Best 451 quotes in «description quotes» category

Outside, I could smell the Zebra. Even if for some reason I stopped feeling cold or hot or rain or sun, I bet I could close my eyes and still tell which season I was in just by the smell of the trees and dirt there. Spring was sweet mud and flowers. Fall has a kind of moldy edge to it, and winter was all dust and bark. As for summer, the Zebra carried a mossy, thick aroma full of baking leaves and oozing sap, which I guessed was its growing smell.

Outside the window there was snow falling, falling like movie snow, all the dreamy fluffy bits drifting around in the light of a single streetlamp . . . I watched the snow slow down, thin out. Then it was two or three pieces at a time, falling reversibly, wavering up and down and up again like they didn't know where to go.

Outdoors; everything one might dream. The fairy-gray clouded sky and the fairy-green misted wood. Her tall horse shying at a sparkling brook. All dreams.

Out from the servient shoulders of some smooth-tongued Waiter it stares, into the scared dilating pupils of the White Satin Bride with her pledged hand clutching her Bridegroom's sleeve. Up from the gravelly, pick-and-shovel labor of the new-made grave it lifts its weirdly magnetic eyes to the Widow's tears. Down from some petted Princeling's silver-trimmed saddle horse it smiles its electrifying, wistful smile into the Peasant's sodden weariness. Across the slender white rail of an always out-going steamer it stings back into your gray, land-locked consciousness like the tang of a scarlet spray. And the secret of the face, of course, is "Lure"; but to save your soul you could not decide in any specific case whether the lure is the lure of personality, or the lure of physiognomy—a mere accidental, coincidental, haphazard harmony of forehead and cheek-bone and twittering facial muscles.

Outside the windows, everything is getting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night.

Over the bed hung the picture of her beloved, the Polish Rider. He was looking, with his authoritative pensive mouth and his calm wide-apart eyes, past Moy, over her left shoulder and away into some vast distance. He was a knight upon a quest. He was brave, innocent, chaste, good.

People had always been told that the house at Skuytercliff was an Italian villa. Those who had never been to Italy believed it; so did some who had. The house had been built by Mr. van der Luyden in his youth, on his return from the "grand tour," and in anticipation of his approaching marriage with Miss Louisa Dagonet. It was a large square wooden structure, with tongued and grooved walls painted pale green and white, a Corinthian portico, and fluted pilasters between the windows. From the high ground on which it stood a series of terraces bordered by balustrades and urns descended in the steel–engraving style to a small irregular lake with an asphalt edge overhung by rare weeping conifers. To the right and left, the famous weedless lawns studded with "specimen" trees (each of a different variety) rolled away to long ranges of grass crested with elaborate cast–iron ornaments; and below, in a hollow, lay the four–roomed stone house which the first Patroon had built on the land granted him in 1612. Against the uniform sheet of snow and the greyish winter sky the Italian villa loomed up rather grimly; even in summer it kept its distance, and the boldest coleus bed had never ventured nearer than thirty feet from its awful front.

Quelques corbeaux passèrent au ras du plafond des nuages, se posèrent en grappes noires sur l'orme dressé au milieu de la plaine.

Pushing deeper into the farm, the blue land swollen under all those stars, he felt like a figure in a dream.

Rap in its form is poetry, meaning the point of convergence is words.

Right now I felt like a person learning that a surgeon had left a pair of scissors inside her during a operation.

Rew looked like he had put his face up to the sky in a rainstorm of freckles

Salander was an information junkie with a delinquent child's take on morals and ethics.

She crooned on until her cigarette was gone. The ash in the wind blew around us like hesitant snow.

Serving humanity is fulfilling the description of Christ

She can feel it scratching at her, her anger, wedged in the space where the two halves of her rib cage meet.

...she felt as if her entire body were glowing with the taste of sunlight, of wind blowing in wide spaces and trees reaching their burdened arms to boundless skies.

She had an idea, but it was the wrong idea. It was hardly even an idea, just a white idea balloon with no writing inside it.

She had short curls and her face had so many wrinkles it looked as if someone had been trying to draw her for a very long time and every line put in had made the face more like her.

She gave a shiver, and suddenly clutched her arms about her body. She spoke, Gascoigne thought, with an exhilarated fatigue, the kind that comes after the first blush of love, when the self has lost its mooring, and, half-drowning, succumbs to a fearful tide. But addiction was not love; it could not be love. Gascoigne could not romanticize the purple shadows underneath her eyes, her wasted limbs, the dreamy disorientation with which she spoke; but even so, he thought, it was uncanny that opium's ruin could mirror love's raptures with such fidelity.

She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.

She had an evil face, smoothed by hypocrisy; but her manners were excellent.

She had always wanted to do every thing, and had made more progress in both drawing and music than many might have done with so little labour as she ever would submit to... She was not much deceived as to her own skill either as an artist or a musician, but she was not unwilling to have others deceived, or sorry to know her reputation for accomplishment often higher than it deserved.

She had something that is gone from the world, from the female world. A sweetness without sentimentality, a limpidity without naivety. She was so easy to hurt, to tease. And when she teased, it was like a caress.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

She looked like Lee Miller if Lee Miller had been a bedroom drunk.

