Best 1314 quotes in «poet quotes» category

For what was it about books that once finished left the reader in a bit of a haze and made them reread the last few sentences in order to continue the ringing in their hearts a while longer, so as not to let the silence illumine the fact that reading, they had gained something — distance, a lesson, a companion, a new world — but now, after the last full stop, they had lost something palpable and felt a little emptier than before.

From the ashes I rise. I am blooming into something radiant.

Fundamentals of Esperanto The grammatical rules of this language can be learned in one sitting. Nouns have no gender & end in -o; the plural terminates in -oj & the accusative, -on Amiko, friend; amikoj, friends; amikon & amikojn, accusative friend & friends. Ma amiko is my friend. A new book appears in Esperanto every week. Radio stations in Europe, the United States, China, Russia & Brazil broadcast in Esperanto, as does Vatican Radio. In 1959, UNESCO declared the International Federation of Esperanto Speakers to be in accord with its mission & granted this body consultative status. The youth branch of the International Federation of Esperanto Speakers, UTA, has offices in 80 different countries & organizes social events where young people curious about the movement may dance to recordings by Esperanto artists, enjoy complimentary soft drinks & take home Esperanto versions of major literary works including the Old Testament & A Midsummer Night’s Dream. William Shatner’s first feature-length vehicle was a horror film shot entirely in Esperanto. Esperanto is among the languages currently sailing into deep space on board the Voyager spacecraft. - Esperanto is an artificial language constructed in 1887 by L. L. Zamenhof, a polish oculist. following a somewhat difficult period in my life. It was twilight & snowing on the railway platform just outside Warsaw where I had missed my connection. A man in a crumpled track suit & dark glasses pushed a cart piled high with ripped & weathered volumes— sex manuals, detective stories, yellowing musical scores & outdated physics textbooks, old copies of Life, new smut, an atlas translated, a grammar, The Mirror, Soviet-bloc comics, a guide to the rivers & mountains, thesauri, inscrutable musical scores & mimeographed physics books, defective stories, obsolete sex manuals— one of which caught my notice (Dr. Esperanto since I had time, I traded my used Leaves of Grass for a copy. I’m afraid I will never be lonely enough. There’s a man from Quebec in my head, a friend to the purple martins. Purple martins are the Cadillac of swallows. All purple martins are dying or dead. Brainscans of grown purple martins suggest these creatures feel the same levels of doubt & bliss as an eight-year-old girl in captivity. While driving home from the brewery one night this man from Quebec heard a radio program about purple martins & the next day he set out to build them a house in his own back yard. I’ve never built anything, let alone a house, not to mention a home for somebody else. Never put in aluminum floors to smooth over the waiting. Never piped sugar water through colored tubes to each empty nest lined with newspaper shredded with strong, tired hands. Never dismantled the entire affair & put it back together again. Still no swallows. I never installed the big light that stays on through the night to keep owls away. Never installed lesser lights, never rested on Sunday with a beer on the deck surveying what I had done & what yet remained to be done, listening to Styx while the neighbor kids ran through my sprinklers. I have never collapsed in abandon. Never prayed. But enough about the purple martins. Every line of the work is a first & a last line & this is the spring of its action. Of course, there’s a journey & inside that journey, an implicit voyage through the underworld. There’s a bridge made of boats; a carp stuffed with flowers; a comic dispute among sweetmeat vendors; a digression on shadows; That’s how we finally learn who the hero was all along. Weary & old, he sits on a rock & watches his friends fly by one by one out of the song, then turns back to the journey they all began long ago, keeping the river to his right.

Give me any goddamn thing and I will do it with style!

Give contemporary POET more SPACE & a long-last MAGIC will surround you all again.

God designed love to make the world living; so if world's dying, we know what's missing. When missing, God designed another thing: "This one is hatred-to do repairing." Oh, how the world treats hatred as beastly; yet sans hatred, who'll fight depravity? Hatred used to correct is celestial; but when used to oppress, it is bestial.

God doesn't listen to me too, but people have their suspicions. सुनता तो रब हमारी भी नहीं, पर लोगों को अल्लाह पे शक बेशक है

God is the world's oldest poet; love is the world's oldest poem.

God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us.

Go for it because for all those moments that you would make up your mind the other might have already rushed for it.

God would seem to indicate to us and not allow us to doubt that these beautiful poems are not human, or the work of man, but divine and the work of God; and that the poets are only the interpreters of the Gods...

Good or bad, positive or negative, there is no comment more insulting to a poet than one displaying that you have not properly read and considered the things they wrote.

Have you been caring to all your children? Will they take you than be at old folks' den? Will they feel honored pushing your wheelchair? Will hearts break when your breath runs out of spare?

Grand Sky/Grand Prairie Both harbor the vastness of space. One holds the space Of starlight, thunder snow, rock and icy comets, scrolls Of clouds; the other the spaces inside see heart and ovum, Root webs, spider webs, budded blossoms. They lean together tightly day and night, pressing One into the other, each creating the horizon of the other. They exchange themselves. At evening one becomes The steady night in which the other lives. Yet witness How the moon first rises from the body of the prairie Into the height of the sky that then possesses it. Their horizons are persistent illusion.

