Best 3503 quotes in «magic quotes» category

I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.

I don't know that I believe in the supernatural, but I do believe in miracles, and our time together was filled with the events of magical unlikelihood.

I don't know what to think about magic and fairy tales.

I don't think somebody can just, like, wave a magic wand and make you a star.

I don't think people need to know what colour socks I'm wearing today; I don't think people need to know what shower gel I'm using. There's too much information in the world, and there's no magic or mystery anymore.

I don't want realism. I want magic!

I don't want realism. I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!

I don't want to sound mystical but sometimes when you take a picture - when the sets are in place - then something takes over and leads you. It's this sense of extraordinary luck and chance. The shoot is blessed and charmed, and you make pictures that you couldn't in your wildest dreams have imagined. That is the magic of photography.

I don't want you to understand the details. To feel how it feels, you just have to be on the ground with the people. That's where photojournalists have a lot of magic.

I do one take; I never overdubbed twice. I know there's stuff that isn't perfect, but it doesn't matter: Nothing is perfect, and there is a magic there that is undeniable because of the fact that we don't care about those things.

I do understand people when they say that you destroy the magic of childhood if you encourage too much skeptical questioning.

I'd rather hug Magic Johnson after he rolled around in barbed wire.

I drank a second mouthful in which I find nothing more than in the first, then a third which gives me rather less than the second. It is time to stop; the potion is losing its magic.

I'd spent a night with Ranger a while ago, and I knew what happened when he was encouraged. Ranger knew how to make a woman want him. Ranger was magic.

If American politics does not look to you like a joke, a tragic dance; if you have enough blindness left in you, on any plea, on any excuse, to vote for the Democratic Party or the Republican Party (for at present machine and party are one), or for any candidate who does not stand for a new era, -- then you yourself pass into the slide of the magic-lantern; you are an exhibit, a quaint product, a curiosity of the American soil. You are part of the problem.

I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.

If anybody felt worse than I did, it was Amos. I had just enough magic to turn myself into a falcon and him into a hamster (hey, I was rushed!)

I feel like my secret magic trick that separates me from a lot of my peers is the bravery to be vulnerable and truthful and honest.

I feel very guilty doing magic because you're deceiving somebody.

If ever I feel I might be able to tackle it, I'd love to try holding a spear or something in the theater, or opening a door, or anything, just to try it, you know, because it must be some marvelous magic thing.

I felt my face stretch in a victorious smile. The potion had worked. I was inside. I had to suppress an urge to break into a soft shoe routine. Sometimes being able to use magic was so cool.

If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.

I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.

I felt quite frankly having been raised during the depression and looking back at the roaring twenties, the jazz age, which was a very magic timer in my mind because it was something that I had missed.

If everybody knows all the tricks, it's no more magic.

If I knew what I was doing, I'd be doing it right now. I would be the best damn poet, silver words out of my mouth. My words might not be magic, but they cut straight to the truth. So if you need a lover and a friend, baby, I'm in.

If I could climax as many times as a Derek Dingle routine I would be a happy man!

If I ever saw magic on television I would say: 'I want that. That's what I want from Santa Claus'. So the cupboard in my bedroom was full of boxes of magic tricks, cups and balls, cards and foam rabbits, all sorts of stuff.

I find myself in a new and strange position here: President, cabinet, Gen. Scott, and all deferring to me. By some strange operation of magic I seem to have become the power of the land.

I find revealing the secrets of magic quite reprehensible.

I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? p.369

I firmly believe that success lies in the combination of both talent and business savvy, and that the magic comes through partnership between both.

If it came to a magic genie, I would ask him for two extra wishes. One would be that no one would have to live with the muscular dystrophy disease or any disease. And the second one would be world peace, that we just stop fighting, talk about things, and we could live in harmony once again, like God intended us to do.

If I plug my estimates into the Magic Formula, and it comes out cheap, that's good.

If love doesn’t triumph, it ought to. For love is the one thing we have that feels more powerful than even death; the only respite from life’s wretched absurdity. The magic of love is not that it contains all the answers, it’s that it eliminates the need for so many pressing questions. For love makes us feel like gods--and that’s what we’re really after, isn’t it?

If I was bound for hell, let it be hell. No more false heaven. No more damned magic.

If I wrote a musical it wouldn't be about me. Although I do some magic, so it would probably be about a magician who appeared and re-appeared all over the place.

If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.

If one must explain a magic trick, one should do so after the show is over.

If there is a single secret, then it can be simply put. Think big, create, plan, rethink (even bigger) then prepare, practice and perform.

If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.

If we remain wedded to the way education is currently provided we cannot imagine other ways. We need some imagination, some fantasy, some new ways of thinking - some magic in fact.

If we believe in magic, we'll live a magical life.

If we were all given by magic the power to read each other's thoughts, I suppose the first effect would be to dissolve all friendships.

If there’s a magic pony in the story, chances are I’ll read it.

If there's no magic of cinema, you only have the plain imagery of television. We are moving more and more towards a world devoid of meaningful experiences. We're going to the surface.

If there was any magic formula, it was getting to pitch every fourth day.

If we stand for change, we can spark a popular movement with power, influence, magic and genius.

If you are able to discover your own keynote or chord and play it over gently to yourself, you will revive as if by magic. Your keynote can be ascertained by listening to some good music. When the note is played it will send a thrill right through you.

If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.