Best 4697 quotes in «imagination quotes» category

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    God’s plan for your life is far beyond the imagination of men.

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    God's word will produce with your level of understanding. The much you can understand it, the more wisdom you are privileged to have.

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    Good stories take your imagination to anywhere

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    Good writing is both what one does and does not say.

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    Grab a pen and your turf will have no limits.

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    Go where imagination takes you-- not where others have gone before.

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    Great imaginations are the breeding ground for great accomplishments! Great imaginations are like horses, they need guidance and proper nurturing, only then do they offer the world of adventure they promise.

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    Greatness does not come from trying to achieve the possible.

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    Growing older doesn't mean that you are more mature than everyone who is younger than you. Maturity is a lot of things, and age has nothing to do with it.

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    Grown ups’ could learn a lesson from watching cartoons.

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    Growing up I often wondered how the world would be today if, since the beginning of human life, every person acted as I did.

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    Had I been able to formulate my first impressions of the United States, I might have said that there was a place in America called Kansas, where people could find a magic land at the heart of a cyclone.

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    Ha-ha!' the fox laughed. '*Just* stories, you say, as if stories mean nothing? Stories are the stuff that sticks the world together. Stories are the mud from which we're all made. The power to imagine stories is the power to remake the world as we dream it.

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    Half asleep and half awake, I became lost in a deep span of my version of a perfect world. A place I wanted so desperately to reach, but would never find except from within the catacombs of my mind. A place where the sun rose in the west and set in the east, where the mountains bowed to the wind like trees, and the rain sprinkled up from the ground below and onto the clouds above. A place where no one hurt or lost, or felt any tinge of desperation. A place where heartbeats were the only words needed, and music floated on the wind like dust. A place where no place was home. Where a single person could be the only sustenance needed to survive. A place where there were no yesterdays or todays, only tomorrows. A place for me to find solace, an escape from the real world I was forced to live in.

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    Happiness is an awareness, perception, feeling, and imagination. Happiness is a state of mind not a condition.

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    Happiness is there when you have great imagination and vision, when you take relentless action and love your creation.

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    Happiness may be nothing but a lack of imagination.

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    Harness the imagination: Sometimes curbing her, sometimes giving her rein, for she is the whole of happiness. She sets to rights even the understanding. She sinks to tyranny, not satisfied with mere faith, but demanding works. Thus she becomes the mistress of life itself. She does so with pleasure or with pain, according to the nonsense presented. She makes people contented or discontented with themselves. By dangling before some nothing but the specter of their eternal suffering, she becomes the scourge of these fools. To others she shows nothing but fortune and romance, while merrily laughing. Of all this she is capable if not held in check by the wisest of wills.

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    Have and show motivation to do and learn. That's the key for a good career. Everything else is an extrapolation of that.

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    Have you ever played Maximum Happy Imagination?" "Sounds like a Japanese game show." Kat straightens her shoulders. "Okay, we're going to play. To start, imagine the future. The good future. No nuclear bombs. Pretend you're a science fiction writer." Okay: "World government... no cancer... hover-boards." "Go further. What's the good future after that?" "Spaceships. Party on Mars." "Further." "Star Trek. Transporters. You can go anywhere." "Further." "I pause a moment, then realize: "I can't." Kat shakes her head. "It's really hard. And that's, what, a thousand years? What comes after that? What could possibly come after that? Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.

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    Have faith in yourself. All the power is in your biology already. Be conscious of that power and bring it out. Remember, truth is indestructible, virtue is indestructible, purity is indestructible.

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    Have you ever wonder about the misery of sleep?

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    Have you ever reached to a point where you asked God if the assignment is really from Him. In your account you have just 100 dollars and He is asking you to execute a 400 million dollar project. Have you reached to the point that you consider going further will make no sense? Have you reached the point where you asked God are you sure you are still with me? I just found myself in that Junction now. Turning back ....to realise I have gone too far for Him to forsake me. Moving forward I heard the voice saying ...be still and know that I am your God. Giving up.....Couldn't find it in my dictionary. Moral of the lesson. God cannot give you an assignment that is equal to your pocket. If it suits your pocket it is definitely not from God. Remember God will not take glory where nothing happen.

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    Having books standing on a shelf in a room is like having completely different worlds at the ready, waiting to be explored.

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    He ached for creation. For life to somehow rise from the drawings in his sketching book. For his own energy, his own impressions to swirl and spin on a canvas. For a dream city he had tacked above his bed.

