Best 712 quotes in «nostalgia quotes» category

It seemed like it was always autumn in this field - it was fitting really. Everything was shaded with the bronzes and yellows of faded pictures from an old photo album, it was a realm where uncomfortable nostalgia reigned. I noticed it more after my experience in the dream. There I was an actor in the play, here I was a spectator.

It seems sometimes that we get so caught up in missing the past, or looking forward to the future, that we forget that this, right here and now, was once the days we longed for and will soon be the ones we miss.

It should not be a surprise, even if it is not expected, if a shadow dances among the leaves, a face appears (or seems to), even a community of phantoms from the past. Here you will find answers, questions, and a host of stories.

It shouldn't work. It shouldn't be magic. You shouldn't weep happy and then sad and then happy again. But you do. And I do. And we all do.

It's like a blueberry White Russian,' John said, now on his third spoonful. 'It tastes exactly the same,' Mike said, his teeth already bright blue. 'No, no, it tastes better,' John said. 'I feel like it's making me stronger.

It's just odd being a guest at the wedding. When you dreamed about it for so long, even if you we're a different person, and it was years ago. Sounds so stupid. I was stupid.

It's like I'm dreaming of the imaginary friend Katie and I had when we were little. She'd been so real to us as kids. We each remembered Anna, that's what we'd called her, just like we remembered bits of our parents. But now, in this dreamscape of Paradise Lost, our imaginary third twin has all grown up.

It’s not a crime to wish for other worlds. You’ll get taxed for it but they can’t throw you in jail for creating your own private world…yet. Dramatics are fun, an indulgence. ‘You can’t go backward,’ ‘You can’t live in the past,’ they tell you. Why not? ‘You’ve got to put all that behind you and move on to other things,’ they say. Bullshit! These are all expressions of modern disposability. It’s a mediocritizing technique—trying to get rid of what I call ‘past orthodoxies.’ It’s our past that makes us unique, therefore it’s our past that economic interests want to rob from us, so they can sell us a new, improved future. Society now depends on a disposable world—out with the old, in with the new, including relationships. But how we weep and wish we could hold onto those cherished moments forever, to those long-whispered dreams, those tortured nights—how we want to grasp them and stop them from sifting through our fingers. I say, ‘Don’t let it happen. Keep things the way you want them and let the rest of the world be duped.

It's not regret for staying. It is nostalgia for something that we believe is true in our illusion, something we will never have. And if we touched it, we would soon realize that it was not what we dreamed of.

It's one thing to develop a nostalgia for home while you're boozing with Yankee writers in Martha's Vineyard or being chased by the bulls in Pamplona. It's something else to go home and visit with the folks in Reed's drugstore on the square and actually listen to them. The reason you can't go home again is not because the down-home folks are mad at you--they're not, don't flatter yourself, they couldn't care less--but because once you're in orbit and you return to Reed's drugstore on the square, you can stand no more than fifteen minutes of the conversation before you head for the woods, head for the liquor store, or head back to Martha's Vineyard, where at least you can put a tolerable and saving distance between you and home. Home may be where the heart is but it's no place to spend Wednesday afternoon.

It's the problem in seeing too much of the world. In loving too much of it. You can only live in one place at a time. And eventually, you pick your spot, and the memories of all the others just become ghosts.

It struck her how sad it was that all of them had grown up on top of one another like small animals in a too-small cage, and now would simply scatter. And that would be the end of that. Everything that had happened would be sucked away into memory and vapour, as though it hadn't even happened at all.

It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend. That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.

It was a cultural revolution, and was not directed at instituting economic changes. He could thus appeal to old prejudices without threatening the existing economic system. This appealed, above all, to white-collar workers and the small entrepreneurs, as some of the statistics presented in this book will demonstrate. It was their kind of revolution: the ideology would give them a new status, free them from isolation in the industrial society, and give them a purpose in life. But it would not threaten any of their vested interests; indeed it would reinforce their bourgeois predilections toward family...and restore the 'good old values' which had been so sadly dismantled by modernity.

It was a place where, if troubles did not vanish, they were made bearable.

