Best 119 quotes in «diary quotes» category

... but I could also write about love. How a hand can silence thousands of voices and how someone’s smell can make you feel at home even though you’re a million miles away from home and have you ever hurt someone you love? Because you’re angry. Because you’re disappointed and sad and you just really wanted to love and be loved in return but life got in the way and you both said things that should never be said and you’re angry but don’t know how to. Because you still feel this strange love for him, but you’re also fucking angry and you want to hit him, but then hug him because hurting him is hurting yourself, and then hit him again because you’re angry! and so you fall on your knees because you’re hopeless to yourself and your own emotions and that’s love, my friend.

Col. James N. Rowe, a United States Army officer who spent five years as a prisoner in Vietnam before escaping in 1968, was shot to death yesterday (April 21, 1989) by gunmen near Manila, where he was a military adviser to the Philippine armed forces. He was 51 years old. Colonel Rowe was being driven to work at the Joint United States Military Advisory Group headquarters in Quezon City, a suburb of Manila, shortly after 7 A.M. when at least two hooded gunmen in a stolen car fired more than 20 bullets into his vehicle. His driver, Joaquin Vinua, was wounded but was reported out of danger. Colonel Rowe was pronounced dead at a nearby military hospital. Communist Rebels Suspected No group immediately claimed responsibility for the attack, but Philippine officials said they believed the killers were Communist rebels. The rebels have threatened to attack American targets unless the United States closes its military bases in the Philippines and ends its support of the Philippine military's fight against the insurgency.

DEAR DI­ARY You are greater than the Bible And the Con­fer­ence of the Birds And the Up­an­ishads All put to­geth­er You are more se­vere Than the Scrip­tures And Ham­mura­bi’s Code More dan­ger­ous than Luther’s pa­per Nailed to the Cathe­dral door You are sweet­er Than the Song of Songs Might­ier by far Than the Epic of Gil­gamesh And braver Than the Sagas of Ice­land I bow my head in grat­itude To the ones who give their lives To keep the se­cret The dai­ly se­cret Un­der lock and key Dear Di­ary I mean no dis­re­spect But you are more sub­lime Than any Sa­cred Text Some­times just a list Of my events Is holi­er than the Bill of Rights And more in­tense

Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody.

Eskiden unlu maddeler pahalı idi. Şimdi de pirinç ve fasulye onları gölgede bıraktı.Yeni zenginler gibi asillerin tarafına geçtiler. Demek siz de, fasulye ve pirinç, bizi terkettiniz?

Every book has to wait for the right time to be read and understood.

Everywhere that we looked, were objects & artifacts reminiscent of a bygone age. of war & destruction, of mankind's determination to rule his neighbour, to prove how mighty he and his people are, yet a romance of days past that I am drawn to like a soul lost and hearing his lovers cries to him

Find out your most limiting tasks and deal with them as early as possible. Use a diary, and jot little points of reminder about specific tasks for reference later.

Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.

For I have nothing to lean on, nowhere to call my home and there is nowhere I will go for Christmas to rest my head and touch familiar walls. I have no degree to show on paper or employment to take care of my health or the reassurance that I can pay my rent. And I have no right to complain because this is the road I choose and I built it myself, not really knowing where I wanted it to lead, but I have hope in all things ahead and behind and I am learning to let myself go. Forget my own ego and believe that what I am doing is grander than my very own self.

Habits gradually change the face of ones life as time changes one's physical face;& one does not know it.

He steals dreams from her dead eyes every night and pens them down into his diary with his tears.

He will never let her go. Never. she belongs to him..Forever.

History is the diary of humankind; to forget it is to try to navigate the future with no memory of the past.

I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain.

I am eleven years old, I know, and I am not serious enough. Last night I said to myself: tomorrow I will be good. Good? I wasn't any better than I was the day before. Now here is a new month, and I haven't yet thought out how to be more sensible, how to master my impulses and my temper. I am ashamed to be so undisciplined.

I block in days / nights for writing where I don't touch emails or social media.

Her Prince! He might not be the handsomest man on earth. Not even the richest one too but he would have the purest of the heart and soul and he will love her with the same purity throughout eternity. He would be her Prince.

Ich sage kein einziges Wort. Mein Gesicht ist aus Glas und ich wünsche mir, dass sich jemand daran schneidet.

I don't keep a journal. I'm not that interested in myself.

I felt him in everything. And what I felt was too deep.

If you do not write the thoughts of the moments, it is lost forever.

