Best 451 quotes in «mourning quotes» category

Golden bars make no less a prison than a coffin on a hill. And in caged reformation, one wanders aimless still. The rafters now a recollection of sacred suppression. How the morning dawn strikes mourning confession. Now Death yields a harvest of the living masses. We walk toward its path no earthly power surpasses.

Grant not my prayers, when they are contrary to Thy will, which at all times must be the best. Oh, hear them not;

Graves are for the living, not the dead.

Grief works its way on people differently. Some sulk, or become morose, or weep and scream a vengeance at the gods.

Grief could take the form of violence too, could give a false sense of permission, erase the world around, and that was what frightened Clare most about violence, how transferable it was.

Grief did not quieten the world's demands, and I was thankful to be kept busy.

Grief might be easy if there wasn't still such beauty--would be far simpler if the silver maple didn't thrust its leaves into flame, trusting that spring will find it again.

Grief turns out to be a place none of us know until we reach it...We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be 'healing.' A Certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to 'get through it,' rise to the occasion, exhibit the 'strength' that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.

Grief needs an outlet. Creativity offers one. Some psychiatrists see mourning and creativity as the perfect marriage, the thought processes of one neatly complementing the other. A child’s contradictory impulses to both acknowledge and deny a parent’s death represents precisely the type of rich ambiguity that inspires artistic expression.

Grief is always sudden as winter, no matter how long the autumn.

Grief is NOT a mental illness or an emotional disorder. Anyone who tells you otherwise has never experienced it for themselves.

He felt her there beside him, just as she had always been on evenings like this when he had called for music, and when her touch on her instrument, or her least word to him, had been so much her own; except that he would have preferred even to this vivid dream her simple reality in the dark.

He had barred himself from mourning because...because he had never been part of Manon's life. Because there was nobody to mourn with him. Because he was alone, totally alone with the burden of his love.

He never talked about his mother--and I had learned never to ask--but I sometimes sensed her absence in his reactions to certain events, as if he knew even then that there existed under everything a universal grief.

He needs a looser association. He needs something that implies a man who wants the ice shard to remain in his chest, who's learned to love the sensation of being pierced.

He was seven years old the summer that his life ended. He'd always felt like his life was taken the moment that truck rammed into his father and sister. Or at least, the life he would have had was ended before it even began.

He took a deep breath in, still managing himself as if he were resisting temptation. He was a soldier, his father was in the service, too. Crying wasn't something Morell men did. They just didn't. He hadn't cried at Robbie Morell's funeral. So he wasn't going to now.

He was jealous, fearful and tender, He loved me like God's only light, And that she not sing of the past times He killed my bird colored white. He said, in the lighthouse at sundown: "Love me, laugh and write poetry!" And I buried the joyous songbird Behind a round well near a tree. I promised that I would not mourn her. But my heart turned to stone without choice, And it seems to me that everywhere And always I'll hear her sweet voice.

...he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world, so he prayed as a lament, as a consolation, and as a hope....

He woke one morning tantalized by an idea: if he could catch the orchard trees motionless for one second -- for half of one second -- then none of it would have happened. The kitchen door would bang open and in his father would walk, red-faced and slapping his hands and exclaiming about some newly whelped pup. Childish, Edgar knew, but he didn't care. The trick was to not focus on any single part of any tree, but to look through them all toward a point in the air. But how insidious a bargain he'd made. Even in the quietest moment some small thing quivered and the tableau was destroyed. How many afternoons slipped away like that? How many midnights standing in the spare room, watching the trees shiver in the moonlight? Still he watched, transfixed. Then, blushing because it was futile and silly, he forced himself to walk away. When he blinked, an afterimage of perfect stillness. To think it might happen when he wasn't watching. He turned back before he reached the door. Through the window glass, a dozen trees strummed by the winter wind, skeletons dancing pair-wise, fingers raised to heaven. Stop it, he told himself. Just stop. And watched some more.

Horrible figure of mourning: acedia, hard-heartedness: irritability, impotence to love. Anguished because I don't know how to restore generosity to my life--or love. How to love?

Holding the knife with the blade against my palm, it became so clear how my life would only contain shadows now. Shadows of things gone; not just the people themselves but everything connected to them. Was this my future? Every moment, every tiny thing I saw and did and touched, weighted by loss. Every space in this house and my town and the world in general, empty in a way that could never be filled.

How can it be that there is such a colossal gap between what we think we know about grief and mourning and what we actually find out when it comes to us?

How can you stop mourning the missing?

I am either lacerated or ill at ease and occasionally subject to gusts of life

How do you mourn endless numbers of people in endless numbers of places? Is there a form for it, a requisite time and place for mourning? Is there ever an end to it? Can there ever be an end to it?

I am homesick for the time when my heart was whole

I accepted all this counsel politely, with a glassy smile and a glaring sense of unreality. Many adults seemed to interpret this numbness as a positive sign; I remember particularly Mr. Beeman (an overly clipped Brit in a dumb tweed motoring cap, whom despite his solicitude I had come to hate, irrationally, as an agent of my mother’s death) complimenting me on my maturity and informing me that I seemed to be “coping awfully well.” And maybe I was coping awfully well, I don’t know. Certainly I wasn’t howling aloud or punching my fist through windows or doing any of the things I imagined people might do who felt as I did. But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.

I am in the unthinkable situation that people cannot bear to contemplate.

