Best 1203 quotes in «tragedy quotes» category

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    A fact of life is there is tragedy and hope. There is sadness and joy. To ignore one over the other will destroy a person.

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    A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy.

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    A farce or comedy is best played; a tragedy is best read at home.

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    A few weeks ago, Abdul had seen a boy’s hand cut clean off when he was putting plastic into one of the shredders. The boy’s eyes had filled with tears but he hadn’t screamed. Instead he’d stood there with his blood-spurting stump, his ability to earn a living ended, and started apologizing to the owner of the plant. “Sa’ab, I’m sorry,” he’d said to the man in white. “I won’t cause you any problems by reporting this. You will have no trouble from me.

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    After a tragedy, a farce. Philosophy enters into her power, and the earth returns under one's feet.

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    AGAMEMNON: Oh immovable law of heaven! Oh my anguish, my relentless fate! CLYTEMNESTRA: Yours? Mine. Hers. No relenting for any of us.

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    A great tragedy is occurring. Millions of people are dying prematurely. These people are killing themselves and they don’t even know it.

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    A healing heart has no time frame.

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    A guy never has a right to force a woman to have sex with him under any circumstances. She should be able to say no at any point, and he must honor that denial. It is criminal that so many girls and women are raped today. Fully 60 percent of all females who lose their virginity before age fifteen say that their first sexual experience was forced! That is a tragedy with far-reaching consequences.

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    Srinivasa Ramanujan was the strangest man in all of mathematics, probably in the entire history of science. He has been compared to a bursting supernova, illuminating the darkest, most profound corners of mathematics, before being tragically struck down by tuberculosis at the age of 33... Working in total isolation from the main currents of his field, he was able to rederive 100 years’ worth of Western mathematics on his own. The tragedy of his life is that much of his work was wasted rediscovering known mathematics.

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    Alas! how terrible it is to know, Where no good comes of knowing!

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    A life without trouble and tragedy is boring and not a plot for comedy.

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    All of the true love stories have a common song of torment, tragedy, and impossibility. Lovers have to use the power of love to cross the ocean and reach the island of love.

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    ALL LOSSES IN THIS WORLD ARE DUE TO A LACK OF ABILITY. IF YOU WANT TO CURSE SOMETHING, CURSE YOUR OWN WEAKNESS

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    All terrible things are more terrible if they give us no chance of retrieving a blunder—either no chance at all, or only one that depends on our enemies and not ourselves. Those things are also worse which we cannot, or cannot easily, help. Speaking generally, anything causes us to feel fear that when it happens to, or threatens, others causes us to feel pity.

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    All you need is one safe anchor to keep you grounded when the rest of your life spins out of control

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    All things die,' she told him. Such a truism, it was the trite utterance of any street-corner philosopher, but coming from Inaspe Raimm it sounded different. 'All things reach the end of their journey, be they trees, insects, people or even principalities. All things die so that others may take their place. To die is no tragedy. The tragedy is dying with a purpose unfulfilled.

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    All this under a magnificent blue sky.

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    An Abyss is a deep and terrible chasm. What’s a chasm? A deep gash in the rocks.

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    A lot of tragedy would be averted if people didn’t confuse trust with love. I expect my clients to trust me. I really don’t care if they hate me. ~ Brandon Hull

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    Americans refused to see accidents as accidental. They did not comprehend they while tragedy always exacts a formidable price, it rarely incurs a debt.

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    A moment is never long enough to account for tragedy when you are in it.

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    And she felt like they, the two of them, right here, right now, could make something that defied tragedy.

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    And she cries even more, for the way the universe keeps throwing her together with the players in her son's tragedy, like handfuls of dust.

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    And the truth is, the ten or twenty minutes I was somebody's mother were black magic. There is nothing I would trade them for. There is no place I would rather have seen.

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    And the self concern which is our torment, whether we know it or not, must find an antidote when we let our imagination stray over the human misery now in the world. The common lot of men binds us to each other and if we will, we may pluck virtue from tragedy.

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    And the sound of her laughter made him feel somehow better, as if this ridiculous escapade had helped to jar loose the memories of the last few days. Tragedy was overcome by living life. Best way to deal with loss was to gain as much as possible every place else.

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    An event is never just what it is in itself and nothing more. It’s what goes on around it, at the same time, that makes it — potentially — a tragic situation. You have to have been exposed to this, at least once, to understand it.

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    And when something awful happens, the goodness stands out even more ...

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    Are you strange like me, are you insane? Are you the wildfire, that loves pouring rain...

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    A person's destiny often ends before his death.

