Best 545 quotes in «authors quotes» category

Thank God For Writing, As Now I Can Work Until My Last Breath!

That is how we writers all started: by reading. We heard the voice of a book speaking to us.

That’s another argument for writing: making something that outlasts you.

That's really what all books are, isn't it? I mean, lists of secrets and things you only wish you’d done - a sort of deathbed confession where you're trying to get it all out while the lights are still on.

That which is cool is driven by the soul.

That woman must have been a husky in a previous life.

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review.

The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book. The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them. The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.

The best way of writing sex scenes is to do the first draft, orgasm, and then start editing. You can be objective post-orgasm.

The best writing speaks when the heart whispers.

The big trinity of publishing: mystery, thrillers and romance. If you can combine all three, then it’s a winner’s trifecta and you’ll be rich beyond your dreams.

The biggest threat to authors in this age is not plagiarism or poverty, it's obscurity

The burning point of paper was the moment where I knew that I would have to remember this. Because people would have to remember books, if other people burn them or forget them. We will commit them to memory. We will be come them. We become authors. We become their books.

The children around our house have a saying that everything is either true, not true, or one of Mother's delusions. Now, I don't know about the true things or the not-true things, because there seem to be so many of them, but I do know about Mother's delusions, and they're solid. They range from the conviction that the waffle iron, unless watched, is going to strangle the toaster, to the delusion that electricity pours out of an empty socket onto your head, and nothing is going to change any one of them. The very nicest thing about being a writer is that you can afford to indulge yourself endlessly with oddness, and nobody can really do anything about it, as long as you keep writing and kind of using it up, as it were. I am, this morning, endeavoring to persuade you to join me in my deluded world; it is a happy, irrational, rich world, full of fairies and ghosts and free electricity and dragons, and a world beyond all others fun to walk around in. All you have to do---and watch this carefully please--is keep writing. As long as you write it away regularly, nothing can really hurt you.

The closer one gets to the speed of light, the slower time travels. The exact thing is true when completing a book.

The difference between a writer and an author: Writers call each other writers. Readers call writers authors.

The difference between the oldest and the most stupid job you do is that one is selling herself and the other is selling you.

The greatest good you can do for another is not just share your riches, but to reveal to him his own.

The ending to your book is different from the ending to your plot.

The greatest tragedy to ever happen to a nation is not the incidences of war or terrorism. It's when more bookshops close down and more drinking bars are opened to replace them!

The greatest skill that an author could possess, she thought, was the ability to make a reader see a book as his or her child, someone only the reader in question could truly appreciate, love, and protect.

Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.

The life we’re given is on a thread, so wear it well.

The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It requires an authentic junk mind. Most creative-writing teachers have had the experience of occasionally helping to produce, by accident, a pornographer. The most elegant techniques in the world, filtered through a junk mind, become elegant junk techniques.)

The most difficult thing about writing; is writing the first line.

The lot of the bride to be wed before bed desired until rotten. The lot of the author to be read before bed admired then forgotten.

The man she wanted existed only in the romantic novels she was reading. She had met him. But he would never meet her.

The novelist is condemned to wander all his life. Homeless and blind like Oedipus he wanders until death. And so let us protect the novelist and adore him, with pity, honor, and love.

The only thing in life that's really interesting is the contest. We are all contestants--whether we admit it or not. If I read 20 pages of a book and they're no good, I put it down. Maybe it's good after 100 pages, but I can't wait. The author lost.

Then she wants to say that, oh, Christ, of course she knows, the condescension Europeans shower on Americans is not always warranted; she's a novelist, which is tantamount to being a one-woman card catalogue for useless knowledge.

The only man she ever loved. And hated.

The out-dated imagery of sitting over a dusty typewriter staring at blank pages for years is a fallacy and probably designed to keep you from living up to your fullest potential.

The pen to a writer is like a cigarette to a smoker; they need it to take the edge off.

The problem with taxation is that authors can't write off whiskey as a business expense.

The public has an exalted view of authors, and rightly so. Great writers impact deeply on our imagination. And yet, behind the kudos, there sometimes lurks a person at odds with the nobility of the author photo or the 'sheer humanity' of the prose style.

The realization that a decline in the moral state impedes the flowering of literature is a feeling unique to the Jewish people. Only we realize in truth that in order to improve the quality of literature, there is a necessary prerequisite, that the writers first cleanse their souls. We feel in ourselves the great need for penitence so that we might rise to the sublime heights of the noble literature that is uniquely ours, that stems from the wisdom of Israel, whose source is holiness and purity, faith and spiritual heroism.- Kook, Lights of Penitence, p. 118.

There are a million ways to create. It’s not always typing words, painting pictures, or acting in a play. And you don’t get to decide which is correct.

There are few books that set out what a mature person can believe - someone fully grown up, I mean. Aristotle's 'Ethics', Marcus Aurelius's 'Meditations', Montaigne's 'Essays', and the essays of Samuel Johnson come to mind. Even with these, we do not simply accept everything that is said. The author's voice is never our own, exactly; the author's life is never our own. It would be disconcerting, anyway, to find that another person holds precisely our views, responds with our particular sensibility, and thinks the same things important. Still, we gain from these books, weighing and pondering ourselves in their light. These books - and also some less evidently grown-up ones, Thoreau's 'Walden' and Nietzsche's writings, for example - invite or urge us to think along with them, branching in our own directions. We are not identical with the books we read, but neither would we be the same without them.

The only way to write is to write. Writers write. And when they’ve written, they write some more.

There is a big difference between an imperfect book that is read and a perfect book that is never written

There is only two kind of #books .First one is by some #famous person and Second one makes a person #famous .

There is something silly about a man who wears a white suit all the time, especially in New York." (on Tom Wolfe)

The secret to success is no secret. Be honest in your words, be trustworthy and share value. Most people won't tell the difference, but those that do are your readers.

The self-addressed stamped envelope. The representation of everything that was wrong with the old publishing industry.

The time is ripe for young Indian authors writing in the English language.

The truth is, you could write a masterpiece, but if you're hiding it under a rock, no one will ever know.

The only time I've ever learned anything from a review was when John Lanchester wrote a piece in the Guardian about my second novel, The Heather Blazing. He said that, together with the previous novel, it represented a diptych about the aftermath of Irish independence. I simply hadn't known that – and I loved the grandeur of the word "diptych". I went around quite snooty for a few days, thinking: "I wrote a diptych." [Colm Tóibín, Novelist – Portrait of the Artist, The Guardian, 19 February 2013]

There are two gradations of cold that are always acceptable: Mild Frost, which is preferable for reading and writing and any other activity done indoors, and Absolute Zero, which is the only temperature suitable for sleep. There is nothing more delicious than being swathed in a cocoon of blankets and awaking with a nose frosted over with rime, and once I do achieve vampiric heights and fall asleep with the mastery of a corpse lately dead, I am best left alone until I wake up at my usual time. I do tend to bite when rattled out of my flocculent coffin, and everyone in my building knows never to disturb me during the early morning hours. Authors, being crepuscular creatures, should never be roused before 11am: the creative mind is never turned off; it only dies momentarily and its revived by the scent of coffee at the proper time. Bacon is also an acceptable restorative.

There is probably no hell for authors in the next world--they suffer so much from critics and publishers in this one.

There's a darkness to everyone, you just have to let it out to see the world in new eyes.