Best 2385 quotes in «style quotes» category

I don't need someone with a hot body. He can be fat or overweight and have a belly. It's very much about style and substance and humor, interest, curiosity and really being smart.

I don't read other writers because I'm writing all the time. It's too disturbing to read a writer with a good style when you're in the middle of putting your work together.

I don't read. I don't like to read Harry Potter or anything like that. It's not my style.

I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.

I don't really have a style -- I'm just me. My style is kinda whatever I feel like wearing. A lot of girls feel like they need to wear what everyone else is wearing. But it's good to have your own trend. People will start following it!

I don't really like to go out to clubs or anything. It's just not my style. I'd much rather go to a dive bar or a local place.

I don't really see huge barriers between any styles of music.

I don't see boundaries between styles, such as modern or contemporary. I've collected each piece from a different experience or period of my life.

I don't repeat that many styles if I can help, although some have become classics. I try not to repeat. I'd rather surprise people.

I don't think about myself having any form or style. Although it does tend to be rather realistic; not too stylised at all, it's not as exaggerated as comic art normally is. I try to go for a more realistic looking approach to my art.

I don't think I did anything that my contemporaries didn't; it was just that I was the only one who talked about it. In the Sixties anyone who had a sense of style seemed to be gay. I wanted to indentify with that.

I don't think my film style has changed. I'm doing the same kind of jokes I did when I was younger.

I don't think tennis is a glamour game, not at all.

I don't think that there is one "authentic" element of American style to identity - it's about a sense of freedom, individuality, and embracing personal style. Fashion also has a bit of mystery, which is part of the allure, and yet anyone can partake.

I don't think you go out of style when you're living in the present most of the time. And I think that is what I do.

I don't want to be too proud, but I have a good personal style.

I don't want to be that girl who has that same style all the time where the music always sounds exactly the same, and you always know it's her.

I don't want to limit myself musically. It would be really limiting if we'd neglect something we really want to do, like explore other styles of music.

I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.

I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.

I'd really like to have my own style of game and be known as Jason Spezza, not a Mario Lemieux or Wayne Gretzky 'clone.'

I enjoy all aspects of singing and I'm luckily given the choice to be part of different styles of music.

I'd very much like to create my own style as a photographer, even if it's just for myself.

I enjoy writing in a lot of different styles, so I pushed to find that vicious place, or that vulnerable place, and let it exist as intensely as I could.

If a creative person has a sense of humor, a sense of style and a certain amount of stubbornness, he finds a way to do what he needs to in spite of the obstacles.

I feel like I have become a living fossil in the fashion world. Without even noticing it, in my own collection I have moved away from the street style.

If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.

If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.

I feel like fashion and style is a big part of being an artist.

I feel like I'm still discovering my stage style, but I love - well, I'm not a huge color person onstage, but I am in real life.

I feel pretty comfortable in a lot of different musical styles. I like rhythm, and I like melody and so forth.

I fell in love with Bruce Lee after I watched his movies, and I wanted to become a kung-fu practicer, and I would like to be someone like Bruce Lee. That's why I learned kung-fu, and that's why I picked the wing chun style, because it's his style. That's why I decided to be an actor, to go into show business, because of him.

I felt that with each movie, Gary [Ross] adopts a different style. He doesn't have one look that's the Gary Ross look, and I thought that was important.

If a work of art or a new style disturbs you, then it is probably good work. If you hate it, it is probably great.

I feel like certain people think that certain styles of music will taint their jazz style.

If I have a style, I am not aware of it.

If I am ever obscure in my expressions, do not fancy that therefore I am deep. If I were really deep, all the world would understand, though they might not appreciate. The perfectly popular style is the perfectly scientific one. To me an obscurity is a reason for suspecting a fallacy.

If I had to do it all over again, rather than build an old style type of business, I would have started building a network marketing business.

If I make two films in a year, they'll be different. This is my style - I can't have just one way.

If I'm following a traditional look, where I'm like, your traditional housewife, I'll put my hair in a bun and I'll follow all the way through. And today I had one like little cute, little skirt that flares out with the panels on it. I don't know, my style, I'd say Stepford wife-slash-sexy!

If I'm teaching deep things, then I view it as important to make people feel like they're learning deep things, because otherwise, they will still have a hole in their mind for "deep truths" that needs filling, and they will go off and fill their heads with complete nonsense that has been written in a more satisfying style.

If I'm wearing jeans all day at work, it's [hard] to slip into a dress and make yourself feel like you were born in it. That sort of thing can really be the difference between a good look and a great look. You can have a great dress, but when you put it on and you feel like it's embodying who you are that day, that's not just fashion, that's style!

I find a lot of inspiration in street style and watching women walk, the way they wear things and what they're wearing.

I first became interested in style when I was 16 and I had my first couple of gigs. I realised I couldn't look like the people I was performing to. Not in a condescending way, but just that it would be weird if I was wearing exactly what someone in the crowd was wearing.

If I see someone wearing Hilfiger it makes me proud, but then I wonder what I could do to make the style more relevant for them next year?

... if it's not your style to stretch and go the extra mile to make sure our customer experience is great, you're going to have an allergic reaction to this company. You probably won't stay. If you do try and stay, but can't adapt to the culture then it will reject you like a virus from a healthy immune system.

If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style.

If it were true that conservatives were racist, sexist, homophobic, fascist, stupid, inflexible, angry, and self-righteous, shouldn't their arguments be easy to deconstruct? Someone who is making a point out of anger, ideology, inflexibility, or resentment would presumably construct a flimsy argument. So why can't the argument itself be dismembered rather than the speaker's personal style or hidden motives? Why the evasions?

If I was on the road to Hell, at least I was going in style.

If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.