Best 4697 quotes in «imagination quotes» category

When I was a kid, I used to escape from my family with my imagination, and I kept this spirit into my adult life. This doesn't always happen. All children have imagination, but for some it doesn't carry over.

When I was a kid, we had to rely on our imaginations for entertainment.

When I was a young person I went to the university and I learned a rational language, to think with the left side of the brain. But in the right side of the brain you have intuition and imagination. Words are not the truth; they indicate the way to go, but you need to go alone, in silence. Symbols have a language that kills the words.

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human.

When I was little, I knew that I was not adopted, but I actually imagined and hoped that I was, and that my real parents were going to come get me. I was just too different from the rest of the family, so I lived in books and in my imagination.

When I was on my own in a hotel room in Romania, I had the imagination to keep myself occupied.

When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.

When I worked on the polio vaccine, I had a theory. I guided each [experiment] by imagining myself in the phenomenon in which I was interested. The intuitive realm . . . the realm of the imagination guides my thinking.

When man tries to imagine Paradise on earth, the immediate result is a very respectable Hell.

When most people said "I'm psychic, you see," they meant "I have an overactive but unoriginal imagination/wear black nail varnish/talk to my budgie;" when Anathema said it, it sounded as though she was admitting to a hereditary disease which she'd much prefer not to have.

When my youngest daughter got married, I designed her wedding dress and I really let my imagination and energy go crazy! All the journalists seemed to love that dress.

When one paints an ideal, one does not need to limit one's imagination.

When our life is a continuous trial, the moments of respite seem only to substitute the heaviness of dread for the heaviness of actual suffering; the curtain of cloud seems parted an instant only that we may measure all its horror as it hangs low, black, and imminent, in contrast with the transient brightness; the waterdrops that visit the parched lips in the desert bear with them only the keen imagination of thirst.

When one man has reduced a fact of the imagination to be a fact to his understanding, I foresee that all men will at length establish their lives on that basis.

When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?

When shall we see poets born? After a time of disasters and great misfortunes, when harrowed nations begin to breathe again. And then, shaken by the terror of such spectacles, imaginations will paint things entirely strange to those who have not witnessed them.

When something is such a creative medium as the web, the limits to it are our imagination.

When the eye or the imagination is struck with an uncommon work, the next transition of an active mind is to the means by which it was performed

When the Idea, of any Pleasure strikes your Imagination... let that time be employed in making a just Computation between, the duration of the Pleasure, and that of the Repentance sure to follow it.

When the past dies, there is mourning, but when the future dies our imaginations are compelled to carry it on.

When the past is recaptured by the imagination, breath is put back into life.

When the universe is ephemeral, one can easily feel that human existence is meaningless. Why should I do anything at all? On the other hand it is tempting to try and make the best of it. I'm here, anyway. The imagination won't cope if I try to picture where I'd otherwise be.

When we come down into the distant village, visible from the mountain-top, the nobler inhabitants with whom we peopled it have departed, and left only vermin in its desolate streets. It is the imagination of poets which puts those brave speeches into the mouths of their heroes.

When we find ourselves unable to reason (as one often does when presented with, say, a problem in algebra) it is because our imagination is not touched. One can begin to reason only when a clear picture has been formed in the imagination. Bad teaching is teaching which presents an endless procession of meaningless signs, words and rules, and fails to arouse the imagination.

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings.

When we had to do book reports, I would pick a book that no one read and just make it up and turn that in. I got praised for my imagination.

When we read a literary work (or, in some instances, listen to music) our imagination is stimulated, we feel various emotions, and we arrive at new judgments. These attitudes are brought into relation with many others, including our standing tendencies to think and feel in particular ways, and we try to fit our psychological capacities and responses together.

When you believe in what you're doing and use your imagination and initiative, you can make a difference.

When you are completely absorbed or caught up in something, you become oblivious to things around you, or to the passage of time. It is this absorption in what you are doing that frees your unconscious and releases your creative imagination.

When you do your research write down whatever interests you. Whatever stimulates your imagination. Whatever seems important. A story is built like a stone wall. Not all the stones will fit. Some will have to be discarded. Some broken and reshaped. When you finish the wall it may not look exactly like the wall you envisioned, but it will keep the livestock in and the predators out. (pg. 144)

When you come back to God for pardon and salvation, come with all you have to lay all at his feet. Come with your body, to offer it as a living sacrifice upon His altar. Come with your soul and all its powers, and yield them in willing consecration to your God and Saviour. Come, bring them all along-everything, body, soul, intellect, imagination, acquirements-all, without reserve.

When you do your collection, you are much more free. You have fewer boundaries. When you work on a movie, you have to take into consideration the story, the plot, the vision of the director, even the physique of your cast. And then on top of all this, you want your imagination, your taste, and your ideas to come through. But a movie is forever.

When you draw in a tight, controlled style, you open yourself up to - in my case, my own - criticism that things aren't quite right. If room is drawn so carefully, when a detail is wrong or missing, it's wrong or missing. The reader's imagination doesn't add the detail in because there are already so many other details. The reader is restricted to seeing the elements that are right there in front of him/her.

When you are young your imagination is so clear.

When you first get started, you're the only one with a vision. When you become creative and use your imagination, pretty soon the things you imagined, you can get done. If you got a taste of it, if you got a taste of what I'm talking about, you'd rather do that than eat. You couldn't get enough of it. You'll hunger for it the rest of your life.

When you resort to violence to prove a point, you’ve just experienced a profound failure of imagination.

When you learn that you can trust life, life will deliver treasures beyond your imagination.

When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.

When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.

When you're playing Shakespeare, it forces you to think and feel and speak all at the same time, which really is what acting is. It expands your imagination and expands your size of thinking.

When you're young you have no worries, no drama, only your imagination. It's the best!

When your tongue is silent, you can rest in the silence of the forest. When your imagination is silent, the forest speaks to you. It tells you of its unreality and of the Reality of God. But when your mind is silent, then the forest suddenly becomes magnificently real and blazes transparently with the Reality of God.

When you're reading something, your imagination goes and you see it in your mind. Sometimes my instincts with that are right, and sometimes they're wrong.

When you start to develop your powers of empathy and imagination, the whole world opens up to you.

When you use your imagination anything can happen.

When you think like a child your imagination is free and anything is possible.

When you worry about something, you are using your immense power of imagination negatively. You are imagining the worst, and as you imagine the worst, you are bringing it to you. When you are excited about something, you are using your power of imagination positively. You are imagining the best, and as you imagine the best, you are bringing it to you.

When you will, make a resolution, set your jaw, you are expressing an imaginative fear that you won't do the thing. If you knew you would do the thing, you would smile happily and set about it. And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years - the very thing you dreaded and set your jaw against.

Where am I when I'm not in reality or in my imagination?

Where bright imagination reigns, the fine-wrought spirit feels acuter pains.