Best 712 quotes in «nostalgia quotes» category

What's wrong with a bit of nostalgia between friends? I think nostalgia sometimes gets too much of a bad press.

When the real is no longer what it used to be, nostalgia assumes its full meaning.

When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.

Which doesn't mean, of course, that I'd stopped loving her, that I'd forgotten her, or that her image had paled; on the contrary; in the form of a quiet nostalgia she remained constantly within me; I longed for her as one longs for something definitively lost.

While the fictional realm as such allows for the obstacles of present-day politics to be altered, neglected, and negotiated at will, sci-fi seems to embody ideals, expectations, and fears of the future that are quite adequate for describing the Palestinian predicament. Somehow managing to fuse nostalgia and hopes for a better and more efficient future, sci-fi seems to lend itself to capturing the decades of Palestinian yearning for a utopia that almost seems dated by now.

When we are young... we often experience things in the present with a nostalgia-in-advance, but we seldom guess what we will truly prize years from now.

When you finally go back to your old home, you find it wasn't the old home you missed but your childhood.

You don't run for the presidency out of nostalgia.

Adesso la sua voce era tornata a restituirle ciò che aveva perduto, dimenticato. Ricordi dell'infanzia che non sempre era stata bella, ma che ricordava con nostalgia.

94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.

Aegean Islands 1940-41 Where white stares, smokes or breaks, Thread white, white of plaster and of foam, Where sea like a wall falls; Ribbed, lionish coast, The stony islands which blow into my mind More often than I imagine my grassy home; To sun one's bones beside the Explosive, crushed-blue, nostril-opening sea (The weaving sea, splintered with sails and foam, Familiar of famous and deserted harbours, Of coins with dolphins on and fallen pillars.) To know the gear and skill of sailing, The drenching race for home and the sail-white houses, Stories of Turks and smoky ikons, Cry of the bagpipe, treading Of the peasant dancers; The dark bread The island wine and the sweet dishes; All these were elements in a happiness More distant now than any date like '40, A. D. or B. C., ever can express.

¡Ah, no hay nostalgia más dolorosa que la de las cosas que nunca han sucedido!

Alecto, have you noticed how downhill this little island is becoming?” Mandy questioned sadly. “All these organic food stores and yoga studios and cellular phone towers… Cape Breton was one of the only places left where it still had that nostalgic small town atmosphere but now… I’ve only been away for a year, how could things have changed so quickly? I mean, how can the world accept it?” “C'est la vie,” said Alecto, looking extremely tired as he stared out the window at the late November maple keys fluttering down from vibrantly red trees lining the streets on either side of the windshield.

Alecto isn't a person! He's just something that society made and then threw away, a memory that refuses to die.

A list of things you might not hear: eylash opening on the pillow, the appearance of a star, a leaf leaving a tree, a hand in your hair, a lie being withheld, a tear's journey from eye to shoe, air becoming blue, longing.

All you will have is the present. Waste no energy crying over yesterday or dreaming of tomorrow. Nostalgia is fatiguing and destructive, it is the vice of the expatriate. You must put down roots as if they were forever, you must have a sense of permanence.

Amadas voces ideales De aquellos que han muerto, o de aquellos perdidos como si hubiesen muerto. Algunas veces en el sueño nos hablan; Algunas veces la imaginación las escucha. Y con el suyo otros ecos regresan Desde la poesía primera de nuestra vida Como una música nocturna perdida en la distancia. Kavafis Citado por Julia Navarro en la Hermandad de la Sábana Santa

America has no now. We're reluctant to acknowledge the present. It's too embarrassing. Instead, we reach into the past. Our culture is composed of sequels, reruns, remakes, revivals, reissues, re-releases, recreations, reenactments, adaptations, anniversaries, memorabilia, oldies radio, and nostalgia record collections. World War II has been refought so many times, the Germans and Japanese are now drawing residuals.

Without Ukraine, Russia's imperial aspirations are essentially nostalgia, but it's not a real policy.

A million love songs later, we still adore the sound of nostalgia.

Americans are curious as a people in that we have a relatively limited history and yet endless nostalgia.

