Best 1314 quotes in «poet quotes» category

Take me to your darkest corners and watch your demons surrender to mine..

That happens a lot with Shakespeare. The women go after what they want; the men wind up suckered into things.

The aching in my chest isn't because I miss you, it's realizing that you have become someone I no longer know, your fears, your 4 am thoughts, your achievements, are things I no longer have an equivalent to. Who we were and who we are are four different people, and the me from now doesn't relate to the me from then, let alone to the you from now. -Tanzy Sayadi and Jarod Kintz

The American bards shall be marked for generosity and affection and for encouraging competitors… . The great poets are also to be known by the absence in them of tricks and by the justification of perfect personal candor… . How beautiful is candor! All faults may be forgiven of him who has perfect candor.

The artist (I suppose) usually pays for the privilege by some sort of partial insomnia, by the possession of one faculty that will not be controlled nor put to sleep. In a poet this must often be the visual imagination, bringing before his eyes a succession of images which he never summoned, and of which some (it is only too likely) will be ugly or pitiful.

The Best Thing I love about being a writer and a poet is, I can make up my own words to fit my imagination.

The Child Christ lives on from generation to generation in the poets, very often the frailest of men but men whose frailty is redeemed by a child's unworldliness, by a child's delight in loveliness, by the spirit of wonder. Christ was a poet, and all through His life the Child remains perfect in Him. It was the poet, the unworldly poet, who was King of the invisible kingdom; the priests and rulers could not understand that. The poets understand it, and they, too, are kings of the invisible kingdom, vassal kings of the Lord of Love, and their crowns are crowns of thorns indeed.

The Congregating of Stars They often meet in mountain lakes, No matter how remote, no matter how deep Down and far they must stream to arrive, Navigating between the steep, vertical piles Of broken limestone and chert, through shattered Trees and dry bushes bent low by winter, Across ravines cut by roaring avalanches Of boulders and ripping ice. Silently, the stars have assembled On the surface of this lost lake tonight, Arranged themselves to match the patterns They maintain in the highest spheres Of the surrounding sky. And they continue on, passing through The smooth, black countenance of the lake, Through that mirror of themselves, down through The icy waters to touch the perfect bottom Stillness of the invisible life and death existing In the nether of those depths. Sky-bound- yet touching every needle In the torn and sturdy forest, every stone, Sharp, cracked along the ragged shore- the stars Appear the same as in ancient human ages On the currents of the old seas and the darkened Trails of desert dunes, Orion’s belt the same As it shone in Galileo’s eyes, Polaris certain above The sails of every mariner’s voyage. An echoing Light from the Magi’s star, that bacon, might even Be shining on this lake tonight, unrecognized. The stars are congregating, perhaps in celebration, passing through their own names and legends, through fogs, airs, and thunders, the vapors of winter frost and summer pollens. They are ancestors of transfiguration, intimate with all the eyes of the night. What can they know?

The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.

The destiny of you and me is written, Yes it is written…!

The cremation grounds are never the end, we return to nature...

The Cricket and the Grasshopper The senseless leaf   in the fevered hand Grows hot, near blood-heat, but never grows Green. Weeks ago the dove’s last cooing strain Settled silent in the nest to brood slow Absence from song. The dropped leaf cools On the uncut grass, supple still, still green, Twining still these fingers as they listless pull The tangle straight until the tangle tightens And the hand is caught, another fallen leaf. The poetry of the earth never ceases Ceasing — one blade of grass denies belief Until its mere thread bears the grasshopper’s Whole weight, and the black cricket sings unseen, Desire living in a hole beneath the tangle’s green.

The core of your true self is never lost. Let go of all the pretending and the becoming you've done just to belong. Curl up with your rawness and come home. You don't have to find yourself; you just have to let yourself in.

The cultured court singer of heroic lays disappears along with the heroic spirit of his public, but heroic poetry survives the heroic age and is more long-lived than the society to which it owes its origin. After the decline of the military aristocratic culture, it turns from an exclusive class interest into a universal art. The fact that this declension was so easily brought about, and that the same kind of poetry could be understood and enjoyed by the upper and lower classes almost simultaneously, can only be explained by assuming that the difference in cultural standards between the rulers and the ruled cannot have been anything like so great as in later ages. It is true that from the very beginning the rulers lived in a different sphere from the people, but they were not yet so conscious of the gulf that divided them from the lower classes.

The dead are immune from our prison of Time. The distance between the living and dead may be vast, but the space of Time the dead experience when they are reunited with their loved ones is only paper-thin.

The eclipses of poets are not foretold in the calendar.

the eyes want what the eyes see poor heart gets the blame.