She smiled with a scary energy, as if she had been told to at gunpoint.

...she shot him in the face as he slid down the door facing and she shot him in the face as he sat on the floor and she ran to him and shot him twice in the face as he sprawled against the wall, scalp down to his chin and his hair on fire.

She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.

She told him that he had the most beautiful voice she'd ever heard, that it sounded like whiskey and wood smoke.

She was a thin, sickly, bony child, like an eft, with fine hair like sunlit smoke.

She was a large, boneless woman who draped herself like an old blanket over the chairs of the apartment, staring for hours with her gray eyes at ghosts, figments, recollections, and dust caught in oblique sunbeams, her arms streaked and pocked like relief maps of vast planets, her massive calves stuffed like forcemeat into lung-colored support hose. She was quixotically vain about her appearance and spent an hour each morning making up her face.

Sidney: The woman took a seat to reorganize, and Lucy cataloged an almost perfectly symmetrical face with cheekbones that could part hair. The woman's pale face hid underneath the lip-gloss and mascara that ran interference, distracting onlookers from a sagging spirit. She was dressed in a baggie sweater and jeans that made her look like a casual starlet waiting for the paparazzi to snap her photo.

She wasn't dressed like a student. She wore an elaborate burgundy dress with long skirts, a tight waist, and matching burgundy gloves that rose all the way to her elbows. Moving deliberately, she managed to get down off the stool without tangling her feet and made her way over to stand nest to my table. Her blond hair was artfully curled, and her lips were a deeply painted red. I couldn't help wondering what she was doing in a place like Anker's.

She watches her mother drink, then sits by her again before the picture window to watch the snow fall, watching closely until she can hear it. . . . Rachel listens to snow. And beyond snow.

She was strong and stubborn but loving. She was an untouchable angel with a devil’s mark. She was beautiful.

Since its sudden birth the city had expanded, swallowing up acre upon acre of the surrounding grasslands and drawing thousands into its domain. Hardly built on the most advantageous ground, miles from the open waters, decades from the mines at the mountain summits, it yet remained the only settlement of note on the isle. This sprawling mass of a city, once a compact kingdom, was now the keystone of the Castilian Empire.

Smoked like it was fuel and he was going to get every last inch to the gallon.

. . . sitting up cross-legged and noting the light, how it fills the room in streams, etching out the shape of Zach recumbent, a bold coastline in a clarion sky. I drop anchor here, thinks Rachel. Anywhere here. You are my home, my horizon, my shore. How long is the coast of Britain?

Sit yourself down," Joan instructed as we reached the the fag-fogged, gin-scented den that was nominally her sitting room.

... so beautiful that he could not refrain from moving his lips towards her...

Some people in the town did not seem to care about the festival and were watching football on TV. The players were dotted about in neon green. They looked unreal, the way they might be seen by the forgotten man in the moon and the rabbit if they were watching the floodlit pitch forlornly from above.

So long as our untried senses and our naïve heart recognize themselves and delight in the universe of qualifications, they flourish with the aid and at the risk of the adjective, which, once dissected, proves inadequate, deficient. We say of space, of time, and of suffering that they are infinite; but infinite has no more bearing than beautiful, sublime, harmonious, ugly.... Suppose we force ourselves to see to the bottom of words? We see nothing—each of them, detached from the expansive and fertile soul, being null and void. The power of the intelligence functions by projecting a certain luster upon them, by polishing them and making them glitter; this power, erected into a system, is called culture—pryrotechnics against a night sky of nothingness.

Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they're not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it's not that. It's just, you know, seeing them pass, that's how they'll be all their life; they'll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?

Sometimes in the corner of my eye, I saw a girl running through the loft. A see-through girl, a silhouette. She looked the way the world looks without my glasses. Vaguely hued, indistinct. She looked the way a body looks underwater, lost in the blur of bubble and wave.

Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales.

Sometimes it's as if I can shrink away to nothing. Sometimes I feel as pure and perfect as a ghost. The hunger, the headaches, the dizziness—these are the only things that are real.

Son front, quoique peu ridé, semble porter le sceau d'une myriade d'années. Ses cheveux gris sont des archives du passé et ses yeux, plus gris encore, sont des sibylles de l'avenir.

Somewhere int he flesh of the earth the dreadful earthquake shuddered, the tide walked to and fro on the leash of the moon, rainbows formed, winds swept the sky like giant brooms piling up clouds before them, clouds which writhed into different shapes, melted into rain or darkened, bruised themselves against an unseen antagonist and went on their way, laced with forking rivers of lightning, complete with white electric tributaries. Out of this infinite vision an infinity of details could be drawn, but Sonny had settled on one, and from the endless series a particular beach was chosen and began to form around Laura - a beach of iron-dark sand and shells like frail stars, and a wonderful wide sea that stretched, neither green nor blue, but inked by the approach of night into violet and black, wrinkling with its own salty puzzles, right out to a distant, pure horizon.

Swann, with that almost arrogant charity of a man of the world who, amid the dissolution of all his own moral prejudices, finds in another's shame merely a reason for treating him with a friendly benevolence...