Best 3399 quotes in «creative quotes» category

I want to get my music out there. I enjoy playing shows; I just don't enjoy airports. I want to be more creative, but it's hard to get into that zone on tour.

I want to try new creative things and find refreshing stories. That's how I've come to choose the roles that I've done.

I was actually fortunate that I never had to have any other job than being an actor. I don't have those odd stories of having to make some money here or there, but certainly there are some credits on my résumé I wish I hadn't done. It paid my health insurance, and I say that just from a creative standpoint, shows I'm not that proud of, things like that.

I was a creative player, but I got some bad injuries early on and I decided that if this was a jungle we were playing in then it's better to be a lion than a lamb.

I was always being creative. I could never have played a defensive role because I would have been forced to destroy the other player's creativity.

I was always interested in dance as a creative art and traditionally dance is taught as an interpretive art.

I was always looking for a career that could combine my creative interests with my technical side, and it ends up directing films is the perfect combination.

I was always sort of ahead of myself in some way, shape or form and trying to envision how to get further along and closer to fulfilling that dream of being of being free and having a creative agency, so to speak.

I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn't going out and setting fire to anything. I had a big mouth and I was creative type, you know.

I was always the type of person, and still am the type of person, that I cannot be creative and use substances. So from a very early age I knew that if I wanted to make music, successfully, in any capacity, I was going to have to get sober.

I was an A student and I liked creative writing.

I was creative before I started meditating, but I had, looking back, a weakness. I wasn't self-assured. I had a little bit of melancholy. I had a lot of anger for my situations in life, and I would take this out on my first wife.

I was forgetting that an artist also just stares at a piece of paper or canvas all day. It somehow never occurred to me to connect these two diverse creative modes.

I was listening to Tommy Chong talking about how he feels like there is like a creative flow happening and how certain people just know how to hook into the pipe. He played music with Jimi Hendrix and felt that he was personally connected to some higher intelligence or creativity.

I was never not in a show from ages 11 until 18. It was a great creative atmosphere but also a professional kind of atmosphere. When I finally went into the professional world, I felt ready. I was prepared for work.

I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!

I wasn't interested in fame or fortune. I was interested in being an actor and being creative. I was very adamant about that.

I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.

I was originally supposed to become an engineer but the thought of having to expend my creative energy on things that make practical everyday life even more refined, with a loathsome capital gain as the goal, was unbearable to me.

I was surprised by how much I loved Portland. It is so wonderfully creative without being artsy. Great food scene.

I was supporting other people's creative dreams and I wasn't supporting my own. I didn't feel like I could really serve people having that kind of process within me.

I went to Duke University in the medical track. And then I decided I wanted to do something more creative, so I switched to biochemistry at Nebraska.

I went to see "The Piano" with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldn't focus at all. It took that creative part of my brain with it so absolutely.

I wish you a wrestling match with your Creative Muse that will last a lifetime. ... I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories - science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.

I will not allow anyone to take anything off my palette but if I do then within that, I can be creative.

I woke up early this mornin' with a new state of mind/ A creative way to rhyme without usin' knives and guns

I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.

I worshipped Berry Gordy for the creative dreams he had made come true.

I work in a creative industry. My work isn't terribly hard, it's artistically explorative, so I have no complaints.

I would be perfectly happy doing an indie film that had some really cool creative ideas.

I would like teachers to look deep because sometimes kids do have a faade that they put up because they feel vulnerable. Their creative truth may not be ready for their friends to see.

I would just like to say this about all the married people working together on the set: it was just a joy. That is the great joy to go to work with people that you love, whether they be people that you are in love with or people that you just love and be creative and artistic and make things that you want to send out into the world and make people feel good. It was a great environment to work in for me.

I wouldn't ask any of my employees to do anything I wouldn't do. And I work as hard, if not harder than the rest of the staff, to set an example. I also believe in giving my employees a lot of room to be creative and to express themselves.

I wouldn't have believed it. I still barely do, truthfully. I'm so continually fortunate that I keep coming across these smart, interesting, creative people who pick me. It's just stupendous.

I wouldn't be who I am without my husband, who handled the business end of Donna Karan so I could be creative.

I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.

I would love to think there is a direct relationship between coffee and genius, but they've done studies, and if anything, caffeine probably makes you a little less creative.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

I wouldn't mind doing Playboy again. But only if I had creative control.

I wouldn't take on the project unless I could have complete creative control in casting.

I would say anybody who's willing to listen to Dark Side of the Moon and watch The Wizard of Oz is already a very sensitive, creative person.

I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.

I would say I am at peace with the mystery of my mother's journals. Of course, I will always wonder, but isn't that the creative tension of living with uncertainty? By leaving me her empty journals, my mother has made herself very present.

I would sort out all the arguments and see which belonged to fear and which to creativeness. Other things being equal, I would make the decision which had the larger number of creative reasons on its side.

I write to believe in goodness.

I wrote three novels in six months, with a clarity of focus and attention to detail that I had never before experienced. This type of sublime creative energy is characteristic of the elevated and productive mood state known as hypomania.

I write in freehand equivalents because measuring, to me, takes away from the creative process of cooking. Two turns of the pan with EVOO is about two tablespoons.

I write my novels longhand. I love the feeling of writing; I love to see pen on paper. It feels more creative than typing, and it's a more visual process for me - I can picture the entire scene in my head and am merely writing what I see.

I wrote some weird magical realism stories that are probably on some hard drive somewhere, and if I ever uncover that hard drive, I'll burn it. I tried to do a little bit of writing while I was in Iraq, but it wasn't the really greatest space for creative production.

J.C. [Chandor] was the kind of energy we were looking for, so we decided to get behind it with all of our effort. That was the beginning of our relationship with first-time feature directors, and that's when it became really important to us, watching them thrive and grow in a creative environment in which you can do that was really key. Also his work checked all the boxes, because it was socially relevant and intellectually driven, and creatively exciting.