It was impossible to explain. The new moon, the snow, the dusky smell of burning logs -- the whole evening had throbbed with some sweet haunting anguish of the soul. The word came to her. Nostalgia--for something that was hers and seemed already passed.

It was nostalgic in that painful way nostalgia could be

It wasn't that I wanted to know her now. I wanted to have already known her. I wanted her fears and her desires to have shaped my life. I know this is not love, of course. What it is is a queer feeling of nostalgia for an impossible future, for what can never be. That's fantasy. Love is different.

It was the incommunicable scent of this country, its intangible essence, that she had brought along with her to France.

I understand, Bill. Because I tell myself a lot of stories to help me sleep at night. Stories about how Babe was my dearest friend, and I never betrayed her. Stories about how you and I had a great love, not just an occasional roll in the hay whenever she was out of town. Stories about how wonderful life was back then, when none of us told each other the truth, but so what? It was all so beautiful, wasn’t it? It was all so lovely and gracious. Not like it is now.

It would be one hell of an addition to someone's scrapbook. (Dark City Lights)

I've always had a talent for recognizing when I am in a moment worth being nostalgic for. When I was little, my mother would come home from a party, her hair cool from the wind, her perfume almost gone, and her lips a faded red, and she would coo at me "You're still awake! Hiiii." And I'd think how beautiful she was and how I always wanted to remember her stepping out of the elevator in her pea-green wool coat, thirty-nine years old, just like that.

I’ve just been thinking it would be a lot of fun to live in a defunct shopping mall! Totally abandoned, Yet still frozen in time, Bright white lights shining, Artificial turquoise fountains spewing out clear water, Eerie eighties elevator music drifting by… Dancing erratically, shouting to the top, Because it’s sad to see these places die. They’re a testament to the hubris of modern America, which is dying in and of itself. Let’s face it. We know we can’t compete with Online shopping And Made-in-China products And eBay And Amazon. Those of us who spent our High school And college days Being wage slaves to these dying malls, We’ll be old and nostalgic someday, Telling our grandkids about these wonderful buildings! They housed sets of trendy clothes Which nobody was rich enough to afford Or thin enough to fit in. We’ll tell them about the first time We were almost trampled in a Black Friday stampede. The first time we saw a kid Vomit in the ugly rainbow ball pit At the children’s play area, Dumped by babysitters to grow up there, Spending their childhood draped in neon. The first time eating greasy pad-thai And hamburgers At the food court. The first time falling in love In the dark movie theatre That charges too much for stale popcorn. Holding hands in the sunlit rays Of the dusty projector… Totally lost in moments. What is the meaning of this voyage? Our grandkids, Who will probably have Smartphones Surgically implanted to their brains And identical glass condominiums by then, They’ll gasp in shock and say, “Wow, that sounds SO cool!” And we’ll sigh and say, “Meh… it was nothing special.

I want each day to last forever . . . It's a peculiar kind of dissatisfaction, a bittersweet nostalgia for a moment not yet past. Even in the midst of a pleasurable outing I'm aware of how ephemeral it is.

I visit you in my dreams and you talk to me in songs. Each sentence is a bridge taking me closer to the city that you are.

I wanted to cry for the little girls we’d been before the world’s glaring spotlight eradicated our childish imaginations.

I want to build / and raise anew / Theseus' Temple and the Stadiums / and where Pericles lived But there's no money, too much spent today / I had a guest over and we sat together.

I want to be six years old again - just for a day. It's not that things were so much better back then. They sucked. But I was the kind of kid who knew how to laugh about it all. That's what I want. I want to laugh.

I wonder if we would ever switch back to old photo albums we got printed from photography shops. A Kodak KB10 camera with 36 photos worth of film roll, waiting for it to complete before sending the photos for developing. Nothing was instant, it would sometimes take months to compete a film and weeks to get the prints. The joy of seeing the photos, the disappointment to find a ruined image due to shaky hands. Even after having lots of camera and GBs of memory cards will never bring the same feeling.

I wish I had heard him more clearly: an oblique confession is always a plea.

I was willing to yield to nostalgia, that melancholy residue of desire.

Little hooligans showing off is okay when they do it away from us, but we don't need that kind of behaviour. You have to have standards. Would have done the same when I was their age, but I'm not. Now is now. There's no room for nostalgia.

