Best 712 quotes in «nostalgia quotes» category

Definition of nostalgia : remembering good times better than bad.

Defrosting a frozen memory can get the present all wet.

Dejar la tierra. La tierra de uno. Los árboles y avenidas. El olor del cardamomo y los keftes de espinada. Los sonidos de la infancia que todavía se alojan debajo de la cama y en algunas esquinas; los rincones consentidos de casa. La alberca en la que aprendí a nadar. La reja que imaginó mi primer beso. Las calles de mi barrio, tan bien trazadas.

Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.

Din splendorile cafelei de odineoară, neschimbat rămăsese doar mangalul.

Divided - No tides of time or distance will wash away your step. It does not fleet as they do, those gladiators and their mighty spears or the beasts that howl into the dark for release. Our story carves deeper, pitilessly, infinitely. A wound that bleeds the ink that stained your palm and the tears of an impossible tomorrow.

Don't become a product of your memories, make a product out of your memories.

Eraritjaritjaka albutjika Nkinjaba iturala albutjika ... His heart is filled with longing to turn for home In the heat of the sun to return home ... 'Ulamba chant, Aboriginal Central Australia

Do you know that high fever which invades us in our cold suffering, that aching for a land we do not know, that anguish of curiosity? There is a country which resembles you, where everything is beautiful, sumptuous, authentic, still, where fantasy has built and adorned a western China, where life is sweet to breathe, where happiness is wed to silence. That is where to live, that is where to die!" - Invitation to a Voyage

Do you know why they call me the Count? Because I love to count! Ah-hah-hah! - The Count Sesame Street

…Do you think there’s somewhere else, some other place to go after this one?” Mandy blurted out. “You mean when you die, where will you end up?” Alecto asked her. “…I wouldn’t know… back to whatever void there is, I suppose.” “I’ve thought about it… every living thing dies alone, it’ll be lonely after death,” Mandy sighed sadly. “That freaks me out, does it scare you?” “I don't want to be alone,” Alecto replied wearily. “We won’t be, though. We’ll be dead, so we’ll just be darkness, not much else, just memories, nostalgia and darkness.” “I don’t want to be any of that either though,” Mandy exclaimed, bursting into tears and crying, keeping her eyes to the floor, her voice shaky as she spoke to him. “When we die, we’ll still be nothing, the world will still be nothing, everything’ll just be nothing!” “You’re real though, at least that’s something,” Alecto pointed out, holding his hand out in front of her. Smiling miserably, Mandy took his hand in her own and sat there beside him quietly.

Each night I lie down in a graveyard of memories.

(...) El arte necesita nostalgia. No se puede ser artista si no se ha perdido algo.

El exiliado mira hacia el pasado, lamiéndose las heridas; el inmigrante mira hacia el futuro, dispuesto a aprovechar las oportunidades a su alcance.

Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

Elodie was a nostalgic person, but she hated the charge. The word was terribly maligned. People used it as a stand-in for sentimentality, when it wasn’t that at all. Sentimentality was mawkish and cloying, where nostalgia was acute and aching. It described yearning of the most profound kind: an awareness that time’s passage could not be stopped and there was no going back to reclaim a moment or a person or do things differently.

...encontré una tacita de porcelana que se había caído de un poste. Recordé que cuando eramos chicos las rompíamos con la honda y eso me dio un poco de tristeza. Sin saber por qué me la guardé en el bolsillo y la fui acariciando con los dedos mientras pensaba en los tiempos del colegio, cuando creía que tenía una vida por delante.

En griego, «regreso» se dice nostos. Algos significa “sufrimiento”. La nostalgia es, pues, el sufrimiento causado por el deseo incumplido de regresar. La mayoría de los europeos puede emplear para esta noción fundamental una palabra de origen griego (nostalgia) y, además, otras palabras con raíces en la lengua nacional: en español decimos “añoranza”; en portugués, saudade. En cada lengua estas palabras poseen un matiz semántico distinto. Con frecuencia tan sólo significan la tristeza causada por la imposibilidad de regresar a la propia tierra. Morriña del terruño. Morriña del hogar. En inglés sería homesickness, o en alemán Heimweh, o en holandés heimwee. Pero es una reducción espacial de esa gran noción. El islandés, una de las lenguas europeas más antiguas, distingue claramente dos términos: söknudur: nostalgia en su sentido general; y heimfra: morriña del terruño. Los checos, al lado de la palabra “nostalgia” tomada del griego, tienen para la misma noción su propio sustantivo: stesk, y su propio verbo; una de las frases de amor checas más conmovedoras es styska se mi po tobe: “te añoro; ya no puedo soportar el dolor de tu ausencia”. En español, “añoranza” proviene del verbo “añorar”, que proviene a su vez del catalán enyorar, derivado del verbo latino ignorare (ignorar, no saber de algo). A la luz de esta etimología, la nostalgia se nos revela como el dolor de la ignorancia. Estás lejos, y no sé qué es de ti. Mi país queda lejos, y no sé qué ocurre en él. Algunas lenguas tienen alguna dificultad con la añoranza: los franceses sólo pueden expresarla mediante la palabra de origen griego (nostalgie) y no tienen verbo; pueden decir: je m?ennuie de toi (equivalente a «te echo de menos» o “en falta”), pero esta expresión es endeble, fría, en todo caso demasiado leve para un sentimiento tan grave. Los alemanes emplean pocas veces la palabra “nostalgia” en su forma griega y prefieren decir Sehnsucht: deseo de lo que está ausente; pero Sehnsucht puede aludir tanto a lo que fue como a lo que nunca ha sido (una nueva aventura), por lo que no implica necesariamente la idea de un nostos; para incluir en la Sehnsucht la obsesión del regreso, habría que añadir un complemento: Senhsucht nach der Vergangenheit, nach der verlorenen Kindheit, o nach der ersten Liebe (deseo del pasado, de la infancia perdida o del primer amor).

