Best 712 quotes in «nostalgia quotes» category

I felt a tightening in my chest, a sharp spike of intense sadness-almost like nostalgia, except it was for a life I never had.

I felt a pang -- a strange and inexplicable pang that I had never felt before. It was homesickness. Now, even more than I had earlier when I'd first glimpsed it, I longed to be transported into that quiet little landscape, to walk up the path, to take a key from my pocket and open the cottage door, to sit down by the fireplace, to wrap my arms around myself, and to stay there forever and ever.

I felt Nairobi's foreignness — or really, my own foreignness in relation to it — immediately, even in the first strains of morning. It's a sensation I've come to love as I've traveled more, the way a new place signals itself instantly and without pretense. The air has a different weight from what you're used to; it carries smells you can't quite identify, a faint whiff of wood smoke or diesel fuel, maybe, or the sweetness of something blooming in the trees. The same sun comes up, but looking slightly different from what you know.

I find myself becoming increasingly nostalgic for the past, but after all I suppose that is the only thing one can be nostalgic about.

If I were a doctor, I would diagnose his condition thus: "The patient is suffering from nostalgic insufficiency.

If nostalgia holds you hostage, the ransom is the present.

If one has been absent for decades from a place that one once held dear, the wise would generally counsel that one should never return there again. History abounds with sobering examples: After decades of wandering the seas and overcoming all manner of deadly hazards, Odysseus finally returned to Ithaca, only to leave it again a few years later. Robinson Crusoe, having made it back to England after years of isolation, shortly thereafter set sail for that very same island from which he had so fervently prayed for deliverance. Why after so many years of longing for home did these sojourners abandon it so shortly upon their return? It is hard to say. But perhaps for those returning after a long absence, the combination of heartfelt sentiments and the ruthless influence of time can only spawn disappointments. The landscape is not as beautiful as one remembered it. The local cider is not as sweet. Quaint buildings have been restored beyond recognition, while fine old traditions have lapsed to make way for mystifying new entertainments. And having imagined at one time that one resided at the very center of this little universe, one is barely recognized, if recognized at all. Thus do the wise counsel that one should steer far and wide of the old homestead. But no counsel, however well grounded in history, is suitable for all. Like bottles of wine, two men will differ radically from each other for being born a year apart or on neighboring hills. By way of example, as this traveler stood before the ruins of his old home, he was not overcome by shock, indignation, or despair. Rather, he exhibited the same smile, at once wistful and serene, that he had exhibited upon seeing the overgrown road. For as it turns out, one can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to have changed.

If parents start to fear that monsters may have been let loose in their children's bedrooms, it may be because their children are the monsters. Consider what kind of world they are growing up in. It can all end tomorrow. Material progress no longer seems as closely meshed with human evolution as it once was; the anticipated leap into the future may not take place in a time or manner that can be so easily predicted. However, by now everyone from Richard Nixon to Chairman Mao knows that the only way to force the evolutionary curve to bend your way is by throwing larger numbers at it.

If there ever were one moment where everything worked for us, where we lived in harmony and at ease with our natures, then we would still be there. There is no garden to return to, no idyllic perfect childhood, no enwombed state. The Garden of Eden was boring, childhood is a nightmare we should all be grateful to be done with, and your mother smoked while she was pregnant and poisoned you in the womb with artificial sugar substitutes. The best thing any of us can do is just to keep fucking up in a forward motion, and see what comes out of it.

If we could imagine, while we live them, to what mundane moments nostalgia manages to stick itself...

If we don't remember where we came from, we'll go back there.

If we moved to Bonk we could get a big apartment for the cost of this place—' 'This is our home, Irina,' said the oldest sister. 'Ah, a home of lost illusions and thwarted hopes...' 'We could go out dancing and everything.' 'I remember when we lived in Bonk,' said the middle sister dreamily. 'Things vere better then.' 'Things vere alvays better then,' said the oldest sister. The youngest sister sighed and looked out of the window. She gasped. 'There's a man running through the cherry orchard!' 'A man? Vot could he possibly vant?' The youngest sister strained to see. 'It looks like he wants... a pair of trousers...' 'Ah,' said the middle sister dreamily. 'Trousers ver better then.

If you are a dreamer, come in, If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer... If you're a pretender, come sit by my fire For we have some flax-golden tales to spin. Come in! Come in!

I grew up in an era that was a golden age of the blockbuster, when something we might call a family film could have universal appeal. That's something I want to see again. In terms of the tone of the film, it looks at where we are as a people and has a universality about human experience.