Happy New Year (31 Dec 2017) December 31. A wine fish was lost in your long cheeks of swallows. I looked up and discovered that the starry night was never so lonely. Yes! The night full of stars was never so lonely! How else can someone be alone, if not surrounded by his soul? How else can someone be alone, if not populated by his soul?

Hearts shall dance once again; when canvas of ice is painted with the brush of skates.

Hemingway is overrated, Twain is even more lost at sea, And all truths point to the mouth of a woman, Where both her whispers and her screams, Are born. Pour another glass, Beer, wine, whiskey, I don't care, So long as its wisdom is sharp, And it tells lies instead of promises.

He informed Byrdie that his social engineering ambitions betrayed all the delusions of grandeur that you might expect from the son of a poet.

Her legacy was that she loved with all she had, whether you deserved it or not.

Her silhouette never has regrets.

Her thoughts became mysteriously tightened and strung up as if a piano tuner had put his key in her back and stretched the nerves very taut

He was a poet -oh all men are when they're in love.

He was to them like the poet of a new school who takes his contemporaries by storm; who is not really new, but is the first to articulate what all his listeners have felt, though but dumbly till then.

How much living have you done? From it the patterns that you weave Are imaged: Your own life is your totem pole, Your yard of cloth, Your living. How much loving have you done? How full and free your giving? For living is but loving And loving only giving.

He wouldn't perform without a recording now, she was certain, like a poet working in the oral tradition who had been contaminated by the advent of the recording device and so insisted that all improvisations be saved for posterity.

His eyes spark with revolutions, enlightened trickery and unconditional affection.

How are his poems?" "He's not as good as he thinks he is, but then most of us feel that way.

How—I didn't know any word for it—how "unlikely". . . How had I come to be here, like them, and overhear a cry of pain that could have got loud and worse but hadn't?

He without inspiration and motivation exists no more in a world full of innovations and inventions!

How to be a Poet (to remind myself) i Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill—more of each than you have—inspiration work, growing older, patience, for patience joins time to eternity… ii Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. iii Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

Humans have the ability to rewrite history. Within a few decades it is not even questioned. Stories of the past become as real as the world you walk through today. Wars are waged over false history. Sins are denied. All for mankind to move forward and feel comfortable about its past. Your true history is written in the stars. Look up, breathe in, and be humbled by the ones who came before you. The ones who have suffered, who have endured, who have overcome. Their blood is alive in you. Their spirits roam freely in the heavens above.

I am a poet and I love riding a motorcycle!

I am a poet and I love riding motorcycle!

I am no one's to be claimed, I belong to me.

I am in awe of flowers. Not because of their colors, but because even though they have dirt in their roots, they still grow. They still bloom.

I am just a poet of a few moments. One day, I will be gone away from this world. If you miss me, please read my words.

I am not a poet. But from to the day that we met. I have started writing poetry.

I am poetry in motion

I am not a poet, I am a poem!

I am part of all that I have met.

I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one… The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.

I am the Lone Wolf and the Moon is mine.

I became an artist because I wanted to be an active participant in the conversation about art.

I believe that Gaston Cleric narrowly missed being a great poet, and I have sometimes thought that his outbursts of imaginative talk were fatal to his poetic gift. He squandered too much in the heat of personal communication. How often have I seen him draw his dark brows together, fix his eyes upon some object on the wall or a figure in the carpet, and then flash into the lamplight the very image that was in his brain.

Ibrahim tizenhárom esztendős nagyvezérsége idején olyan rendhagyó viszonyok uralkodtak a Portán, amelyek ott korábban is, később is elképzelhetetlenek lettek volna, s amelyekben felfedezhetők az „europaizálódás” felületi ismérvei is. A görög renegát olyan gesztusokat engedett meg magának, amelyek megzavarták és megbotránkoztatták a hithű mohamedánokat. Olyannyira megtetszettek például neki a budai várban 1526-ban felfedezett hatalmas ércszobrok, hogy azokat Isztambulba szállíttatta, és – bár a mohamedán felfogás tiltotta az emberábrázolást – fel is állíttatta a város egyik legforgalmasabb helyén, az At mejdánon. Egy csípős nyelvű ortodox költő az alábbi versezettel adott hangot nemtetszésének: "két Ibrahim élt a földön, az egyik [a bibliai Ábrahám] összetörette a bálványokat a másik újból életre keltette azokat." (Ibrahim válaszul kivégeztette a verselőt.)

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

I can feel the emotions of others. I feel it inside my own being. And I can use this to heal the other person. I recently got to know that I am an INFJ personality type: the rarest of all personalities in our world.

i can gladly die today knowing that a part of me will always remain within you...

I am the poet with scaring words and blurred letters. I do not know if my poetry is a blessing or a curse.

I believed that I wanted to be a poet, but deep down, I just wanted to be a poem