Best 451 quotes in «description quotes» category

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    Meantime the clang of the bows and the shouts of the combatants mixed fearfully with the sound of the trumpets, and drowned the groans of those who fell, and lay rolling defenceless beneath the feet of the horses. The splendid armour of the combatants was now defaced with dust and blood, and gave way at every stroke of the sword and battle-axe. The gay plumage, shorn from the crests, drifted upon the breeze like snowflakes. All that was beautiful in the martial array had disappeared, and what was now visibke was only calculated to awaken terror or compassion.

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    Mirabelle sat down, dropping into the cushions like a ball being caught in a large leather glove.

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    Mitch looks in her direction. He can't meet her eyes. It's as if she's semi-invisible, a kind of hovering blur.

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    Mori smiled properly. The lines around his eyes were deeper than usual now. They made him look like an old photograph of a young man, often crushed, but ironed carefully so that only the ghosts of the marks remained.

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    Morrissey was singularly small, a man in his mid-thirties who had once been compared to a ferret. He had a thin trap of a mouth and greased black hair that he perpetually attended, directing it back from his forehead with a clogged comb. He was dressed now, as invariably he was, in flannel trousers and the jacket of a blue striped suit over a blue pullover, and a shirt that was buttoned to the neck but did not have a tie in its collar.

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    More than being absurdly blond and absurdly messy, the Young Electrician had one of those extraordinarily sweet, extraordinarily vital, strangely mysterious, utterly unexplainable masculine faces that fill your senses with an odd, impersonal disquietude, an itching unrest, like the hazy, teasing reminder of some previous existence in a prehistoric cave, or, more tormenting still, with the tingling, psychic prophecy of some amazing emotional experience yet to come.

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    Most of the passenger cars are lined with thick patterned carpets, upholstered in velvets in burgundies and violets and creams, as though they have been dipped in a sunset, hovering at twilight and holding on to the colors before they fade to midnight and stars.

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    Mother wasn't afraid of the sky in the day so much, but it was the night stars that she wanted to turn off, and sometimes I could almost see her reaching for a switch in her mind, but never finding it.

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    Mrs. Shah was a media favorite and the paparazzi loved her but only because she could be entertainingly obnoxious with her potty mouth and caustic mannerisms

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    My body, still too heavy with sleep to move...

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    My dears, laugh at me if you like; it is not conventionally beautiful, but there is something in its quaint old face which pleases me. If it could play the piano, I am sure it would really play.

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    my digs look as if they've been dug

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    [My father] had a name for the bottom of the sky--'the hem of heaven.

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    My head felt like it was going to crack down the middle, like some demented dwarf was driving glass pins through my brain.

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    My mother likes odd numbers and is suspicious of the even ones. She reads a new book every week and is bewitched by black holes in the universe. She describes herself as an optimist but she worries about everything—worries incessantly—worries on behalf of others when she feels they are not worrying adequately for themselves. And my mother misses her own mother, my grandmother, immensely, who only has a past now; who is only allowed to be as we remember her.

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    Naming can satisfy a need, it can shorten a conversation that otherwise might go on for hours.

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    Night was fading over the fields as if the rain had washed the darkness out of the hem of its garment.

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    Narziss was dark and thin of face, and Goldmund open and radiant as a flower. Narziss was a thinker and anatomiser, Goldmund a dreamer and a child. Yet things common to both could bridge these differences. Both were knightly and delicate; both set apart by visible signs from their fellows, since both had received the particular admonishment of fate.

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    Never was the old conventional maxim, that Nature cannot err, more flatly contradicted - never was the fair promise of a lovely figure more strangely and startingly belied by the face and head that crowned it. The lady's complexion was almost swarthy, and the dark down on her upper lip was almost a moustache.

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    Newly Found Sugary Spill: Tastes Like Dried Spit or Old Soda

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    ...only more keenly aware of how her soul starved within her, its wings wasting with the despair of disuse.

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    No shadows steal upon this hard glare, the stony vineyards shimmer in the sun and the bougainvillaea is white with dust.

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    Now my uncle knew many of them personally, and also ladies of another class, not clearly distinguished from actresses in my mind. He used to entertain them at his house.

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    ... Odette seemed a fascinating and desirable woman, the attraction which her body held for him had aroused a painful longing to secure the absolute mastery of even the tiniest particles of her heart.

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    Only the lighted houses remaining, the lemon blush of their inhabited windows.

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    Of course the idiot was more stunning at close, perfect shaped lips, dark luminous hair, and golden eyes like liquid gold...

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    Outdoors; everything one might dream. The fairy-gray clouded sky and the fairy-green misted wood. Her tall horse shying at a sparkling brook. All dreams.

