Best 712 quotes in «nostalgia quotes» category

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    ...and should I die in her care, I would leave smiling because, I will linger in the hills beside her...

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    And that's my problem. I love to be alone and hate being around people, but I love to be with people and hate being alone. I don't know what I like and I don't know what I want. Time is a difficult thing. It moves too slowly and speeds up when you finally wish it would slow down or stop. You get to the aftermath and all you have are your memories. Precious memories. The kind that make you smile and laugh like you're living it again, while a nostalgic tear falls. And then another. And then another, until you want to just forget it all to stop the painfully happy memories because at the end of the day, those - not the sad ones - are the memories that hurt us most.

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    And the farther I walked away, the more upset I got, at the loss of one of the few stable and unchanging docking-points in the world that I had taken for granted: familiar faces, glad greetings: hey manito! For I had thought that this last touchstone of the past, at least, would be where I'd left it.

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    And the further they go, the more they'll remember, they can take it from me.

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    And what if the other kids laugh at me?” Kerry complained to her parents as she nibbled on a piece of toast that morning. “I have a Cape Breton accent! They’ll know I’m from Canada and they’ll start asking me if I lived in an igloo or ate maple syrup, bacon and seal meat every day!” “You’re really overreacting,” Susan chuckled, sipping on a glass of orange juice. “Canada is a lot like the States and the only thing separating both countries is an imaginary boarder! If anyone laughs at you, tell them it doesn’t snow year-round, you got free health care while you were there and that you never rode a polar bear to school. Besides, do you know how many popular movies and TV shows from the States were filmed in Canada?” “It’s not just the Canada stuff mom,” Kerry sighed worriedly. “I’m from Dym, it’s an industrial dump!” “Yeah, and have you looked at Pittsburgh lately?” Susan asked. “Full of coal mines and steel mills, just like Sydney was when we lived there! I actually rather came to like the pollution, I don’t think I’d ever want to leave it.

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    And yet . . .looking here at this bottle which by its number signalized the day when Colonel Freeleigh had stumbled and fallen six feet into the earth, Douglas could not find so much as a gram of dark sediment, not a speck of the great flouring buffalo dust, not a flake of sulphur from the guns at Shiloh . . .

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    ...and yet even then, within themselves there had been a strange nostalgia, as if they had already begun to live on the memory of their love.

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    And yet, it was still a performance. Odin and I both knew it. It was a kind of play, a dream of how things might have been if he and I had been capable of trusting each other for a change. And so we hunted, and sang, and laughed, and told heavily edited stories of the good old days, while each of us watched the other and wondered when the knife would fall.

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    an emigres artistic problem: the numerically equal blocks of a lifetime are unequal in weight, depending on whether they comprise young or adult years. The adult years may be richer and more important for life and for creative activity both, but the subconscious, memory, language, all the understructure of creativity, are formed very early; for a doctor, that won't make problems, but for a novelist or a composer, leaving the place to which his imagination, his obsessions, and thus his fundamental themes are bound could make for a kind of ripping apart. He must mobilize all his powers, all his artists wiles, to turn the disadvantages of that situation to benefits. [...] Only returning to the native land after a long absence can reveal the substantial strangeness of the world and of existence.

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    an old villa surrounded by a garden looked to them like the image of a comforting home, the dream of an idyll long past.

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    Anna drove with the window rolled down, breathing in the essence of autumn: an exhalation of a forest readying itself for sleep, a smell so redolent with nostalgia a pleasant ache warmed her bones and she was nagged with the sense of a loss she could not remember.

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    A nostalgia é, essencialmente, história sem sentimento de culpa. E aceita desse modo, ela se torna uma abdicação da responsabilidade pessoal. Esquecemos que, socialmente, os anos 80 foram uma época de preconceitos intensos. Misoginia, racismo, homofobia, tudo mostrado de um modo tão agressivo que tinha o efeito prático de silenciar qualquer voz dissonante. Como a censura, isso tinha o efeito prático, anos depois, de gerar o famoso fenômeno da falsa memória, de um problema que não existia porque 'ninguém falava nele'. Silenciar a dissonância é sempre uma forma de apagá-la.

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    Anthony imagined a time before all that - a time when people sipped Earl Grey tea on a breeze cooled veranda and looked out upon endless countryside.

