Best 2385 quotes in «style quotes» category

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    Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month's labor in the farmer's almanac, to restore our tone and spirits.

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    Why do Canadians like to do it doggie style? So they can both keep watching the hockey game

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    Will customers keep supporting the enormous overhead required to sustain ineffectual, unproductive stock picking across an array of thousands of individual funds devoted to every investing 'style' and economic sector or regional subgroup that some marketing idiot can dream up? Not likely. A brutal shakeout is coming and one of its revelations will be that stock picking is a grossly overrated piece of the puzzle, that cost control is what distinguishes a competitive firm from an uncompetitive one.

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    Wild Bill was a strange character, add to this figure a costume blending the immaculate neatness of the dandy with the extravagant taste and style of a frontiersman, you have Wild Bill, the most famous scout on the Plains.

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    With charm you’ve got to get up close to see it; style slaps you in the face.

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    Within a scantily plotted, novella-style narrative (the movie is an adaptation of a short story by Tom Bissell), single shots become story events that mere mention would spoil.

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    With many readers, brilliancy of style passes for affluence of thought; they mistake buttercups in the grass for immeasurable gold mines under ground.

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    Without taste genius is only a sublime kind of folly. That sure touch which the lyre gives back the right note and nothing more, is even a rarer gift than the creative faculty itself.

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    With short hair you begin to crave pearl necklaces, long earrings, and a variety of sunglasses. Short hair removes obvious femininity and replaces it with style.

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    With the myriad of new Bible translations on the market today, few stand out. The ESV is one of the few, and surpasses the others in its simple yet elegant style. In many respects the ESV has accomplished in the 21st century what the KJV accomplished in the 17th: a trustworthy, literary Bible that is suitable for daily reading, memorizing, and preaching.

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    With the style of music that I do, I don't think it's at the top of their agenda to push me into doing any compromising material.

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    With time, fashion has become part of my DNA.

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    With the time, yes we can be worried, because the secular state should reflect secular society, and this secular society, with the time, if you don't get rid of those terrorists and these extremists and the Wahabi style, of course it will influence at least the new and the coming generations.

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    Women are rising slowly but steadily into full partnership with men all over the world. This is going to change everything. When the rich mind- style of women is available - with an emphasis on process, rather than on end-product, and on making things cohere, grow and interlink - - then it changes the way we educate, it changes the way we govern, it changes the way we worship.

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    Women are much more comfortable making their own style rules now. They want pieces that will make their busy lives easier.

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    Women always try to tame themselves as they get older, but the ones who look best are often a bit wilder.

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    Women who stay true to themselves are always more interesting and beautiful to me: women like Frida Kahlo, Georgia O'Keeffe and Anna Magnani - women who have style, chic, allure and elegance. They didn't submit to any standard of beauty - they defined it.

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    Words in prose ought to express the intended meaning; if they attract attention to themselves, it is a fault; in the very best styles you read page after page without noticing the medium. Works of imagination should be written in very plain language; the more purely imaginative they are, the more necessary it is to be plain.

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    Yeah, I know there's been all this talk this year especially about the 3-point shot and can you win shooting it. There's a lot of different styles that can work. You have to base it on your own personnel.

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    Xenophon wrote with a swan's quill, Plato with a pen of gold, and Thucydides with a brazen stylus.

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    Writers who can't invent stories often substitute style for narrative. They remind me of the painter who couldn't paint people, so he painted chairs.

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    Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.

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    Yeah, it's more like playing what you think is appropriate for the moment, not forcing any particular style.

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    Yeah. My singing and my songs were very influenced by all of that. People would come up to me and ask, Is that a Billie Holiday song? I'd say, No, it's my song. The lyrics would be in my style, but the songs would be very jazzy.

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    Yet Aristotle's excellence of substance, so far from being associated with the grand style, is associated with something that at times comes perilously near jargon.

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    Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.

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    Yes, you need substance in politics - but I think your style also says something about how you arrive at some of your conclusions.

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    Yoga is really big - I'm actually a certified teacher, although I've never taught classes at a studio. I really find myself drawn to more traditional styles.

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    You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.

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    You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.

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    You can count on Scandinavian literature for a certain kind of darkness, a modern mythic style.

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    You always have to keep up with the trends. The biggest thing is making your own trend and making your own stamp in the fashion industry. Whatever is going to be your style, make that your style and go from there.

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    You can acquire chic and elegance, but style itself is a rare thing.

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    You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them.

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    You can't copy style, you gotta create your own.

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    You can tell what was the best year of your father's life, because they seem to freeze that clothing style and ride it out.

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    You can tell when women have a sensibility about, or a sense of bravery or a sense of understanding about their personal style that's outside of what you see from a magazine.

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    You can't have style if you don't have substance.

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    You can't just say, "I'm gonna have style." You have to work at it. It's intuitive; some people have it, and some people can work on it all day long, and it will never happen.

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    You can't just stick with one thing. You have to let your natural style come through, and paint what you naturally like to paint.

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    You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.

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    You can't throw too much style into a miracle.

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    You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight. You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.

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    You could say that too much time has passed for us to take up new styles so it's entirely up to us to improve. I personally wanted to produce a voice that's different from when I did "V.V.I.P" so I put a lot of effort into finding my voice.

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    You devise ways to tell a story that complies with your sensibility. Style and method are really extensions of your present sensibility.

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    You don't find a style. A style finds you

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    You don't have to be a preacher to talk about what matters, and you don't have to drop the pleasures of style

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    You get no points for style when it comes to putting. It's getting the ball to drop into the cup that counts.

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    You gain your point if your industrious art can make unusual words easy.

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    You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.