I go backwards and forwards, recapturing the past, wondering about the future—and, most unreasonably, I find myself longing for the past more than for the future.

If you go somewhere . . . very different to home, even for a long time, the memory feels like a dream when you get back.

If you want to be with somebody who gets you, you prefer collusion to desire, safety to excitement (sometimes good things to prefer but not always the things most wanted). The wish to be understood may be our most vengeful demand, may be the way we hang on, as adults, to the grudge against our mothers; the way we never let our mothers of the hook for their not meeting our every need. Wanting to be understood, as adults, can be, among many other things our most violent form of nostalgia.

I go back to Oberlin in the dead of winter to give a "convocation speech" in Finney Chapel, the largest and most historic of campus structures. In a subconscious nod to my college experience I forget to pack both tights and underwear and have to spend the weekend going commando in a wool skirt and knee socks. I am toured around the school like a stranger by a girl who didn't even go here. We stop at a glossy new cafe for tea and scones. She asks if I want a tour of the dormitories- no, I just want to wander around alone and maybe cry.

I guess everybody thinks about old times, even the happiest people.

I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.

I had a dream about you last night. We were in your old Civic. Nine Inch Nails was turned up on the stereo and I was taking pictures of you behind the wheel with my disposable camera. We went through the drive through at El Pollo Loco, placed an order for a hundred bucks worth of food, and then just drove off at the window. I miss being stupid with you.

I had intended to visit the haunting ground of my school days. Subconsciously I wanted to be in a place where anxiety, responsibility and financial burden had yet to surface.

I had this dream about you last night. We were still married. I was giving you a haircut, like I always did, being careful to trim around the scar on the back of your head. I’m sorry I sometimes forgot it and left you with a bald spot. And, I’m sorry we didn’t work out. But you look pretty happy on Instagram.

I had watched the sun blaze and in the blink of an eye slip away; the happiness I felt in that moment was a heartbeat from tipping to sadness at the knowledge that I couldn't hold it forever. My old familiar push-pull, my trademark yearning for and resisting joy.

I have a habit of being an archaeologist of my own past, a sentimental collector of personal artefacts which may at first glance appear random, but each of which holds a unique significance. As the years pass me by, I find that the number of objects within my possession begins to accumulate. A torn map. A sealed letter. A boat full of paper animals. Each item encapsulates within itself a story, akin to an outward manifestation of my inner journey.

I have always lusted after a sepia-toned library with floor-to-ceiling bookshelves and a sliding ladder. I fantasie about Tennessee Williams' types of evenings involving rum on the porch. I long for balmy slightly sleepless nights with nothing but the whoosh of a wooden ceiling fan to keep me company, and the joy of finding the cool spot on the bed. I would while away my days jotting down my thoughts in a battered leather-bound notebook, which would have been given to me by some former lover. My scribbling would form the basis of a best-selling novel, which they wold discuss in tiny independent bookshops on quaint little streets in forgotten corners of terribly romantic European cities. In other words, I fantasize about being credible, in that artistic, slightly bohemian way that only girls with very long legs can get away with.

I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled.

I have to tell you about these things from the past, because they are so important. The really important things usually lie in the distant past. And until you know about them, if you'll forgive my saying so, you will always to some extent a mere newcomer in my life. When I was at High School my favourite pastime was walking. Or rather, loitering. If we are talking about my adolescence, it's the more accurate word. Systematically, one by one, I explored all the districts of Pest. I relished the special atmosphere of every quarter and every street. Even now I can still find the same delight in houses that I did then. In this respect I've never grown up. Houses have so much to say to me. For me, they are what Nature used to be to the poets - or rather, what the poets thought of as Nature. But best of all I loved the Castle Hill District of Buda. I never tired of its ancient streets. Even in those days old things attracted me more than new ones. For me the deepest truth was found only in things suffused with the lives of many generations, which hold the past as permanently as mason Kelemen's wife buried in the high tower of Deva.

I have such a hopeless dream of walking or being there at night, nothing happens, I just pass, everything is unbearably over with.

I'll remember you... I remember everyone I've lost.