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    Anyway, those things would not have lasted long. The experience of the years shows it to me. But Destiny arrived in some haste and stopped them. The beautiful life was brief. But how potent were the perfumes, On how splendid a bed we lay, To what sensual delight we gave our bodies. An echo of the days of pleasure, An echo of the days drew near me, A little of the fire of the youth of both of us, Again I took in my hands a letter, And I read and reread till the light was gone. And melancholy, I came out on the balcony Came out to change my thoughts at least by looking at A little of the city that I loved, A little movement on the street and in the shops. Translated by Rae Dalven

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    A person in her twenties has been a child for most of her life, but as time goes by that portion that is childhood becomes smaller and smaller, more and more distant, more and more faded, though they say at the end of life the beginning returns with renewed vividness, as though you had sailed all the way around the world and were going back into the darkness from which you came.

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    A picture's worth a thousand words. But a single word can make you think of over a thousand pictures in your mind, over a thousand moments, a thousand memories.

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    Apocalyptic saucer cults have started to spring up all over America. One small group, which has been receiving messages from outer space via Lake City housewife Mrs. Marian Keech, becomes the subject of a research team led by psychologist Leon Festinger. According to an alien entity named Sananda, the end of the world is due any day and under the most cataclysmic of circumstances. The group meets regularly to discuss the latest predictions from Sananda and the rest of the Space Brothers, all relayed to them by Mrs. Keech. Some members bake cakes in the shape of flying saucers to be consumed during their gatherings while local college football scores are closely debated.

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    As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £150) overlooking 'the town' sitting there like the Memphite lord of all Creation with my back -- with Dogtown over the Crown of gravelly hill It is not bad to be pissed off

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    As he turns around and her eyes meet his, she lets go off the breath that she had been holding back. All the words she had practised to say when the moment arrived, dissolve at the tip of her tongue. All the things she wanted him to know escape her in the thick blanket of nostalgia that wraps itself around her.

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    As I went back alone over that familiar road, I could almost believe that a boy and girl ran along beside me, as our shadows used to do, laughing and whispering to each other in the grass.

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    ...as if in rebellion, certain emotions become amplified at the exact moments when you are expected not to feel them at all.

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    As one grows old I think one becomes more attached to family things- to houses and graves.

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    As we grow older we are apt to forget that the despair of the young is even more gigantic and immediately overwhelming than their hopefulness: we never again face such towering blank walls of misery.

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    As pessoas geralmente não deixam a própria casa voluntariamente. Só a pobreza ou o amor fazem com que fujam assim às pressas.

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    As to the past, I would not mind retrieving from various corners of space-time certain lost comforts, such as baggy trousers and long, deep bathtubs.

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    As we age we begin to grasp at youthful bliss like a life raft in a sea of harsh reality.

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    At this time in his life Zinkoff sees no difference between the stars in the sky and the stars in his mother's plastic Baggie. He believes that stars fall from the sky sometimes, and that his mother goes around collecting them like acorns. He believes she has to use heavy gloves and dark sunglasses because the fallen stars are so hot and shiny. She puts them in the freezer for forty-five minutes, and when they come out they are flat and silver and sticky on the back and ready for his shirts.

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    At least I rescued your poor hot dog.

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    Aturdido por dos nostalgias enfrentadas como dos espejos, perdió su maravilloso sentido de irrealidad, hasta que terminó por recomendarles a todos que se fueran de Macondo, que olvidaran cuento él les había enseñado del mundo y del corazón humano, que se cagaran en Horacio, y que en cualquier lugar en que estuvieran recordaran siempre que el pasado era mentira, que la memoria no tiene caminos de regreso, que toda primavera antigua es irrecuperable, y que el amor más desatinado y tenaz era de todos modos una verdad efímera

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    A vision of the little house in Soho flickered across his mind’s eye, his mother at a desk, writing in her journal, with hazy sunlight streaming through the morning windows. The woman inhabited a world he had once thought his own – a world of publishers and reliable suppliers. A London that was confident and competent amid its grey, puddle-strewn streets.