From the Diary of the Duchess of Roxburghe I vow, I cannot seem to walk past a window without seeing my great-nephew carrying Miss Balfour somewhere. All great romantic poems have such scenes where the hero, in a fit of passion, sweeps the heroine off her feet. Sadly, it appears that Sin’s technique is questionable. I’m surprised that, with all of his supposed experience with the gentler sex, he doesn’t realize that women do not like to be carried in a way that musses their hair and leaves them with unattractively red faces. Sadly, yet another conversation I shall have to have with that boy.

If you're reading this, then I guess someone, somewhere does go through the rubbish and read every piece of paper that gets balled up and tossed away. So in that case here it is- my name's Sal.

I had always been a solitary person. Therefore I had a habit of opening my heart to a piece of paper. I thought that was quite secure. I knew that those words would never go out there, except of course if someone read them.

I had seen the world as either white or black. It is only when I read the pages of her diary that I understood why the sky looked so grey.

I have hated you in every hour that has gone by, I hate you so that I would happily give my life for your death, and happily go to my own doom if only I could witness yours, take you with me into the depths. When I let this hate free, I am almost overcome by it, but I cannot change this and do not really know how it could be otherwise. Let no one deprecate this, nor fool himself about the power of such hatred. Hate drives to reality. Hate is the father of the action. The way out of our defiled and desecrated house is through the command to hate Satan. Only so will be earn the right to search in the darkness for the way of love. In our hatred, we are like bees who must pay with their lives for the use of their stingers.

I haven't kept a diary since I was seventeen. I think it was soon after my baccalaureat that I gave it up for reasons I'm not sure of, because from the age of twelve or thirteen I had written one religiously... They were a record of what I had done when, down to the nearest minute. I think I held on to them as 'evidence' of some kind. They helped me to find my place in the world and, in a broader sense, to prove to myself that I really existed. I suppose I must have decided at some point that I no longer needed to do that, because I gave up writing a diary, stopped telling the story of my life and tried to just live it instead.

I have rooted myself into this quiet place where I don’t need much to get by. I need my visions. I need my books. I need new thoughts and lessons, from older souls, bars, whisky, libraries; different ones in different towns. I need my music. I need my songs. I need the safety of somewhere to rest my head at night, when my eyes get heavy. And I need space. Lots of space. To run, and sing, and change around in any way I please—outer or inner—and I need to love. I need the space to love ideas and thoughts; creations and people—anywhere I can find—and I need the peace of mind to understand it.

I keep a diary in order to enter the wonderful secrets of my life. If I didn't write them down, I should not probably forget all about them.

If you leave without me, I’ll just follow you. You can’t stop me, Cassie. How are you going to stop me?” I shrug helplessly, fighting back tears. “Shoot you, I guess.” “Like you shot the Crucifix Soldier?” The words hit me like a bullet between the shoulder blades. I whirl around and fling open the door. He flinches, but stands his ground. “How do you know about him?” Of course, there’s only one way he could know. “You read my diary.” “I didn’t think you were going to live.” “Sorry to disappoint you.” “I guess I wanted to know what happened—” “You’re lucky I left the gun downstairs or I would shoot you right now. Do you know how creepy that makes me feel, knowing you read that? How much did you read?” He lowers his eyes. A warm red blush spreads across his cheeks. “You read all of it, didn’t you?” I’m totally embarrassed. I feel violated and ashamed. It’s ten times worse than when I first woke up in Val’s bed and realized he had seen me naked. That was just my body. This was my soul. I punch him in the stomach. There’s no give at all; it’s like I hit a slab of concrete. “I can’t believe you,” I shout. “You sat there—just sat there—while I lied about Ben Parish. You knew the truth and you just sat there and let me lie!

I lie in bed at night, after ending my prayers with the words "Ich danke dir für all das Gute und Liebe und Schöne" and I'm filled with joy. I think of going into hiding, my health and my whole being as das Gute; Peter's love (which is still so new and fragile and which neither of us dares to say aloud), the future, happiness and love as das Liebe; the world, nature and the tremendous beauty of everything, all that splendor, as das Schöne. At such moments I don't think about all the misery, but about the beauty that still remains. This is where Mother and I differ greatly. Her advice in the face of melancholy is: "Think about all the suffering in the world and be thankful you're not part of it." My advice is: "Go outside, to the country, enjoy the sun and all nature has to offer. Go outside and try to recapture the happiness within yourself; think of all the beauty in yourself and in everything around you and be happy." I don't think Mother's advice can be right, because what are you supposed to do if you become part of the suffering? You'd be completely lost. On the contrary, beauty remains, even in misfortune. If you just look for it, you discover more and more happiness and regain your balance. A person who's happy will make others happy; a person who has courage and faith will never die in misery!

