of the last act of my life, I'm less excited about control and solo effort, and I resent the way the business aspects interfere with my space for creative writing.

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    Nurture doubt as a creative strategy.

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    [Obama is ] creative imagination which coupled with brilliance equals wisdom . . . [He is] the man for this time.

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    Obviously cheap sentimentality isn't something any good novelist wants to traffic in, but I think it's a problem if you consider it to be the most egregious of all creative sins. I think it's a problem if you consider it the thing to be avoided at all cost. I think it's a problem of you're not willing to risk the consequences of that kind of emotionalism under any circumstances. Then you wind up in the cul-de-sac of irony.

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    Obviously you take any creative people and put them in a room and you're going to get clashes, you're going to get friction.

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    Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.

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    Of all the creative acts performed by the artist, the most directly legible is drawing... it is the act that is most directly and spontaneously governed by his nervous and muscular system.

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    Of course, from time to time, I want to do everything myself and be more involved on my own with the creative process. But I don't mind the collaboration at all.

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    Of course, I'd like to produce and direct a blockbuster, but you gotta build up to that. So now I'm learning from a bunch of little movies. And it's more fun with smaller pictures. It's more creative.

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    Oftentimes we don't manifest what we want in our lives, because our energy is too focused on what others are doing in their lives. This lack of focus in our own life, dilutes our energy and we leak our creative potential into other people's soul experience.

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    Often my creative life has seemed like a long tunnel, dark and damp. And sometimes I wondered whether I could live through it. But I did!

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    Of the truly creative no one is ever master; it must be left to go its own way.

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    Of the creative spirits that flourished in Concord, Massachusetts, it might be said that Hawthorne loved men but felt estranged from them, Emerson loved ideas even more than men, and Thoreau loved himself.

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    Once a book is published, it no longer belongs to me. My creative task is done. The work now belongs to the creative mind of my readers. I had my turn to make of it what I would, now it is their turn.

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    On a certain level, we don't try enough cases. We should try more cases before juries and let jurors decide. On grand juries, my position is the grand jury should be eliminated, but there are creative ways a lawyer can use a grand jury if they have a client with a sympathetic cause who has been wronged by the police.

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    Once a man has tasted creative action, then thereafter, no matter how safely he schools himself in patience, he is restive, acutely dissatisfied with anything else. He becomes as a lover to whom abstinence is intolerable.

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    Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.

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    Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.

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    Once I opened my mind to the concept of a greater power, I never struggled with it. Everywhere I went, I felt and saw the existence of a creative intelligence in this universe, of a loving power larger than myself in nature, in people, everywhere.

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    Once the amateur's naive approach and humble willingness to learn fades away, the creative spirit of good photography dies with it. Every professional should remain always in his heart an amateur.

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    Once you have a staff of prepared, intelligent, and energetic people, the next step is to motivate them to be creative.

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    Once you accept the power of spine in the creative act, you will become much more efficient in your creativity. You will still get lost on occasion, but having a spine will anchor you.

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    Once you have selected a sport or a creative activity, the rules are pretty much the same.

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    Once you become a producer, you're really selling something. It is a control issue, because you don't really know how it's going to pan out, but the creative control makes it work it.

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    One cannot learn how to be creative by reading Marx. Either one is creative or one is not.

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    One cannot live a creative life without first letting go of the fear of being wrong.

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    One had better not rush, otherwise dung comes out rather than creative work.

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    One energy field. Our bodies have distracted us from our energy. We are the infinite field of unfolding possibilities. The creative force.

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    One detects creative power by its capacity to conquer one's detachment.

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    One must not consider a language as a product dead, and formed but once; it is an animate being, and ever creative. Human thought elaborates itself with the progress of intelligence; and of this thought language is a manifestation. An idiom cannot therefore remain stationary; it walks, it develops, it grows up, it fortifies itself, it becomes old, and it reaches decrepitude.

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    One logical consequence of this New Economy composed of big brands and entrepreneurial groups is that the unit of production is no longer a particular, identical product. The unit of production is the creative individual.

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    One of the best safeguards of our hopes, I have suggested, is to be able to mark off the areas of hopelessness and to acknowledge them, to face them directly, not with despair but with the creative intent of keeping them from polluting all the areas of possibility.

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    ...one of hallmarks of a creative person is the ability to tolerate ambiguity, dissonance, inconsistency, things out of place. But one of the rules of a well-run corporation is that surprise is to be minimized. Yet if this rule were applied to the creative process, nothing worth reading would get written, nothing worth seeing would get painted, nothing worth living with and using would ever get designed.

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    One of the greatest necessities in America is to discover creative solitude.

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    One of my life philosophies is that you have a choice to make when you're doing something creative. You can be cheesy... or you can be lame.

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    One of the few graces of getting old - and God knows there are few graces - is that if you've worked hard and kept your nose to the grindstone, something happens: The body gets old but the creative mechanism is refreshed, smoothed and oiled and honed. That is the grace. That is what's happening to me.

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    One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.

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    One of the first things a relationship therapist learns is that couples argue to burn up energy that could be used for something else. In fact, arguments often serve the purpose of using up energy, so that the couple does not have to take the courageous, creative leap into an unknown they fear. Arguing serves the function of being a zone of familiarity into which you can retreat when you are afraid of making a creative breakthrough.

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    One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.

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    One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!

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    One of the most perfect and unfailing joys of life is planting. It is the creative joy felt by God.

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    One of the perks of being a New Yorker cartoonist is that you get to hang around with interesting people. My fellow cartoonists are all interesting, and all highly creative.

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    One of the most wicked destructive forces, psychologically speaking, is unused creative power ... If someone has a creative gift and out of laziness, or for some other reason, doesn't use it, the psychic energy turns to sheer poison. That's why we often diagnose neuroses and psychotic diseases as not-lived higher possibilities.

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    One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs.

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    One of the things I've learned is there's no lesson to be learned. You have to resign yourself to the fact that mistakes are going to be made at any time in the creative process.