I am not, anymore, a Christian, but I am lifted and opened by any space with prayer inside it. I didn’t know why I was going, today, to stand in the long cool darkness of St. John of the Divine, but my body knew, as bodies do, what it wanted. I entered the oddly small door of the huge space, and walked without hesitating to the altar I hadn’t consciously remembered, a national memorial for those who died of AIDS, marked by banners and placards. My heart melted, all at once, and I understood why I was there. Because the black current the masseuse had touched wanted, needed, to keep flowing. I’d needed to know I could go on, but I’d also been needing to collapse. Which is what I did, some timeless tear span of minutes sitting on the naked gray stone. A woman gave me the kind of paper napkins you get with an ice cream cone. It seemed to me the most genuine of gifts, made to a stranger: the recognition of how grief moves in the body, leaving us unable to breathe, helpless, except for each other.

I began an expedition called Grief. An alternate route along my sacred wandering. A detour with tears and troubles. On this voyage, I sensed God warning me, “Buckle up! It's going to be a bumpy ride.

I am very familiar with the sound of loss.

I can't stop thinking about what Caroline said to Minna about death. It isn't an infection, she said. She might be right. Then again, we've nested in the walls like bacteria. We've taken over the house, its insulation and its plumbing - we've made it our own. Or maybe it's life that's the infection: a feverish dream, a hallucination of feelings. Death is purification, a cleaning, a cure.

I can't see the logic in medicating a grieving person like there was something wrong with her, and yet it happens all the time... you go to the doctor with symptoms of profound grief and they push an antidepressant at you. We need to walk through our grief, not medicate it and shove it under the carpet like it wasn't there.

I can’t shake you.

I confess to sudden rages. Walking in Midtown, rush hour's peak, people streaming in both directions, I find myself seething, ready to kill. Who are all these fucking people, and how is it fair, how is it even possible that all of them, these perfectly ordinary people, should be alive, when you--

I could feel my insides sink. My knees too. So I sat on the ground, against the wall, letting it support me. I thought I knew what heartbreak felt like. I thought heartbreak was me, standing alone at the prom. That was nothing. This, this was heartbreak. The pain in your chest, the ache behind your eyes. The knowing that things will never be the same again. It’s all relative, I suppose. You think you know love, you think you know real pain, but you don’t. You don’t know anything.

I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night The mountaintop is not in sight Because there is no mountaintop Poor Sisyphus grief I did not know I would struggle Through a ragged underbrush Without an upward path ... Look closely and you will see Almost everyone carrying bags Of cement on their shoulders That’s why it takes courage To get out of bed in the morning And climb into the day.

I didn't know that would be the last time I'd see him, his neck scar lit blue by the diner's neon marquee. To see that little comma again, to put my mouth there, let my shadow widen the scar until, at last, there was no scar to be seen at all, just a vast and equal dark sealed by my lips. A comma superimposed by a period the mouth so naturally makes. Isn't that the saddest thing in the world, Ma? A comma forced to be a period?

I did not cry then or ever about Finney. I did not cry even when I stood watching him being lowered into his family’s straightlaced burial ground outside of Boston. I could not escape a feeling that this was my own funeral, and you do not cry in that case.

I did not want to die, but desperately wanted to be anywhere but there; the pain was unbearable. Yet in that vision, or whatever it was, I felt that the intertwined knots were the connections with the people we loved, and that nothing else could have kept us in this world.

I drag the body out into the snowdrifts, as far away from our shack as I can muster. I put her in a thicket of trees, where the green seems to still have a voice in the branches, and try not to think about the beasts that’ll soon be gathering. There’s no way of burying her; the ground is a solid rock of ice beneath us. I kneel beside her and want desperately to weep. My throat tightens and my head aches. Everything hurts inside. But I have no way of releasing it. I’m locked up and hard as stone. “I’m sorry, Mamma,” I whisper to the shell in front of me. I take her hand. It could belong to a glass doll. There’s no life there anymore. So I gather rocks, one by one, and set them over her, trying my best to protect her from the birds, the beasts, keep her safe as much as I can now. I pile the dark stones gently on her stomach, her arms, and over her face, until she becomes one with the mountain. I stand and study my work, feeling like the rocks are on me instead, then I leave the body for the forest and ice.

I feel her presence in the common day, In that slow dark that widens every eye. She moves as water moves, and comes to me, Stayed by what was, and pulled by what would be.

I feel I've lost every part of me...there's nothing left but the parts I've given to you. I need you to hold those pieces together. Please don't forget who I was...then...then there really will be nothing left.

I felt as though the vessel if my suffering had become empty, as if nothing could interest me now. I had lost even the ability to suffer.

I felt like a mouse running through one of those cardboard mazes. I didn't have to think about anything I did. My body just...went. The difference was that, unlike the mouse, there was no hunk of cheese waiting for me at the end. No reward of any kind for making it through. In fact, there was no end at all.

If grief kills us not, we kill it. Not that I cease to grieve; for each hour, revealing to me how excelling and matchless the being was, who once was mine, but renews the pang with which I deplore my alien state upon earth. But such is God's will; I am doomed to a divided existence, and I submit. Meanwhile I am human; and human affections are the native, luxuriant growth of a heart, whose weakness it is, too eagerly, and too fondly, to seek objects on whom to expend its yearning.

If I believe, truly believe our souls are meant to cross paths, in each and every life, traversing millennia and repeating this sweet interaction time and time again Then what is one lifetime where those interactions are cut short - For the Departed

If you ever lose someone dear to you, never say the words they're gone. They'll come back.

If I were to believe in God enough to call him a murderer, then I might also believe enough that he, as a spirit, exists beyond death; and therefore only he could do it righteously. For the physical being kills a man and hatefully sends him away, whereas God, the spiritual being, kills a man and lovingly draws him nigh.