I long for the day I no longer long for him.

I looked up the word “scandal” in my dictionary last night. No wonder there has been such a fuss.

I'm sorry. This is diary, not enlightenment.

I’m tired. Dead tired. So tired I can barely stay awake to write this. After helping Mr Bircher search for his head all night, I’m a little annoyed too. Dad doesn’t help. He doesn’t know what it's like for a girl my age, trying to fit in at school as much as possible, and trying to fit in all the dead people. It’s not easy being a soul helper.

I need to make myself strong on the inside instead of what is on the outside. I know all of this, but why can’t I put any of it into action? I guess that’s why I am in this place.

In looking back now, I see how it began in my childhood, altho’ I was not conscious of the necessity until ’67 or ’68 when I broke down first, acutely, and had violent turns of hysteria. As I lay prostrate after the storm with my mind luminous and active and susceptible of the clearest, strongest impressions, I saw so distinctly that it was a fight simply between my body and my will, a battle in which the former was to be triumphant to the end....So, with the rest, you abandon the pit of your stomach, the palms of your hands, the soles of your feet, and refuse to keep them sane when you find in turn one moral impression after another producing despair in the one, terror in the others, anxiety in the third and so on until life becomes one long flight from remote suggestion and complicated eluding of the multifold traps set for your undoing.

In the diary you find proof that in situations which today would seem unbearable, you lived, looked around and wrote down observations, that this right hand moved then as it does today, when we may be wiser because we are able to look back upon our former condition, and for that very reason have got to admit the courage of our earlier striving in which we persisted even in sheer ignorance.

I put artistic values above all others. Because writing, for me, is an expanded world, a limitless world, containing all.

Issues are like tissues. You pull one out and another appears!

I still remember our first meeting, when Albers brought him to my house. On the little carriage which carried him from the station, and which was hardly built with such loads in mind, sat a massive figure who appeared even more enormous by virtue of the thick overcoat he wore. Everything about him had the effect of extraordinary permanence and solidity: the deep bass voice; the tweed jacket, already, at that time, almost habitual; the appetite at dinner; and at night, the truly Cyclopean snoring, loud as a series of buzz saws, which frightened the other guests at my Chiemgau country house out of their peaceful slumbers.

The trouble was that I failed to record so much , I wrote, but how could I have believed that if I tried hard enough, I could remember everything? ❖

It is entirely conceivable that life's splendour forever lies in wait about each one of us in all its fullness, but veiled from our view, deep down, invisible, far off. It is there, though, not hostile, not reluctant, not deaf. If you summon it by the right word, by its right name, it will come. This is the essence of magic, which does not create but summons Franz Kafka, 18 October 1921 Es ist sehr gut denkbar, dass die Herrlichkeit des Lebes um jeden und immer in ihrer ganzen Fülle bereitliegt, aber verhängt, in der Tiefe, unsichtbar, sehr weit. Aber sie liegt dort, nicht feindselig, nicht widerwillig, nicht taub. Ruft man sie mit dem richtigen Wort, beim richtigen Namen, dann kommt sie. Das ist das Wesen der Zauberei, die nicht schafft, sondern ruft. Kafkas Tagebücher,18 Oktober 1921

It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I - nor for that matter anyone else - will be interested in the unbosomings of a thirteen-year-old school girl.

It’s an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I — nor for that matter anyone else — will be interested in the unbosomings of a 13-year-old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.

It's so hard to forget pain, but it's even harder to remember sweetness

It's strange. When I put something incomprehensible into a picture, it's usually because the form and colour interest me and because it just happens to fit in. Thwn my friends come along : 'What is that suppose to mean _' And they rack their brains for an interpretation, finding so many ingenious explanations that I feel quite proud of all the unarticulated ideas concealed in my pictures." - Fernand Khnopff to Alma Mahler, while walking in the Prater in Vienna, from her diary July 1899

I was one of those unfortunates adopted by upper middle-class professionals and nurtured in an environment of learning, art and a socio-religious culture steeped in more than 2000 years of Talmudic tradition. Not everyone is lucky enough to have been raised in a whiskey tango trailer park by a bow-legged female whose sole qualification for motherhood is a womb that happened to catch a sperm of a passing truck driver.

It's my diary", she'd explained. "Every mark I've had drawn on my skin connects me to where and who I've been- so I never forget who I am and how I got here."There was humour in the smile she offered him. "And you know what the real beauty of it is?" Hank had shaken his head. "Nobody can take it away.