Il Ka-Be è il Lager a meno del disagio fisico. Perciò, chi ancora ha seme di coscienza, vi riprende coscienza; perciò, nelle lunghissime giornate vuote, vi si parla di altro che di fame e di lavoro, e ci accade di considerare che cosa ci hanno fatti diventare, quanto ci è stato tolto, che cosa è questa vita. In questo Ka-Be, parentesi di relativa pace, abbiamo imparato che la nostra personalità è fragile, è molto più in pericolo che non la nostra vita; e i savi antichi, invece di ammonirci «Ricordati che devi morire», meglio avrebbero fatto a ricordarci questo maggior pericolo che ci minaccia. Se dall'interno dei Lager un messaggio avesse potuto trapelare agli uomini liberi, sarebbe stato questo: fate di non subire nelle vostre case ciò che a noi viene inflitto qui. Quando si lavora, si soffre e non si ha tempo di pensare: le nostre case sono meno di un ricordo. Ma qui il tempo è per noi: da cuccetta a cuccetta, nonostante il divieto, ci scambiamo visite, e parliamo e parliamo. La baracca di legno, stipata di umanità dolente, è piena di parole, di ricordi e di un altro dolore. «Heimweh» si chiama in tedesco questo dolore; è una bella parola, vuol dire «dolore della casa». Sappiamo donde veniamo: i ricordi del mondo di fuori popolano i nostri sonni e le nostre veglie, ci accorgiamo con stupore che nulla abbiamo dimenticato, ogni memoria evocata ci sorge davanti dolorosamente nitida. Ma dove andiamo non sappiamo. Potremo forse sopravvivere alle malattie e sfuggire alle scelte, forse anche resistere al lavoro e alla fame che ci consumano: e dopo? Qui, lontani momentaneamente dalle bestemmie e dai colpi, possiamo rientrare in noi stessi e meditare, e allora diventa chiaro che non ritorneremo. Noi abbiamo viaggiato fin qui nei vagoni piombati; noi abbiamo visto partire verso il niente le nostre donne e i nostri bambini; noi fatti schiavi abbiamo marciato cento volte avanti e indietro alla fatica muta, spenti nell'anima prima che dalla morte anonima. Noi non ritorneremo. Nessuno deve uscire di qui, che potrebbe portare al mondo, insieme col segno impresso nella carne, la mala novella di quanto, ad Auschwitz, è bastato animo all'uomo di fare dell'uomo.

I know what it feels like, and it sucks, it really does, when you are up in the middle of the night thinking about the things that you've suddenly became aware of. The things you're missing out on right now, and all the people who are not close to you anymore, and all of the good times that will never happen again, and all the people who have meant the world to you who have forgotten about you forever, and you get this awful feeling that's kind of like a mix between loneliness and nostalgia.

I listened, while the scents found their hiding places in the cracks in the floorboards, and the words of the story, and the rest of my life.

Il mondo in cui viviamo non è altro che uno specchio che riflette un mondo nascosto sotto la sua superficie argentea, un paese dove il tempo è solo un dettaglio insignificante, senza nessun potere. Spero di ritrovarti là.

I long for the days when I was One with the one who was the only one I could be One with.

I love how summer just wraps it’s arms around you like a warm blanket.

I love the smell of old books,” Mandy sighed, inhaling deeply with the book pressed against her face. The yellow pages smelled of wood and paper mills and mothballs.

I love the way he smelled whenever his head dipped close to hear what I was saying—like the sun striking th cheek of a tomato, or soap drying in the hood of a car. I loved the way his hand felt on my spine. I loved.

I miss it like an ex-con misses the other inmates.

I may be a little like the grown-ups. I must have grown old.

I missed you more now than I had when I lost you. I was forgetting the bad things faster than I forgot the good, and the changing ratio felt a little bit like falling in love even though I was actually speaking to you less and less.

I'm just sorry. Sorry that there won't be any more camping trips for kids or rock bands or even new books to read. No more movies or fresh bags of popcorn. It really sucks when you think about it. Of course, there is the possibility that we might be able to win this war, but not for a very long time. Probably longer than you and I will ever exist in this world." "I try not to think about it." "Sometimes it's all I ever think about.

I'm nostalgic for a better tomorrow.

I may be young; but i am turn between NOSTALGIA for the FAMILIAR (Ejump, 2018)

I'm chasing a decade old ghost. Searching beneath the rafters of a cobweb-filled haven lined with old memories which my brain cannot accept are dead. The light of nostalgia is burning bright inside my heart. Ignoring the emptiness around me, and hoping for a resurrection of love.

I miss the city of tomorrow—and the man of yesterday.

I miss those days even though I wasn't alive.

I missed all the people and places I didn’t know if I would ever see again – my grandparents and their cute little house at Basin Head, where we used to visit the beach everyday and I would run barefoot over the singing sands and swim in the impossibly enormous ocean.

I'm not going to be one of those people who sits around talking about what they're going to do. I'm just going to do it. Imagining the future is a kind of nostalgia.

I miss the thrill of your self-destructive heart that melts in the sun like chocolate, bittersweet and incandescent.