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    At his age, it can be overwhelming and painful to harbor a thought accompanied by too much nostalgia. Not that he wanted to. Mabel, in her final years, had stopped listening to music. The songs of her teenage years brought her back to people and feelings of that time - people she could never see again and sensations that were no longer coming. It was too much for her. There are people who can manage such things. There are those of us who can no longer walk, but can close our eyes and remember a summer hike through a field, or the feeling of cool grass beneath our feet, and smile. Who still have the courage to embrace the past, and give it life and a voice in the present. But Mabel was not one of those people. Maybe she lacked that very form of courage. Or maybe her humanity was so complete, so expansive, that she would be crushed by her capacity to imagine the love that was gone.

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    Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan—punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish.

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    Bad days my memory functions no better than an out-of-focus kaleidoscope, but other days me recall is painfully perfect.

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    Because honor still matters. Honor is what echoes." His father's words. But they are as empty on his lips as they feel in my ears. This was has taken everything from him. I see in his eyes how broken he is. how terribly hard he is trying to be his father's son. If he could, he would choose to be back by the campfire we made in the highlands of the Institute. He would return to the days of glory when life was simple, when friends seemed true. But wishing for the past doesn't clean the blood from either of our hands.

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    Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.

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    Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia.

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    Because of the chasm which his grandfather’s visit had opened before him, and the consequent revulsion from his late mode of life, it was inevitable that he should look around in this suddenly hostile city for the friends and environments that had once seemed the warmest and most secure. His fist step was a desperate attempt to get back his old apartment.

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    Because nobody knows you better than somebody who knew you way back then.

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    Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?

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    ...because you are not trying simply to complete a set of books or toys or Weetabix cards, you are trying to complete yourself, to get back to the whole person you were before, as a child, before the obstructions and compromises of adulthood got in the way. And yet, all you are really doing is accumulating a pile of crap, souvenirs of the futility of the quest.

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    Belittling nostalgia is a frightened man's parlor trick. Be grateful for any prize. Even a paper fortress, albeit briefly, provides shelter from the rain.

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    Before VCRs, people used to decorate the tops of their TVs with family photos.

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    Bernostalgia selalu terasa menyedihkan, walau di dalam kesedihan itu ada keindahan yang misterius.

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    ...but now the love of Charles for Emma seemed to her a desertion from her tenderness, an encroachment upon what was hers, and she watched her son's happiness in sad silence, as a ruined man looks through the windows at people dining in his old house.

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    Between the Mile I have always counted the miles. Sometimes they came quick, Other times slow. The distance between things, The way I could know. Close could feel far, And far could feel near. The miles that passed too quickly, The ones I ran out of fear. They weren’t all the same, So I had been told, The unmarked trails, And the days I was bold. Some miles went down, Spiraling so low, When I was afraid to look forward, There was nowhere to go. The sunset came fast, And the day turned to night, But the trails could be endless, If I looked at them right. Everything I knew, All I was told, The conversations left behind, The people who grew old. When the miles stretched out before me, I wanted to sew them at the seam, Looking forward and then back, Holding everything in between.

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    But do you know this idea of the imaginary homeland? Once you set out from shore on your little boat, once you embark, you'll never truly be at home again. What you've left behind exists only in memory, and your ideal place becomes some strange imaginary concoction of all you've left behind at every stop.

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    Between the Miles I have always counted the miles. Sometimes they came quick, Other times slow. The distance between things, The way I could know. Close could feel far, And far could feel near. The miles that passed too quickly, The ones I ran out of fear. They weren’t all the same, So I had been told, The unmarked trails, And the days I was bold. Some miles went down, Spiraling so low, When I was afraid to look forward, There was nowhere to go. The sunset came fast, And the day turned to night, But the trails could be endless, If I looked at them right. Everything I knew, All I was told, The conversations left behind, The people who grew old. When the miles stretched out before me, I wanted to sew them at the seam, Looking forward and then back, Holding everything in between.

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    But in that moment I understood what they say about nostalgia, that no matter if you're thinking of something good or bad, it always leaves you a little emptier afterward.

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    But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty . . . And if we're talking about strong feelings that will never come again, I suppose it's possible to be nostalgic about remembered pain as well as remembered pleasure. And that opens up the field, doesn't it?

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    but this also is part of my charm. A maudlin nostalgia that comes on like terrible thoughts about death.