Best 2385 quotes in «style quotes» category

If you give small, informal dinner parties, have a few long or short colorful skirts and dresses in jersey or flannel with gay party aprons to make your role of hostess festive yet comfortable. If your husband's work means continuous parties, conventions, and entertainment, pep up your collection of after-five clothes with satin pumps in different colors.

If you have a great self-confidence in your own style, you become a style for others too!

If you have received a letter inviting you to speak at the dedication of a new cat hospital, and you hate cats, your reply, declining the invitation, does not necessarily have to cover the full range of your emotions. You must make it clear that you will not attend, but you do not have to let fly at the cats. The writer of the letter asked a civil question; attack cats, then, only if you can do so with good humor, good taste, and in such a way that your answer will be courteous as well as responsive. Since you are out of sympathy with cats, you may quite properly give this as a reason for not appearing at the dedicatory ceremonies of a cat hospital. But bear in mind that your opinion of cats was not sought, only your services as a speaker. Try to keep things straight.

If you've become addicted to dark stockings or tights, be careful not to look like a Charles Addams heroine. The "beatnik" bit is wonderful for sloppy, slushy days, but should not be allowed to take over.

I hate physical effort.

I'll stop wearing black when they invent a darker color.

In literature we move through a blest world in which we know nothing except by style, but in which everything is saved by it.

In all areas of your life, striving for proper posture can enhance your career, style and health.

In matters of great importance, style, not sincerity is the vital thing.

In many a case, the phrase ‘I’d like to get to know you better’ is a euphemism for ‘I want us to fuck.

Integrity never goes out of style.

... [In 'Pride and Prejudice'] Mr Collins's repulsiveness in his letter [about Lydia's elopement] does not exist only at the level of the sentence: it permeates all aspects of his rhetoric. Austen's point is that the well-formed sentence belongs to a self-enclosed mind, incapable of sympathetic connections with others and eager to inflict as much pain as is compatible with a thin veneer of politeness. Whereas Blair judged the Addisonian sentence as a completely autonomous unit, Austen judges the sentence as the product of a pre-existing moral agent. What counts is the sentence's ability to reveal that agent, not to enshrine a free-standing morsel of truth. Mr Darcy's letter to Elizabeth, in contrast, features a quite different practice of the sentence, including an odd form of punctation ... The dashes in Mr Darcy's letter transform the typographical sentence by physically making each sentence continuous with the next one. ... The dashes insist that each sentence is not self-sufficient but belongs to a larger macrostructure. Most of Mr Darcy's justification consists not of organised arguments like those of Mr Collins but of narrative. ... The letter's totality exists not in the typographical sentence but in the described event.

In Struggle flaunt your robust style, In Happiness, simply like a Rose fragrant your smile!

It doesn't matter if your life is perfect as long as your hair color is.

I set about seeking a thread, a theme, a style, in the realm of legend. Something that might allow me to give free rein to my juvenile sense of romanticism and the beautiful image.

It does not take the striking pose of a high-fashion model or the strict stance of someone in uniform to earn respect and admiration.

In the course of the history of art and literature we repeatedly meet this stylistic differentiation according to subject-matter. For example, the dual manner of characterization employed by Shakespeare, according to which his servants and clowns speak in everyday prose but his heroes and lords in elaborately artistic verse, corresponds to this ‘Egyptian’, thematically determined alternation of style. For Shakespeare’s characters do not speak the different language of the various classes as they exist in reality, like the characters in a modern drama, for instance, who are all drawn naturalistically, whether they are of high or low degree, but the members of the ruling class are portrayed in a stylized manner and express themselves in a language non-existent in real life, whereas the representatives of the common people are described realistically and speak the idiom of the street, the inns and the workshop.

In the fashion industry elegance, style, and uniqueness always find their voices.

In the realm of book arts, whenever a masterpiece is made, whenever a splendid picture makes my eyes water out of joy and causes a chill to run down my spine, I can be certain of the following: Two styles never brought together have come together to create something new and wondrous.

I spread my wings. And my dress does the rest.