È per smaltire un carico di nostalgia che sei andato tanto lontano!

Entre el deseo y la nostalgia, hay un punto que se llama el presente.

Es raro que yo hable de cosas que echo de menos, porque sin duda lo que más echo de menos es el futuro, siempre.

Even the memory of cradling her in my arms is pure euphoria. And all that I ask out of life is that it be constant and unending euphoria.

Ever poised on that cusp between past and future, we tie memories to souvenirs like string to trees along life’s path, marking the trail in case we lose ourselves around a bend of tomorrow’s road.

Even when our children are still young and defenseless, we feel intimations of their departure. We find ourselves staring at them with nostalgia, wistful for the person they're about to no longer be.

Every cure for nostalgia is obsolete.

Everyone has two memories. The one you can tell and the one that is stuck to the underside of that, the dark, tarry smear of what happened.

Every day it’s something worse being predicted. Mearth says that sooner or later copyright on books will be all in the past because they’ll all be available electronically. She says that electric cars will replace gasoline-powered cars. She says that something called drones will be used to watch the entire country, she talks a lot about something called nanotechnology, and 3-dimensional printing and cellular phones being implanted into peoples’ minds and all available careers being replaced by robots and human cloning and overpopulation and film becoming obsolete, cellular phones making regular telephones obsolete and LED lighting replacing everything and eventually she says that the planet will collapse and become an apathetic wreck,” Alecto replied rapidly, his run-on sentence sounding sinister and dangerous. “Mearth says that eventually people will be able to see inside the minds of everyone.

Everyone likes to reminisce, but not one wants to listen, and everyone feels annoyed when someone else tells a story.

Fyodor Pavlovitch was drunk when he heard of his wife's death, and the story is that he ran out into the street and began shouting with joy, raising his hands to Heaven: "Lord, now lettest Thou Thy servant depart in peace," but others say he wept without restraint like a little child, so much so that people were sorry for him, in spite of the repulsion he inspired. It is quite possible that both versions were true, that he rejoiced at his release, and at the same time wept for her who released him.

Farewell, Timothy Riley’s Bar," Lane said softly. "Home of the nickel beer. Snooker emporium. Repository of Bluebird records, three for a dime. We honor you and your passing. Farewell. Farewell, Timothy Riley—and terraplanes and rumbleseats and saddle shoes and Helen Forrest and the Triple-C camps and Andy Hardy and Lum ‘n’ Abner and the world-champion New York Yankees! Rest in peace, you age of innocence—you beautiful, serene, carefree, pre-Pearl Harbor, long summer night. We’ll never see your likes again.

Fiel Malaver murió hace ya varios años. La última vez que lo vi, tenía blancos el pelo y el mítico bigote, su cuerpo estaba más enteco, había perdidomucho de su tejido adiposo, y pensé que en las tardes de diciembre ahora sentiría frío

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took.

For a long moment we didn't move. We just stared at each other. So much time had passed since our eyes last met. So much had changed. I turned away and pressed my head to the cold window pane. I traced my initials onto the misted glass and, as they began to fade, He reached out his fingers and retraced my signature. I watched it fade once more and felt his moist fingers brush against my lips. He let them linger there a moment, then replaced them with his own lips. Then I woke up.

For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don’t feel it. Today is what they feel, and when they say ‘When I grow up,’ there is always an edge of disbelief—how could they ever be other than what they are?

For dinner they ate the stewed pumpkin with their bread. They made it into pretty shapes on their plates. It was a beautiful color, and smoothed and molded so prettily with their knives. Ma never allowed them to play with their food at table; they must always eat nicely everything that was set before them, leaving nothing on their plates. But she did let them make the rich, brown, stewed pumpkin into pretty shapes before they ate it.