Love is divine. Yet it seems to come from the unconsciousness. Man is perhaps too much nostalgic to his animal past.

Long gone was the cheery welcome of the seaside hotelier, replaced by a weary nostalgia for the good old days.

Looking at old photographs inundates you with a flood of nostalgic emotions! And you can't be sure where you want to swim in the deluge of memories!

Magic, like nostalgia, was like a lie; empty and full all at once.

Madre mía, cuántos castillos en el aire hacíamos, escribió Micha más tarde. La situación habría podido seguir así enternamente. Era como para vomitar sin pausa, pero nosotros nos divertíamos a lo grande. Éramos todos tan listos, tan leídos, teníamos tanto interés..., pero el resultado era estúpido. Nos precipitábamos hacia el futuro, pero éramos tan del pasado... Dios mío, qué ridículos éramos, y ni siquiera nos dábamos cuenta.

Memories are fragile, you try to grab them and they skitter away in various directions. Trying to gather them together to write them out is difficult, they resist, get clouded and escape as wisps of smoke. Nothing seems as crystal clear as it once was, a milky film of opacity envelopes everything. Odd details stand out in one’s mind, not a continuum. A fragrance, an odour, the smell of toast burning perhaps or whiff of jasmine, a shade of pink, a flower pressed between the pages of a book, brings on a sharp burst of memories that drown you with their immediacy.

Mandy, I hardly think this was appropriate, not after… you know… after the funeral we haven’t had the money for any of your weird little games and I was hoping you’d be more mature now that Jud’s gone,” her father had disappointedly added. “How much’d that cake cost you?” “It’s paid for,” Mandy had argued, but her voice had sounded tiny in the harbour wind. “I used the cash from my summer job at Frenchy’s last year and I… it was my birthday, dad!” “You can’t even be normal about this one thing, can you?” her father had complained. Mandy hadn’t cried, she’d only stared back knowingly, her voice shaky. “…I’m normal.

Más o menos cada diez años echo una mirada hacia el pasado y puedo ver el mapa de mi viaje, si es que eso puede llamarse un mapa; parece más bien un plato de tallarines. Si uno vive lo suficiente y mira para atrás, es obvio que no hacemos más que andar en círculos.

Mas o tempo… o tempo primeiro fixa-nos e depois confunde-nos. Pensávamos que estávamos a ser adultos quando estávamos só a ser prudentes. Imaginávamos que estávamos a ser responsáveis, mas estávamos só a ser cobardes. Aquilo a que chamávamos realismo acabava por ser uma maneira de evitar as coisas e não de as enfrentar. Tempo… deem-nos tempo suficiente e as nossas decisões mais fundamentadas parecerão instáveis e as nossas certezas, bizarras.

Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.

Me miro y pienso en aquel joven estudiante de Filosofía, enamorado de las ciencias y con mil proyectos por construir. Todo murió... (p. 150)

Memories sharpen the past; it is reality that decays.

Memory is a queer creature, an eccentric curator.

Mandy smiled cheerfully at an overweight kid in a gold sweater and pink skirt who was chasing her little brother around along the boardwalk. When she was that age, on sunny days she’d be out on the boardwalk with Jud and Wendy, buying rainbow sorbet from the ice cream shop and placing paper boats into the harbour. She felt like a ghost, drifting past the shell of her own childhood.

Many contemporary critics of higher education similarly posit a Golden Age; but no one knows when it was supposed to exist.

Ma se nostalgia significa il ricordo potente di un'emozione forte, e il rimpianto di non ritrovare più sensazioni del genere nella vita, allora mi dichiaro colpevole. da "Il senso di una fine

…Maybe I’ll be watching super-8 home videos,” Alecto told her, smiling bleakly. “I love my super-8 camera, it’s an Eastman Kodak one… Kodak stopped manufacturing them, the world went digital and now Kodak has stopped making Kodachrome film and all kinds of traditional film products… it’s sad.” “Well, uh… well, have fun watching your home movies then,” Mandy finished, but she didn’t have the slightest idea what he was talking about.

Maybe that's just what nostalgia is: a willingness to embrace the pain of the past.