Best 5258 quotes in «creativity quotes» category

The center of life is female - we all come from our mothers. I've always drawn women or female spirits. I feel deeply about this - who gives a damn about some guy on a cross? My mother's creativity was smothered after she married and raised a family, but she was supportive of me - even my father expected me to carry on in her footsteps. I prefer to have no kids but lots of animals.

The centre of his world was the south where he was born in slavery some 79 years ago and where he did his work as a creative scientist.

The C.E.O.'s job in a creativity-driven company is to be an impresario, not a manager.

The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.

The Church needs you, your enthusiasm, your creativity and the joy that is so characteristic of you.

The commitment to love always transforms, heals, and opens new avenues of creativity.

The colors and creativity of our painters attracted me, but I remember that I was shocked by the lack of proportion.

The comfort zone is the great enemy to creativity; moving beyond it necessitates intuition, which in turn configures new perspectives and conquers fears.

The compulsion to take ourselves seriously is in inverse proportion to our creative capacity. When the creative flow dries up, all we have left is our importance.

The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.

The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'

The controlled chaos is one way to get creativity. The intensity of it, the physical rush, the intimacy created the kind of dialogue that leads to synergy...

The core of creation is to summon an image and the power to work with the image.

The creative is always an act of recombination, with something added by new juxtaposition—as making a spark requires two things struck together.

The creative thinker must stand sufficiently detached from his work.

The creativity and adaptability of life expresses itself through the spontaneous emergence of novelty at critical points of instability. Every human organization contains both designed and emergent structures. The challenge is to find the right balance between the creativity of emergence and the stability of design.

The creativity is just something that, I don't know, you work very hard at, but part of you says that you were born with it. It's a craft like every other, you have to keep sharp and you have to be aware of your surroundings.

The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.

The creative ability of an artist is manifested only if he succeeds in transforming the natural phenomena into 'another reality.' This part of the creative process as an independent element, if conscious and developed, hints at the possibility of creating a painting.

The creative adult is the child who has survived.

The creative conquest of space will serve as a wonderful substitute for war.

The creative force in man recognizes and records these rhythms with the medium most suitable to him, the object, or the moment, feeling the cause, the life within the outer form. Recording unfelt facts, acquired by rule, results in sterile inventory. To see the Thing Itself is essential: the quintessence revealed direct without the fog of impressionism - the casual noting of the superficial phase, a transitory mood.

The creative impulses of man are always at war with the possessive impulses.

The creative process must be explored... as the expression of the normal people in the act of actualizing themselves.

The creative urge matters. Stories matter. Images matter. It matters that you were born with a genius, a guiding spirit, a daimon that may know more about your destiny than you do.

The creativity of people on the schizophrenic end of the human continuum is a creativity that springs from the inability to accept the standardized cultural denials of the real nature of ex­perience. And the price of this kind of almost "extra human" crea­tivity is to live on the brink of madness, as men have long known.

The creative act always requires a stepping back. It's called the incubation period. The incubation period - one of the four phases of creativity - is when you're not consciously thinking of a problem, and you're letting it marinate. So this is why you hear time and again, people saying they had that "Eureka" moment in the bath, like Archimedes, or in the shower, or while going for a walk or in a coffeehouse.

The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.

The creative process, like a spiritual journey, is intuitive, non-linear, and experiential. It points us toward our essential nature, which is a reflection of the boundless creativity of the universe.

The creative instincts, the love force must be nourished with every beat of our hearts until they overbalance the destructive instincts.

The Creative knows the great beginnings. The Receptive completes the finished things. The Creative is decided and therefore shows to men the easy. The Receptive is yielding and therefore shows to men the simple. Learning is movement from moment to moment.

the creative mind is as delicately balanced as the needle trembling in a compass; the presence of antagonistic metal deflects it instantly.

The creative person is both more primitive and more cultivated, more destructive, a lot madder and a lot saner, than the average person.

The creative person wants to be a know-it-all. He wants to know about all kinds of things-ancient history, nineteenth century mathematics, current manufacturing techniques, hog futures. Because he never knows when these ideas might come together to form a new idea. It may happen six minutes later, or six months, or six years. But he has faith that it will happen.

The creation of a work of art must of necessity, as a result of entering into the specific dimensions of pictorial art, be accompanied by distortion of the natural form. For, therein is nature reborn.

The creativity and pathology of the human mind are, after all, two sides of the same medal coined in the evolutionary mint. The first is responsible for the splendour of our cathedrals, the second for the gargoyles that decorate them to remind us that the world is full of monsters, devils, and succubi.

The creativity of childhood was often surrendered amid feelings of unworthiness. So the idea that ­others are demanding to be given it back - to be "taught" - is disturbing.

The creator made us creative. Our creativity is our gift from God. Our use of it is our gift to God. Accepting this bargain is the beginning of true self-acceptance.

The crystal ball has a question mark in its center. There are some fundamental choices to be made. We will either choose to continue to wage a hopeless war to preserve the existing architecture for copyright by upping the stakes and using better weapons to make sure that people respect it. If we do this, public support for copyright will continue to weaken, pushing creativity underground and producing a generation that is alienated from the copyright concept.

The cumulative effect of the Romantic theory of creativity, as played out in the context of belief in the virtue of the avant-garde, is that while the art world has effectively freed itself from the tyranny of artistic tradition and its historic patronage system, it has ended up inhabiting an autonomous but perceived irrelevance.

The day is coming when a single carrot, freshly observed, will set off a revolution.

The decline in literature indicates a decline in the nation. The two keep pace in their downward tendency.

The creative urge is the demon that will not accept anything second rate.

The designer's role in the development, application and protection of the trademark may be described as pre-creative, creative and post-creative.

The desire to do something because you find it deeply satisfying and personally challenging inspires the highest levels of creativity, whether it's in the arts, sciences, or business.

The desire for transcendence is intimately connected with the desire for creativity. It is just as essential to who and what we are.

The desire to be rewarded for one's creativity does not justify depriving the world in general of all or part of that creativity.

The desire to create continually is vulgar and betrays jealousy, envy, ambition. If one is something one really does not need to make anything --and one nonetheless does very much. There exists above the ''productive'' man a yet higher species.

The development of beauty in chess never depends on you alone. No matter how much imagination and creativity you invest, you still do not create beauty. Your opponent must react at the same highest level.

The difference between famous creators and struggling artists is that the creators know that improving the lives of others deserves the highest reward.