Best 4697 quotes in «imagination quotes» category

The peculiar value of geography lies in its fitness to nourish the mind with ideas and furnish the imagination with pictures.

The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.

The Physician, by the study and inspection of urine and ordure, approves himself in the science; and in like sort should our author accustom and exercise his imagination upon the dregs of nature.

The pilasters reaching down were adorned with a glistering substance (I know not what) under glass (as it seemed), resembling - a homely fancy, but I judged it to be sugar-candy; yet to my raised imagination, divested of its homelier qualities, it appeared a glorified candy.

The planet has a kind of intelligence, it can actually open a channel of communication with an individual human being. The message that nature sends is, transform your language through a synergy between electronic culture and the psychedelic imagination, a synergy between dance and idea, a synergy between understanding and intuition, and dissolve the boundaries that your culture has sanctioned between you, to become part of this Gaian supermind

The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses , each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination.

The pleasure of the senses is always regulated in accordance with the imagination. Man can aspire to felicity only by serving all the whims of his imagination.

The Polar Express is about faith, and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen, the kind of world we all believed in as children, but one that disappears as we grow older.

The point I would make is that the novelist and the historian are seeking the same thing: the truth – not a different truth: the same truth – only they reach it, or try to reach it, by different routes. Whether the event took place in a world now gone to dust, preserved by documents and evaluated by scholarship, or in the imagination, preserved by memory and distilled by the creative process, they both want to tell us how it was: to re-create it, by their separate methods, and make it live again in the world around them.

The popular Arab imagination is a pliant and inventive thing; it can explain any defeat. It is a compass that always points toward the Jew.

The possibilities for mobilizing the experience, imaginations, and intelligence of workers, both employed and unemployed, are limitless.

The power of imagination is incredible. Often we see athletes achieving unbelievable results and wonder how they did it. One of the tools they use is visualization or mental imagery… they made the choice to create their destinies and visualized their achievements before they ultimately succeeded.

The power of imagination is the ultimate creative power.. no doubt about that. While knowledge defines all we currently know and understand.. imagination points to all we might yet discover and create. Imagination is more important than knowledge. Your imagination is your preview of life's coming attractions

The power of imagination created the illusion that my vision went much farther than the naked eye could actually see.

The poverty of our imagination is no measure of say the world's resources. Our posterity will no doubt get fuel in ways that we are unable to devise for them.

The power of imagination is infinite.

The power of miracle is the power of imagination.

The present time is seldom able to fill desire or imagination with immediate enjoyment, and we are forced to supply its deficiencies by recollection or anticipation.

The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I Am.

The principle of equality does not destroy the imagination, but lowers its flight to the level of the earth.

The problem is not one of prediction. It is one of imagination.

The product of the scientific imagination is a new vision of relations - like that of artistic imagination.

The profession of magician, is one of the most perilous and arduous specializations of the imagination. On the one hand there is the hostility of God and the police to be guarded against; on the other it is as difficult as music, as deep as poetry, as ingenious as stage-craft, as nervous as the manufacture of high explosives, and as delicate as the trade in narcotics.

[The purpose of flight research] is to separate the real from the imagined problems and to make known the overlooked and the unexpected.

The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.

The quantity of civilization is measured by the quality of imagination.

The question of how the ebb and flow of a highly developed mind can be catered to by a physical brain, and the related question of how the one impacts the other, are the hardest-ever challenges to human ingenuity and imagination.

The quality of the imagination is to flow and not to freeze.

The reader may ask himself if this is not cruelty and injustice of a kind so terrible that it beggars the imagination, and whether these poor people would not fare far better if they were entrusted to the devils in Hell than they do at the hands of the devils of the New World who masquerade as Christians.

The real truthfulness of all works of imagination, sculpture, painting, and written fiction, is so purely in the imagination, that the artist never seeks to represent positive truth, but the idealized image of a truth

There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.

There are all sorts of topics and themes that just recur time and time again, which either means people have less imagination or that people never get bored of them... or both!

There are a lot of cameramen but not so many photographers. And a lot of cameramen attack from a technical approach without much imagination. They look, but they don't see.

There are and will be those who think I have gone overboard. Let them rest assured that this assessment is correct, probably beyond their wildest imagination, and that I will continue to do so.

There are dons who care for the intellect and the imagination, and there are priests who care for the spirit; but broadly speaking the function of universities and churches alike is to trim and tame enthusiasm, to suppress curiosity, and, in short, to whittle immortal souls into serviceable props of the established order.

There are certain people in our popular culture that just capture people's imaginations. And in death, they become even larger. Now, I have to admit that it's also fed by a 24/7 media that is insatiable.

There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.

There are no great limits to growth because there are no limits of human intelligence, imagination, and wonder.

There are instances: [Henry David] Thoreau read [John] Wordsworth, [John] Muir read Thoreau, Teddy Roosevelt read Muir, and you got national parks. It took a century for this to happen, for artistic values to percolate down to where honoring the relation of people's imagination to the land, or beauty, or to wild things, was issued in legislation.

There are mythologies that are scattered, broken up, all around us. We stand on what I call a terminal moraine of shattered mythic systems that once structured society. They can be detected all around us. You can select any of these fragments that activate your imagination for your own use. Let it help shape your own relationship to the unconscious system out of which these symbols have come.

There are no limitations, unless you create them yourselves. Anything is possible. You are only limited by your own imagination.

There are no days in life so memorable as those which vibrate to some stroke of the imagination.

There are no shortcuts in life - only those we imagine.

There are three things you need to live abundantly: awareness, imagination and gratitude.

There are real facts in my poems, but facts mixed up in the perverse stubborn stew of imagination, add a pinch or two of revenge and retribution, a dash of amplification and reparation.

There are stories within stories, whispered in the quiet of the night, shouted above the roar of the day, and played out between lovers and enemies, strangers and friends. But all are fragile things made of just twenty-six letters arranged and re-arranged to form tales and imaginings which will dazzle your senses, haunt your imagination and move you to the very depths of your soul.

The reason for you complaint lies, it seems to me, in the constraint which your intellect imposes upon your imagination. Here I will make an observation, and illustrate it by an allegory. Apparently, it is not good-and indeed it hinders the creative work of the mind-if the if the intellect examines too closely the ideas pouring in, as it were, at the gates.

There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.

The reason prophets are so rarely honored in their own country is that their role is to transcend the limits of their contemporaries' experience and imagination. They achieve recognition only when their vision has been turned into experience - in short, when it is too late to benefit from their foresight.

There can be no passion, and by consequence no love, where there is not imagination.