Best 1531 quotes in «band quotes» category

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    Of all the band of personal traitors the sense of humor is the most dangerous.

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    Of course it's fantastic to have bands formed in garages, but there is a market for other types of music.

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    Of course, music is an art form, and it's not all that competitive. But we don't ever intend to be the second-best band on a stage at any show.

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    Of course, no lyrics are ever unintentional, but I think bands like Wolf Parade and the Arcade Fire have a tendency to touch on big themes without really following through on them or tying them in to a particular logic.

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    Okay, I get kicked off the drums when I try and...the notes just keep coming at you and I'm like "Ahhhhh!" I can't do it. I have literally gotten booed off the stage way too many times. It's terrorizing. The rest of my band mates just are...they tell me to get off. I'm like, "I can play bass. Dunk, dunk, dunk, dunk.

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    Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles

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    Once again, in the fine tradition of North Texas Lab Bands, this is truly a superb band. Under the artful leadership of Neil Slater, these great musicians have managed to combine small group "openness" with the swinging precision of a classic big band. Very enjoyable!

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    Once I got to an age where I was old enough to make my own decisions, I quit everything and did what I actually wanted to do, which was start a band.

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    One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.

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    One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.

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    One of the first bands to break out of Seattle was Heart.

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    One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.

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    One of the main things that differentiates them [artists of 70s] from artists before is that they made albums based on the fact that they didn't care about the band as a thing in its own right. They cared about manipulating the recording and that became the album.

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    One of the reasons I became a writer is that, unlike starting a band, directing movies, or acting in a theatrical production, you can do it alone. Your success and failure depend entirely on yourself.

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    One of the things I've always personally tried to stress with this band was to have some kind of visual aspect and to be consistent with it - like, not to change.

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    One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

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    One performer whose band played my music better than I could myself was Art Farmer. He recorded 'Sing Me Softly of the Blues' and 'Ad Infinitum'.

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    On that same tour we ran into a band at Aylesbury Friars, a biggish venue in Oxfordshire, England. They were a four-piece from Ireland called U2. They seemed like nice fellows and they sounded pretty good, but we didn’t keep in touch. They’re probably taxi drivers and accountants by now.

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    One thing I love to do is produce. I've produced a couple of bands. I mean, nothing ever really happened with 'em, but I enjoy getting a young band into the studio and guiding them, and making them feel at ease.

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    Other bands wanted to wreck hotel rooms; Roxy Music wanted to redecorate them.

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    Our band will never change , we will always be 5 singing idiots .

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    Our band is different in the sense that we all are involved with a lot of different projects. It's hard to say when we'll record again, but we're not calling it quits right away.

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    Other bands gave us lip service, but when it came down to it they kind of backed off. That was a little disheartening. But I respect them. That's their business.

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    Pantera is the only band I've ever been in, and at the start we used to play covers to make a living.

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    Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.

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    Over the years, when you're in a band with a catalog like Aerosmith's, you accumulate a lot of instruments to duplicate those songs.

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    Part of why I was drawn to making dance music was convenience. It was the type of music I could make without a band, and I wasn't interested in collaborating with anyone.

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    Part of me wishes some of the more obsessive fans would spend a fraction of the time they spend studying the band.

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    Part of 'Beyond The Music' is also the notion that no matter what came of us, or the band, the most important thing for us ended up being the friendships.

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    People always - when you rise, whenever you're getting to a point where you're a very big band, which is a very rare thing, there are always going to be people that aren't going to like you.

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    [Paul McCartney] never, at the time, was going back to leaning back on the roots of his old band. He always built upon where he was, which was in London. And he didn't overuse synthesizers. He used them just enough. It's such a cool sound.

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    People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.

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    People don't seem to care about convictions any more. When I was a teenager, the deal was that, y'know, you had a band that you were really loyal towards, almost to a fault, and you stayed really loyal to that band. That was the whole thing, that was such a big deal.

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    People expect us to be a straight up dance band but there are many more elements to our sound that you really get to see during our live show and hear on our record 'See The Light.'

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    People used the term "hardcore" loosely. A lot of bands use it as a jumping stone to the next level. Hardcore, it's got a lot more to with then music. It's a very passionate movement.

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    People love Axl [Rose] with the original band, they love him on his own but they want to see him with the original guys.

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    People really need to show up early to hear Hollis Brown. They are just an unbelievable live band.

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    People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.

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    People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.

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    People who come up to me are drummers or fans of the band. I don't get it too much, but I'll be somewhere and someone will have me take a picture or something.

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    Perception is made up of bands.

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    Phish is such a good band; they just make stuff up as a jam band.

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    Phil has always been a fighter. He was getting in fights all the time. I told him that if he ever hit me then I would leave the band. He wanted to find out if I was telling him the truth. He hit me so I left and that is how UFO split up.

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    Pity speaks to grief more sweetly than a band of instruments.

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    Pinetop could find the cracks and fill them in and be the glue and mortar of the whole band.

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    Piracy doesn't kill music, boy bands do.

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    Player for player, there’s 
no better working band in jazz than The Cookers.

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    Playing in an independent rock band will eventually make you equal parts truck driver, gladiator and mule. Glamour is for those with trust funds.

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    Power is the band that we perceive things on. In radio we have stations. Frequencies vibrate at certain rates and within those frequencies we transmit information and receive information.

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    Record labels, which used to have complete control, are essentially irrelevant. The process of a band exposing itself to the world is extremely democratic and there are no barriers. Music is no longer a commodity, it’s an environment, or atmospheric element. Consumers have much more choice and you see people indulging in the specificity of their tastes dramatically more. They only bother with music they like.