Best 712 quotes in «nostalgia quotes» category

Smells could bring a person back clearer than pictures even could.

So are we going to eat some Boo Berry or what?" John said, leaping out of his seat and toward the refrigerator.

Some stories, some visions, demand celluloid film and what it can deliver.

Something—he wondered later if it was simply his youth—something that had weighed upon him until that moment broke off him, the way a piece of rock slides slowly into the sea and disappears in a spray of foam.

Some stories are your flowers. Others are your meat and bread. This story was neither flowers nor meat nor bread. It was extra, and it was impossible. It was their shared cursed inheritance.

Something about the crisp, cool air, the twinkling carnival lights, and the scent of deep-fried food provided the perfect atmosphere for reckless teenage abandon.

Sometimes It's awesome to be childish with your friend or partner.

Sometimes it seems like he just wants to punish someone, anyone, for a long list of grievances that he has never made clear, which you can never ask about because he keeps his emotions so guarded that any question would be interpreted as assault. I wonder if dragging us to this village and the nearby town wear he spent his childhood is a way of sinking us all into his own personal hell so that we can see how this strange combination of poverty and opportunity, these broken and muddy roads, these crumbling houses, these overburdened men and women walking slowly in these streets singing praise songs to keep themselves going, created the strange combination of love and anger and pride and fear that is my father. He always sat in the passenger seat while we drove around the village so he could fully view what he sometimes called a world of wasted opportunity. With OJ or my mother in the car, he pointed out all the things he would make right if only he had the power. With me now, he says nothing. Occasionally he turns to look at me with the same expression that occupies his face when he has to solve a problem at the office. I sink down in my seat and wish that my mother had come.

Sometimes the good memories are just as painful as the bad ones.

Sometimes, without effort, you live in the moment. You don't regret the past or worry about the future, and in that moment everything flashes before your eyes , a clear snapshot of what has to be done, and everything pauses.

Super 8 film is the language of silence.

Speed is simply the rite that initiates us into emptiness: a nostalgic desire for forms to revert to immobility, concealed beneath the very intensification of their mobility. Akin to the nostalgia for living forms that haunts geometry.

Study of the past often turns into love of the past and a desire to keep it.

Somewhere between buying 25 friendship bands and passing by the shop with a smile looking at kids buying the bands, we grew up

Still, it is like a long hopeless homesickness my missing those young days. To me, they're like my own place that I have gone away from forever, and I have lived all the time since among great pleasures but in a foreign town. Well, O.K. Farewell, certain years.

Stoner and Masters smiled at each other, and they spoke no more of the question that evening. But for years afterward, at odd moments, Stoner remembered what Masters had said; and though it brought him no vision of the University to which he had committed himself, it did reveal to him something about his relationship to the two men, and it gave him a glimpse of the corrosive and unspoiled bitterness of youth.

Su corazón de ceniza apelmazada, que había resistido sin quebrantos a los golpes más certeros de la realidad cotidiana, se desmoronó a los primeros embates de la nostalgia.

Sweet as the past may be, it best remains pressed between the pages of memory, savoured for a moment or two on quiet Sunday afternoons.

Tant qu'on va et vient dans la pays natal, on s'imagine que ces rues vous sont indifférentes, que ces fenêtres, ces toits et ces portes ne vous sont de rien, que ces murs vous sont étrangers, que ces arbres sont les premiers arbres venue, que ces maisons où l'on n'entre pas vous sont inutiles, que ces pavés où l'on marche sont des pierres. Plus tard, quand on n'y est plus, on s'aperçoit que ces rues vous sont chères, que ces toits, ces fenêtres et ces portes vous manquent, que ces murailles vous sont nécessaires, que ces arbres sont vos bien-aimées, que ces maisons où l'on n'entrait pas on y entrait tous les jours, qu'on a laissé de ses entrailles, de son sang et de son coeur dans ces pavés. Tous ces lieux qu'on ne voit plus, qu'on ne reverra jamais peut-être, et dont on a gardé l'image, prennent un charme douloureux, vous reviennent avec la mélancolie d'une apparition, vous font la terre sainte visible, et sont, pour ainsi dire, la forme même de la France et on les aime et on les évoque tels qu'ils sont, tels qu'ils étaient, et l'on s'y obstine, et l'on n'y veut rien changer, car on tient à la figure de la patrie comme au visage de sa mère.

