Best 1531 quotes in «band quotes» category

If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.

If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.

If you want to achieve something, you have to work a little harder and get out of your comfort zone. That is with everything: relationships, the band, music, athletics. All of the above.

If you want to make money in music, get into the band uniform business.

I gave guitar lessons. I tried to join bands. My mom always said it was obvious that nothing was going to stop me.

I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.

I get a lot from great '90s artists like Juliana Hatfield, The Pixies, and bands like That Dog and The Breeders.

I get angry about stuff, I get very emotionally intense about stuff and that's how I get it out - with books, with the band, on my own onstage, but it's always kind of a wail.

I go by the "Miles Davis school of production and band-leading", where you pick the best musicians you can, you provide them with a minimum of direction, and you just let the music happen. I've seen it work time and time again.

I got Joan Baez to talk and Alan Ginsberg and some of the guys in the band. And by the end of the piece, another emissary came and said, `Bob [Dylan] is willing to speak to you now.' And I said with great pleasure, `No, thanks. The piece is over.'

I got everything I wanted. When I was young in Kansas City, I knew nothing about Frank Sinatra, Billy Eckstine, Ella Fitzgerald, of all those concert halls, of all those countries. I did not know what it was like to direct a band... All I wanted was to be big, to be in show-business, and to travel...and that's what I've been doing all my life.

I got the whole band set up in the basement and we are jamming.

I got my first trumpet when I was six years old, from Al Hirt. My father was playing in Al Hirt's band at that time.

I got to a crossroads in my life where basically I was asked to choose between staying at home and being with them, or being in a band and doing what I want to do.

I grew up in Nazareth, Penn., which was an hour and a half from New York, and an hour and a half from Philly. So bands that were touring came through one way or another. We got to see stuff people in other small towns didn't, like Wesley Willis. I couldn't have asked for a better place to grow up and be into music.

I grew up in Detroit. So my mother always loved big band music.

I grew up in a school that had a big music program, and it was incredible. It's what I looked forward to during the day. I had chorus, strings, band.

I grew up listening to blues and rock 'n' roll and other music, but, legitimately, the Stones is one of my favorite bands in the world.

I grew up wearing black arm-bands when the hunger strikers died. I went on those marches. I grew up basically a Provo, though I never obviously got into any activities. I was writing 'IRA, Brits out' on walls all over where I grew up, but that was a false sense of Irishness.

I grew up with the Beatles and they are still to this day my top band played in my iTunes.

I guess I've never been introduced properly to Pink Floyd. I know they're great, don't get me wrong. Excellent, excellent musicians; great band; awesome harmony; great song writers; I just don't know anything besides, I guess, the popular songs on the radio.

I had a band with a girl in New York, and we would go around and do gigs. And then I happened to start getting work as an actress.

I had a little indie label called No Core and Dave Grohl's first band was called, Dain Bramage so I out an album for them and for whatever reason, he's never forgot it and has always been super nice to me since.

I had a record deal with Sony in the beginning of the 90s, and I was rapping and singing in my band.

I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.

I had been playing with my local band, Skinny Cat. I had been to quite a few auditions before UFO, managed to get the gig and then not want to do it!

I had glow in the dark bands made up and I've given away a ton of them.

I had gone full-on folkie; I'd had it with bands.

I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.

I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.

I had surprisingly little money when Wham! ended. You'd be very surprised how little, really, because you don't realize how much money it takes to maintain a band.

I had previously been in the band the Modern Lovers with Jonathan Richman.

I had the first integrated Army band in World War II.

I had this one rock band I used to listen to, but I forgot the name of them.

I hate the industry even more now, no bands get nurtured anymore. Labels only spend money promoting acts they know will be Top Ten. I find it offensive spending $2 million on a video.

I have always had a tremendous amount of energy and any band I was ever in from the age of fourteen, I would always be the one who would describe the future and vibe everyone up.

I have a great time with my band and on the stage we get along well.

I have always believed that if you are honest in what you do, continually reinvent yourself at the same time, and there's respect amongst your band members, then you will be respected.

I haven't got a great jazz band and I don't want one. Some of the critics, Down Beat's among them, point their fingers at us and charge us with forsaking real jazz . . . It's all in what you define as 'real jazz.' It happens that to our ears harmony comes first. A dozen colored bands have a better beat than mine. Our band stresses harmony.

I have my ideas, I have my music and I also just enjoy showing off, so that's a big part of it. Also, I like to get up onstage and behave insanely or express myself physically, and the band can get pretty silly.

I haven't a great Jazz band and I don't want one.

I have seen the future of pop music and it is a band called Queen.

I have had success throughout the years. Some of the hard rock bands today don't have the history that I have.

I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.

I have seen so many bands and musicians fade away, especially the ones in my early days that treated me and my bands with contempt for no other reason than that they were headlining the show, not all though, with great exceptions such as Slade and Vinegar Joe.

I have this theory, bands with enigmatic lyrics attract crazies.

I have such a great band. We had played all this material on the road. I just wanted to let it fly.

I have wonderful band mates that make music that I'm forced to listen to for hours on end until I come up with verses, and that in itself is an inspiration - they're awesome.

I have toured with Klemens Marktl, playing his original compositions and arrangements. He is a wonderful drummer, a writer possessing a high degree of creativity, and an assured band leader.

I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.