The Estate of Solemnity By right, it reigns in its places- in long beards Of spanish moss hanging from a live oak On a windless evening, and in the chill of new Icicles rigidly, imperceptibly lengthening. Cavern Stalagmites are almost majestic with solemnity. The black morel and the tree ear mushroom Are solemn without grief, solemn without joy, Solemn without reverence, without a single Flicker of green or lift of a wing or cry. But the most solemn, most stalwart, the least Wavering are the tors and crags, the towering desert Spires and carved pinnacles, the devoted ascents And sharp, raw rims of boulders and bluffs, the maw Of a distant cave I saw yesterday and the day before, And the grave echo there of the day and the before. Mystics and divines have always sought the pure, White-rock serenity of the silent, solemn moon Bound in its flight alone far above the peaks, far Above the earth, surrounded there forever by bevies Of giddy stars, all asparkling, all aglow.

The Gay, the Straight, the Preacher, The privileged, the homeless, the Teacher. They all hear The speaking of the Tree. They hear the first and last of every Tree Speak to humankind today. Come to me, here beside the River. Plant yourself beside the River.

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

The ground will never complain how much weight you add on it, how much you dig it and how much you grow on it, How long you live on it. Unused ground is an abomination to nature.

The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time.

The history of time is captured by poet, artist, writer, photographer…!

The key to a wonderful life Is to never stop wandering into wonder. Because to live a predictable life, Only fills a person with strife, And such a person will always be wondering: 'What a limitless life could be lived beyond the lines?' Such is a question a curious spirit would never sit forever and ponder. So always pursue new ventures in your life, And be willing to open doors to different light; This is the only way to keep it magical and always filled with wonder. Days will feel shorter, but your happiness will grow stronger -- Because living a life without curiosity and adventure, Is a stale life where days only feel longer and Longer.

The here, the now and the individual have always been the special concern of the saint, the artist, the poet and -- from time immemorial--the woman.

The Hitchhiker’s Guide to the Galaxy has this to say about the planet of Golgafrincham: it is a planet with an ancient and mysterious history, rich in legend, red, and occasionally green with the blood of those who sought in times gone by to conquer her; a land of parched and barren landscapes, of sweet and sultry air heady with the scent of the perfumed springs that trickle over its hot and dusty rocks and nourish the dark and musky lichens beneath; a land of fevered brows and intoxicated imaginings, particularly among those who taste the lichens; a land also of cool and shaded thoughts among those who have learned to forswear the lichens and find a tree to sit beneath; a land also of steel and blood and heroism; a land of the body and of the spirit. This was its history. And in all this ancient and mysterious history, the most mysterious figures of all were without doubt those of the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them. And when the travelers cried out, saying why didn’t they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and even more extraordinary length, and all fell into exactly the same pattern.

The known universe has one complete lover and that is the greatest poet.

...the Moon, the enemy of poets... ("Merchant's Two Sons")

The Lone Star of Africa Land of the free, on your beach and sacred forests loves flourished. You, Liberia, you my love to echo, the scream of freedom, holding tight and will never let go. O beautiful land, The Lone star for decades has survived wars and tribalism the elders who keep the ancestral treasures that resulted in Vandalism. When will morning break for great leaders to stand for what is right Mother Liberia?

The mainspring of genius is curiosity.

Then he began plucking the pins from her hair, carefully, without touching her anywhere else, and Eve began to wonder if 'hair' could possibly be erotic. She found herself holding her breath, listening to his deep, even exhalations as he worked, her hair loosening and beginning to slide. It fell all at once, uncoiling heavily over her shoulders. She turned her head to look at him, suddenly shy. He was staring at her hair. "It's beautiful," he murmured, burying his fingers in the long tresses, gently working apart the strands, lifting and spreading them. "Like liquid gold." He suddenly lifted the mass to his face. "And perfumed. Like flowers." "Lily of the valley." He made her feel exotic, still dressed in her sensible gray frock, only her hair loose about her shoulders. "Lily of the valley," he murmured. "I'll remember that scent forever now, and whenever I smell it again I'll think of you, Eve Dinwoody. You'll be haunting my tomorrows evermore." She gasped and turned, looking up at him. She'd thought that he'd be smiling teasingly at his words, but he looked quite serious and she stared at him in wonder. Had he always carried this part of himself inside? This wild poetic lover? If so, he'd hidden it well underneath the aggressive, foulmouthed theater manager. She had a secret fondness for the crass theater manager, but the pot... She swallowed, suddenly nervous. She might come to love a wild poet.

The nerd in me that needs to understand everything is dying to drive July to a lab and cut off pieces of her to look at under a microscope to see if I can figure out what’s keeping her alive, and the poet in me wants to ask her a million questions about being dead so that I can understand how she sees the world and what the stars look like through eyes that once saw what’s on the other side of life. But July doesn’t need a nerd or a poet. She needs a friend, and I suppose that unenviable job has fallen to me.

