Best 413 quotes in «funeral quotes» category

And a funeral, I found out, is like a wedding in reverse, with less time to plan.

And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.    But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.

And on a cold Sunday afternoon, he was joined in his home by a small group of friends and family for a 'living funeral'. Each of them spoke and paid tribute.. Some cried. Some laughed. One woman read a poem: 'My dear and loving cousin.. Your ageless heart as you ,love through time, layer on layer, tender sequoia..' .. And all the heartfelt things we never get to say to those we love, Morrie said that day.

Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places. In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters. While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated.

As they gently lowered it into the earth, all stared silently at the coffin but one: a young woman of twenty-five who glanced absentmindedly into the distance where an unknown figure stood – watching, waiting, his face buried in the shadow of his hat. Whether by intuition or paranoia she could not tell, but the presence of the man troubled her and her eyes were fixed on his motionless body and would not stir. Tourists rarely came to a town as small and uneventful as theirs, let alone to visit a funeral where they did not introduce themselves and only beheld the spectacle from afar.

Anyway, they took her body to McBurney's Funeral Home in Motley. They'll be planting her tomorrow.

As a business, the funeral industry has developed by selling a certain type of "dignity." Dignity is having a well-orchestrated final moment for the family, complete with a well-orchestrated corpse. Funeral directors become like directors for the stage, curating the evening's performance. The corpse is the star of the show and pains are taken to make sure the fourth wall is never broken, that the corpse does not interact with the audience and spoil the illusion.

An upturned life is righted in the box.

Anyone could spare the time, stopped whatever they were doing to watch the funeral go by. It was a custom. It was important to know who had died, under what circumstances, to whom the person was related, and who the mourners were following the hearse, and why they felt the need to attend this particular funeral. There were few events that commanded the total attention of the community as much as a passing funeral. Its size was commented upon, and the life story of the deceased, whatever was known of it, whispered from person to person. It was more than a funeral they watched. In a way, it was a small lesson in community history, and everyone, for those minutes, was a diligent scholar.

A Parting Guest What delightful hosts are they— Life and Love! Lingeringly I turn away, This late hour, yet glad enough They have not withheld from me Their high hospitality. So, with face lit with delight And all gratitude, I stay Yet to press their hands and say, Thanks.—So fine a time! Good night.

A premature death does not only rob one of the countless instances where one would have experienced pleasure, it also saves one from the innumerable instances where one would have experienced pain.

At her words, words of forgiveness from Rose, an honest and just woman, something broke inside of Wince. His tears began to flow. Age seemed to drift from his face like misty ghosts from a morning field. Katie lifted his chin and, holding back her own tears, looked into his eyes. "Thank you, Wince." Eve placed her free hand on his shoulder. "May we hold her now?" Wince nodded and gently released the baby into the waiting arms of her sisters. "You did the right thing, Wince." Rose gave Wince a hug. "And you can help us bury her after Wilson and the Tar Ponds City Police see if they can find anybody to lay charges against after all this time.

At first are moving tombs on the surface of the surface of the earth; then we become static tombs in the brims of the cemetary soil; waiting to become eternal people in fellowship for God. I know there is another fellowship in heaven!

Be aware of this truth that the people on this earth could be joyous, if only they would live rationally and if they would contribute mutually to each others' welfare. This world is not a vale of sorrows if you will recognize discriminatingly what is truly excellent in it; and if you will avail yourself of it for mutual happiness and well-being. Therefore, let us explain as often as possible, and particularly at the departure of life, that we base our faith on firm foundations, on Truth for putting into action our ideas which do not depend on fables and ideas which Science has long ago proven to be false.

Before and after the funeral I never ceased to cry and be miserable, but it makes me ashamed when I think back on that sadness of mine, seeing that always in it was an element of self-love - now a desire to show that I prayed more than any one else, now concern about the impression I was producing on others, now an aimless curiosity which caused me to observe Mimi's cap or the faces of those around me. I despised myself for not experiencing sorrow to the exclusion of everything else, and I tried to conceal all other feelings: this made my grief insincere and unnatural. Moreover, I felt a kind of enjoyment in knowing that I was unhappy and I tried to stimulate my sense of unhappiness, and this interest in myself did more than anything else to stifle real sorrow in me.