And Dickon helped him, and the Magic—or whatever it was—so gave him strength that when the sun did slip over the edge and end the strange lovely afternoon for them there he actually stood on his two feet—laughing.

And all these things she always counted on to revisit, they made up a map, the map of a true home. It was the only place where she felt she had an identity and a history behind her.

And before me the empty table at the Theater Café with my reservation - Barnum Nilsen, 8PM - the only table no one sits at. And this too is an echo, an echo of time, the shadows of a discus spinning through blinding sunlight.

And I’ll look back at him because I shan’t be able to help it, remembering about being young, and about being made love to and making love, about pain and dancing and not being afraid of death, about all music I’ve ever loved, and every time I’ve been happy.

And except on a certain kind of winter evening—six-thirty in the Seventies, say, already dark and bitter with a wind off the river, when I would be walking very fast toward a bus and would look in the bright windows of brownstones and see cooks working in clean kitchens and and imagine women lighting candles on the floor above and beautiful children being bathed on the floor above that—except on nights like those, I never felt poor; I had the feeling that if I needed money I could always get it.

And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

And numerous indeed are the hearts to which Christmas brings a brief season of happiness and enjoyment. How many families, whose members have been dispersed and scattered far and wide, in the restless struggles of life, are then reunited, and meet once again in that happy state of companionship and mutual goodwill, which is a source of such pure and unalloyed delight; and one so incompatible with the cares and sorrows of the world, that the religious belief of the most civilised nations, and the rude traditions of the roughest savages, alike number it among the first joys of a future condition of existence, provided for the blessed and happy! How many old recollections, and how many dormant sympathies, does Christmas time awaken! We write these words now, many miles distant from the spot at which, year after year, we met on that day, a merry and joyous circle. Many of the hearts that throbbed so gaily then, have ceased to beat; many of the looks that shone so brightly then, have ceased to glow; the hands we grasped, have grown cold; the eyes we sought, have hid their lustre in the grave; and yet the old house, the room, the merry voices and smiling faces, the jest, the laugh, the most minute and trivial circumstances connected with those happy meetings, crowd upon our mind at each recurrence of the season, as if the last assemblage had been but yesterday! Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fireside and his quiet home!

And he knew that he would never come again, and that lost magic would not come again. Lost now was all of it - the street, the heat, King's Highway, and Tom the Piper's son, all mixed in with the vast and drowsy murmur of the Fair, and with the sense of absence in the afternoon, and the house that waited, and the child that dreamed.

A person in her twenties has been a child for most of her life, but as time goes by that portion that is childhood becomes smaller and smaller, more and more distant, more and more faded, though they say at the end of life the beginning returns with renewed vividness, as though you had sailed all the way around the world and were going back into the darkness from which you came.

A picture's worth a thousand words. But a single word can make you think of over a thousand pictures in your mind, over a thousand moments, a thousand memories.

Apocalyptic saucer cults have started to spring up all over America. One small group, which has been receiving messages from outer space via Lake City housewife Mrs. Marian Keech, becomes the subject of a research team led by psychologist Leon Festinger. According to an alien entity named Sananda, the end of the world is due any day and under the most cataclysmic of circumstances. The group meets regularly to discuss the latest predictions from Sananda and the rest of the Space Brothers, all relayed to them by Mrs. Keech. Some members bake cakes in the shape of flying saucers to be consumed during their gatherings while local college football scores are closely debated.

Above all, staring at my old bedroom ceiling, I feel safe. Cocooned from the world; wrapped up in cotton wool. No one can get me here. No one even knows I'm here. I won't get any nasty letters and I won't get any nasty phone calls and I won't get any nasty visitors. It's like a sanctuary. I feel as if I'm fifteen again, with nothing to worry about but my Homework. (And I haven't even got any of that.)

And perhaps we have reason to be very grateful that, both as children and long afterwards, we are never allowed to guess how the absorbing pursuit of the moment will appear, not only to others, but to ourselves, a very short time hence.

And so their memories took on potential, which is of course how our greatest nostalgias are born.

And she had been in love enough times to rule out the possibility that this was merely some feat of nostalgia.

And so it is inevitable that the day has come when we write about privacy with such nostalgia, analysing it as we would some unearthed fossil of a creature our human eyes had never fallen on.

