Best 5258 quotes in «creativity quotes» category

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    For as long as I shall live, I look forward to never growing old with you.

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    for at udnytte denne kreativitet må vi til tider trække os tilbage og reflektere over udfordringerne. Vi må have ro. Hjernen kan ikke være kreativ og udvikle nye løsningsmodeller, når den er presset. Er den under pres, kører den på automatikken, og så gør du bare det, som du altid har gjort.

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    For centuries, no man, in verse has ever done, or ever seemed to think of doing, an original thing. The fact is that originality (unless in minds of very unusual force) is by no means a matter, as some suppose, of impulse or intuition. In general, to be found, it must be elaborately sought and, although a positive merit of the highest class, demands in its attainment less of invention than negation.

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    For a scientist must indeed be freely imaginative and yet skeptical, creative and yet a critic. There is a sense in which he must be free, but another in which his thought must be very precisely regimented; there is poetry in science, but also a lot of bookkeeping.

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    Forgery, being the weirdest form of creativity there is, like antiques, costs lives. Why is it that antiques demand sacrificial victims? Dunno, but if they don't get enough, forgery does. You want proof? Here it is: Once a faker's found out, he dies. Truly. It always happens.

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    Forget about being an expert or a professional, and wear your amateurism (your heart, your love) on your sleeve. Share what you love, and the people who love the same things will find you.

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    Forgiveness is really about absolution: to set free. But if you look carefully at the dynamic, the one you’re setting free is yourself.

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    For he has faith enough, he feels, if he were really to delve into himself, faith enough to move mountains, but he cannot manage to put his back into it. Once in a while the need to create wells up in him, the longing to see a part of himself set free in a work by him, and for days at a time his being can be tensed with joyous, titanic efforts to mold the clay into his Adam. But he is never able to shape him into a semblance of his image, he does not have enough stamina to maintain the self-discipline that it demands. It make take weeks for him to give up the work, but he does give it up, and irritably asks himself why he should keep on: what more does he have to gain? He has enjoyed the pleasure of creation, the tedium of upbringing remains, to nurse, nurture, and support entirely - why? for whom? He is no pelican, he says. But whatever he says, he is still ill at ease and feels that he has not done justice to the expectations he has of himself. It doesn’t help him to confront these expectations and try to doubt that their demands on him are justified. He is faced with a choice, and he must choose; for life is such that when the first youth is gone, sooner or later - depending on the natural disposition of the person - sooner or later a day dawns when resignation comes to you like a seducer and tempts you, and you have to say farewell to the impossible and accept it.

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    For some strange reason I get some of my brightest ideas on the toilet seat, with my clothes on.

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    For success put your energy over which you have control. Do not drain your energy to the things over which you have no control.

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    For the novelist or poet, for the scientist or artist, the question is not where do ideas come from, the question is how they come. The how is the mystery. The how is fragile.

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    For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as do the ordinary people, but to fulfill it in its true potential - the imagination.

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    For those that say it is better to sleep when you're dead... They mustn't dream like me, for there's no sleep in my asleep; my slumber's the liveliest place to ever be!

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    Freedom and responsibility themselves are at stake. One does not find freedom or enact responsibility by surrendering to another’s conceptualization of these ideas. Living out the rules of conscience laid down by someone else for the attainment of an unquestioned goal, a freedom designed and articulated by someone else, is the surrender of human imagination and intuition. In the more extreme versions of this, we end up with a collective momentum resulting in events such as Nazi extermination of millions of Jews, the Inquisition, or similar events recently in Africa and elsewhere. That comes from allocating one’s conscience to someone else, not attending to one’s own deeper intuitive sense of right and wrong.

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    Freedom can choke you if you don't know how to handle it.

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    Freedom gives room for creativity.

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    Fresh, solid ideas feel like gifts to writers, therefore every morning is Christmas.

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    From now on I hope always to stay alert, to educate myself as best I can. But lacking this, in Future I will relaxedly turn back to my secret mind to see what it has observed when I thought I was sitting this one out. We never sit anything out. We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.

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    From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home.

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    From the tattered edges of an exhausted mind, inspiration blooms... mental filters disintegrate and walls crumble, as the ocean of creativity washes over everything.

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    Frustration is the annihilation of pure creativity

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    Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.