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    He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial eagle.' Taking down the dictation, Theodora [his secretary] felt it to be almost more than she could bear. 'It is a heart-breaking thing to do, though, there is the extraordinary fact that his mind does retain the power to frame perfectly characteristic sentences.

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    Heaven and hell may be a figment of imagination and a myth for a non-believer but they are quite effective in keeping people on the right track. Most people know how to avoid punishment in this world by circumventing the law and manipulating the system. However, they still fear God because they can’t manipulate Him. They wish to ensure their place in Heaven and avoid hell.

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    He could tell her that dogs used to look like cats and vice versa without a lick of proof and it would change the way she regarded the animals.

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    He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for.

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    He had an imagination so excitable that it flirted with the edges of fantasy, which is also something we can try to preserve in ourselves and indulge in our children.

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    He imagines the water running in thick curving lines, like the drawings of the tree’s roots, cutting through stone and spilling over the earth. And then he reverses the flow of water, letting his imagination take over, and he sees the water racing north, uphill, towards the Catskills, weaving around towns, beneath bridges, rushing over stones and cutting through the trees, until it lands at the feet of Alice Pearson, who stands on the shore, looking out at the place where the water meets the sky.

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    He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart.

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    He had never got so much back for himself from any pupil as he did from Miss Kronborg. From the first she had stimulated him; something in her personality invariably affected him. Now that he was feeling his way toward her voice, he found her more interesting than ever before. She lifted the tedium of the winter for him, gave him curious fancies and reveries. Musically, she was sympathetic to him. Why this was true, he never asked himself. He had learned that one must take where and when one can the mysterious mental irritant that rouses one's imagination; that it is not to be had by order. She often wearied him, but she never bored him.

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    He had always had a gift for conjuring images in his mind's eye. It was one of the secrets of his military success.

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    He had found riches beyond worldly imagination. He had found the never ending well of love.

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    He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.

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    He knew in what strange heavens they were suffering, and what dull hells were teaching them the secret of some new joy.

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    He read vividly.

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    Here powers failed my high imagination: But by now my desire and will were turned, Like a balanced wheel rotated evenly, By the Love that moves the sun and the other stars.

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    Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists. There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence.

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    Here’s what's breaking into my imagination and whatever is in there; that you are not afraid you’ve seen, is yours to take.

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    He's got to have the ability, and it seems to be fairly rare, to see things as they are and at the same time as they might have been. What we mean is the eye of an artist.

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    He sought an adventure but didn't find one. He was inexperienced and besides he didn't have too much imagination.

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    He stood at the gateway between two worlds, at the place where imagination passed into creation.

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    Her intention was to make the crowd aware, if they weren't already, that John was the giant whose shoulders Emily stood on.

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    He’s fine. Every time any of us are late you imagine we’re dead. You are no longer allowed to imagine anyone is dead.” “I’m not imagining he’s dead,” I whisper, but I’m totally imagining him bleeding to death on the snowy forest floor. Crows circle above him. A pixie arrow juts out of his beautiful chest. It’s the same thing I imagined about Devyn last week when he forgot to check in. “You are such a liar-liar pants-on-fire.” Is kisses my cheek in her sweet friend way. “But I love you.” “I just worry about people,” I whisper back. “If I’m not the one out there I feel so helpless.” Coach Walsh notices we’re talking. “Girls, pay attention. And no kissing.” Everyone starts snickering. I let go of Issie’s goose-bump covered arm. My face gets hot, which means I’m in insane blush mode. Nick thinks insane blush mode is cute. I bend down and check on my ankle bracelet that Nick gave me. It’s gold and thin-chained. A tiny dolphin dangles off of it. The dolphin reminds me of Charleston because they swim right off the Battery. Next to it dangles a heart, which just reminds me of love—corny but true. I’m so afraid of losing the anklet, but I can’t take it off. I adore it that much.

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    He's like a storybook spirit, a little djinn or something, except instead of air or water his element is imagination.

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    He thought he was walking along a dusty road that showed white in the gathering darkness of a summer night. Whence and whither it led, and why he traveled it, he did not know, though all seemed simple and natural, as is the way in dreams; for in the Land Beyond the Bed surprises cease from troubling and the judgment is at rest.

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    He wanted Jordan so badly, his fantasies consumed him. Whenever he reached out to touch something, paper, the phone, his steering wheel, there was a brief moment when he expected his hand to come in contact with the smooth silk of Jordan’s skin. When he ate, his tongue instinctively sought the taste of Jordan. Whenever he picked up the phone, he expected to hear Jordan’s voice.

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    He was acutely aware then that he was closer to his future than he was with the memories of his past.