Best 4697 quotes in «imagination quotes» category

I'm filled with admiration, delight, and gratitude at discovering James Lasdun's poems in A Jump Start. He has wit, speed, intelligence, a keen eye, precision, and imagination of a high order.

I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.

Imitation, if noble and general, insures the best hope of originality.

I'm kind of surprised that so many of those other books were almost exactly like mine. They even follow the form. There were some books that even copied the stamp. It shows so little imagination.

I'm not a passive person by any stretch of the imagination.

I'm not a scientist. I just read articles that are interesting and that capture my imagination, but I think there's a reason why there's so much faith placed in science.

I'm not claiming that football is the nation's salvation in this area, but it's one of them, one little thing that apparently has captured the imagination of a large sector of our society. But when football can't be a relatively pure outlet, a fun thing, then it hurts itself.

I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.

I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.

I'm one of those people. I can be sold by the candy in life, and then it can be stripped away within a split second and I feel like I've seen too much. And that's the way, I've been like that most of my life, so I could never say I was there yet in any stretch of the imagination.

I'm pretty good at fleshing out characters. I like to crawl inside their minds and imaginations and sort of loll about. Sticking to a clean narrative arc gives me some troubles. I've been told that I'm digressive and I'd have to agree. The odd anecdote that in no way relates to the "big idea" is just as illuminating and fascinating to me as anything else pertaining to the through-line.

I'm really the addition of other peoples' imagination, quite honestly. It's what they see me as, and I'm very happy to comply. I find things are more varied that way.

I'm speaking of the pursuit of excellence in all things. All things! Presence of mind and devotion to craft. A great artist has these. A great chef. A great master of tea. There's powerful kung fu in a well-built house or an eloquent letter, but the limit of your imagination is bones breaking and bullets flying.

I'm the idea of the human imagination, which, when you think about it, is the only thing we can really be certain ISN'T imaginary.

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.

I'm up to my neck in the real world, every day. Just you try doing your VAT return with a head full of goblins.

I, myself, have had many failures and I've learned that if you are not failing a lot, you are probably not being as creative as you could be -you aren't stretching your imagination.

I'm very interested in the question of how we perceive something, how consciousness goes from one thing, like looking at you in your black hat to what it might mean to my imagination and how I would draw that or write that, how I would subjectify you? It's something that is endlessly interesting to me.

I myself was terrified during the Second World War. The war started when I was six, and I was so sure that we were going to be bombed and killed. My imagination is my biggest plus and my worst minus.

I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.

In all forms of magick, the imagination or image-making faculty is the most important factor

In addition to self-awareness, imagination and conscience, it is the fourth human endowment - independent will - that really makes effective self-management possible. It is the ability to make decisions and choices and to act in accordance with them. It is the ability to act rather than to be acted upon, to proactively carry out the program we have developed through the other three endowments. Empowerment comes from learning how to use this great endowment in the decisions we make every day.

In a society that considers all genuine ideas subversive, which seeks to discourage ideological imagination, and which aims to abolish thought in favour of spectacle, the main goal must be to awaken people’s consciences, raising traumatising problems and sending ideological electroshocks: shocking ideas.

In a movie, you need good actors, whereas in a book, you don't, unless you have a really bad imagination. In a book, your imagination will do the acting for you. Also, the process of revelation is often different. Tension is achieved in a different way.

In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.

In a sense, comic books are frozen movies. If you look at a comic book, you are generally seeing the storyboard for a film. The great advantage of comic books, over the years, has been that, if they are frozen movies, they are not limited by budget. They are only limited by imagination.

In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.

In a novel, the only budgetary limitations are that of your imagination.

In a world where billions believe their deity conceived a mortal child with a virgin human, it's stunning how little imagination most people display.

In becoming an Irishman, Patrick wedded his world to theirs, his faith to their life…Patrick found a way of swimming down to the depths of the Irish psyche and warming and transforming Irish imagination – making it more humane and more noble while keeping it Irish.

In chess, as played by a good player, logic and imagination must go hand in hand, compensating each other.

In Bright Shadow: C.S. Lewis on the Imagination for Theology and Discipleship

In democracies, nothing is more great or more brilliant than commerce: it attracts the attention of the public, and fills the imagination of the multitude; all energetic passions are directed towards it.

Indeed, the ideal for a well-functioning democratic state is like the ideal for a gentleman's well-cut suit it is not noticed. For the common people of Britain, Gestapo and concentration camps have approximately the same degree of reality as the monster of Loch Ness. Atrocity propaganda is helpless against this healthy lack of imagination.

Indulge your imagination in every possible flight.

India has millions of internally displaced people. And now, they are putting their bodies on the line and fighting back. They are being killed and imprisoned in their thousands. Theirs is a battle of the imagination, a battle for the redefinition of the meaning of civilisation, of the meaning of happiness, of the meaning of fulfilment.

India is a place where all stories are possible. You forget that the imagination can take hold of anything and contemplate it and love it and describe it.

I need paper and pen to release my imagination. I can't create on a machine.

I need the pain of loneliness to make my imagination work.

I never had the financial means that the media said I had. I laugh when I hear the amounts, $400 million, $800 million. Where do they get this imagination?

I never in my wildest imagination dreamed that I would somehow become a sports commentator.

I never want to do nudity that’s gratuitous. Girls look so much better in lingerie or a t-shirt and leave the rest up to the imagination. I make it clear that I have a line. Everyone tries to push you, and it’s easy to get talked into doing those things. I’ll just walk off-set. But not everyone realizes they can do that.

In film, a lot of the time you're not as engaged, it is all being given to you, and you're accepting it as it comes in, but in comics, as a reader, you are going to have to work, your imagination needs to do an awful lot.

In every race there is a crucial moment when the body wants to quit. Then it needs imagination and mental tenacuty to survive the crisis. Otherwise the penalty is defeat.

In Hollywood, the ... basic freedom of being able to choose between alternatives is absent. The gifted people who have the capacity for choice cannot exercise it; the executives who technically have the freedom of choice do not actually have it, because they usually lack the knowledge and imagination necessary for making such a choice.

In general, when the imagination is at all noble, it is irresistible, and therefore those who can at all resist it ought to resist it. Be a plain topographer if you possibly can; if Nature meant you to be anything else, she will force you to it; but never try to be a prophet.

In imagination, there's no limitation.

In literature and art memory is a synonym for invention. It is the life-blood of imagination, which faints and dies when the veins are empty.

In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.

In love and friendship the imagination is as much exercised as the heart; and if either is outraged the other will be estranged. It is commonly the imagination which is wounded first, rather than the heart,--it is so much the more sensitive.