Best 2385 quotes in «style quotes» category

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    However strange your style may seem to others, never mind, because it is your style!

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    Humans could never accept the world as it was and live in it. They were always breaking it and living amongst the shattered pieces.

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    Humility is the best dress you can wear

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    I am a palette of emotions; I remember how I have cov-eted to be free from the school rules. I look around to see people casually dressed up and walking with an aim maybe to make a better career or just add fame of DU degree like me. The campus is buzzing with freshman and activity. I just hope, these corridors, hallways, and passages don’t see me trip-ping and falling any day. I feel more comfortable standing in between the crowd of people moving. Like nobody is paying any heed. You can be yourself without feeling awkward about anything.

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    I am reminded that while New Yorkers say "standing on line," the rest of the English-speaking world says "standing in line.

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    I believe he was feeling a bit nervous. Possibly it was my costume that took him aback. I was dressed quite well, even elegantly, and looked as if I belonged to the best society.

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    I can see better when i close my eyes; don't make much ado, that's my latest style of view.

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    I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!

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    Ideas are never original," Kelsier said. "Only one thing is." "And what is that? "Style," Kelsier said. Then he punched Ruin across the face.

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    I don't know any Baptists who don't want to see folks get saved… you start winning folks to the Lord and baptizing them… They'll pretty well put up were [your methods].

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    I do as I please, Monsieur Beauchamp, and believe me, what I do is always well done.

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    I don't want them to think that we dress like savages,' she replied, with a scorn that Pocahontas might have resented; and he was struck again by the religious reverence of even the most unworldly American women for the social advantages of dress. 'It's their armour,' he thought, 'their defence against the unknown, and their defiance of it.' And he understood for the first time the earnestness with which May, who was incapable of tying a ribbon in her hair to charm him, had gone through the solemn rite of selecting and ordering her extensive wardrobe.

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    If we say that a person has style we may wish to imply that he is unnatural, affected, self-conscious or ostentatious. In the sixteenth century 'maniera' was generally a desirable attribute of a work of art, but this positive aspect was accompanied by the realization of the negative one that correspond to what we now call, derogatively, stylization.

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    If all you can do is a bad thing, well at least do it with your style!

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    I felt very good; I judged I had done it pretty neat--I reckoned Tom Sawyer couldn't a done it no neater himself. Of course he would a throwed more style into it, but I can't do that very handy, not being brung up with it.

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    If I can’t garden in it, then I won’t wear it.

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    If writers' aesthetics are not moral, if they do not comprehend that style is inextricable from morality, then they're just goofing off on their way to being forgotten.

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    If you have a great self-confidence in your own style, you become a style for others too!

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    If you give small, informal dinner parties, have a few long or short colorful skirts and dresses in jersey or flannel with gay party aprons to make your role of hostess festive yet comfortable. If your husband's work means continuous parties, conventions, and entertainment, pep up your collection of after-five clothes with satin pumps in different colors.

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    If you've become addicted to dark stockings or tights, be careful not to look like a Charles Addams heroine. The "beatnik" bit is wonderful for sloppy, slushy days, but should not be allowed to take over.

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    If you have received a letter inviting you to speak at the dedication of a new cat hospital, and you hate cats, your reply, declining the invitation, does not necessarily have to cover the full range of your emotions. You must make it clear that you will not attend, but you do not have to let fly at the cats. The writer of the letter asked a civil question; attack cats, then, only if you can do so with good humor, good taste, and in such a way that your answer will be courteous as well as responsive. Since you are out of sympathy with cats, you may quite properly give this as a reason for not appearing at the dedicatory ceremonies of a cat hospital. But bear in mind that your opinion of cats was not sought, only your services as a speaker. Try to keep things straight.

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    I hate physical effort.

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    I'll stop wearing black when they invent a darker color.

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    In literature we move through a blest world in which we know nothing except by style, but in which everything is saved by it.

    • style quotes
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    In all areas of your life, striving for proper posture can enhance your career, style and health.

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    In many a case, the phrase ‘I’d like to get to know you better’ is a euphemism for ‘I want us to fuck.

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    In matters of great importance, style, not sincerity is the vital thing.

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    In Struggle flaunt your robust style, In Happiness, simply like a Rose fragrant your smile!

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    ... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event.

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    Integrity never goes out of style.

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    In the course of the history of art and literature we repeatedly meet this stylistic differentiation according to subject-matter. For example, the dual manner of characterization employed by Shakespeare, according to which his servants and clowns speak in everyday prose but his heroes and lords in elaborately artistic verse, corresponds to this ‘Egyptian’, thematically determined alternation of style. For Shakespeare’s characters do not speak the different language of the various classes as they exist in reality, like the characters in a modern drama, for instance, who are all drawn naturalistically, whether they are of high or low degree, but the members of the ruling class are portrayed in a stylized manner and express themselves in a language non-existent in real life, whereas the representatives of the common people are described realistically and speak the idiom of the street, the inns and the workshop.

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    In the fashion industry elegance, style, and uniqueness always find their voices.

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    In the realm of book arts, whenever a masterpiece is made, whenever a splendid picture makes my eyes water out of joy and causes a chill to run down my spine, I can be certain of the following: Two styles never brought together have come together to create something new and wondrous.

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    I set about seeking a thread, a theme, a style, in the realm of legend. Something that might allow me to give free rein to my juvenile sense of romanticism and the beautiful image.

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    I spread my wings. And my dress does the rest.

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    It does not take the striking pose of a high-fashion model or the strict stance of someone in uniform to earn respect and admiration.

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    It doesn't matter if your life is perfect as long as your hair color is.

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    I think about how language works so I can best explain how language works.

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    I think one should pay so much attention to technique, don't you? Like learning to draw before you paint.

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    It is commonly said to my little friend Legion: Read the great writers for style. But I say to him: Read the great dead masters for ideas. Devour them, Fletcherize them, digest, assimilate, make them part of your blood; let the enriched blood visit your brain. The resultant activities will be fairly your own, and the little kinks and convolutions of your brain, which are entirely different from the kinks of any other brain, will furnish you all the style you will ever get. There are no really fresh ideas; just as there is not any fresh air. Air and ideas are refreshed and refreshing, vitalized and vitalizing; but the thoughts have been thought before and the air has been breathed before.

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    It is still relevant today to project a confident image through good body posture.

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    It is style that makes us believe in a thing – nothing but style.

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    It is unlikely that many of us will be famous, or even remembered. But not less important than the brilliant few that lead a nation or a literature to fresh achievements, are the unknown many whose patient efforts keep the world from running backward; who guard and maintain the ancient values, even if they do not conquer new; whose inconspicuous triumph it is to pass on what they inherited from their fathers, unimpaired and undiminished, to their sons. Enough, for almost all of us, if we can hand on the torch, and not let it down; content to win the affection, if it may be, of a few who know us and to be forgotten when they in their turn have vanished. The destiny of mankind is not governed wholly by its 'stars'.

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    It's better to have fewer clothes, all wearable and each accessorized in your mind so that when you put something on you know at once which shoes and gloves you're going to wear. Complete costume planning is possible only with an intimate awareness of all your clothes.

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    It’s never too late to have a happy childhood. To enjoy and express whatever it is that you want to express.

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    It's not revealing, it's informative.

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    It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!

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    It's not what you lift, it's where you carry it.

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    It will take some clever appraisal on your part, but your clothes should express value without extravagance, warmth without being brazen, and understanding without looking like Whistler's Mother.

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    I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.