The Most Dangerous (Sab Ton Khatarnak - Paash) The most dangerous occurrence is not a robbery of hard work, The most horrifying act is not a torture by the police, A merger of treachery and greed is not the most dangerous. To be trapped while asleep is surely miserable, To be buried under the silence is surely miserable, But it is still not the most dangerous. To remain silent in the noise of corruption is surely miserable, Reading covertly under the light of a firefly is surely miserable, But it is still not the most dangerous. The most dangerous deed is to be filled with a dead silence, Not feeling any agony against the unjust and bearing it all. Getting trapped in the routine of running from home to work and from work to home, The most dangerous accident is a death of our dreams. The most dangerous thing is that watch which runs on your wrist, but stands still for your eyes **A Translation of Paash's poem Sab ton Khatarnak by Jasz Gill

The poet is a Cyclops in the Kingdom of the Blind whose sole cure for the madness of his vision must be starvation.

Then you are a poet?' she asked, fingering the flyer in her pocket. 'No not at all,' he waved his hand. 'I am merely a character in a poem.

The poet gives his whole life such a voluntarily steep incline that it is impossible for it to exist in the vertical line of biography where we expect to meet it. It is not to be found under his own name and must be sought under those of others, in the biographical columns of his followers. The more self-contained the individuality from which the life derives, the more collective, without any figurative speaking, is its story.

The pity is not that there is a myth of Sylvia Plath but that the myth is not simply that of an enormously gifted poet whose death came carelessly, by mistake, and too soon.

Then the pulse. Then a pause. Then twilight in a box. Dusk underfoot. Then generations. — Then the same war by a different name. Wine splashing in the bucket. The erection, the era. Then exit Reason. Then sadness without reason. Then the removal of the ceiling by hand. — Then pages & pages of numbers. Then the page with the faint green stain. Then the page on which Prince Theodore, gravely wounded, is thrown onto a wagon. Then the page on which Masha weds somebody else. Then the page that turns to the story of somebody else. Then the page scribbled in dactyls. Then the page which begins Exit Angel. Then the page wrapped around a dead fish. Then the page where the serfs reach the ocean. Then a nap. Then the peg. Then the page with the curious helmet. Then the page on which millet is ground. Then the death of Ursula. Then the stone page they raised over her head. Then the page made of grass which goes on. — Exit Beauty. — Then the page someone folded to mark her place. Then the page on which nothing happens. The page after this page. Then the transcript. Knocking within. Interpretation, then harvest. — Exit Want. Then a love story. Then a trip to the ruins. Then & only then the violet agenda. Then hope without reason. Then the construction of an underground passage between us. Srikanth Reddy, "Burial Practice" from Facts for Visitors. Copyright © 2004 by the Regents of the University of California. Reprinted by permission of The University of California Press. Source: Facts for Visitors (University of California Press, 2004)

The one she needed most kept aloof, for she was, to hear her talk, changing her selves as quickly as she drove - there was a new one at every corner - as happens when, for some unaccountable reason, the conscious self, which is the uppermost, and has the power to desire, wishes to be nothing but one self. This is what some people call the true self, and it is, they say, compact of all the selves we have it in us to be; commanded and locked up by the Captain self, the Key self, which amalgamates and controls them all

The only way to find art is to lose touch with reality.

The poet Archibald MacLeish, then an Assistant Secretary of State, spoke critically of what he saw in the postwar world: "As things are now going, the peace we will make, the peace we seem to be making, will be a peace of oil, a peace of gold, a peace of shipping, a peace, in brief . . . without moral purpose or human interest. . . .

The poets and writers are born stylists!

The poet loves his dream girl, but he only accepts her when she is also same in real; otherwise, he remains in the dreams, writing love poetry and waiting for dream girl to come.

The Poets light but Lamps- Themselves-go out-

The rain always makes me wonder What is it that the clouds ponder? Will I write something tonight? But I don't want to miss the thunder!

The reading and writing of poetry has helped me navigate some of the most challenging years of my life. It has been both life-saving and life changing for me.

There are many unspeakable words, forgotten, or forbidden. Great thanks to the poets who make them all become reachable.

There Are No Believers in This World: There Are Only the Make Believers and the Non-Believers.

The poet is seldom or never merely describes nature; he inevitably beautifies and glorifies it,

The poet’s whole frame seemed to hug itself together, to contract, to tighten. Then he said: ‘I’m not in the least annoyed by anyone’s ways. We’re all beetles in the dung of the earth. If you go about with me Solent, you won’t be able to think of yourself like you like to do, or about any of your young ladies either! You’ll be glad enough to get three good meals every day and to sleep as long as you can. … You’ll learn from me more about the value of sleep than about courting young ladies. … So my advice is, get back to London, where that lord of your is and teach -' He was interrupted by the opening of the front door and the sound of Olwen’s shrill voice [...]