Best 2385 quotes in «style quotes» category

We pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success.

We're into this barrage of pop culture - you know, TV, movies, the Internet. We become creatures that we've made up, made of certain different flotsam from pop culture and certain different personas that are in style.

We're led by denial like lambs to slaughter, serving empires of style and carbonated sugar water.

We're proud to offer a wide variety of bloggers from a wide variety of fields. Some are well-known, some are unknown - but all have something interesting to say. And we cover everything from politics, to entertainment, to media, to business, to style, to green, to our upcoming launch of a technology page - it's why we call HuffPost "The Internet Newspaper.

We're working as if it were going out of style-which of course it is.

We should embrace what makes us different, our different styles, our creativity. You should wear whatever seems true to you. If that means wearing a tux, if that means wearing a short dress, a floor-length dress, or whatever the case is - do what feels right to you. Try not to get in trouble though!

Western-style multi-party democracy is possible but not suitable for Africa.

West Side Story was terribly important because of the style of the dancing and the gangs of New York.

We, the American people, clearly see the daunting forces we will undoubtedly face: terrorists, crime, drug gangs, the possibility of Euro-style debt riots, civil unrest or natural disaster.

We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights.

We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.

We've been working on a new album, which is going to come out next spring, which is very different, a change of style for us - it's going to be almost like rock music.

We visual communicators have so much good to share: rather than sharing our chemical and style addictions, we could be using our professional skills to help communicate health information, conflict resolution, democracy, technology.

We were tap-dancers but we put more style into it, more bodywork, instead of just footwork.

We will always buy clothes because they let us live our dreams.

We women are so judged by the way we dress, and men are not. So style is part of developing your own brand.

We worked with Jean-Marc [Vallée] [on Big Little Lies] in terms of finding [style]. Because when you have five women, you're trying to find how they each dress and how they present themselves to the world.

What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation and accuracy, accuracy, accuracy.

What bothered me most was their lack of style. I learned early that class is universally admired. Almost any fault, sin or crime is considered more leniently if there's a touch of class involved.

What can I say about my jewelry? It speaks for itself. To me, style is to be simple.

What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.

What differentiates us from other money managers with a similar style is that we’re comfortable with new lows.

Whatever coast he's on, a man should be himself. I don't write in any particular idiom, I write Charles Mingus.

What did Nabokov and Joyce have in common, apart from the poor teeth and the great prose? Exile, and decades of near pauperism. A compulsive tendency to overtip. An uxoriousness that their wives deservedly inspired. More than that, they both lived their lives 'beautifully'--not in any Jamesian sense (where, besides, ferocious solvency would have been a prerequisite), but in the droll fortitude of their perseverance. They got the work done, with style.

What I find is with all due deference to - deference to our male colleagues, that women's styles tend to be more collaborative.

Whatever prestige the bourgeoisie may today be willing to grant to fragmentary or deliberately retrograde artistic tentatives, creation can now be nothing less than a synthesis aiming at the construction of entire atmospheres and styles of life. . . . A unitary urbanism — the synthesis we call for, incorporating arts and technologies — must be created in accordance with new values of life, values which we now need to distinguish and disseminate. . . .

Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.

What is a good advertisement? An advertisement which pleases you because of its style, or an advertisement which sells the most? They are seldom the same.

What interests me is all the stuff that goes into abstract and abstract-figurative art. Not the styles, but the stuff that, in various combinations, make the styles: mixing and matching painting methods and ideas.

What is art? A violet. Is that all? An artistic style is a living entity, a continuous process of invention. It can never be imposed from without; born of the profoundest tendencies within a society, its direction is to a certain extent unpredictable, in much the same way as the eventual configuration of a tree's branches.

What is generally referred to as American-style films are, in fact, studio productions.

What is magical and mystifying to me about style is not that by seeing we can believe. It is that eventually, we can believe, because we can see we can embrace change the more we can make it tangible.

What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.

What millennials really want from the church is not a change in style but a change in substance.

What motivates every other decision artistically or technically is the acting. This is what motivates everything. Never can a camera move be incompatible with the emotion of the actor at that moment. The movement, the style, the atmosphere, everything is dictated by the actor.

What's interesting is that my style is a lot crazier than what I project out there. It's a lot edgier.

What one leads on-sight, in good, strong style, safely, is what one's ability is.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.

What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.

What was venerated as style was nothing more than an imperfection or flaw that revealed the guilty hand.

What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.

When a lot of musicians change styles, their songwriting suffers because they want to be different.

What woeful stuff this madrigal would be, In some starved hackney sonneteer, or me! But let a lord once own the happy lines, How the wit brightens! how the style refines!

What you say is who you are. How you say it is your style.

When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style.

When an author is too meticulous about his style, you may presume that his mind is frivolous and his content flimsy.

When a young person asks me: 'Can you show me how to do this?' I simply answer: 'No, I am going to show you how to do it. But then, you'll have to learn with your own technique, your own way of moving, your style, your abilities and your limitations. You are going to learn to be yourself, not someone else.

When creating an album, one of the first things you have to think about is what you want your production style to be.