….For instance, I hated Pearl Jam at the time. I thought they were pompous blowhards. Now, whenever a Pearl Jam song comes on the car radio, I find myself pounding my fist on the dashboard, screaming, “Pearl JAM! Pearl JAM! Now this is rock and roll! Jeremy’s SPO-ken! But he’s still al-LIIIIIVE!

For it is up to you and me to take solace in nostalgia's arms and our ability to create the everlasting from fleeting moments.

for those memories are now just like these little kittens I hold in my hands those can be kissed and treasured but not held too tightly.

Freedom, "that terrible word inscribed on the chariot of the storm," is the motivating principle of all revolutions. Without it, justice seems inconceivable to the rebel's mind. There comes a time, however, when justice demands the suspension of freedom. Then terror, on a grand or small scale, makes its appearance to consummate the revolution. Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. But one day nostalgia takes up arms and assumes the responsibility of total guilt; in other words, adopts murder and violence.

From the moment that man believes neither in God nor in immortal life, he becomes 'responsible for everything alive, for everything that, born of suffering, is condemned to suffer from life.' It is he, and he alone, who must discover law and order. Then the time of exile begins, the endless search for justification, the aimless nostalgia, 'the most painful, the most heartbreaking question, that of the heart which asks itself: where can I feel at home?

From the stage Ben catches my eye. "This is for them, Taylor," he calls out as they begin to play. It's a song by the Waterboys and, like each time I hear the music played by the boy in the tree in my dreams, I experience a bittersweet sense of nostalgia I have no right to own. When it's time for Ben to play his solo–his eyes closed, his mind anywhere but here, his fingers so taut and precise that it almost looks painful–my eyes well with tears. Because you know from the look on Ben's face that he's somewhere you want to be. Somewhere the five would be each time they were together.

Gets silly after a while, don't it, hating something because you're mad at something else, you think? (Sylvanus) ——— It's like we went into hibernation after we moved to Hampden. Never did wake up to the place. Think I always blamed it for our having to more there — silly as that sounds. (Addie)

¿Has hecho bien en volver? Te arrepentirás, Urania. Desperdiciar una semana de vacaciones, tú que nunca tenías tiempo para conocer tantas ciudades, regiones, países que te hubiera gustado ver -las cordilleras y los lagos nevados de Alaska, por ejemploretornando a la islita que juraste no volver a pisar. ¿Síntoma de decadencia? ¿Sentimentalismo otoñal? Curiosidad, nada más. Probarte que puedes caminar por las calles de esta ciudad que ya no es tuya, recorrer este país ajeno, sin que ello te provoque tristeza, nostalgia, odio, amargura, rabia.

Gonzaga was the kind of place you’d not even think about loving until you’d left it for a couple of years.

Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess. The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago.

Growing up, I always had a soldier mentality. As a kid I wanted to be a soldier, a fighter pilot, a covert agent, professions that require a great deal of bravery and risk and putting oneself in grave danger in order to complete the mission. Even though I did not become all those things, and unless my predisposition, in its youngest years, already had me leaning towards them, the interest that was there still shaped my philosophies. To this day I honor risk and sacrifice for the good of others - my views on life and love are heavily influenced by this.

Hannah ran past, beaming. I remember that feeling--when you're a kid and it's your birthday and for one day everyone makes you feel like the most special person in the world.

Hannah, cuando una persona desaparece de tu vida, a veces los recuerdos también se van y es muy difícil que vuelvan. Es difícil recordar a una persona que ya no sabes qué está haciendo ahora mismo o qué pasó con ella. Simplemente, cuando te abandonan, tú también los dejas ir. Y los recuerdos buenos y malos se van.

Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")

Have You Prayed” When the wind turns and asks, in my father’s voice, Have you prayed? I know three things. One: I’m never finished answering to the dead. Two: A man is four winds and three fires. And the four winds are his father’s voice, his mother’s voice . . . Or maybe he’s seven winds and ten fires. And the fires are seeing, hearing, touching, dreaming, thinking . . . Or is he the breath of God? When the wind turns traveler and asks, in my father’s voice, Have you prayed? I remember three things. One: A father’s love is milk and sugar, two-thirds worry, two-thirds grief, and what’s left over is trimmed and leavened to make the bread the dead and the living share. And patience? That’s to endure the terrible leavening and kneading. And wisdom? That’s my father’s face in sleep. When the wind asks, Have you prayed? I know it’s only me reminding myself a flower is one station between earth’s wish and earth’s rapture, and blood was fire, salt, and breath long before it quickened any wand or branch, any limb that woke speaking. It’s just me in the gowns of the wind, or my father through me, asking, Have you found your refuge yet? asking, Are you happy? Strange. A troubled father. A happy son. The wind with a voice. And me talking to no one.