Comfort thy self, as I do, gentle Queen, With hope of sharp, unheard of, dire revenge.-- He bids me to provide his funeral, And so I will; but all the Peers in France Shall mourners be, and weep out bloody tears, Until their empty veins be dry and sere: The pillars of his hearse shall be his bones; The mould that covers him, their City ashes; His knell, the groaning cries of dying men; And, in the stead of tapers on his tomb, An hundred fifty towers shall burning blaze, While we bewail our valiant son's decease. King Edward – Act V, scene 1

Before you lie courage, perseverance, kindness, friendship, and love. Before you lie men and women who could have chosen otherwise, who could have inured themselves to the injustices of the world, rather than giving their lives to change it. Tonight we honor them. Tonight we also honor all who have gone before and paved the way, the ones we remember and the ones we have forgotten. But nothing is lost in Eternity. A moment of grace resonates forever, as does an act of valor. So honor the dead- and live in grace and valor.

Christ has global funeral, every Sunday and since twenty centuries. (Jésus a des funérailles mondiales, - Tous les dimanches, et depuis vingt siècles.)

Black funeral dress. Black heels. Black headband in my hair. Death has a style all it's own. I'm glad I don't have to wear it very often.

Death avoidance is not an individual failing; it's a cultural one. Facing death is not for the faint-hearted. It is far too challenging to expect that each citizen will do so on his or her own. Death acceptance is the responsibility of all death professionals - funeral directors, cemetery managers, hospital workers. It is the responsibility of those who have been tasked with creating physical and emotional environments where safe, open interaction with death and dead bodies is possible.

Every single living thing is food to at least one living thing.

Death would be an extremely bad thing like most of us paint it, if being dead were painful.

Delay is not a help-mate. The cemetary is full of people who thought they could DO IT tomorrow. Do It Now!

Directing a funeral isn’t about death at all. Funerals are for the living, not the dead.

Don't cry for the dead, for the dead is deaf, dumb, blind, lame, unemotional and dead.

…Do you think there’s somewhere else, some other place to go after this one?” Mandy blurted out. “You mean when you die, where will you end up?” Alecto asked her. “…I wouldn’t know… back to whatever void there is, I suppose.” “I’ve thought about it… every living thing dies alone, it’ll be lonely after death,” Mandy sighed sadly. “That freaks me out, does it scare you?” “I don't want to be alone,” Alecto replied wearily. “We won’t be, though. We’ll be dead, so we’ll just be darkness, not much else, just memories, nostalgia and darkness.” “I don’t want to be any of that either though,” Mandy exclaimed, bursting into tears and crying, keeping her eyes to the floor, her voice shaky as she spoke to him. “When we die, we’ll still be nothing, the world will still be nothing, everything’ll just be nothing!” “You’re real though, at least that’s something,” Alecto pointed out, holding his hand out in front of her. Smiling miserably, Mandy took his hand in her own and sat there beside him quietly.

Death was final and absolute and there was nothing anyone could do to change it.

Eu escrevo um caixão de gravetos, uma toca de terra; papiro para untar meus restos mortais. Eu escrevo uma salva de saudade, um funeral de flores; epitáfio para demarcar onde a vida morre em paz. Eu escrevo um esqueleto de cálcio sobre o qual nasço, cresço e morro. Você, antropólogo forense, leia meus ossos e relate em corte marcial os crimes e torturas que a vida e o homem afligiram a minha pessoa.

From life to life, from breath to breath, we remember Elinor.

Funerals aren't for dead people. They are for the living

Funerals seem less about comforting the souls of these dearly departed than about comforting the people they leave behind.

Funerals aren't for the dead. They're for the living.

Hay cosas de las que la gente nunca habla. No me refiero a las cosas difíciles, como el amor, sino a las más bochornosas, como por ejemplo que los funerales a veces son divertidos o que es emocionante ver arder un edificio. El funeral de Michael fue maravilloso.