Tenia unos ojos muy verdes y una mirada inteligente y cálida que me recordaba a otra, más lejana.

Television hols up a mirror to the true nature of family life today. For the first time people see themselves reflected and refracted within its curved glass screen: helping them to define who the are and how they should behave. The introduction of the TV dinner and the TV tray means that families can now watch themselves while they eat. Behavior patterns start to undergo a radical alteration even as they are being affirmed; a rescheduling of life in the suburban living room has taken place.

That's the life, she said to me, as we watched a puppy chase its own tail. That's what I want to be next. I had laughed. you would wind up as a cat, I told her. They don't need anyone else. I need you, she replied. Well, I said. Maybe I'll come back as catnip.

That gap between half sleep and half awakening has always been occupied by nostalgia.

That’s why all of those records from high school sound so good. It’s. It that the songs were better- it’s that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now. Nostalgia is so certain: the sense of familiarity it instills makes us feel like we know ourselves, like we’ve lived. To get a sense that we have already journeyed through something- survived it, experienced it- is often so much easier and less messy than the task of currently living though something. Though hard to grasp, nostalgia is elating to bask in- temporarily restoring color to the past. It creates a sense memory that momentarily simulates context. Nostalgia is recall without the criticism of the present day, all the good parts, memory without the pain. Finally, nostalgia asks so little of us, just to be noticed and revisited; it doesn’t require the difficult task of negotiation, the heartache and uncertainty that the present does.

That was happiness. Not the framed greatest hits, but the moments in between. At the time, I hadn't pegged them as being particularly happy. But now, looking back at those phantom snapshots, I'm struck by my calm, my ease, the evident comfort with my life. I'm happy in retrospect.

That first day at school, maybe an agonising parting from your parents. The face of a loved one lost. A pullover knitted by your granny. A favourite toy. A doll, perhaps. A book of rhymes, tattered and torn. Someone who gave you a flower, a kiss on the forehead. To the end of your days you will carry that kiss with you. And may it protect you from all harm.

That's most interesting. But I was no more a mind-reader then than today. I was weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.

The aching in my chest isn't because I miss you, it's realizing that you have become someone I no longer know, your fears, your 4 am thoughts, your achievements, are things I no longer have an equivalent to. Who we were and who we are are four different people, and the me from now doesn't relate to the me from then, let alone to the you from now. -Tanzy Sayadi and Jarod Kintz

The baby explodes into an unknown world that is only knowable through some kind of a story - of course that is how we all live, it's the narrative of our lives, but adoption drops you into the story after it has started. It's like reading a book with the first few pages missing. It's like arriving after curtain up. The feeling that something is missing never, ever leaves you - and it can't, and it shouldn't, because something IS missing. That isn't of its nature negative. The missing part, the missing past, can be an opening, not a void. It can be an entry as well as an exit. It is the fossil record, the imprint of another life, and although you can never have that life, your fingers trace the space where it might have been, and your fingers learn a kind of Braille.

The campus, an academy of trees, under which some hand, the wind's I guess, had scattered the pale light of thousands of spring beauties, petals stained with pink veins; secret, blooming for themselves. We sat among them. Your long fingers, thin body, and long bones of improbable genius; some scattered gene as Kafka must have had. Your deep voice, this passing dust of miracles. That simple that was myself, half conscious, as though each moment was a page where words appeared; the bent hammer of the type struck against the moving ribbon. The light air, the restless leaves; the ripple of time warped by our longing. There, as if we were painted by some unknown impressionist.

The danger of restorative nostalgia lies in its belief that the mutilated 'wholeness' of the body politic can be repaired. But the reflective nostalgic understands deep down that loss is irrecoverable: Time wounds all wholes. To exist in Time is to suffer through an endless exile, a successive severing from those precious few moments of feeling at home in the world. In pop terms, Morrissey is the supreme poet of reflective nostalgia.

The child I was is just one breath away from me.

