Best 451 quotes in «description quotes» category

In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.

In the hazy afternoon light through the windows he looked beautiful and dissolute, shirt open at the collar and streaks of golden hair falling into his eyes, like some Regency buck after a long night's dancing.

In the park, the bright colors of the children's clothing, the timbre of their young voices, lowered and darkened.

I open my eyes to find the morning adjourned.

I remembered from movies and TV that a human being striking a window could cause it to shatter, but the glass was too strong or I was too weak. My body didn't do much anymore when I put it to things. I didn't even make much noise pounding my fist against the glass: the ones that turned to look dismissed me almost before they had swiveled their heads. I might have been a painting of a hysterical female, paused in motion and screaming decoratively. But my throat was going raw, and my hands hurt dully.

I saw Sonora before me, so otherworldly, so desolate, some cast-out mistress on the pale blue planet, and longed suddenly to stay.

I see foxes often, but always they are crossing fallow fields in the distance. Gold flecks on faraway expanses of green. Magnetic to the meandering eye. Enigmatic, unreachable.

Is it the smoke?' the boy said, shivering slightly. 'I've never touched the stuff, myself, but how it claws at one...like a thorn in every one of your fingers, and a string around your heart...and one fees it always. Nagging. Nagging.

I should've known the eyes. Wide, bright blue, and something about the delicate arc of the lids: a cat's slant, a pale jeweled girl in an old painting, a secret.

It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".

I stared at absurd Paris, which was as cluttered now, under the scalding sun, as the landscape of my heart.

I steal," Winkle said, with a smile that said I’m joking and a glint in his eye that said I’m not.

I stumble across the sea of tarmac, finding pavement, concealment and a brick wall. Palms brace against the scrubby surface. My stomach churns and then bubbles over, burning my throat as acrid yellow acid spills from my lips in frothy discomposure. It splatters the pavement like a spray of blood.

... it had arrested for all eternity the moment which it had been trying to make pass more quickly.

It was long past midnight. Laura's music played on. It was composed in the language of stars, tinkling in a crystal pool suspended from constellations. She used chimes now and then, the chimes that characterized every patio in Arizona, the piano, the trees combed by wind. A prelude to a storm. It was like discovering the secret room in a dream of your house that holds all the magic. It was music I wished I lived inside. Around us, cactus, hills filled with jumping cholla, the heat of August like another animal heaving over us.

It is not enough to say the crow flies purposefully, or heavily, or rowingly, or whatever. There are no words to capture the infinite depth of crowiness in the crow's flight. All we can do is use a word as an indicator, or a whole bunch of words as a general directive. But the ominous thing in the crow's flight, the bare-faced, bandit thing, the tattered beggarly gipsy thing, the caressing and shaping yet slightly clumsy gesture of the down-stroke, as if the wings were both too heavy and too powerful, and the headlong sort of merriment, the macabre pantomime ghoulishness and the undertaker sleekness - you could go on for a very long time with phrases of that sort and still have completely missed your instant, glimpse knowledge of the world of the crow's wingbeat. And a bookload of such descriptions is immediately rubbish when you look up and see the crow flying.

It was grotesque and eerie, too strange of a dream.

It was night, and the sky spreading into a rain that fell like darkness visible, a glistering where there was no light.

It was raining when Amarelle Parathis went out just after sunset to find a drink, and there was strange magic in the rain. It came down in pale lavenders and coppers and reds, soft lines like liquid dusk that turned luminescent mist on the warm pavement. The air itself felt like champagne bubbles breaking against the skin. Over the dark shapes of distant rooftops, blue-white lightning blazed, and stuttering thunder chased it.

It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife.

It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.

I turn my head and stare out the casement window at the royal gardens instead, wet and slippery and dark as the center of a body, where the roses twitch an extinguished red.

It was a chilly morning after the night's rain, and the sun hung in the sky like a pale coin lost by someone high up in the clouds.

It was dark now. A thin moon was visible, a bright portent, but giving no light.

It was so pure, the snow, the purest of all powders, I thought, so pure it must be from elsewhere, from another planet.

... it was with an unusual intensity of pleasure, a pleasure destined to have a lasting effect upon his character and conduct...

I wanted this day, the perfect buttery sun like peach ice cream, the speed, the satin leather of the car seat, the fair. Forbidden fruit, a day like no other.