...and should I die in her care, I would leave smiling because, I will linger in the hills beside her...

And that's my problem. I love to be alone and hate being around people, but I love to be with people and hate being alone. I don't know what I like and I don't know what I want. Time is a difficult thing. It moves too slowly and speeds up when you finally wish it would slow down or stop. You get to the aftermath and all you have are your memories. Precious memories. The kind that make you smile and laugh like you're living it again, while a nostalgic tear falls. And then another. And then another, until you want to just forget it all to stop the painfully happy memories because at the end of the day, those - not the sad ones - are the memories that hurt us most.

And the farther I walked away, the more upset I got, at the loss of one of the few stable and unchanging docking-points in the world that I had taken for granted: familiar faces, glad greetings: hey manito! For I had thought that this last touchstone of the past, at least, would be where I'd left it.

And the further they go, the more they'll remember, they can take it from me.

And what if the other kids laugh at me?” Kerry complained to her parents as she nibbled on a piece of toast that morning. “I have a Cape Breton accent! They’ll know I’m from Canada and they’ll start asking me if I lived in an igloo or ate maple syrup, bacon and seal meat every day!” “You’re really overreacting,” Susan chuckled, sipping on a glass of orange juice. “Canada is a lot like the States and the only thing separating both countries is an imaginary boarder! If anyone laughs at you, tell them it doesn’t snow year-round, you got free health care while you were there and that you never rode a polar bear to school. Besides, do you know how many popular movies and TV shows from the States were filmed in Canada?” “It’s not just the Canada stuff mom,” Kerry sighed worriedly. “I’m from Dym, it’s an industrial dump!” “Yeah, and have you looked at Pittsburgh lately?” Susan asked. “Full of coal mines and steel mills, just like Sydney was when we lived there! I actually rather came to like the pollution, I don’t think I’d ever want to leave it.

And yet . . .looking here at this bottle which by its number signalized the day when Colonel Freeleigh had stumbled and fallen six feet into the earth, Douglas could not find so much as a gram of dark sediment, not a speck of the great flouring buffalo dust, not a flake of sulphur from the guns at Shiloh . . .

...and yet even then, within themselves there had been a strange nostalgia, as if they had already begun to live on the memory of their love.

And yet, it was still a performance. Odin and I both knew it. It was a kind of play, a dream of how things might have been if he and I had been capable of trusting each other for a change. And so we hunted, and sang, and laughed, and told heavily edited stories of the good old days, while each of us watched the other and wondered when the knife would fall.

an emigres artistic problem: the numerically equal blocks of a lifetime are unequal in weight, depending on whether they comprise young or adult years. The adult years may be richer and more important for life and for creative activity both, but the subconscious, memory, language, all the understructure of creativity, are formed very early; for a doctor, that won't make problems, but for a novelist or a composer, leaving the place to which his imagination, his obsessions, and thus his fundamental themes are bound could make for a kind of ripping apart. He must mobilize all his powers, all his artists wiles, to turn the disadvantages of that situation to benefits. [...] Only returning to the native land after a long absence can reveal the substantial strangeness of the world and of existence.

an old villa surrounded by a garden looked to them like the image of a comforting home, the dream of an idyll long past.

Anna drove with the window rolled down, breathing in the essence of autumn: an exhalation of a forest readying itself for sleep, a smell so redolent with nostalgia a pleasant ache warmed her bones and she was nagged with the sense of a loss she could not remember.

A nostalgia é, essencialmente, história sem sentimento de culpa. E aceita desse modo, ela se torna uma abdicação da responsabilidade pessoal. Esquecemos que, socialmente, os anos 80 foram uma época de preconceitos intensos. Misoginia, racismo, homofobia, tudo mostrado de um modo tão agressivo que tinha o efeito prático de silenciar qualquer voz dissonante. Como a censura, isso tinha o efeito prático, anos depois, de gerar o famoso fenômeno da falsa memória, de um problema que não existia porque 'ninguém falava nele'. Silenciar a dissonância é sempre uma forma de apagá-la.

Anthony imagined a time before all that - a time when people sipped Earl Grey tea on a breeze cooled veranda and looked out upon endless countryside.