Best 242 quotes in «nightmare quotes» category

Don’t let your business dreams turn into your personal living nightmare.

Do you feel it? Do you taste it?? ... That's going to be awesome nightmare!

Dreams are just lies that we tell ourselves while we're asleep.

Dreams can only be seen with open eyes, what you see while you asleep are nightmares.

Employment frees man from the nightmare of unemployment, while it chains him to his employer’s dream.

Fate was a reality, but it wasn’t a beautiful or angelic thing. It was a heart-wrenching nightmare. And we’d fallen blindly into it. We had no escape. It was happening, and it was up to me to guarantee our survival of it. (Eric)

First, all I could see was this beautiful face, this beautiful girl's face; like a white, slightly luminous mask, swimming detachedly against enfolding darkness. As if a little private spotlight of its own was trained on it from below. It was so beautiful and so false, and I seemed to know it so well, and my heart was wrung. There was no danger yet, just this separate, shell-like face mask standing out. But there was danger somewhere around, I knew that already; and I knew that I couldn't escape it. I knew that everything [ was about to do, I had to do, I couldn't avoid doing. And yet, oh, I didn't want to do it. I wanted to turn and flee, I wanted to get out of wherever this was. ("Nightmare")

For every light there was a shadow, for every dream, a nightmare.

from under the ground, from under the waters, they clutch at us, they clutch at us, we won’t let go.

For the record, while it's very charming that you keep trying to protect me, I would like to remind you that I actually know how to defend myself." He grimaced. "I know. It's just... instinct." "Well, stop it." He held his hands up. "Won't happen again." He hesitated. I mean, unless I'm pretty sure you're about to die, then I'm absolutely going to rescue you, whether you like it or not.

Going bald is a mohawk-having man’s worst nightmare.

Hot, bright heat filled him like some ecstatic poison, and Hartan's pony shied in terror as a wordless howl burst from his throat. His dripping ears were flat to his skull, fire crackled in his brown eyes, his huge sword blurred in a whirring figure eight before him, and the brigand running at him gawked in sudden panic. The raider's feet skidded in mud as he tried to brake, but it was far too late. He was face-to-face with the worst nightmare of any Norfressan, a Horse Stealer hradani in the grip of the Rage, and a thunderbolt of steel split him from crown to navel.

High altitude astronomy was a dream job that turned into a nightmare over the course of a decade.

I can be anything – and nothing, and everything at the same time. It all depends on the role I am in.

I could scarcely believe what I saw and I had the sense as in a nightmare of being involved in something both wildly improbable and relentlessly inevitable. This had to happen. Yet how could it have happened?

If I had to give you a proper description, I would say a camel cricket is basically a cross between a grasshopper and a dragon and that its natural habitat is the nightmares of men.

If it had been my decision, you would still be sleeping, and I would be hoping every hour of every night you lived was filled with the foulest of dreams.” “My only nightmare in this moment is the quality of the mattress you saw fit to place me on,” said Simon. “Really, brother, have you never heard of lumbar support?

If you don't build your dreams, regret will build your nightmares.

Good morning, nightmare!

He asked, looking at her dark-rimmed eyes, "You do not sleep?" She shivered. "No. I do not want to sleep any more. I sleep too much already. It is so cold, where Quincy sends me in my sleep. Deep into the house, farther in, not into the house we see. It is as if that house were a face, and when you see a face you can't see the brain or the thoughts of the person behind it. And it is so strange - the house inside the house." ******** "How is it strange - this that you call the house inside the house?" She said vaguely, her eyes growing glassy, "Strange. Shapes change, and sizes. The rooms are different: bigger and blacker and longer and the shadows are full of things. Creatures - or sometimes the rooms get smaller, fewer, and the furnishings change and change, like the scenes in a kaleidoscope, and I see the people in the portraits walking about in them.

I am the nightmare.

I’m not sure if I managed to respond or not; maybe it was all just in my head, a dream, like all others, in which he sneaks into my head when I don’t have any power to hold him at arm’s length. But William was right about one thing. I did have sweet dreams, or maybe it was just a beautiful nightmare.

I'm not sure if my dream is a dream, or a nightmare.

I lie more convincingly than I tell the truth.

I'm sorry about the screaming. I thought you were him.