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    A place where something so terrible had happened shouldn't continue to exist in the world

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    Anything of any sort can be deemed 'unsinkable'—unbendable, unbreakable, even—'til the day so comes when it sinks, breaks, and bends. Titanic is no different.

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    Are you keeping up your good studies at school and working as hard as you always did?

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    Art is a place where tragedy meets beauty. An artist is someone who creates the most beautiful things of his life when his soul starts bleeding.

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    A single death is a tragedy; a million deaths is a statistic.

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    Aside from the encounter with the Sphinx, there is little in Oedipus to connect him to the common run of Greek heroic figures. He strikes us today as a modern tragic hero and political animal; it is hard to picture him shaking hands with Heracles or joining the crew of the Argo. many scholars and thinkers, most notably Friedrich Nietzsche in his book The Birth of Tragedy, have seen in Oedipus a character who works out on stage the tension in Athenians (and all of us) between the reasoning, mathematically literate citizen and the transgressive blood criminal; between the thinking and the instinctual being; between the superego and the id; between the Apollonian and the Dionysian impulses that contend within us. Oedipus is a detective who employs all the fields of enquiry of which the Athenians were so proud -- logic, numbers, rhetoric, order and discovery -- only to reveal a truth that is disordered, shameful, transgressive and bestial.

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    As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life? Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. […] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? […] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal.

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    As Toby and I walked back toward the park, my cane sinking into the freshly watered grass, the light was on in Cassidy’s bedroom, and I remember glancing at it and wondering. I wondered what things became when you no longer needed them, and I wondered what the future would hold once we’d gotten past our own personal tragedies and proven them ultimately survivable. When Cassidy failed to show up at school for the spring semester, I wasn’t particularly surprised. I’d been expecting for some time that she’d go back to boarding school, returning to the panopticon that she never truly escaped, and it was just as well. The finality of her leaving allowed me to reclaim places that had once been ours as mine, to say goodbye to my childhood parks and hiking trails rather than grasping for lost moments with a lost girl who refused to be found. I’m at college now, and it’s been weeks since the leaves turned to memory beneath our feet and trays began disappearing from the dining hall, smuggled out under wool coats in anticipation of the first snow.

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    At the beginning of the war…I had to look in on the War Office, and in a room I found a fellow…What do you think he was doing…what the hell do you think he was doing? He was devising the ceremonial for the disbanding of a Kitchener battalion. You can’t say we were not prepared in one matter at least…. Well, the end of the show was to be: the adjutant would stand the battalion at ease; the band would play Land of Hope and Glory, and then the adjutant would say: There will be no more parades…. Don’t you see how symbolical it was—the band playing Land of Hope and Glory, and then the adjutant saying: There will be no more parades?…For there won’t. There won’t, there damn well won’t. No more Hope, no more Glory, no more parades for you and me any more. Nor for the country…nor for the world, I dare say… None… Gone… Napoo finny! No…more…parades!

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    A story has to break your heart or it's not worth telling.

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    As you set out on your journey to Ithaca, pray that your journey be a long one, filled with adventure, filled with discovery. Laestrygonians and Cyclopes, the angry Poseidon--do not fear them: you'll never find such things on your way unless your sight is set high, unless a rare excitement stirs your spirit and your body. The Laestrygonians and Cyclopes, the savage Poseidon--you won't meet them so long as you do not admit them to your soul, as long as your soul does not set them before you. Pray that your road is a long one. May there be many summer mornings when with what pleasure, with what joy, you enter harbors never seen before. May you stop at Phoenician stations of trade to buy fine things, mother of pearl and coral, amber and ebony, and voluptuous perfumes of every kind-- buy as many voluptuous perfumes as you can. And may you go to many Egyptian cities to learn and learn from those who know. Always keep Ithaca in your mind. You are destined to arrive there. But don't hurry your journey at all. Far better if it takes many years, and if you are old when you anchor at the island, rich with all you have gained on the way, not expecting that Ithaca will give you wealth. Ithaca has given you a beautiful journey. Without her you would never have set out. She has no more left to give you. And if you find her poor, Ithaca has not mocked you. As wise as you have become, so filled with experience, you will have understood what these Ithacas signify.

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    A tragedy can catch us any time possible; for this very reason, we must catch the life any time possible!

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    Author is the prisoner of his thoughts .

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    A writer's duty is to draw a picture that expresses more inner beauty, deeper anxiety, and more complex tragedy than a real character ever can.

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    A writer's tragedy: to know all the words and nothing else.

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    Because improbable tragedies create improbable superheroes.

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    Behind every exquisite thing that existed, there was something tragic. World's had to be in travail, that the meanest flower might blow...

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    Because I want to know if I'm allowed to kiss your tears away. Because I want to be able to hold your hand. Because I like you.

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    Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?