Mankind has uncovered two extremely efficient theories: one that describes our universe's structure (Einstein's gravity: the theory of general relativity), and one that describes everything our universe contains (quantum field theory), and these two theories won't talk to each other.

Living above the world, each discovering his own weight, seeing his face brighten and darken with the day, the night, each of the four inhabitants of the house was aware of a presence that was at once a judge and a justification among them. The world, here, became a personage, counted among those from whom advice is gladly taken, those in whom equilibrium has not killed love.

Meantime the clang of the bows and the shouts of the combatants mixed fearfully with the sound of the trumpets, and drowned the groans of those who fell, and lay rolling defenceless beneath the feet of the horses. The splendid armour of the combatants was now defaced with dust and blood, and gave way at every stroke of the sword and battle-axe. The gay plumage, shorn from the crests, drifted upon the breeze like snowflakes. All that was beautiful in the martial array had disappeared, and what was now visibke was only calculated to awaken terror or compassion.

Max always mumbles; not in a shy way, but rather as if he's telling you what it will cost to take out your worst enemy, or how much you'd have to pay to rig a horse race.

Mirabelle sat down, dropping into the cushions like a ball being caught in a large leather glove.

More than being absurdly blond and absurdly messy, the Young Electrician had one of those extraordinarily sweet, extraordinarily vital, strangely mysterious, utterly unexplainable masculine faces that fill your senses with an odd, impersonal disquietude, an itching unrest, like the hazy, teasing reminder of some previous existence in a prehistoric cave, or, more tormenting still, with the tingling, psychic prophecy of some amazing emotional experience yet to come.

Mori smiled properly. The lines around his eyes were deeper than usual now. They made him look like an old photograph of a young man, often crushed, but ironed carefully so that only the ghosts of the marks remained.

Morrissey was singularly small, a man in his mid-thirties who had once been compared to a ferret. He had a thin trap of a mouth and greased black hair that he perpetually attended, directing it back from his forehead with a clogged comb. He was dressed now, as invariably he was, in flannel trousers and the jacket of a blue striped suit over a blue pullover, and a shirt that was buttoned to the neck but did not have a tie in its collar.

Most of the passenger cars are lined with thick patterned carpets, upholstered in velvets in burgundies and violets and creams, as though they have been dipped in a sunset, hovering at twilight and holding on to the colors before they fade to midnight and stars.

Mitch looks in her direction. He can't meet her eyes. It's as if she's semi-invisible, a kind of hovering blur.

Mother wasn't afraid of the sky in the day so much, but it was the night stars that she wanted to turn off, and sometimes I could almost see her reaching for a switch in her mind, but never finding it.

My dears, laugh at me if you like; it is not conventionally beautiful, but there is something in its quaint old face which pleases me. If it could play the piano, I am sure it would really play.

Mrs. Shah was a media favorite and the paparazzi loved her but only because she could be entertainingly obnoxious with her potty mouth and caustic mannerisms

My body, still too heavy with sleep to move...

[My father] had a name for the bottom of the sky--'the hem of heaven.

my digs look as if they've been dug

My head felt like it was going to crack down the middle, like some demented dwarf was driving glass pins through my brain.

My mother likes odd numbers and is suspicious of the even ones. She reads a new book every week and is bewitched by black holes in the universe. She describes herself as an optimist but she worries about everything—worries incessantly—worries on behalf of others when she feels they are not worrying adequately for themselves. And my mother misses her own mother, my grandmother, immensely, who only has a past now; who is only allowed to be as we remember her.

Naming can satisfy a need, it can shorten a conversation that otherwise might go on for hours.

Narziss was dark and thin of face, and Goldmund open and radiant as a flower. Narziss was a thinker and anatomiser, Goldmund a dreamer and a child. Yet things common to both could bridge these differences. Both were knightly and delicate; both set apart by visible signs from their fellows, since both had received the particular admonishment of fate.

Newly Found Sugary Spill: Tastes Like Dried Spit or Old Soda

Never was the old conventional maxim, that Nature cannot err, more flatly contradicted - never was the fair promise of a lovely figure more strangely and startingly belied by the face and head that crowned it. The lady's complexion was almost swarthy, and the dark down on her upper lip was almost a moustache.

No shadows steal upon this hard glare, the stony vineyards shimmer in the sun and the bougainvillaea is white with dust.