In a polished surface of metal I happen to notice my reflected face; it wears a pale, beaten lonely look, eyes looking out at nothing with an expression of fear, frightened and lonely in a nightmare world. Something, I don’t know what, makes me think of my childhood; I remember myself as a schoolchild sitting at a hard wooden desk, and then as a little girl with thick, fair, wind-tossed hair, feeding the swans in a park. And it seems both strange and sad to me that all those childish years were spent in preparation for this – that, forgotten by everybody, with a beaten face, I should serve machinery in a place far away from the sun.

In the daylight we know what’s gone is gone, but at night it’s different. Nothing gets finished, not dying, not mourning;

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

I sit alone in a dead world. The wind blows hot and dry, and the dust gathers like particles of memory waiting to be swept away. I pray for forgetfulness, yet my memory remains strong, as does the outstretched arm of the oppressive air. It seems as if the wind has been there since the beginning of the nightmare. Sometimes loud and harsh, a thousand sharp needles scratching at my reddened skin. Sometimes a whisper, a curious sigh in the black of night, of words more frightening than pain. I know now the wind has been speaking to me. Only I couldn't understand because I was too scared. I am scared now as I write these words. Still, there is nothing else to do.

Isn't it ironic that a nightmare can masquerade as a dream?

It is a nightmare come true, as the city becomes Hell on Earth.

It begins when he’s still a man in a suit, doing the kinds of boring things that men in suits do. The things that no one writes about because they know that boys don’t really have nightmares about clowns or three-eyed tentacled beasts that rise from deep within volcanoes. When boys wake up screaming in the night, it’s because they know that, one day, they’ll have to grow into men who wear suits and spend their days doing boring things that cause them to rot from within, so their skin withers and blackens and cracks, leaking out their juices until they finally lie decaying and putrid, forgotten by a world that deemed them unworthy of remembering. It begins there because it’s important to know that a superhero with no past began as a man with no future.

I turned my nightmares into fireflies and caught them in a jar.

It is better to die for a dream than to live a nightmare.

In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")

It was almost like a reverse nightmare, like when you wake up from a nightmare, you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life.

It was like a great bee come home from some field where the honey is full of poison wildness, of insanity and nightmare, its body crammed with that over-rich nectar and now it was sleeping the evil out of itself.

It was for me a moment of great peace. I did not know then that it was the last, the very last moment of peace, the end of the old innocent world, the final moment before I was plunged into the nightmare of which these ensuing pages tell the story.

It was to apologize, and apologizing means he remembers what happened, and that means being trapped in a nightmare that’s already come true.

I was crying for the little girl I had been, who had withstood terrifying nightmares of death and blood and war and maiming. And when I had tried to share those horrors, the shock on my friends' faces had told me I was not normal, and I should keep my dreams to myself.

I wonder sometimes if the thoughts that flock my nightmares are abandoned memories coming home to roost.

I was wrenched awake at the tail-end of a stifled scream. I fought my way up from a deep dark dream. The scream had been mine.

I will wake a hundred times, lost in the madness of this nightmare, until the sunlight streaming through my windows finally burns the scene away. Even then, hours later, I cannot be sure I am not still in my dream. I am afraid that, one night, I will never wake. I will be doomed to rush to that door over and over again, running from a nightmare in which I am always, forever, lost.

Maldonado's face was ghastly. 'That' she said, pointing below the bed where the cat lurked, 'and that' - pointing to what lay on the floor - 'prove it was no dream. Do dreams leave marks behind them?' ("I'm Dangerous Tonight")

Mademoiselle De Lafontaine – in right of her father, who was a German, assumed to be psychological, metaphysical and something of a mystic – now declared that when the moon shone with a light so intense it was well known that it indicated a special spiritual activity. The effect of the full moon in such a state of brilliancy was manifold. It acted on dreams, it acted on lunacy, it acted on nervous people; it had marvelous physical influences connected with life. Mademoiselle related that here cousin, who was mate of a merchant ship, having taken a nap on deck on such a night, lying on his back, with his face full in the light of the moon, had wakened, after a dream of an old woman clawing him by the cheek, with his features horribly drawn to one side; and his countenance had never quite recovered its equilibrium.

Men said afterward that no blacker night had ever fallen...The wind roared through the city, ripping up slates, clawing at the houses until those within feared that not a wall would stand until morning. They thought they heard voices wailing high above the earth, and those who peered out swore that they saw terrible things as the north wind, the demon wind, bore southward the nightmares of a dying land.

March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?

Maybe his nightmare had been about me.

My ghost is the only soul who ever comes to cry on my grave... Only the skies cried sincerely on my funeral.

Must have been some kind a nightmare.” “Yeah,” I answer, my usual calm, vacant voice returning. “Can’t wait to wake up.