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    FV: Hasn't all art, in a way, submitted to words - reduced itself to the literary...admitted its failure through all the catalogues and criticism, monographs and manifestos — ML: Explanations? FV: Exactly. All the artistry, now, seems expended in the rhetoric and sophistry used to differentiate, to justify its own existence now that so little is left to do. And who's to say how much of it ever needed doing in the first place? [...] Nothing's been done here but the re-writing of rules, in denial that the game was already won, long ago, by the likes of Duchamp, Arp, or Malevich. I mean, what's more, or, what's less to be said than a single black square? ML: Well, a triangle has fewer sides, I suppose. FV: Then a circle, a line, a dot. The rest is academic; obvious variations on an unnecessary theme, until you're left with just an empty canvas - which I'm sure has been done, too. ML: Franz Kline, wasn't it? Or, Yves Klein - didn't he once exhibit a completely empty gallery? No canvases at all. FV: I guess, from there, to not exhibit anything - to do absolutely nothing at all - would be the next "conceptual" act; the ultimate multimedia performance, where all artforms converge in negation and silence. And someone's probably already put their signature to that, as well. But even this should be too much, to involve an artist, a name. Surely nothing, done by no-one, is the greatest possible artistic achievement. Yet, that too has been done. Long, long ago. Before the very first artists ever walked the earth.

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    General attitude and outlook—the way we perceive and experience anything—is more influenced by our physical state than anything other single factor. I’d guess that for most of us, at least 50% of our struggles and discontent are brought on by being physically out of balance. The causes of that imbalance are many, but at the core, there’s an insensitivity or inability to locate and maneuver essential physical processes within us: how to breathe, how to sit, stand and walk, how to see and hear, how to slow down or speed up, how to relax, how to sleep, how to eat, how to adjust our physiological responses to the different circumstances we find ourselves within. This kind of removal or abstraction from our physicality causes an enormous amount of problems on many levels. One key result of it is a distrust in our own ability to influence our emotional state and our energy and perspectives in general; we often feel that we can’t get our hands on the control switches, as if most of life just happens and we can’t do much about it.

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    Gemeinsam aber ist allen Menschen, die des guten Willens sind, dieses: daß unsere Werke uns am Ende beschämen, daß wir immer wieder von vorn beginnen müssen, daß das Opfer immer neu gebracht werden muß.

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    Genius creates from the heart and when the artifact is broken so is the heart.

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    Geniuses’ steps take you higher than talent’s leaps.

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    Genius is no more than childhood recaptured at will, childhood equipped now with man's physical means to express itself, and with the analytical mind that enables it to bring order into the sum of experience, involuntarily amassed.

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    Get out of your mind and become crazy about your future in a creative way!

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    Genius is talent set on fire.

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    Get off the treadmill of consumption, replication, and mediocrity. Begin lifting the weights of creativity, originality, and success.

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    Genius moves to creation, not to destruction. Only a very few have combined both.

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    Getting down to the gym a couple days a week and having low-fat milk in your morning latte isn’t going to make much of a dent in a system or lifestyle that is essentially, well, unwell.

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    Given the freedom to create, everybody is creative. All of us have an innate, instinctive desire to change our environment, to put our original stamp on this world, to tell a story never told before. I’m absolutely thrilled at the moment of creativity – when suddenly I’ve synthesized my experiences, reality, and my imagination into something entirely new. But most people are too busy working on survival to find the opportunity to create. Fortunately, I’ve been freed by reputation, by the economics of success, and by emotional contentment to turn my ideas into reality. I’ve discovered that the more freedom I have to be creative, the more creative I become.

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    Give a hundred writers the same idea and you'll get a hundred different stories.

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    Give people room to be what God created them to be, don't force them to fit into your own mold

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    Gloomy days, whether meteorological or psychological, lend themselves more to the creation of Gothic horror. On those insular days, the mind gravitates towards the unseen and the subconscious. Days of blinding sunshine banish the desire to ruminate and it is replaced with a longing to participate in the outside world.

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    Give yourself permission 2 evolve. Become a philosopher; come up with your own interpretation of life and stop accepting someone else's as your truth.

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    Giving these students, teenagers, any form of power over the use of their own words, allowing them to turn everyday raw material into some form of beauty, is a gift beyond measure.

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    Give today the gifts of creativity and productivity, and it would reward you with a better tomorrow.

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    God help me, he thought. God help all us poor wretches who could create and find we must lose our hearts for it because we cannot afford to spend our time at it. (“Mad House”)

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    God had no purpose in creating the world. He was just having fun.

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    God is constantly Creating, Experiencing, Witnessing, De-constructing, and Expanding. God is everything and everyone – that’s the realm where we don’t exist at all. That’s the realm where there’s none, but One

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    God is the world's oldest poet; love is the world's oldest poem.

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    God is the creator, so for that human creativity is a work of Divine.

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    Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose... ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.

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    God's word will produce with your level of understanding. The much you can understand it, the more wisdom you are privileged to have.

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    Good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, and so on. Find that one idea that has deep roots in your heart.

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    Good" now is better than "Best" never.

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    Grab a pen and your turf will have no limits.