I think about how language works so I can best explain how language works.

I think one should pay so much attention to technique, don't you? Like learning to draw before you paint.

It is commonly said to my little friend Legion: Read the great writers for style. But I say to him: Read the great dead masters for ideas. Devour them, Fletcherize them, digest, assimilate, make them part of your blood; let the enriched blood visit your brain. The resultant activities will be fairly your own, and the little kinks and convolutions of your brain, which are entirely different from the kinks of any other brain, will furnish you all the style you will ever get. There are no really fresh ideas; just as there is not any fresh air. Air and ideas are refreshed and refreshing, vitalized and vitalizing; but the thoughts have been thought before and the air has been breathed before.

It is still relevant today to project a confident image through good body posture.

It is style that makes us believe in a thing – nothing but style.

It's better to have fewer clothes, all wearable and each accessorized in your mind so that when you put something on you know at once which shoes and gloves you're going to wear. Complete costume planning is possible only with an intimate awareness of all your clothes.

It is unlikely that many of us will be famous, or even remembered. But not less important than the brilliant few that lead a nation or a literature to fresh achievements, are the unknown many whose patient efforts keep the world from running backward; who guard and maintain the ancient values, even if they do not conquer new; whose inconspicuous triumph it is to pass on what they inherited from their fathers, unimpaired and undiminished, to their sons. Enough, for almost all of us, if we can hand on the torch, and not let it down; content to win the affection, if it may be, of a few who know us and to be forgotten when they in their turn have vanished. The destiny of mankind is not governed wholly by its 'stars'.

It's not my accent, but my brevity makes me stylish.

It’s never too late to have a happy childhood. To enjoy and express whatever it is that you want to express.

It's not revealing, it's informative.

It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!

It's not what you lift, it's where you carry it.

I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.

It will take some clever appraisal on your part, but your clothes should express value without extravagance, warmth without being brazen, and understanding without looking like Whistler's Mother.

Modeling is not just beauty and smile, it takes boldness and style.

... look treasured

Love is the ultimate style.

Miss Rose has decided that Eliza would have learning, dowry, and fame as a beauty even if she was not one, because it was her view that beauty is a question of style. Any woman who conducts herself with the queenly assurance of a belle, she maintained, will convince everyone that she is beautiful.

Money can't buy you class, you have to earn it.

More I get to know people, the more I tend to end up odd.

Magnus Bane did his best, in life, to always be spectacular.

Many of the poets writing today are hung up on language and symbolism. If the poem does not have depth of meaning or fit a certain academic styles and standards, then it is not poetry. Poetry should relate to the man on the street who has to work for a living. Until poetry connects with the working man, it’s not going to sell; it’s not going to be of value.

Models of style: the swearword, the telegram, the epitaph.

More than attitude, posture has also been used throughout history to communicate one’s status in society.

Mrs Jackson rummaged tapped on Odette's bedroom door as Clarice rummaged through her best friend's chest of drawers searching for something to liven up, or cover up those dreadful dresses Odette always wore. The blind grandmother who had made her clothes back when she was a little girl was dead, but her grandma's style and taste lived on in Odette's sorry closet.

Never close your mind to a color. Remember, too, that texture is an important element. The same dress in the same shade of red may look wonderful on you in soft velvet but too harsh in a hard-finished taffeta. Think in terms of color combined with texture, not of one or the other independently.

My bottom is my deliquent daughter. I lavish praise upon her cheeks when she's well behaved and when she gets out of control, I pretend she isn't mine.

MY ⓈⓉⓎⓁⒺ is, My Presentation ➟ & My Attituⅾe is, Your Reflection

My eyes so stuck in night vision I watch the decaying praised come back from the afterlife. By far, purple seed dreams redeem the faith among the lit palm trees, as each section settles in, wiping out my future with a comet sent by your divine lips forgotten by the teeming atmospheric dark age I now dwell in encrypting the awakening language gone up in sweet smoke, teasing stretched heels in the midnight air.

Never give up. Dare to Dream. Dare to believe.