Best 3503 quotes in «magic quotes» category

Being the Magician isn't about being powerful when you have things and useless when you don't," Persephone said. "The Magician sees what is out there and finds connections. The Magician can make anything magical.

Belief is where Magic, whether light or dark, is based on. Without belief, there is no Magic.

Belief is both a marvelous and a terrible thing. Belief makes things real.

Believe in magic. Believe in the impossible

Believe in things impossible, love the magic of a place, mystery in a person, passion in a relationship and seek adventures in life.. Live the life don't go through it..

Believe in yourself. That's real magic.

Believe in your heart that you're meant to live a life full of passion, purpose, magic and miracles.

Believe is a powerful word to see and to say. But that morning, I felt it. And feeling it was the best of all. I knew something wonderful was about to happen to me. I didn't know what, or why, or how. But I believed.

Bella laughed, her head thrown back to expose the smooth line of her throat, and Sam suddenly lost his train of thought. While they'd been eating, the sun had set, and the sight of Bella standing in the moonlight laughing took his breath away. He didn't think he'd ever seen anything so beautiful in his life. And that was more terrifying than any fire.

Ben let a slow smile play over his face. He loved this part. It always felt like revealing to a disbeliever that he had magical powers or something.

Benny pushed a slow breath through his teeth. “Is it so terrible to believe in something?

Be silent like a rock, deeply rooted and straight like a tree, bend like a reed in the wind, listen to the sounds that your ears ignore, and feel the world through your intuition. The latter will never betray you, your senses will!

Be still in peace and reach your highest peak.

Be the woman who is remembered for living life to its fullest!

Beware Stephen! There will probably be a magical combat of some sort. I daresay I shall have to take on different forms – cockatrice, raw head and bloody bones, rains of fire, etc., etc. You may wish to stand back a little!

Bir şeyleri dışarı atıp kapıyı kilitlediğinde, aslında kendini içeri kilitlemiş oluyorsun.

Blue must be worn for protection. Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy. When it came to love, you must always be careful. If you dropped something belonging to the man you loved into a candle flame, then added pine needles and marigold flowers, he would arrive on your doorstep by morning, so you would do well to be certain you wanted him there. The most basic and reliable love potion was made from anise, rosemary, honey, and cloves boiled for nine hours on the back burner of the old stove. It had always cost $9.99 and was therefore called Love Potion Number Nine, which worked best on the ninth hour of the ninth day of the ninth month.

Books are a portable kind of time travel. We go back as well as forward when we read them. When we come back into the now, after being immersed in worlds previously unknown to us, we find ourselves, transformed. Touched by their magic, nothing we ever perceived beforehand remains quite the same.

Books are where the true magic happens.

Books" - Snell smiled - "are a kind of magic.

Books are another kind of magic.

Books are the only things worth stealing.

Books, I think, are what magic smells like.

Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the Universe together into one garment for us.

Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways.

Bran,” I sob. “You have to go.” He just smiles. “Bran! You must!” Again the smile. He won't leave. He'll be my faithful friend forever. He'd rather die by my side than skip free without me. I return the smile. “Very well,” I sigh and reach out a hand. Bran takes it, expecting only my touch. But what he gets on top of that is the last of my magic. A swift, improvised spell. I reach into his mind and send an image into his thoughts, of the hole, him dashing out of it, racing through the cave and not coming back. And then, with all the magical force I can muster, I yell at him— “Run fast!

Bright yellow leaves flowed swiftly upon the dark, almost-black water, making patterns as they went. To Mr. Segundus the patterns looked a little like magical writing. 'But then,' he thought, 'So many things do.

[Bruno] Latour argues that one of the foundational gestures of western modernity has been the effort to formulate and police a heightened antimony between nonhuman nature and human culture. -- Randall Styers, Making Magic, p. 17

Broken things can be fixed and healed. Nothing is too difficult or too dirty to clean.

Brodie found herself frowning in confusion, the rugged handsome one was making no sense. “But I just want to have sex with you… no commitment, no sharing. If anything, I would prefer it if you didn’t talk at all, before, during, or after the act.

Bronze-limbed and well-knit, like a statue wrought by a Grecian, he stood on the sand with his back to the moon, and out of the foam came white arms that beckoned to him, and out of the waves rose dim forms that did him homage. Before him lay his shadow, which was the body of his Soul, and behind him hung the moon in the honey-coloured air.

Buggeroff, enchanté!

But are they heroes or mere dreamers?

Business was doing well, because all the locals knew that dishes made from the flowers that grew around the apple tree in the Waverley garden could affect the eater in curious ways. The biscuits with lilac jelly, the lavender tea cookies, and the tea cakes made with nasturtium mayonnaise the Ladies Aid ordered for their meetings once a month gave them the ability to keep secrets. The fried dandelion buds over marigold-petal rice, stuffed pumpkin blossoms, and rose-hip soup ensured that your company would notice only the beauty of your home and never the flaws. Anise hyssop honey butter on toast, angelica candy, and cupcakes with crystallized pansies made children thoughtful. Honeysuckle wine served on the Fourth of July gave you the ability to see in the dark. The nutty flavor of the dip made from hyacinth bulbs made you feel moody and think of the past, and the salads made with chicory and mint had you believing that something good was about to happen, whether it was true or not.

But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...

But even airplanes heading toward Belgium can work magic, if you have luck and love and Christmas on your side.

But can’t you just wave your hand and make all the dirt fly away, then?" [...] "That works, but only if you wave them about on the floor with a scrubbing brush.

But if you are going to take up a profession – and I cannot see why you should want one at all, now that you have come into your property – surely you can chuse something better than magic! It has no practical application.

But do not take this responsibility lightly, my boy. The Gauntlet casts an ominous shadow.

But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.

But if all my paintings were imitations of the images in my brain, then the images in my brain had always been only echoes of this. We were in Feyland at last. - Breena Malloy from Bitter Frost by Kailin Gow.

But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable. If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language. Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts. It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way. You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn. This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.

But magic was not always so linear. It was born from odium. From love. From revenge.

But magic must hurry on, and the lovers remain...

But remember. Just because you don't believe in something doesn't mean it isn't real.

But really, aren't there bits of magic everywhere we look?' Dr. Clifton continues. 'We've just stopped seeing it that way.

But that is impossible," said Peter. "Magic is always impossible," said the magician. "It begins with the impossible and ends with the impossible and is impossible in between. That is why it is magic.

But that was what research and development were like. Full of semi-triumphs and perplexing unforeseen consequences like the whole violent hiccuping thing when conjuring up fire - or the propensity for fillings to fall out of bystanders' teeth when attempting to tease a rainstorm out of a cloud.

... but in the winter they were ensconced in a white powder of sparkling snow.

But Malone was thinking now and as he watched the men lighting cigarettes for each other in the dark, having sex beneath the trees, he turned to his friend and said in a wondering voice: “Isn’t it strange that when we fall in love, this great dream we have, this extraordinary disease, the only thing in which either one of us is interested, it’s inevitably with some perfectly ordinary drip who for some reason we cannot define is the magic bearer, the magician, the one who brings all this to us. Why?