Go hence, O Death, pursue thy special pathway apart from that which gods wont to travel. To thee I say it who hast eyes and hearest: touch not our offspring, injure not our heroes.

Grief turns out to be a place none of us know until we reach it...We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be 'healing.' A Certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to 'get through it,' rise to the occasion, exhibit the 'strength' that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.

Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.

Hart having arrived before them, insisted they lift at least one glass to old Mrs. McCray. "May she, her husband, and our father be bullying one another in the great beyond." "I hope they enjoy it", Mac said lifting his glass. His cut crystal goblet held tea, not whiskey. Mac now drank no alcohol of any kind. "Confusion to them all," Cam said, joining the toast.

He had the desperation, not the courage, to be himself. Once you do that, you can’t go wrong, because you can’t make any mistakes when people love you for being yourself. But for Kurt, it didn’t matter that other people loved him; he simply didn’t love himself enough.

He is but as the stubble of the field, and yet he has no beard.

He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness.

He knew as deeply as he knew anything that sedation was the prelude to anxiety, stimulation the prelude to exhaustion and consolation the prelude to disappointment, and so he lay on the red velvet sofa and did nothing to distract himself from the news of his mother’s death.

His face looked almost as gray as his suit, and the pouches beneath his eyes looked like little bags for holding all the sadness that his head couldn't hold.

He took a deep breath in, still managing himself as if he were resisting temptation. He was a soldier, his father was in the service, too. Crying wasn't something Morell men did. They just didn't. He hadn't cried at Robbie Morell's funeral. So he wasn't going to now.

Here's the other thing I think about. It makes little sense to try to control what happens to your remains when you are no longer around to reap the joys or benefits of that control. People who make elaborate requests concerning disposition of their bodies are probably people who have trouble with the concept of not existing. [...] I imagine it is a symptom of the fear, the dread, of being gone, of the refusal to accept that you no longer control, or even participate in, anything that happens on earth. I spoke about this with funeral director Kevin McCabe, who believes that decisions concerning the disposition of a body should be mad by the survivors, not the dead. "It's non of their business what happens to them whey the die," he said to me. While I wouldn't go that far, I do understand what he was getting at: that the survivors shouldn't have to do something they're uncomfortable with or ethically opposed to. Mourning and moving on are hard enough. Why add to the burden? If someone wants to arrange a balloon launch of the deceased's ashes into inner space, that's fine. But if it is burdensome or troubling for any reason, then perhaps they shouldn't have to.

How quickly, how neatly the chaos of a living person could be reduced to an insignificant box.

I am so sorry to hear of Asher's passing. I will miss his scientific insight and advice, but even more his humor and stubborn integrity. I remember when one of his colleagues complained about Asher's always rejecting his manuscript when they were sent to him to referee. Asher said in effect, 'You should thank me. I am only trying to protect your reputation.' He often pretended to consult me, a fellow atheist, on matters of religious protocol. {Charles H. Bennett's letter written to the family of Israeli physicist, Asher Peres}

I felt a Funeral, in my Brain, And Mourners to and fro Kept treading – treading – till it seemed That Sense was breaking through – And when they all were seated, A Service, like a Drum – Kept beating – beating – till I thought My Mind was going numb – And then I heard them lift a Box And creak across my Soul With those same Boots of Lead, again, Then Space – began to toll, As all the Heavens were a Bell, And Being, but an Ear, And I, and Silence, some strange Race Wrecked, solitary, here – And then a Plank in Reason, broke, And I dropped down, and down – And hit a World, at every plunge, And Finished knowing – then –

I could not escape a feeling that this was my own funeral, and you do not cry in that case.

I didn't attend the funeral, but I sent a nice letter saying I approved of it." - Mark Twain

If I should die, and leave you here awhile Be not like others sore undone, who keep Long vigils by the silent dust and weep. For my sake, turn again to life, and smile, Nerving thy heart and trembling hand to do Something to comfort weaker hearts than thine. Complete these dear unfinished tasks of mine, And I, perchance, may therein comfort you!