The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can.

The courtyard kept changing, dazzling her with the flowers that bloomed between one day and the next, with the bare branches of trees that were swollen with the buds of new leaves and then fuzzed with green. Every day, she drove a familiar road through a new place.

The log on the fire: is it dreaming of the forest?

The earlier years - the ones I've just been telling you about - they tend to blur into each other as a kind of golden time, and when I think about them at all, even the not-so-great things, I can't help feeling a sort of glow.

The Great Wall of China, the Berlin Wall, the walls surrounding a medieval castle: obsolete walls evoke nostalgia. Make your walls obsolete.

The head which does not turn backwards towards horizons that have vanished contains neither thought nor love.

The hours were long, but the days were short, and as much as I willed it to never come, the end of summer arrived anyway.

The idea that she would leave all of this - the rooms of the house once more familiar and warm and comforting - and go back to Brooklyn and not return for a long time again frightened her now. She knew as she sat on the edge of the bed and took her shoes off and then lay back with her arms behind her head that she had spent every day putting off all thought of her departure and what she would meet on her arrival.

The Luddite impulse is strong among Christians, and our first reaction is to rage against the machine.

The memory of the past did not redeem the future, as he insisted on believing.

The mid-19th century was noted for a partisan, rather than a consensus press, but this partisanship was able to turn out voters consistently.

The dreams of childhood—its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed-in once, so good to be remembered when outgrown, for the least among them rises to the stature of a great Charity in the heart, suffering the little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world

The existence of flying saucers is unlikely to be verified by an accumulation of facts and figures, dates and times, which, if anything, tend to dull and distract the creative intelligence, obscuring more than they reveal.

The formula for this brand of "historical" writing is to put the public on the inside; to let them feel the palpitations of royal and imperial lovers and to overhear their lispings and cooings. It can be argued that a man has to live somewhere, and that if his own time is so cut up by rapid change that he can't find a cranny big enough to relax in, then he must betake himself to the past. That is certainly one motive in the production of historical romance, from Sir Walter Scott to Thornton Wilder. But mainly this formula works as a means of flattery. The public is not only invited inside but encouraged to believe that there is nothing inside that differs from its own thoughts and feelings. This reassurance is provided by endowing historical figures with the sloppiest possible minds. The great are "humanized" by being trivial. The debunking school began by making the great appear as corrupt, or mean and egotistical. The "humanizers" have merely carried on to make them idiotic. "Democratic" vanity has reached such proportions that it cannot accept as human anything above the level of cretinous confusion of mind of the type popularized by Hemingway's heroes. Just as the new star must be made to appear successful by reason of some freak of fortune, so the great, past or present, must be made to seem so because of the most ordinary qualities, to which fortune adds an unearned trick or idea.

Their house was about a mile outside of town. The kids would play outdoors, in the backyard and the large stubble field behind the house. Dusk seemed to last for hours, and when it was finally dark they would sit under the porch light, catching thickly buzzing June bugs and moths, or even an occasional toad who hopped into the circle of light, tempted by the halo of insects that floated around the bare orange lightbulb next to the front door

The memories: they are the reality.

The memories come back like the rainbow after the rain with all the hues and shades of color and an unending train the bougainvillea tree nearby my parents house where I grew up did not ask me my name she embraced me as she had done in my schooldays in every way the same the little squirrel just now tip-toed down the lane looking at the spectacle unfolding in the rain after all these years I have come back to my parents home the clouds have different shapes but the air smells the same ...

The men and women of the Golden Age, Hesiod wrote, lived in an eternal spring, for hundreds of years, always youthful, fed on acorns from a great oak, on wild fruits, on honey. In the Silver Age, which is less written about, the people lived for 100 years as children, without growing up, and then quite suddenly aged and died. The Fabians and the social scientists, writers and teachers saw, in a way earlier generations had not, that children were people, with identities and desires and intelligences. They saw that they were neither dolls, nor toys, nor miniature adults. They saw, many of them, that children needed freedom, needed not only to learn, and be good, but to play and be wild. But they saw this, so many of them, out of a desire of their own for a perpetual childhood, a Silver Age.