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    Out from the servient shoulders of some smooth-tongued Waiter it stares, into the scared dilating pupils of the White Satin Bride with her pledged hand clutching her Bridegroom's sleeve. Up from the gravelly, pick-and-shovel labor of the new-made grave it lifts its weirdly magnetic eyes to the Widow's tears. Down from some petted Princeling's silver-trimmed saddle horse it smiles its electrifying, wistful smile into the Peasant's sodden weariness. Across the slender white rail of an always out-going steamer it stings back into your gray, land-locked consciousness like the tang of a scarlet spray. And the secret of the face, of course, is "Lure"; but to save your soul you could not decide in any specific case whether the lure is the lure of personality, or the lure of physiognomy—a mere accidental, coincidental, haphazard harmony of forehead and cheek-bone and twittering facial muscles.

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    Outside, I could smell the Zebra. Even if for some reason I stopped feeling cold or hot or rain or sun, I bet I could close my eyes and still tell which season I was in just by the smell of the trees and dirt there. Spring was sweet mud and flowers. Fall has a kind of moldy edge to it, and winter was all dust and bark. As for summer, the Zebra carried a mossy, thick aroma full of baking leaves and oozing sap, which I guessed was its growing smell.

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    Outside the window there was snow falling, falling like movie snow, all the dreamy fluffy bits drifting around in the light of a single streetlamp . . . I watched the snow slow down, thin out. Then it was two or three pieces at a time, falling reversibly, wavering up and down and up again like they didn't know where to go.

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    Over the bed hung the picture of her beloved, the Polish Rider. He was looking, with his authoritative pensive mouth and his calm wide-apart eyes, past Moy, over her left shoulder and away into some vast distance. He was a knight upon a quest. He was brave, innocent, chaste, good.

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    Outside the windows, everything is getting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night.

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    Pushing deeper into the farm, the blue land swollen under all those stars, he felt like a figure in a dream.

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    People had always been told that the house at Skuytercliff was an Italian villa. Those who had never been to Italy believed it; so did some who had. The house had been built by Mr. van der Luyden in his youth, on his return from the "grand tour," and in anticipation of his approaching marriage with Miss Louisa Dagonet. It was a large square wooden structure, with tongued and grooved walls painted pale green and white, a Corinthian portico, and fluted pilasters between the windows. From the high ground on which it stood a series of terraces bordered by balustrades and urns descended in the steel–engraving style to a small irregular lake with an asphalt edge overhung by rare weeping conifers. To the right and left, the famous weedless lawns studded with "specimen" trees (each of a different variety) rolled away to long ranges of grass crested with elaborate cast–iron ornaments; and below, in a hollow, lay the four–roomed stone house which the first Patroon had built on the land granted him in 1612. Against the uniform sheet of snow and the greyish winter sky the Italian villa loomed up rather grimly; even in summer it kept its distance, and the boldest coleus bed had never ventured nearer than thirty feet from its awful front.

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    Quelques corbeaux passèrent au ras du plafond des nuages, se posèrent en grappes noires sur l'orme dressé au milieu de la plaine.

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    Right now I felt like a person learning that a surgeon had left a pair of scissors inside her during a operation.

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    Rap in its form is poetry, meaning the point of convergence is words.

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    Rew looked like he had put his face up to the sky in a rainstorm of freckles

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    She had an idea, but it was the wrong idea. It was hardly even an idea, just a white idea balloon with no writing inside it.

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    Salander was an information junkie with a delinquent child's take on morals and ethics.

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    She can feel it scratching at her, her anger, wedged in the space where the two halves of her rib cage meet.

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    ...she felt as if her entire body were glowing with the taste of sunlight, of wind blowing in wide spaces and trees reaching their burdened arms to boundless skies.

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    She had an evil face, smoothed by hypocrisy; but her manners were excellent.

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    She had short curls and her face had so many wrinkles it looked as if someone had been trying to draw her for a very long time and every line put in had made the face more like her.

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    She had something that is gone from the world, from the female world. A sweetness without sentimentality, a limpidity without naivety. She was so easy to hurt, to tease. And when she teased, it was like a caress.

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    She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

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    Serving humanity is fulfilling the description of Christ

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    She crooned on until her cigarette was gone. The ash in the wind blew around us like hesitant snow.

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    She gave a shiver, and suddenly clutched her arms about her body. She spoke, Gascoigne thought, with an exhilarated fatigue, the kind that comes after the first blush of love, when the self has lost its mooring, and, half-drowning, succumbs to a fearful tide. But addiction was not love; it could not be love. Gascoigne could not romanticize the purple shadows underneath her eyes, her wasted limbs, the dreamy disorientation with which she spoke; but even so, he thought, it was uncanny that opium's ruin could mirror love's raptures with such fidelity.

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    She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.