Best 2385 quotes in «style quotes» category

I'm not trying to write cinematic novels, but I have been told several times that my style is cinematic.

I'm Owen Hart and I have my own identity and my own style.

Im pretty adept with computers and Photoshop for my blog, and I found my style with a conversational voice and an image-ready column.

I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.

I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.

I'm really inspired by British style, like Kate Moss and Sienna Miller.

I'm starting to find my own style.

I'm still the best Keith Moon-style drummer in the world.

I'm sure favorite moments in movies are things that just happen accidentally when the camera is there. You have to do all the homework to get yourself into the period, the costumes, the style, the voice, the hairdo or whatever it is, but once you've done all that work, you have to kind of let it go and just be there. If you're always thinking about it, it just looks a bit over-thought.

I'm timeless, I got that Dickensian, London street-urchin look in high school. I'll never be in style, but I'll always be different.

I'm trying to eliminate every vestige of my own personality, style, approach and get into somebody else's skin. Sometimes I feel I've accomplished it. But when I don't, I'm nobody at all, having left myself at home

I must destroy everybody that comes in front of me. I must execute them and I must do it in grand style. I must slay Robert Allen like I must slay De La Hoya or anybody else that steps in that ring.

I must beg you to indulge me in the matter of hyphens.... You will find that I have marked out a great many in the proofs. We arein danger of Germanizing our printing by using them so much, and I have a very decided preference in the matter.

I'm very careful of not being critical of other people's movies, which work in different styles. I think some of my movies can be interpreted as critical of their subjects.

I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.

I'm very out of style... or I should say I have my own style.

In all unimportant matters, style, not sincerity, is the essential. In all important matters, style, not sincerity, is the essential.

In a newspaper, you only have so much room. It teaches you the value of getting to the point, of not pampering yourself with your glorious writing. I've always been much more interested in one powerful sentence that stays with you. That's my style.

In any closet, you can find it, if it is too small, or out of style, or there is just one of it where there should be two

In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.

In a way, it [my style] is an homage. But I didn't really know about it at first. But then when I started living in Berlin in the early '90s, I started getting ID and Dazed and Confused. I was shocked how close things were to my work.

In a way my work is documentary. But I am also a photographer who has a distinct style. My photographs are a companion to the reality of the situation.

In Bulgarian I am much more flowery, the sentences are wilder. In English out of necessity I try to be clear and disciplined. I realized by writing in English there is so much more to writing a good story than the style.

In central banking as in diplomacy, style, conservative tailoring, and an easy association with the affluent count greatly and results far much less.

Indistinctness is my forte.

In comedy, the witty style wins out over every mishap of the plot.

Individual style is the correct balance of knowing who you are, what works fro you, and how to develop your own personality

Incorporating an awareness of style in the paintings gives them a kind of electricity and holds them together. It can plug you into the moment at which they were made.

I need to shop because generally, I really do style myself. It's easier to wear clothes that are true to who you are. But if it's a headache, I'll ask for help.

in Divorce American style, there was the discomfort of seeing one of the beautiful wasted actresses of the screen, Jean Simmons. Her suggestions of sensibility - what she embodies - were too fine for the world of that movie. Her presence made the movie she was trapped in seem uglier.

I never dreamed I would receive the Mark Twain Prize for American Humor, mostly because my style is so typically Austrian.

I never focus on contraction. I'm focusing on my muscle. I'm not focusing on a certain style of lifting or contracting. I'm just trying to get the weight up. I'm trying to build muscle.

I never felt I had enough personal style to pursue being just a guitarist.

In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But theworks of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute.

I never like to do parodies. I never do. It's just not my style of comedy.

I never just went to look for clothes and style; I always find that wherever I go.

I never thought of Kim Basinger in terms of age. For me she embodies woman with her subtleties and intricacies. She's sensual and intellectually engaging, elegant with a very strong personal style.

I never thought it was my style or the words I used that made a difference. It was the content. I wasn't a great communicator, but I communicated great things.

I never regarded my pictures as very much to be proud of, except in this, the craft, the style.

I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.

I never wanted to get into high end in Colombia - the percentage of people who can afford it is very small, and they can shop abroad anyway. It's just not what I had in mind. I wanted to bring international fashion to as many people here as possible, who don't usually get exposed to such styles.

Information and knowledge: two currencies that have never gone out of style.

In L.A., it's very hard to have some kind of conscience of some style out there. The weather's too hot; there's no seasons.

Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.

In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.

In lieu of those checks and balances central to our legal system, non-citizens face an executive that is now investigator, prosecutor, judge, jury and jailer or executioner. In an Orwellian twist, Bush's order calls this Soviet-style abomination 'a full and fair trial.'

In Japanese organizations, before you have a meeting and you've got an idea that you want to get across, you go talk to everyone and list them. And then the meeting, you don't do it American style where everyone gets up and advocates and conflicts and decides, you get up and formalize agreements.

In making portraits, I refuse to photograph myself as do so many photographers. My style is the style of the people I photograph.

In many climbing cultures, it seems that dirty ethics and poor style are acceptable. In mine they are not.

In most writers, style is a welcome, an invitation, a letting down of the drawbridge between the artist and the world. Shaw had no time for such ruses. Unlike most of his countrymen, he abominated charm, which he regarded as evidence of chronic temperamental weakness.